
There’s no way it can be animated.
>>2
“You can only say the line ‘There’s no way it can be animated’ four times from now on.”
>>15
There’s no way it’s possible, there’s no way it’s possible, there’s no way it’s possible, there’s no way it’s possible.
You’re doing something like that buckle in the main story.
This is being done.
This is being done intentionally, isn’t it?
I thought it was a strange picture, but so that’s what it is.
Well, it’s a work themed around the golden ratio and golden rotation, so it wouldn’t be strange to have something like that…
There is no U of respect…
That’s a spoiler.
It’s better than the forced golden ratio in the story.
>>13
The golden rectangle is great, isn’t it? It’s hard to believe when the golden rotation manifests.
Actually, it looks good…
I always think, but I don’t really understand why the images of the golden ratio are considered good based on where the lines go.
The Golden Ratio-kun always says unreliable things, but this time it might actually be true.
Well, this was probably intentional.
>>18
I wanted it to be more precisely aligned since it’s a work that has meaning when targeted.
The judgment of “Yoshi!” being on the line is too rough, so it can apply to just about anything.
I’m so excited for the showdown with Ringo and the Fountain of Sugar Mountain!
When I looked closely, it’s not that bad.
There are too many people whose faith is so strong that they see things that aren’t there.
Isn’t the top left a bit too rough?
>>25
It’s like it’s even okay if the hit detection is just for the right half or something.
You’re not even in the right edge anymore, are you?
>>26
It’s already unavoidable since the scale of smartphones and TVs is not 1:1.1618.
Well, if you’re having fun, that’s good, isn’t it?
I think there are certain aspects of this that they’re doing intentionally.
It’s enough to have a vague recognition of that within the story.
Normally I’d think it’s foolish, but given the nature of the work, I can’t completely dismiss the possibility that it’s being done consciously…
>>31
If we do it, I think we should make the image size itself in the golden ratio.
The right horse’s hind leg has a purple area that has a width extending to the toes.
The theory that if you scale and rotate the golden ratio, it can be applied to any picture.
>>34
The golden ratio exists everywhere in nature.
It’s a matter of how to place it in an effective location and size.
>>34
It’s a matter of ratio, so don’t scale it up or down!
>>38
Is it not allowed to zoom in and out even though it’s a ratio…?
>>40
The discussion is that changing the ratio through scaling is not allowed, and if that’s not changed in the first place…
>>43
Isn’t it true that no one has said you should just change the ratio by scaling it up or down?
>>34
In other words, it seems that the technology of SBR was to find the golden ratio that exists everywhere.
When viewed as gold, it feels good that there is an excess, doesn’t it?
Is it okay that Gyro’s horse’s legs are popping out and Johnny’s horse isn’t touching the ground?
Beautiful
A perfect kowtow.
The rectangular part is more important, yet the golden ratio tends to be applied only to this curve.
Strictly speaking, the perfect golden ratio exists only in nature, so it’s unavoidable if there is some discomfort with the golden ratio created by humans.
>>42
It’s the one that Gyro mentioned…
I feel like the logo part applies, but I don’t understand the part about the two main characters.
It seems like there’s a fun aspect to finding something in everything.
I actually think it’s ridiculous to talk about the golden ratio too much.
Silver Ratio!
There’s no way I can properly describe a horse’s running!
It’s impossible for it to be a proper golden ratio since it’s drawn by humans, right? Are you stupid?
Go finish SBR one more time.
>>53
There’s no way I can do it!
The ignored cliff on the right edge is crying.
It’s a part that no one sees, like cliffs and rocks.