Who is this old man?
Well, calm down.
The blast has appeared… It seems this bulletin board was also useless.
>>3
Well, calm down.
>>3
Do it overrrrrrrrrrrr!!!!!!!!!!
Unwanted old man
Pettan pettan
In color/black and white, I still mistakenly think “Is there an update!?” so it’s nice that I don’t have to open the thread here…
Official Mary Sue Uncle
>>8
In that case, I want you to be about equal to Garou.
>>8
Do something about how it seems weaker than the ONE version.
>>180
I hate this because it’s as annoying as a typical Sam 8.
A talented character that ended up ruining the work due to favoritism from the author, ranking in the top 10.
Before explaining that, we need to understand the current situation of the Murata version.
It will be a little long.
I like this topic because it’s easy to understand in the Murata version.
Color baldness is from Village Bread, while black-and-white baldness is hard to understand according to the original. So I want Village Bread to be established in this thread image.
>>15
Isn’t it strange that an unknown guy who’s not even the main character is the icon?
>>17
There seem to be quite a few threads like that… like the Conan movies.
>>17
Tell that to the person in charge of the illustration.
Even though ONE is likely involved in creating the story, I wonder why it feels so chaotic compared to the original version; this has become notable since around the Garou arc.
>>16
I think there was also a desire from ONE to take revenge on the various criticisms of the original Garou’s ending.
It only seems like Murata’s rampage around the blast.
If it were the Murata version, Blast would have come here instead of Kurobikari.
I heard that Blast came instead of the unlicensed rider, and it was no good.
Well, calm down.
Are you doing well?
This alone is the power of S-rank number one that can silence critics.
Ah, it’s a fake thread.
>>180
It seems that this is said twice in the main story.
Even if the work is bad, usually the serialization continues, right?
It’s strange that the series isn’t progressing.
>>24
If you reset it, it’s the same as not having written anything during that time.
Disaster Level: Blast
I want to tell the author, who rewrites countless times, that “rest is necessary.”
In the meantime, I’ll work on the name.
>>26
I think nothing will change even if I work on the name.
The original Blast leaves some mysteries and maintains a nice sense of mystique…
I reread it the other day, and the illustrations are really well done.
The development feels very much like a clichéd shounen manga formula, and this has been the case for a long time.
>>29
In the latest episode, it’s gotten quite rough.
>>29
Before I knew the taste of redrawing, I was able to read it really interestingly too.
You can force the development later, so just continue normally.
Mysterious Person Shinkoujammer
That’s as far as it goes.
It’s fine for a boring old man to show up, but for now, please don’t make it a loop!
Intervening in the highlight moments of the original characters and boasting about it.
In a scene where the original character says little and those around him understand without saying anything.
An insensitive old man who explains the other person’s feelings with a boastful smirk.
The story about Blast isn’t interesting, you know.
First of all, I have no attachment to the character Blast, so hearing about the past doesn’t mean much to me.
The title of the original one-shot drawn by Mr. Murata in 2009 is “BLUST!”
>>38
Thank you for taking the trouble to explain.
>>48
Well, calm down.
If it were to come, it would probably be at the place of the virgin Bofei.
Isn’t Murata’s version of playwriting also related to one?
>>41
Well, take it easy.
There are times when I think that they really do not understand the performance of subtraction.
Re-shoot retake
It’s already clear that the habit of rewinding is due to Murata.
I’m curious about whether it’s the original work or the new adaptation that insists on persistently featuring Blast, whose identity is concealed in the original.
>>47
It’s amazing that you can think of it as being led by ONE, even a little.
>>57
It’s probably 99% Murata, but since it hasn’t been explicitly stated, there’s still a possibility.
>>63
There are still those who believe that there is a possibility of it being led by ONE, except for the episodes where a redraw has been explicitly stated.
>>180
This template is too strong, so let’s ban it.
It’s very insincere to move forward with the discussion suddenly without much explanation and then just say it’s canceled!
Moreover, doing this several times is really annoying.
I’m fed up with the loop, but I also don’t want to go to the Amaimask chapter with this vibe, so I’m troubled.
When I look at the ONE version, I’m convinced that technical skill in drawing isn’t that important in manga.
So it wasn’t updated after all.
The drawing has gradually become whiter in the background, and the composition has become monotonous, leading to a decrease in power.
When I reread it, the density of the previous battle scenes and developments, both in terms of story and animation, feels different.
>>54
I reread the Garou arc, but it really is white now.
I don’t really understand how far back I’m going now.
Even if the rewriting is led by Murata, ONE should properly discuss it, or rather, it feels like the two of them should talk it over properly.
>>58
The well-crafted story can be read for free on ONE’s personal website, but…
>>72
It’s about making sure the Murata version is done properly. How much conversation can’t be had?
>>79
No… do I have to hand over the name every time I rewrite it?
Murata’s Masturbation Hero
After the update of the Amamin Mask chapter, there were times when I thought they hadn’t coordinated much, like how they just ignored the murder by Amamin Mask.
The fact that all the scars on the armor are cross-shaped is really lame.
The wobbly stance is what bothers me.
Weren’t you busy fighting with the gods in another dimension?
>>64
In the original work, the character is usually a salaryman, but in Murata’s version, they don’t look like they’re working at all.
I’m scared that Blast will provide a slightly off commentary on Amaimask’s feelings.
Let’s quickly defeat that person and then I can say, “Well, I’ll act alone again! See ya!”
Why do they keep intruding on my daily life by breaking into Saitama’s house or getting close to Pochi with each loop?
>>66
This seems like a common sense-altering anomaly, and I like it.
Because I have time travel abilities, I am invincible.
>>66
These little details are annoying… Murata.
The result of redoing what I drew for a year after taking a break is now Blast.
The original work is more exciting, but we’re getting a crappy Mary Sue version from Murata.
Even when I was fooling around with that person who had meat on their bones, it was quite something.
It’s really not good that this time it’s interrupting the existing characters’ spotlight.
The readers won’t really know which side is to blame for this mess.
The original work is still interesting, and it’s like confirming answers…
Since ONE’s drawing skills have normally improved, I think I’m done with this one…
A boring story that features a blast.
Even so, when I try to be patient and read, I get hit with “Let’s reset the story so far.”
Starting over again is really stressful.
If ONE takes the lead, they’ll make you redo it for a year, and it’s laughable with ONE.
>>80
It’s amazing that Murata’s position wouldn’t work out unless it was extremely low…
>>89
Even if my position is really low, this time, criticizing the treatment of the metal bat in the original work will cause noise…
Although I can’t win against Saitama in strength at all, wouldn’t you accept me as a support character who can do things that Saitama cannot?
>>83
That character slot is saturated, so it doesn’t really have any meaning…
>>83
It’s better to stop putting it out.
I don’t understand the meaning of Blast intervening in the ninja battle in the first place.
>>84
Blast has become disliked by readers, so we need to make him more active and popular, right?
>>84
You didn’t want to spill blood, but you were the one who was destroying everything in the first place.
That’s how it happened.
>>84
The one who contained that person is Blast…
Since it’s based on the assumption of rewriting, it gives the impression that the costs of animation are continuously decreasing.
It’s not good to do the structure that should be done at the name stage during the drawing stage…
However, I feel that simply reproducing the original One Punch Man with Murata’s drawing density wouldn’t be interesting.
>>88
It will definitely be more interesting than now.
>>88
That’s exactly what was being received in the early stages, right?
Thanks to the Murata version, I understood Blue-kun’s feelings!
>>90
If you have that much free time, I think you should go see Blue.
>>115
I’m a simple piece of trash who neglects the child I made after being defeated by a honey trap, Villager.
It’s outrageous that he is just casually wandering around after the Garou arc.
>>124
That story has disappeared.
The drawing staff ignoring the already developed story is just strange, isn’t it?
Even a competent original creator will produce a terrible script if they are rushed to write an original episode to fill the time in the anime adaptation.
It seems like it’s been said many times, but I want Mr. Murata to draw a spin-off as a special episode of Blast.
Is it possible to ask someone else for the artwork for the main story?
The lines like “It was a good place, but you interrupted” when a blast comes out, in a place that originally didn’t exist and is filled to the brim, are they done on purpose to create a fierce battle in the void?
It felt like you were missing all this time, but now you’re becoming a regular, huh?
The art of ONE may not be skillful, but it is good at conveying what it wants to express, similar to Momoko Sakura.
If ONE is leading this, making us redraw for a year would be too ruthless…
What… so the fact that most of the myths up until now are due to Blast’s achievements is also a result of a change in common sense!?
>>104
Is that Tsukishima?
I thought this time I would rewrite it without involving Blast, but…
I quickly came out and thought, “Ah, this is…”
Mr. Murata is filled with the enthusiasm to make the original work interesting, just like an anime director.
The drawing is rough.
Are you going to reset it again?
It’s fine as long as it follows the original work while incorporating some deeper episodes.
Original route going too far.
>>110
Do not involve existing characters based on confirmed depictions from the original work.
I think it’s fine to create new side characters like Captain Mizuki that don’t significantly impact the main story.
Why do they want to start moving a character whose role in the main story is still uncertain from scratch in the main episode?
Saitama suddenly loses his power, returns to being an ordinary person, and retires.
That person has such an embellished background that both Sonic and Flash were in awe of them.
The only thing that’s funny is that I’m being buried after getting one-punched by a bald guy…
In drawing manga, story and direction are more important than drawing skill…
>>113
It had been debated for many years, but thanks to Professor Murata, it has finally been settled.
There were even predictions that Blast might be on the same level as the Bald Hero in the original work, and it’s honestly amusing to see him dominate against weak ninjas who can be easily defeated by Sonic and Flash.
To be honest, I don’t think the readers’ approval rating wasn’t that low up until the first revision.
It is common for the story to be altered when the manga artist has a higher status than the original creator.
>>117
Well, in this case, since the original work comes first and shows the differences, it’s a bit special and different from that pattern.
In the original work, it’s unclear whether Blue is really Blast’s child, but I trust that Murata would have Blast casually say something like, “I have a son too,” without any hesitation.
The latest chapter of the original work marks the beginning of a reversal, making me think, “One Punch Man is really interesting…” which only adds to my sighs about the Blast version.
Murata feels that there’s a fundamental difference in sense compared to ONE, especially when it comes to the interpretation of metal bats.
During the period when the ONE version was being developed as is, there were various differences in expression and combat depiction.
It was accepted enough that it could be swallowed as the Murata version…
When it comes to the settings and story, it becomes a bit Murata’s version…
Actually, it’s fine if it’s weaker than a bald person.
If there were no Garou, Boros wouldn’t have been able to do anything, but with Blast, there seems to be a hint that he might have the strength to handle it somehow, otherwise he wouldn’t be any different from the other S-class heroes.
What is the point of having Blast come out here?
Even when entering this loop, everyone was already exasperated, but they accepted that it would follow the original route.
Came out.
>>125
I’ve seen this opinion occasionally, but this time there are still regular blasts, and they’re quickly talking about how the god is the void, so it’s not hard to believe it could end up following the original route, right?
It might be that they’re diverging from the original like Mr. Saru, but since there’s no time, they’re just going with this…
>>126
If I redraw it when I don’t have time, I’ll feel even more pressured…!
>>126
I have enough time to reset a year, but…
I realize that someone who can take the reins is necessary.
“Stop hitting me, haters, because it will just rewind again.”
If the skilled talker ONE teams up with the talented artist Murata, it should be the strongest.
Why did it come to this?
>>131
Since the awkward Murata has come forward.
>>131
It’s not that ONE is asking for it to be put together.
Murata is doing as he likes.
In the Murata version, didn’t Suiryu break the suit?
Rewind?
>>133
In the original work, Suiryu has broken his suit once.
I mean, the Ninja Village arc isn’t such an important story that it needs to be redrawn that much!
It’s one thing to pile it on, but this isn’t a place where you can let a whole year’s worth go to waste! You should have wrapped it up in this year!
>>135
The entrance of the Nintendō party, that person who doesn’t even show their face, along with the activities of Sonic and Flash, and the strengthening flags.
That’s all there is…
Only Blast can handle battles on a cosmic scale, right? Isn’t it on another level compared to the other S-class heroes?
Isn’t it amazing that this loop is about things happening in reality rather than just a story?
It’s true about the reins and so on, but there aren’t many people who are this catastrophically bad at drawing manga, right?
(Were you really wanting to loop it?)
(It seems like they want to loop after all…)
Isn’t it time to take Murata off and switch to another artist?
>>143
It’s too much of a cleanup after defeat to reset like Reikaiou in another world, waiting until after Zero-Pan.
If you want to expand the loop, it won’t work if you make the story before the rewrite private.
Remember why you are only in charge of animation.
I only feel a sense of disconnection from the image of the blast that ONE is envisioning.
Whether the suspicion that the editor cannot intervene because it’s a project brought in by Murata is true or not, it feels hopeless.
Since they’re weaker than Saitama anyway, it’s impossible to make the character stand out just by having strong powers or abilities in this manga.
My memory is all mixed up since the Orochi arc.
I know that while I was preaching to Garou at the chabudai, I got transported to another planet and ended up dealing with zero-pan, and that a ninja mess got involved with the thread.
If you have become so relaxed about coming to play in the first place,
A level of mechanized army that can barely be stopped at C rank, it’s a situation where Blast should just handle it on his own; that’s the way the story is going to unfold.
>>152
“Don’t think that someone will help you when the time comes.”
But at least ONE is giving permission for this development, right?
In that case, shouldn’t we think that if we endure the present, it will become foreshadowing for an interesting development?
>>156
I can’t believe they would ask for permission when they can rewrite it just based on Murata’s intentions.
ONE: “I don’t like it, so redraw it for a year.”
Murata: “Yes…”
If it were like this, it would be way too scary, so I can only think that Murata is the one doing it.
>>157
I can’t believe that One would do this.
>>161
We don’t know anything about ONE, do we?
>>170
Good at drawing manga.
I’m bad at drawing.
I respect Murata as a senior.
I understand this much.
>>170
All I know is that Murata’s manga is not interesting, and ONE’s manga is interesting…
Honestly, I just hope they only create an anime series based on the ONE version of the story with character design by Murata.
I only need the ONE version of the manga.
It feels like I’m not making any progress at all, like the number 8.
>>160
I have to draw…!
>>160
From above…!?
I feel like I’m on a route that resembles a fan creation where the original work ended up doing something unexpected and had to go on hiatus.
I really don’t understand which side is proposing this.
If it’s Murata, why does the animation director tamper with the original work on their own?
>>164
It’s a person who, with a smug look on their face, says things like “I was given a 12-page name, but when I actually started drawing it, it ended up being ten times the amount…”
>>175
Isn’t it also the job of a manga artist to keep it within the scheduled number of pages…?
>>187
This is why Richelieu handed over the name at the last minute.
If ONE were having Murata rewrite the ninja arc multiple times without payment, that would be too cruel.
I guess it’s a contract that allows you to do as you please…
>>168
Murata himself said that instead of receiving a fee for rewriting, he can do whatever he wants.
That story has long been over.
This week’s update includes revisions to Episode 240 and beyond at the request of Mr. Murata.
I don’t like it because it makes it seem like I’m the one in a hurry.
>>171
Well, calm down.
>>171
Well, calm down.
Murata has some implications from the reader’s perspective; it feels like the evaluation might reverse from here, and I’m surprised by the lack of interpretation in depicting a character who seems to be holding back as a straightforward scumbag.
That person was originally someone who could hype things up, but the punchline is that they got one-punched by a bald guy in a world they didn’t know. They’re basically a gag character.
It’s quite the buzzkill to make it a serious strong opponent.
Moreover, I probably don’t intend for it to end with being one-punched by a baldy.
A thread for those who are not calm.
It’s just ridiculous to introduce an original character that would have a significant impact on the core of Blue’s origin as the “wife of Blast” and then just erase them.
If ONE is properly overseeing and giving the go-ahead, then it’s even more strange for Murata to decide to redraw things on his own…
I don’t understand what it means to ruin that person’s moment.
The result of doing that is that it hasn’t become interesting, which is a problem.
It was nice to see how they made the story more exciting for a character who barely appears in the original work, especially during the scene where they are fighting alongside the Kido Knights.
It seems impossible to compare Blast and the Driving Knight directly…
In the original work, what is Blast doing about the Japanese crisis, like Boros or Neo?
It’s not really a problem since it’s Murata himself who is struggling with the effort of rewriting it anyway.
I’m sorry, but if I pay for the comics and then get told not to talk about that story, I would be like, “What?”
A manga artist deliberately made a boring movie for someone they respect…
>>189
That’s not right.
I just made the person I respect give it their all because they brought something safe.
Even if you’re going to change it from the original, you should have just thought out the story a bit more before drawing it!
The problem is that you keep insisting “please forget about it” after drawing for several months!
S-Class Rank 1
Arbitration Blast
Did the Murata version have something like an evil dragon?
At least if it goes in the direction of highlighting Sonic and Flash’s activities, then I can understand.
It seems he wants to draw the old man from the thread image.
It looks like a standard Sam8…
Imposes a debuff on the opponent that causes them to be unsettled.
It looks like an original character from fan fiction.
(Haha, you couldn’t depict a powerful battle due to a lack of artistic skill, so you cut it short. Shall I, a genius manga artist, expand on it?)
![[Zatch Bell!] It was cute in the past.](https://otaku-reviews.net/wp-content/uploads/2025/04/1fc190fe.jpg)
![[Dragon Ball] Someone who is at the level of an early joiner SSR.](https://otaku-reviews.net/wp-content/uploads/2025/04/df1a9cc8.jpg)
![[BanG Dream!] God… I have defeated…](https://otaku-reviews.net/wp-content/uploads/2025/04/a1f75964.png)
![[G Generation] I still can’t decide on the three units that I think are the best.](https://otaku-reviews.net/wp-content/uploads/2025/04/4844c54f.png)
![[Mobile Suit Gundam] The man who is currently being teased the most by Gundam fans.](https://otaku-reviews.net/wp-content/uploads/2025/04/2a76df7c.jpg)
![[Controller] This controller has been in use for a long time.](https://otaku-reviews.net/wp-content/uploads/2025/04/e84bbd6f.jpg)
![[BanG Dream!] Soyo… this must be some kind of mistake… it’s not like I’m in that kind of relationship with Nyamu…](https://otaku-reviews.net/wp-content/uploads/2025/04/dd032065.jpg)