Regardless of the original spin-off’s appearance, don’t show up when you’re not in the original work.
Tch, I’ve strayed too far from my post.
Never leave your post for the rest of your life.
That person has nothing to do with Blast anymore, so there’s no reason for them to appear at all.
>>2
You still don’t understand, do you…?
In the original story, it seems that there was a panic about the fact that that person lost to Blast.
>>2
Void and Blast being former comrades hasn’t changed even in the current revision, so it’s not unrelated.
Murata’s twin.
Well, take it easy.
Well, calm down.
>>3
Well, take it easy.
>>3
Village straddles like that.
Although they are treated as a mysterious hero that never appears in the original work, the constant appearances here are causing their status to decline rapidly.
>>5
Murata might be stronger, but anyway, his appearances are wasted and too cheap.
If there was so much misunderstanding with the Amai Mask, they should just stop with the original depictions.
I might want to make it so that, aside from direct combat, they can stand shoulder to shoulder with Saitama in terms of skillfulness and versatility, because they are amazing.
That doesn’t work with the concept of One Punch Man.
>>7
The original character feels very much like a fan-made one.
In other words, saving the world in secret.
If he weren’t there, humanity would be instantly doomed; that’s Saitama’s domain.
At least wrap up a story where the supporting characters are the main focus with the supporting characters.
It seems like you’re doing it alone.
>>12
Is this about Blast’s active scene?
>>12
Well, take it easy.
>>12
It’s a story about the two of us making it together, right?
Wrap it in aluminum foil.
This guy is a plague god that brings out new enemies.
I don’t dislike it as much as I say, and I think I’m strong, but I wonder if it’s appropriate to intervene in battles with graduates.
The plot that pushes the author’s favorites is often disliked, right?
They were doing something similar with marriage toxin as well.
Someone who talks about their own opinions as if they were someone else’s…
As expected, I can’t match Saitama, but I’m stronger than other S-class heroes, though I’m quite stubborn about it.
Even so, the increase in the public and the incidents involving strange people in the city cannot stop the world’s corruption, which is empty in its original form.
Is the reason for being here now so important that I can neglect God’s matters?
I mean, Blast isn’t needed in the ninja arc, right?
>>23
Wasn’t it the case in the original story that Blast destroyed the ninja village after Flash left?
Why does this guy hate the ninja village so much?
>>26
Unknown in the ONE version.
In the Murata version, we only went to search for the Cube and the Void.
>>23
In the first place, everything that is not in the original work is unnecessary.
It ended up just ruining the opportunity for the two handsome guys, but what was this old man…
I thought you erased the blast, but you’re bringing it out again. Why did you redraw it?
The original work states that there is no way to counter Boros at that level other than Saitama.
If you’re having a festival with continuous dragon releases, don’t let it cause inflation.
The only setting is that Blast once destroyed a ninja village in the past, so there isn’t a deep connection between Blast and ninjas.
It feels like Murata is doing it all by himself…
Wasn’t the charm of this person that they had a mystery surrounding them?
The Monster Association arc has the Homeless Emperor, so it’s fine for Blast to be there, but there’s no reason for him to be in the Ninja arc…
I think it would all just be a farce if Blast and his friends could just bring a bald guy along to let him punch their opponents and end the fight.
In the first place, the story of ninjas isn’t really something to dwell on that much.
Well, I’m not really dragging it out, but I’ve redrawn it three times…
If they don’t come out, they have character, but what happens if they do?
I want to appreciate that they threw that character away and returned to the original one-punch route.
It has returned from a big negative to a slight negative.
>>36
sa
I don’t really like it because if you’re going to throw it away, it feels like a portrayal of the ties with the Void that you’ve been working on until now.
If you’re going to do it on the original route, then there’s no need for Blast in the first place, and if you’re going to include it, I want you to go with a unique route.
This old man has such corny lines.
Even though there are S-class heroes, are there allies like the Avengers or Eternals?
Blast is just actively crushing villains and doesn’t have any specific grudge against any particular villain at the moment.
Maybe the original Blast is like Suzuki from the hero version of Mob Psycho.
The Avengers in question had an overwhelming desire to create their own characters and dive into the multiverse.
I’m not sure what the official history is on this side, but did the Avengers disappear as if they never happened?
>>43
No, they’re just normally there.
The part where the gate is open and showing the face is in the volume.
If it no longer complements the original work, then it’s no longer needed.
It seems that the Ninja Village arc is finally coming to an end, and I’m feeling a bit more like myself again.
Thinking about whether they will continue to cut down scenes of original characters like they did with Sonic Frontiers, it makes me feel depressed.
>>45
Since Garou’s arc is at its climax and there is a connection between Amai Mask and Blast, it is almost certain that Amai Mask will appear in the upcoming Amai Mask arc.
The previous loop had a meaningful exploration of the Kami, regardless of whether it was good or bad, so there was a purpose for Blast’s presence.
The current loop is just wedged into the gaps of the original work, so we really don’t need Blast.
>>47
An old man who came out and reduced the opportunity for Sonic Flash to shine.
>>47
Did they give up and go back to the original route?
Blast seems to pull back with some reasoning or justification, more or less.
I think there is an audience that would enjoy it if you made the original character involved in all the events like in a secondary original story.
>>48
The reason we were able to save Genos and defeat Garou is…
Isn’t it because all the blasts were there…!
It’s crazy to create an original role for Pochi, who we don’t know how he will be active in the original work going forward, not just in Blast.
You’ll have to rewrite it again.
The most frightening thing is what will happen when Blast appears in the original work.
>>50
I want it to be that he’s completely different and makes me think, “So what the hell is that guy?”
“Just stick to the panel layout and dialogue from the original and draw it from the beginning.”
>>52
There are also parts that deviate significantly from the original work besides Blast.
>>71
Personally, I think the scene where the Prisoner scolded Kurobikari is one of the best moments in the whole film, but the change they made was really off.
I wonder if the admiration for the sweet mask could just be overlooked.
>>54
The fact that Blast has neither shadow nor form in the original work and is now in this development feels somewhat…
Since the appearance of Blast, let’s consider it as if it never happened.
Don’t try to create a similar position when the Deus Ex Machina role is already filled.
>>58
On the contrary, I really don’t understand why they’re bringing back the dead weak ninjas in droves.
It feels like all the heroes aimed to become heroes because of Blast in the past.
>>60
Let’s insert Blast into Saitama’s past as well.
>>69
It’s really Tsukishima!
Pochi’s destructive beam will be fixed later, betting on the souls of panicked beings.
If the conversation progresses, even if things are not going well, you can still enjoy not knowing what lies ahead.
The fact that you’re looking for feedback before making changes means it’s already over.
For now, I guess they want to quietly withdraw for the time being.
>>64
Either way, if you have that much time left, you’ve been told that you should be able to go meet Blue, so it must be difficult to bring it up.
Was there ever a depiction in the original work of Blast being a warp gate user?
The current state is already significantly diminishing the interesting aspects of the original work.
If you go down a completely original path, it won’t really take the form of reading material anymore…
>>67
It’s already like that at the point where I’m constantly redrawing, so it’s probably better to separate.
Saitama being mysteriously friendly is also very much like the original character.
Perhaps it was because there was a setting where Blast and that person were fighting at the time of the ONE version, so they wanted to incorporate that and started making things like Void…
…I was thinking that, and then it ended abruptly with that person coming back and being instantly killed by the bald guy… So, we don’t need the blast, right…?
>>73
It would be annoying if Blast did something to a guy who can’t be taken down instantly, right?
It’s honestly a mystery why they keep featuring characters who aren’t originally present in each series.
The void is really becoming true to its name, isn’t it?
>>75
It’s actually good that it has the name, but the blast part is noisy…
Considering that it’s almost certain to make an appearance in the highly regarded Amaimask arc.
I might have wanted to loop in the ninja village for a lifetime.
You’re really a monster, aren’t you? A self-staged monster like Mysterio, right?
How about doing a manga adaptation of Narou?
>>81
I think it started with a feeling similar to that of a Narou comic adaptation.
It’s pitiful to see explanations about Shibu.
Even without the remake, there are discrepancies between the original and the remake.
Even in the remake version, settings come and go.
How about publishing it separately as Blastman?
Don’t come out of your post!
After the days passed, I’ve finally finished, and I feel a sense of relief.
But it’s not like they will be gone in the future… That’s changed into anxiety…
I still haven’t forgiven the ending of the Garou arc.
You strayed too far from your post, and all you did was help a weak ninja while being away from your station.
>>89
Go meet your son.
>>89
Does asking for help really change anything?
Doesn’t it feel like a monkey space delivery?
I thought they would rework and enhance the blast scene with that person, but it seems they went back to the original work instead…
The judgment is slow…!
Since the blast itself still exists, I don’t like the expression that it’s just like the original.
It’s funny to think that Blast is going to get involved in the current ONE version.
When asked if it was restored according to the original work, it’s like this…
It’s more in line than before, but since the previous one was completely different, it’s more of a return to a relatively better state rather than a full recovery…
It seems that having participated in the Blast will significantly change the storyline of the Neo Hero arc, but it probably won’t have much of an impact on the overall plot anyway…
There will likely be moments where the blast steals the spotlight and mysterious battles occur.
>>96
Even in a situation like this, you still won’t come!? All the anxiety and frustration of feeling blue gets completely ruined.
Well, it’s too late now.
Blast: “You’re just starting now; it’s going to get more and more interesting.”
I’m sorry, calling you a weak ninja was misleading.
I forgot about the strongest ninja, Massou.
I think the original Blast only appears a little at the very end.
The reason you don’t go to meet Blue is because it would be obvious at a glance that you’re self-proclaimed Blast.
If you forget that it’s an unknown old man getting in the way and just look at the character, there’s nothing interesting about it at all.
>>103
Absolutely ONE wouldn’t draw such a cheesy and tacky character… it feels out of place.
>>103
It’s strangely strong, which makes the conversation lack tension.
It’s fine to embellish the original episodes or descriptions from the source material.
What is the reason for changing the plot from the original work?
The last part of the Garou arc is totally unrecognizable.
This time, the blast seems to be wandering in and out without any reason to be in the ninja arc, just like a fleeting presence.
I want to intervene in the original work, but if I do, the following story won’t be able to follow the original, so it feels like a fan-made story where I only showcase my cheats.
I was able to hold back against Tatsumaki and that dragon, but why did I suddenly go all out against the ninja?
The original Blue is a heavily modified cyborg with augmented eyeballs.
I still don’t really know if he’s my son.
He is definitely a serious and good guy, but…
Well.
It’s fine to support things like Blast, but stop casually pretending they don’t exist.
Because it keeps being ignored repeatedly, it emphasizes that the development is terrible.
>>112
Well, if they were to develop it as something completely different without pretending it never happened, I think that would have been accepted as well.
When I see lines like “As expected of Blast…” being inserted here and there, it makes me laugh because it feels like a hypnotist.
Due to an endless barrage of uselessness, my son Blue is practically dead as a character.
I wonder if they understand that part.
In the original story, things were somehow fine without Blast, but since he interrupted, it has become an even worse situation, so he really is a nuisance.
In the end, when it finally goes according to the original story, it’s a given that it lowers the level of the situation, asking “What is up with that guy not showing up in this situation?”
>>119
When I had weak ninjas, they would come out for no reason, but in this situation, they don’t?
>>123
Since I weirdly included descriptions of allies, it makes me wonder if they’re going to come here on their own or send someone over.
Moreover, when they come out, they are told “wow.”
I’ve already failed quite a bit.
“If we’re going with the setting of ‘I’m fighting against a really tough enemy and I shouldn’t leave my post, but I deliberately did,’ then…”
I feel like I can understand the part about “the grudge with that person (Void) from the previous round” even more.
I really want people to understand that redrawing is an act that exhausts the fans who view it more positively than the critics.
All the praise during the time you erased will also disappear.
It’s better to just finish it roughly and quickly instead of redrawing it since it hasn’t become any more interesting.
In the original work, he only appears in flashbacks, so there was an exciting feeling of wondering what kind of guy he is, but I don’t understand anything at all.
Why do you like Blast so much?
>>125
There is almost no description, so no matter how much you embellish it, it won’t interfere with the original work.
Now it’s just a nuisance.
>>125
A strong character that’s almost just a setup is something that gets manipulated in fan creations, right?
>>134
You can do as much fan creation as you want, you know?
Since I don’t know that person’s name, Flash and Sonic keep calling them “that person,” which makes it work as a surreal joke, but it seems like they don’t understand anything…
If you give someone warp abilities, it would make you wonder why they didn’t come to help during disasters that could have destroyed the city.
Rewriting it once can be seen as one of the perks of web comics, I guess.
If you keep doing it multiple times, you can’t help but feel more responsible for what you write…
I don’t know who’s leading this, but you really should stop.
I guess it’s necessary after all…
Rewind
>>129
I can’t go back beyond the paperback.
The appeal doesn’t come across to those watching.
For now, it seems that just being praised while being inserted into the original work is the only reason for existence, which feels characteristic of an original character.
Both the hairstyle and the sunglasses seem like Murata is projecting himself onto them.
You’re just making Saitama’s character weaker for your own sake and making him clean up your mess, that’s just the worst, isn’t it?
It’s really funny how they still refer to that person as “that person” even after getting one-punched in the original work.
I’m calling you that even though I don’t actually fear or respect you.
That person has a blast element, right? Let’s incorporate some blasts! When I added it in, it ended up becoming something really messy, so I understand that I need to redraw it.
Why are you still half-heartedly not giving up?
There are probably quite a few readers who have only read the Murata version.
From that perspective, this development must be completely incomprehensible.
>>139
I wonder what overseas fans, who probably only see the Murata version as the official One Punch Man, think.
It might not matter since they’re probably relying on the paperback.
>>139
When I see people saying that the original author keeps making them rewrite it, I want to hit them.
>>143
Every time I ask for a rewrite, they bring a different name. ONE is too funny!
I want there to be other true blasts.
I thought they were a solitary existence, but it turns out they were part of some strange team, which is a misunderstanding.
>>141
What on earth is this person thinking, telling Tatsumaki not to rely on others…
I wonder why they made the entire battle with Garou completely original.
Moreover, it is less interesting than the original.
Is there no one who can speak clearly and gentlemanly on X?
I’m sorry, but your original development is not interesting.
>>146
Now, there are so many replies that stand out as negative, but there’s no way I’m going to listen.
>>146
If you do an ego search, you’ll notice it overflowing to a level you can’t ignore…
The original Blast is a dry guy, isn’t he?
Unlike the characters in One Punch Man, who have a strong sense of reality, both good and bad.
It feels out of place that it’s just a parody character of American comics and nothing more.
I don’t have to deal with the incorrect character interpretation of ONE that I felt even with a metal bat.
Blast can be written with 100% of Mr. Murata’s correct interpretation.
It’s going to be a hot battle! Hahaha!
What are we going to do about this?
>>151
If you had just drawn according to the 12-page layout, there wouldn’t have been any problem…
>>151
I wish they’d hurry up and do the Neo arc.
I think that area will get better, as expected.
If it’s a completely original event where Suiryuu appears, that would be fine, but I wonder why they have to change the flow of the original story…
Somehow, I feel like ONE has shared a bit about the setting of Blast.
Given that the original story isn’t progressing at all, isn’t it unavoidable to include original developments to pad it out?
That’s what the original creator’s supervision is for, right?
>>155
When will I catch up?
>>155
I’ll never catch up to this redraw man.
>>155
Is it that kind of story about redrawing three times…?
>>155
After catching up, it would be fine to have a side story like a martial arts tournament or an intermission.
Say that after you catch up.
>>155
If you’ve inflated the original author’s name tenfold and are drawing it freely, then there’s no point in supervising.
On the contrary, why did Suiryuu succeed so well?
The theme of the difference between super strong ordinary people and heroes, which wasn’t in the original work, was perfect.
>>157
It feels like the character development of Suiryuu was done by One, regardless of the circumstances of its birth.
That seemingly simple yet profound character cannot be created by Murata.
>>157
Maybe it’s because it was still the time of the ONE name…
The root cause is that the original work is not progressing.
I think it’s a manga where surprises are likely to lead to memorable scenes.
Murata’s interpretation makes cool characters cool, gag characters gag characters, and bad-looking guys bad guys, but the improvisation tends to create a disconnect from the original at crucial moments.
>>164
Saitama is the main character, but he’s full of unexpected contrasts, isn’t he…?
>>164
It seems that Murata has a bad habit of wanting to reveal settings on his own once the original author tells him about them, just like with Eyeshield.
We can’t just keep you as a mysterious character with an unknown identity forever…
>>167
There’s no problem with the original work circulating, so it should be fine to draw it again when it comes out.
>>167
>>167
If we can reach the truth at the end of the story, that’s great, but it’s already coming from over there.
>>167
Sometimes it’s better not to explain everything.
It’s impossible to laugh just because you’re told where to laugh when watching things like manzai.
>>167
Are you really saying that about a character whose results have been ruined?
>>167
No, no, no.
Don’t just make up a story on your own while drawing.
In the end, I couldn’t do anything about it and deleted the previous loop, right?
>>167
So that’s why they delved deeper into that person’s setting.
If you’re going to go out of your way to erase things that won’t catch up to the original work…
It would have been better if they had just drawn a safe everyday episode.
The original work has no clarity, which is precisely why Blast is fascinating.
Maybe they’re even stronger than Saitama…? The excitement of that possibility has been wiped away in Murata’s version, which is terrible.
If the original work is good, you should just read the original.
What are you dissatisfied with in the original that you’re reading the Murata version?
>>179
I seriously want to ask, from what position are you asking?
Is there anyone who thinks the current development is interesting or that loops are awesome?
>>179
I’m told to focus on the drawing following the original name because there are no complaints about the original work!
It’s annoying when you start talking about the original story while discussing the different developments in Murata’s version.
>>179
What kind of Japanese is this?
A few years ago, we were forcing each other to change on Twitter, but I wonder which one is correct.
>>182
Those who are doing other original works like Bug Ego and Versus are interesting, so I guess you can figure it out.
In reality, secondary creators don’t really have much talent either.
I guess Murata is the type who wants to minimize the parts of a story that leave room for imagination or are not explained.
I totally understand why Murata gets original works now…
That person who had been in a fierce battle with Blast and then went into sleep for 15 years…
He was the founder of the ninja village and called the strongest ninja in history. I even had the opportunity to spend time with him, but Mr. Zara, who died in battle, lost consciousness again and spent the next 15 years in a recovery capsule. We waited for that contact. Our work had started, but we had already quit. If you are that, of course, you would become an enemy to our plans. If you participate, use Sonic’s abilities and come to the forefront with overwhelming ninjutsu and learn from that heaven, you will dominate the world. Living long means following what the teacher says. Tomorrow night, summon Francine to this place. Those who oppose will be executed. For now, stay away from Hiroto a bit. You should be fine. If you are a comrade, do well. Can you lure him out? The next day, if you kill him alone, I will wait for my grandson. That person will also appear tomorrow.
…I want to create secondary works based on the ONE version settings.
I vaguely imagine that the result must have been something like the void of my former comrade…
In the end, if you’re just going to throw it away and return to just being an enemy like in the original, then Blast should hurry up and deal with the past… I feel strongly about that.
If you can’t do that, then remove Blast’s appearance and follow the original story properly…
The fact that it’s complete makes Endless Eight better.
It’s like that anime where the original parts are blatantly boring.
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