
JoJo’s Bizarre Adventure
Well then, let’s watch a movie.
>>1
Show me!!
The great first installment that achieved the animation of up to part 7 by compensating for the lack of drawing quality with direction and voice acting.
At first, I thought it was just like a manga in motion, relying heavily on the original source.
I honestly thought the fifth part of the anime was amazing.
Interpretation of characters, etc.
When this key visual came out, the response was, “Oh, this is low-budget and no good.”
The content was amazing.
If you’re shown that opening, then… you know…
The world has finally realized the appeal of JoJo (it really hadn’t been noticed).
Was the animation like that…?
I remember being moved because I saw it live and it was just really well done…
>>8
It’s either being beautified by nostalgic distortion or I’m just not that conscious of it.
>>8
There are episodes that are really well-made, but you are probably seeing non-existent animation thanks to the passionate performances of the voice actors.
If you mess up this line, you’ll be targeted by fans all over the country, so there’s pressure on you.
I’m really grateful that instead of starting with the popular ones, you decided to do it properly from the beginning.
>>10
And it’s nice that everything became popular…
>>10
If you suddenly do the three parts, it feels like, “What is this old man, and why is this old man’s body being taken over…?”
I could feel the staff’s passion.
It’s either clumsy or super trendy.
But it’s amazing that it can be seen without any discomfort.
The sharpness of the direction was present from this time.
It may be that the trends popular on Niconico had quite an influence.
In any case, the energy of all the voice actors’ performances is amazing.
>>17
Koyasu: “Are you Okitsu-kun? It’s because we’re not getting along.”
Even though it’s the same staff character design, the second part was captivating from the key visuals, not just because it moves impressively.
In just the third episode…
If JoJo were to be adapted directly into visuals, wouldn’t the dialogue delivery end up being quite ridiculous? I took on this fear and did it wholeheartedly.
I was laughing at Speedwagon’s long lines in every episode.
>>20
No matter how strong the firepower is, there should be a level of ability to escape~! I like that.
>>20
It was unintended, but bringing together parts 1 and 2 turned out to be effective.
It turned into a unique flavor that packs in elements at a tempo like a demon.
Dio aside, where did Jonathan, who has a voice like Jonathan, come from…
Part 1 was especially enjoyable as a gag anime, partly due to its high tempo.
It’s a bit amazing that the movie has become a representative work of lost media.
The sharp part as it is can be a dangerous guy if you make one wrong step.
I felt a willingness to approach the heavily styled anime theme song with a different stance than past adaptations.
It feels like a premium SR.
“I haven’t read the original work, but is this scene supposed to be surreal or funny?”
“Although it’s a serious scene, it’s where you laugh.”
>>29
W-What are you doing?! I won’t forgive you!
“If you can’t say this line well, you’ll be hated by JOJO fans all around the world, you know?”
Before the voice recording, Matsuoka-kun is told by Kawasumi-san.
>>30
That line is, in a sense, representative of JoJo, but… it’s a minor role, right?
The animation may be like that, but everything else is great and the pacing is good, so it’s my favorite.
The official has released up to episode 3, so when I watched it again after a long time, the power is amazing.
The heat and momentum in episode 3 are incredible!
Speedwagon reached its peak with “Our hope!!”
I just noticed that it became paid on Prime, damn it.
My parents were reacting to ED.
I really like the way the design is incorporated.
It’s not the Araki of that time or the Araki of now, but the atmosphere remains.
I wonder if the 7th part is the same as the narration.
Honestly, I feel like it’s okay to change.
>>39
I want to hear my sister’s husband in that narration.
The amazing thing about this is that it reaches a sort of final episode at the end of the third episode.
For now, just watch up to episode 3! It’s easy to recommend, and you can judge whether it suits you or not with just that.
I remember that the radio was really interesting.
Looking back, the pacing in some parts is incredible.
For better or worse, it seems that the budget was allocated from the third part… it was made that way.
Part 4 was suspicious.
JoJo was on the “It’s fine to start from Part 3” side, but has now switched to the “Please start from Part 1” side.
Thanks to the officials hitting me with full force, I was able to reform myself.
Even my friends who don’t know JoJo were completely absorbed in it.
At first, it was mainly just a silly anime…
It was already popular, but I feel like the popularity of Part 5 has become something extraordinary.
>>49
The impression that popularity overseas began to rise from Part 5.
I wonder what would have happened if I had done it carefully like I did later.
I think Part 5 is the best work so far.
I want you to surpass Chapter 7.
The fifth part really has outstanding character popularity.
The sixth part was really a bottleneck in that area.
If we’re talking about fan popularity, the already high second division is still acceptable.
It feels like the position has changed quite a bit since the first part.
There were phrases flying around that sounded as if they had been attacked by a Stand, claiming that fans of JoJo’s Bizarre Adventure Part 2 are just casual fans.
>>56
You’re not a poser; you’re just pretending to be knowledgeable.
Of course Japan, but the way JoJo memes have established themselves abroad is amazing.
I don’t really think it’s true that “people just haven’t realized how interesting JoJo is,” like what some slightly twisted middle and high school students might say.
>>57
I feel like it’s just right to watch it as an anime since it’s old and a bit creepy.
Looking at the later protagonists’ delinquency, the gentlemanly Jonathan becomes out of place.
Whether the necessity to structure the story like a packed sushi roll was intentional for the sake of good pacing or a fortunate accident is unclear.
It’s great that they faithfully adapted the sixth part, which is sandwiched between popular parts, into an anime for Netflix.
I wonder if Matsuoka-kun will turn into Johnny.
OVA and SSR
It seems that part 7 has many scenes that require a sense of illustration, which must be tough.
Expressions like “Catch the Rainbow.”
The narration is good again.
>>55
The overwhelming intensity of that bloodline’s destiny is too strong.
It’s more like it’s easy to use and convenient, even though it’s supposed to be an SR.
It’s amusing to see JoJo (or rather Araki’s works) parodies appearing in overseas works several decades later.
>>69
The world is following Asahi Shimbun with a few decades of delay…!
I think the influence of anime has been significant in making phrases like “I can’t help but drink!” become widely understood as common expressions.
Memetaa really couldn’t handle the audio after all.
Moreover, there was Nico Nico at that time.
It accelerated as a gag anime, didn’t it?
Finally, can I see the moving Mike O…?
I was drawn into the battle against Hormagio in chapter 5.
It’s a complete disaster around you, but you’re so resolute, aren’t you?
The character design in Part 3 is still disappointing…
What are we going to do about the sound effects? Without them, it wouldn’t be JoJo. A performance to silence the factions.
Right now, I’m seeing comments on the original video of the stand saying “I saw this song in JoJo, lol.”
It’s an era where we can see comments that sound like they come from bratty kids in foreign languages…
Take it easy in the fourth part and put in effort in the fifth part.
I’m surprised that the fifth part is contemporaneous with Rurouni Kenshin and Yu Yu Hakusho.
It doesn’t feel old even if you drink it now.
I’m seriously hoping they would quietly release the movie version.
I wanted to see Bullyrin, but if it’s a choice between that and Donovan, I guess there’s no helping it.
I’m sure the people who created it really wanted to release it too.
The duel scene at the Joestar residence was incredibly intense, especially with Mr. Okawa’s narration.
The Joestar mansion has also become extremely hot.
>>85
Each interaction is written carefully, and I thought, “Was the battle between Jonathan Joestar and Dio at the Joestar mansion this interesting!?”
In the new Turtles release, Donatello is wearing a JoJo’s hoodie, and it really shows that there is a lot of overseas popularity.
>>86
The barrier to experiencing Japanese anime has lowered due to the spread of streaming, and the generation that grew up watching exported anime like Dragon Ball is now on the production side.
Ugh, what is this power!? Seeing Dio standing upright and getting blown away straight to the side made me confident that this anime is going to be okay.
I think it’s difficult for anyone to give a perfect score to the original work, as it’s a bundle of quirks.
>>88
There were opinions like, “It’s different from the original, but why isn’t the character design by Junichi Hayama?”
The voice of the man on the pillar is coming to win.
Part 4 has relatively few scenes that stand out in anime, so if you think of it as a breather in terms of the story’s atmosphere, it’s okay.
During my time with Shonen Jump, I recognized it as a somewhat grotesque manga that consistently occupied a spot from the middle to the back.
I don’t read it, but I guess there are fans out there.
Gained popularity all at once through fighting games.
>>92
I have a crush on older guys, but among my peers, they only thought of me as someone who likes weird manga.
It was fixed in the animation for the Blu-ray and such.
>>93
Have the confusing chronological representations that I didn’t understand disappeared?
The direction of using it in TV cartoons was extremely fitting.
>>94
It’s the complete opposite of the three-part OV aimed at making a movie.
I didn’t want the narration about the stone mask quietly waiting for time to be cut.
I realized that there are too many lines from the anime adaptation that have become well-known phrases or internet slang.
>>96
I mean, most of the famous ones are only a part of it…
The only failure in the anime adaptation is the super annoying funny soldier commercial that gets sandwiched in between Caesar’s lonely youth.
>>101
My body is! ↑↑
Ono
Ono
Ono
The earnest humor and intensity of episode 3 are outstanding.
It’s always stuffy and interesting, but it really gets hot.
I can only express my gratitude for taking the time to create all seven parts.
It’s perfect for an anime ending that a roundabout…
(So you call yourself “gobabaa”…)
When I first heard Joseph’s voice as Sugita, I was wondering how serious scenes would turn out.
I was impressed by the scene where they call out Caesar’s name…
>>107
The serious 1000% Sugita, who isn’t joking around, is really cool, isn’t he…?
Pacific Rim’s Raleigh and the dad from Shinkalion
I think it’s significant that the image of Giorno being aloof in the anime has been dispelled.
Instead, there are unusually many strange rumors and damages to reputation.
>>112
You.
>>112
This man is so charming just to look at.
The fourth part is valuable enough to produce Great Days with ample change left over.
Is this guy invincible?!
I thought that Lord Joestar was quite too kind-hearted, which is not really ideal for a father protecting his home.
>>116
You were too kind! That’s what the inspector told me too.
It’s not just that! That’s what Speedwagon is saying too.
Speedwagon is noisy, and Stroheim is noisy too.
But it’s lonely without you.
>>118
A commercial that ruins the lingering emotion.
Jotaro and Giorno have shown a charming cuteness that matches their age in the anime, right?
I feel like some people only say famous quotes.
I was told that I could do whatever I wanted except for the requests from the original creator of the ED song, and that led to this being created.
Thanks to the voice added, the final moments of Weather felt even more tragic.
The massage is cut out, so the flow has become more serious.
The fourth part had good performances by the women.
How romantic!
But it is that kindness that raised JoJo to be a noble gentleman.
>>127
I wonder… If it weren’t for Dio, I would have just been a softie with poor table manners, no studying, and no sports…
>>133
Even in an era of pampered individuals, there exists a gentlemanly spirit in protecting Elina while getting beaten up.
This person has won… they’ve won!!!!!!!
The humor in JoJo was personally difficult to laugh at due to its unique art style, but I was surprised that it became instantly funny when it had voices.
Cross-dressing Joseph laughed holding his belly.
>>130
Raise your hands!
>>135
The tempo of the soldier’s insults from over there is really unfair, like “Taco!!”
I also like how Joseph Sugita gets angry.
The OP was amazing without any hesitation.
To be continued… who would have thought it would become a meme on the internet with background music?
>>132
I like the one who catches spiders.
>>129
I only have memories of it being well-received back then.
It might be the difference in the communities I was watching.
Inoue Kazuhiko, that’s great.
“What’s that? It’s totally irritating the way you say it!!”
The excitement of finally being able to watch the anime of the second part after overcoming the wall between the third part and the first part was overwhelming.
And now it’s a joy that’s beyond just a commotion.
Roundabout is a great song.
When you watch part of it, the reactions of the mob are really reminiscent of Fist of the North Star.
Everyone is really muscular afterwards.
That said, Part 4 was interesting, including the opening video.
>>143
I didn’t like the first opening at first, but I gradually started to like it.
It’s nice to feel the essence of that era, isn’t it?
I never thought that JoJo would become such a huge popular content through its anime adaptation…
When watching interviews with anime staff, Araki-sensei is quite cooperative when asked.
I had the image that you might just throw anything out there as if you don’t really care.
>>145
I can easily draw designs for games and such too.
The OP goes back from the final battle scene.
You are Dio Brando.
You are Jonathan Joestar.
Landing is the best.
>>129
In the beginning, there were noticeable parts that were rough, like the artwork and the pacing of the story.
It’s gradually picking up speed and the evaluation has improved, but…
Looking back at the early days now, there are surprisingly many people whose voices I will never hear again, and I realize the weight of the ten years that have passed.
The Deathman MAD was also getting excited.
>>149
It’s really heavy. What’s inside it?
>>153
Stop complaining and just do it!
Elina, who rinses her mouth with muddy water without hesitation after being kissed by Dio, has too much teasing power…
I think the role of Jonathan was perfect.
Due to Koyasu’s excellent performance, the sticky feeling of Shadow Dio has increased by 50%.
When you watch Cars, you realize that this character is completely unstable in personality.
I was electrified by the last opening of Part 6.
Kamikaze Douga is seriously SSR.
I never thought Giorno’s name would become well-known enough on the internet for almost anyone to understand it.
I was concerned that Caesar! would turn into a Gintama-like gag, but it was fine.
The scene with Jonathan and Elina saying “We can lift such a heavy stone!” made the people involved laugh because it was described as “like a shopping channel.”
It’s really impressive that even when the voice actor choice for ASB, which had a good reputation, was changed in the anime, there were hardly any complaints.
>>165
The voice actor choice changes almost every time.
>>165
Because Okuyasu remains Okuyasu, it’s flexible and good that he hasn’t changed the person who is truly perfect for him.
>>174
A man who becomes despairing when he shows up for an audition.
>>165
I really think it was good that the anime changed things because the game had too much of a core sleaziness and petty feel.
>>165
After the first and second parts of the anime, ASB…
Capcom’s third installment was also well-received.
>>198
ASB has characters from up to the seventh part, but in the anime from the third part onward, the casting has mostly been different from ASB, so that’s what they’re referring to.
(That aside, even after a long meeting with everyone, there was no conclusion reached regarding Kinkuri’s abilities.)
>>166
To solve that mystery, we headed to the original author, Hirohiko Araki.
Dio flying horizontally (as in the original).
Jojo…
JoJo…
Is it okay to say that the original source of the phrase “I don’t understand because I’m an idiot, you know” that I often see online is Okuyasu?
>>171
It’s probably one of those typical dumb character traits where you can’t even trace back the origins.
>>171
It feels like a flow coming from Tar-chan.
The cooperation with Stroheim happened more than I remember.
I couldn’t help but think that this guy might be a better partner than Caesar, just a little bit.
I heard on the radio that the male voice actors of JoJo received some good feedback.
Recently, it’s a rare work that showcases a passionate performance filled with shouting.
I thought Kakyoin and Polnareff were better in ASB, but before I knew it, that voice had grown on me.
The feeling that Kakyoin especially seems to have no friends is something only that person can convey.
>>175
Kakyoin becomes increasingly outrageous in the anime original.
Speedwagon is annoyingly loud, yet he can read the room and leaves coolly, which is just too unfair.
That being said, it’s funny how someone I barely know, Dio, suddenly starts trash-talking me.
The “to be continued” insertion wasn’t overlapping with the roundabout’s Dain as much as I thought.
It’s nice, an opening that can repeatedly call out the title of the work.
I still like the first part of the OP the most.
It seems like people from overseas are really getting excited about SBR, but do you guys really like JoJo that much?
>>182
Since it’s set in America, the voices of Americans seem louder.
Having Mr. Iwanami as the sound director was significant.
I was incredibly moved by Vanilla Ice’s Hayami-san.
The anime was amazing!! It was the best to hear!
>>187
I never expected a sequel from a game that was released so long ago…
I heard that the span from the completion of Part 1 to its adaptation into an anime is the same as the span from the completion of Part 7 to its anime adaptation, and it made me fear the passage of time.
Looking to the eyes of the world.
Shut your mouth, brat… (original anime)
Deceiving the darkness and evading the moment.
Take advantage of the gaps between those who slip through blades.
That’s nice, isn’t it…?
Lero lero lero lero lero
The concern about what to do regarding the stage names related to Western music was unnecessary worry.
>>196
Zipperman is too much, right? (lol) I laughed because they were saying that even across the ocean.
When shown as a video, Janken Kozo was born with a strange and funny excitement along with mysterious high tension and a bizarre aerial technique.
Survivors are being scattered, be careful.
Even though I already know what happens, seeing Polnareff in a wheelchair in the anime is still tough.
I didn’t realize the Holmajio battle in the anime was this interesting.
It was unexpected for Rohan Kishibe to become a hit in a live-action drama.