I didn’t know that Kill Me Baby was a Kirara title…

Speaking of which, School-Live! was also technically a Kirara title.

>>2

I bought quite a bit, you know.

Gochiusa is better than Zoi.

It’s not Nadeshiko, but Rin-chan, huh?

>>6

If anything, Yuru Camp has exceeded 10 million copies.

If the demon hadn’t been ordinary, it would have probably burrowed in here.

I heard that Yuru Camp has surpassed 10 million copies now, so it seems quite old, but it simply made me realize that this is how Kirara manga is usually like.

It seems that the 3 million solitary people were from last January, so well…

Is Kirara a magazine that survives by regularly producing big hits?

You’re doing great, Zoi!

Does this ranking remain the same even when divided by the number of volumes?

>>13

If we break it down, I think it’s probably Yuru Camp > K-On > Bozalog.

Laid-Back Camp

As of May 2021, the cumulative number of copies issued surpassed 6 million, and by 2024, it is expected to exceed 10 million copies.

Is Yuru Camp still being serialized?

It’s amazing that there are only 10 million works of One Piece in the whole world of Jump now.

Over 10 million copies…

Well, Season 4 is definitely happening.

It’s comfortably serialized in volume 17, Yuru Camp.

Why is Nozoike here?

The Undertaker’s Crow and the Handstand! And the wizard of Holente Island.

I hope they adapt all the episodes into a TV anime carefully.

It was a sign lined up here… Kill Me.

I didn’t realize Hidamari Sketch wasn’t that popular…

Kill Me has one of the longest serialization periods.

>>23

Does that mean there will be an anime season 2…?

Because Hidamari was popular before its digitization…? Probably not.

>>28

Personally, I think the art style during the Oigawa era was the best.

Sometimes when I read the Yuru Camp manga,

“I always think, ‘It’s hard to see with these strange horizontal lines!'”

Zoi-chan, you were that high up!

The art style of Yuru Camp has become a bit cold, hasn’t it?

In the beginning, it had a more pop and bright image.

Perhaps because I’ve started using a darker tone gradually.

>>32

The tone has gotten darker, but there is also a huge increase in solid black areas.

The asphalt is sticky, and the shade is sticky too.

Even though it’s daytime, the forest and mountains in the back are pitch black, so it always feels like dusk.

I can understand why the others are ranked, regardless of their position.

Zoi and Kill Me were unexpected.

K-On has a double score…

I thought there was a big difference between 6th and 7th place for a moment.

Sonia-chan was just a little short.

When reading the recent Yuru Camp, it feels quite different compared to the atmosphere of the first season of the anime.

Well, it’s like that since it’s a long-running series.

Yuru Camp grew strong due to the outdoor boom caused by COVID-19.

Controlling the times.

Is the number of volumes overwhelmingly large?

I stopped buying it when it turned into a tourism information manga…

Yuru Camp has been airing that much…

It’s amazing that K-On is in second place even though there aren’t many volumes released.

The difference between what became popular among those who usually watch anime and what spread beyond that is significant.

>>44

The relaxing camp that sparked the camping boom.

K-On that caused the light music boom.

When I think about it that way, Zoi-chan is doing her best…

I had the impression that K-On was on a larger scale, but Yuru Camp was even more amazing.

>>46

The scale of K-On in the anime boom is the largest among Kirara.

To be honest, the original work is mediocre.

On the highway heading towards Kansai, the service areas from Yamanashi to around Gifu are dominated by “Yuru Camp.”

Seriously, there are no goods and no service areas.

K-On built an era, but that was over 10 years ago…

I remember seeing this when I was watching that solitary anime, so it’s quite old.

I remember thinking, “This is an amazing anime that just started,” when I watched the first episode of Yuru Camp season 1.

Zoi-chan also started the shrine livestock boom.

K-On was quite ephemeral, but I think Yuru Camp has strong sustainability.

>>54

The first season of the anime was in 2009, and the movie was in 2012, and after that it calmed down quietly.

It’s much shorter than I remember…

>>54

K-On itself ended abruptly with the movie (no comment on a sequel), but thinking about how the girl band boom that started with K-On led to Boogie Pop is quite a journey.

NEWGAME was coming out with volumes at a pace that’s somehow twice as fast as everyone else…

>>55

It’s strange to be creating an entire volume of a manga just with original illustrations.

Even if the anime is a hit, the original work doesn’t really grow compared to weekly shonen manga…

I’m a Yamanashi resident, but the economic impact of Yuru Camp is amazing…

There are people in my family who are being fed by Yuru Camp…

>>57

It’s truly amazing that light shone on that area of the Minobu Line.

I am originally from the southern part of the country, and now I live in Fujinomiya, but the eastern part of Shizuoka is also benefiting significantly.

>>61

I’m living near Kofu, so I’m really looking forward to the mono.

It probably won’t reach the level of Yuru Camp.

Honestly, I didn’t really like the Yuru Camp movie that much.

I was baffled by being shown the future when the original work isn’t finished yet.

>>62

In the original work, the junior appeared right after, you know…

Unless something significant happens, it’s unlikely that we will have no contact at all after graduation…

>>63

There must have been something quite significant for them to completely lose touch after graduation…

>>68

Financial trouble, huh…

>>68

I heard that Jason was attacked at the campsite…

There will be a fourth season of Yuru Camp, and it’s outstanding among Kirara titles.

I had the impression that Gochiusa, which was a huge hit, would sell even more, but I understand now why the new characters introduced after the anime haven’t been talked about.

It was said that before “Tough” was winning, but has “Yuru Camp” already caught up…

It’s probably because my antenna is low, but it seemed like Ganboruzoi-chan wasn’t selling well or as popular compared to Gochiusa or Bozaro…

No one talks about the new work either…

>>71

Shirasoon…

Yuru Camp has gained significant popularity among the general audience.

This number wouldn’t be achieved with just otaku.

It’s quite amazing to exceed 1 million, and if it surpasses 10 million, it’s definitely at the top tier.

>>74

The text contains only an emoji, which does not have a direct translation.

Every time I see this, I think “Kill Me is amazing…”

Yuru Camp goes on trips by car to Shizuoka on days off.

There are hardly any part-time jobs, and even though there are few trains, they are empty.

I haven’t really gone to the Kofu Basin much.

The strangely harsh depiction of Yamanashi, where people don’t find jobs within the prefecture, gradually sinks in.

>>76

The movie is a really great story, but in the end, both Rin and Nadeshiko don’t stay in their hometown…

>>79

Nadeshiko is originally from Shizuoka.

Depending on which university I go to, I might end up in Yamanashi for three years…

>>79

If you ask whether it’s Nagoya or Yamanashi, then there’s really no contest…

Yuru Camp is amazing!

Is it over 10 million copies? That’s amazing!

It doesn’t feel like a manga aimed specifically at otaku, which makes it easier to say that I’m reading and buying it, like with Yuru Camp.

The next 5 million copies will probably be “Bocchi the Rock!”

>>82

Predicting unexpectedly successful Kirara works is quite a gamble, isn’t it?

Yunocchi is nothing special.

Since K-On was quite vivid at the time, I think the old man whose brain was burned will always love it.

It’s just that there’s no timing to bring it up.

The initial speed of K-On is just ridiculous.

As expected, you really don’t know common sense at all.

>>87

It’s noisy, isn’t it…?

I guess whether or not something is generally well-received is important after all.

I remember being surprised by how few copies there were, even though “Mazoku” and similar titles were really interesting.

Zoi-chan, are you there!?

Hidamari Sketch is supposed to be a veteran work, but according to the number of copies, it’s not ranked high…

Simply put, the number of volumes is several times that of K-On! compared to Laid-Back Camp.

>>93

Moreover, the unit price per book is low because the size is small.

The way K-On jumps is incredibly unexpected.

It seems like a person who doesn’t look like an otaku at all has Shimarin’s traffic safety sticker on their car.

Yamanashi has stickers of chikuwa, you know…

The penetration effect is amazing.

>>95

It’s a Saturday morning anime on the local station… Yuru Camp…

>>97

Before long, it may aim for a position similar to that of a quirky character or Ikkyu-san in some region.

I thought Hidamari would sell better.

To put it simply, before K-On, only Kirara fans were buying Kirara, so it’s no wonder Hidamari didn’t gain much popularity.

When I climbed Mount Minobu, they were playing a video that looked like a narration from a character in Yuru Camp…

Yuru Camp and Gakkou Gurashi in Kirara Forward are not four-panel, so there are many volumes.

Zoi-chan was selling that much, huh?

Hidamari is great because it showed that Kirara’s first anime adaptation was a success…

Even if the anime is well-made, it can struggle to grow if there are few volumes, as you would understand from the context of “Mazu.”

I remembered that there was someone talking next to me when I went to the Aoki Ume exhibition, saying it was a four-panel comic.

Aside from NEWGAME, it’s basically one book per year for groups other than Forward.

Having many volumes gives an advantage to the forward.

I have the impression that works originally in 4-panel format don’t see much growth even if their anime adaptation is a hit.

>>109

Well, I can’t help but think that there’s not much value in buying the original.

>>109

Since we haven’t printed much, there’s a pattern where even if it sells, we’ll run out of stock and won’t be able to keep up.

When it comes to 4-panel Kirara series, there are quite a few narrow bookstores that don’t even carry them…

The fact that it’s a regular-sized comic and not a 4-panel strip is probably a strong point too.

Yuru Camp 10 million copies (2024)

NEW GAME! 3.5 million copies (2023)

K-On! 3.35 million copies (2012)

GochiUsa 3 million copies (2021)

Bocchi the Rock 3 million copies (2024)

“School-Live! 2.8 million copies (2020)”

Kiru mi beibe 1.8 million copies (2021)

>>112

Given that this is right after the movie’s release, it seems like it should be doing a bit better.

A good example is that there is no production volume for the manga, so when it suddenly becomes popular, production can’t keep up at all, and by the time it’s produced, the boom has already cooled down…

>>114

I remember getting furious because the paperback was sold out no matter where I looked at that time.

I understand why you’d want to buy it because the art in Yuru Camp is simply beautifully done.

Are there really that many people buying Kill Me Baby?

I’m surprised because it doesn’t match my intuition at all.

>>119

It feels like a cult-like popularity.

>>119

After the abandoned factory arc, Kill Me Baby…

I feel like there was also a situation with Bozaro and K-On where it was said there wasn’t any in the bookstore.

Yuyushiki still hasn’t gone on hiatus, which is amazing…

Killing Me Baby is boring everywhere.

There won’t be a second season of Kirumi~

It’s amazing that it’s over ten thousand copies for a single volume in this industry.

As a reference, the typical circulation for an anonymous commercial writer is considered to be around 7,000 copies per volume.

About.

What’s surprisingly awesome is NEWGAME.

It’s a given that Kirara doesn’t sell well in tankobon format, but its cancellations are pretty severe.

I was shocked when I thought it would be animated and then it ended abruptly.

“Even though Gochiusa is still serialized, it hasn’t been growing at all from the thread image…”

The premise style of Kirara is to do only one season of anime and then end it, so they drop anything that doesn’t get animated, and if something sells well enough to get a second season, it becomes overwhelming; that’s the situation with Houbunsha.

I wonder when Hidamari Sketch will properly conclude.

It’s certainly too long to be serialized for 21 years this year…

It seems that the process from creating a “moe” four-panel comic to its adaptation into an anime is already in place.

I wonder if the number of copies announced during the honeycomb time was around this level.

Kirara really has a fast turnover, except for some of the elders, right?

Most of the works in the last one to two years are mostly without any so-called mid-level creators.

I forgot the name, but I thought it was the end with Debu-san and Megane graduating… Hidamari…

Wasn’t Yuru Camp initially not selling well and on the verge of being canceled?

When is Hidamari’s new publication coming out…? Are they even serialized in the first place?

The current known circulation numbers done in a hurry.

Zoi-chan was that strong!?

Regular adaptation into anime is important after all.

What is the reason for specifically including “Kill Me”?

[Number of copies divided by the number of years as of the publication year, on an annual basis]

Yuru Camp 1.11 million copies

NEW GAME!! 350,000 copies

K-On!! 670,000 copies

Gochiusa 300,000 copies

Bocchi 500,000 copies

School, 350,000 copies

Kill Me 140,000 copies

The new runner-up is important information, right?

The manga “Mazoku” has sold 1 million copies, but it raised 80 million through crowdfunding, which shows it has a dedicated fanbase.

Kill Me is increasing in volume, so it seems to be reaching 2 million.

I’m not really doing it.

The writer who was adapted into an anime is serialized elsewhere besides Kirara.

Awesome!

I know it even though I’ve never seen it all.