
Sure, here’s the extracted text:
Page 18:
– Grandfather, it’s time for dinner, Nozomi-san.
– Well, you see, Kuminoya-san hasn’t come yet.
– Oh, sure, she did say she would come.
– If possible, I think it would be better to ask you.
– …
– If you let me eat, I’ll get better right away.
– Alright, make sure to bring a handkerchief.
– Look, it’s the auntie’s shop.
– Should I get three with the three bundles?
– So, it would be better if it’s as cheap as possible.
– If Kagayama-san could put them in, that would be great!
– Well then, let’s head back and see.
Page 19:
– Alright, because it’s dinner soon.
– Ah.
– Thank you!
– Picho.
– Pagu.
– This too.
Page 20:
– I don’t understand.
– The auntie went home.
– ?
– How have you been doing?
– Well!
– I see.
Page 21:
– Is it the usual one? Can’t we change it?
– Akerou.
– I even saw that when it was served.
– Thank you.
– I don’t understand.
– ?
Fumiyo Kohno is a master of this kind of thing.
In many ways
I like expressions and gestures.
It looks a bit ominous, but maybe that’s just my imagination.
I liked the manga that casually depicted such experiences of childhood friends.
If this seems unsettling to you, then I can only say to read works that don’t have such things.
>>5
Perhaps I was using such strong words without even reading this anonymous text…
The handkerchief part is great…
An illustration that looks harmless but is full of poison.
Rhinoceros beetle?
In reality, things take a sudden turn after this, so if you have a keen intuition, you could say it’s sharp.
I’m sorry, Hirano-san. That’s not the direction. The world you live in is not that way, someone is saying. Ah, August 6th. I don’t know how many people were left behind. It seems that one of them was still there. Midori is doing well. Father is shouting, “Please give me water, help me!” I can hear him calling from the bottom of the slope. Mother is repeatedly asking if she can drink. I’ve started to lose consciousness, and the people who were being helped have all lost their strength. I’m sorry… No.
Here it comes!
Intuition is amazing.
Is it about the atomic bomb…?
You should read it.
The town of evening calm, the country of cherry blossoms…!
The evening calm town, filled to the brim with implications from the last sentence to the title.
If it’s a parakeet comic…!
I felt uneasy, but not to this extent…
Even in the corners of this world, it is shocking.
I think the sharpness and psychological portrayal that is neatly summarized here are really well done.
Yeah, the name I entered is also lame.
Not gory, but too scary…
The unsettling sensor is sensitive…
There are many works that truly end with a bright and light-hearted feeling, and to be honest, that is the main style of the author.
That’s why the intensity is incredible when such people take on this kind of subject matter.
>>23
“I wanted to draw yuri,” you said somewhere, right?
It’s understandable that the award was won by the war side.
>>33
After drawing the evening breeze sakura, I thought, “I need to depict daily life outside of the atomic bomb to maintain balance,” so I’m also drawing a corner of the outside perspective.
I think she’s an incredibly serious person, Fumiyo Kōno.
But really, drawing girls is cute.
>>23
Nenekko the kappa is nice, isn’t she…?
You should enjoy a romance with the pet shop bird that looks just like your dog in the Pipira notebook.
You can rest assured that it will properly pass down to your descendants.
What is round and swollen? A drowned body?
>>25
A person who was exposed, burned, and swollen.
>>27
Ah, I see…
Americans are overjoyed, lol!
Hug me!!
Even though it’s before bed, you’re showing me unsettling things.
A sad past… but what’s truly too sad is that it’s against the rules, isn’t it?
When I read up to “The Land of Cherry Blossoms,” I feel as if the reader has been saved.
But when I think that Ms. Minami herself died holding the handkerchief she received at that time, suffering and feeling regret, it really makes me feel all mixed up inside.
I thought they were someone who talks about war, but that’s not the case…
I feel like there are a lot of worthless guys.
I wonder if it’s a hobby.
>>35
The good thing about the man from “Long Road” is that he was modeled after a partner?
When I went to see my childhood home, the location was amazing.
Well, I guess the thoughts about war become ingrained in your mind.
Is it the one that gets leukemia from the effects of the bomb and dies while resenting the war?
>>38
I have lived for ten years after the war, carrying guilt and trauma all along.
The moment I was finally able to face forward after encountering a kind person who accepted me.
The guy that comes at you after ten years.
If you want to enjoy the banter between men and women without heavy topics, read Sansan Recording.
Since it was drawn 20 years ago, the setting of “modern” in the land of cherry blossoms seems to be gradually shifting, and in that sense, it makes for an impactful work.
Actually, in the most recent live-action, the generation is even one more shift away.
Speaking of which, I was drawing a light yuri thing between a flower shop manager and a former office lady.
>>43
That was their debut work, so it’s impressive, isn’t it?
The illustration is cute, isn’t it?
I recently learned that it was first published as a doujinshi exclusive to the town of Evening Calm.
Ah, that’s how the Carp are…
I like the atmosphere of “Sansan Roku.”
This person is good at subtly incorporating a sexy atmosphere, so if you let your guard down, you might be taken by surprise.