Who is this S-class old guy?

Well, calm down.

The cruel difference in production that can be understood just by comparison.

How are you?

Is this guy here?

>>5

Is he the protagonist?

>>6

I was taking them out with one punch.

I don’t think anyone is being forced, but it seems that Murata’s version believes that the story won’t progress unless there’s a chance for Blast to appear.

I can understand if both become boring, but for some reason, everything except village bread feels nice…

I completely don’t understand the meaning of doing the exact same thing or even less than that…

>>16

Everything is already finished except for the drawing skills, so I just have to do the final draft.

I don’t want diluted Calpis.

At this point, it’s not even a matter of being bad at manga.

The feelings that this character is the protagonist of my work come across clearly.

I thought that since we’re doing it over and over again, this time there wouldn’t be a blast.

Well, first of all, I don’t want to recognize the old man currently out there as Blast.

I really want to see what kind of exchanges are happening behind the scenes.

>>20

It can be said from the Ryuumon case that it seems there is no more adjustment or coordination happening at all.

>>29

But I don’t really get the feeling that they are on bad terms, so it’s a mystery.

I wonder if Murata drew the design of the Murata version of Blast from scratch.

In that case, I understand why there is attachment, and it makes sense to increase their appearances.

>>21

I’m reusing the design of the main character from a comic that Murata drew a long time ago.

>>161

Is it just the name? Don’t you think they don’t look alike?

If it’s that they thought of a more interesting development than not releasing village strikers, then I can barely understand the need to redraw.

>>23

If it’s just a spot that was missed, you don’t have to redo the entire shot; you can just fix that particular spot.

I’m so happy just that Blast didn’t come out.

Since the new book is coming out, I can no longer erase the fact that the final chapter of the Monster Association Arc became top-class garbage.

It’s clear that there are parts that look sloppy, so I really have no motivation to rewrite it; I honestly don’t know what I want to do.

When this guy shows up, my mood instantly drops.

Compared to before, I really can’t understand the purpose of constantly redoing the ninja arc…

>>33

There have been times when I’ve thought, “You’re redrawing it again? Just progress the main storyline already,” but there has never been a complete redo.

It was quite frustrating that they ignored it twice in the Shinobizato arc.

It’s not like the conversation changed significantly.

>>33

Leaving good and bad aside, the redraw of the Garou arc changed the ending significantly, so I can understand that.

Why is the Ninja Village arc persistently being redrawn for such a trivial story…?

There are way too many developments that make you think, “Just do it in a doujinshi…”

Honestly, skipping over the battle scenes is boring.

From Murata’s perspective, it seems like he just really wants to draw, but I think it would make everyone happier to take on more work rather than focus solely on original content or One Punch Man.

There are plenty of other great original creators at Jump, right?

>>35

There might be a possibility that the original author has declined.

In a small industry, bad reputations spread incredibly quickly.

>>36

It’s not good that Sonifura looks like it’s being used as a pawn in the current situation.

It must be a loop thing.

Alright, Murata, draw more Tatsumaki.

It feels like the reason they don’t want to bring out Saitama is that he usually finishes things in one punch, which means they can’t showcase their proud drawing skills.

>>40

That is precisely why it is a part that can be easily stretched in an anime-original way.

It’s getting strange because they are trying to discuss something important there.

Is it really true that the editorial team cannot intervene because it’s a project brought in by Murata?

No matter how much the relationship between Blast and that person is exaggerated, I have zero interest in it, so just end it quickly with one punch.

That’s why you started over, right?

Until the revisions, it wasn’t a character I disliked that much.

Well, I wondered how it was from a positional standpoint that we can’t win against Garou.

The fact that they don’t even understand that the more unnecessary things they add, the more the story becomes inflated and diluted, deteriorating, is actually genius in a way.

If there were more beautiful girls among the ninjas, would they have been welcomed a little more?

It was great that the head of Gouketsu fell in front of Suiryu and that the battles with the Drive Knights increased.

Things got a bit strange with Garou’s fate, but…

The act of starting over expresses everything too much.

It’s proof that I haven’t thought about or considered any future developments.

I don’t understand why we end up in such a situation when there is already a finished original work.

Stop adding garbage between the lines of the original work.

I think that the more we explore the relationship and past between that person who was easily taken down and stripped in the original work and Blast, the more it diminishes Blast’s status.

Maybe they’re working hard to hype it up because they want to say, “Actually, Blast is on par with Saitama!”

A while ago, when I commented that the Murata version was questionable, I received quite a few counterarguments, but it seems that with this issue, everyone has finally woken up, which is good.

Did Blast appear in the original work?

>>63

A little bit in Tatsumaki’s recollection.

>>63

The appearance of Tatsumaki’s past does not appear at all.

Isn’t it tough that the result of this makes it harder to use Blast in the original work?

I feel like redoing the Garou arc after seeing this episode of Kurobikari.

Aren’t you thinking of restarting it like in Endless Eight?

When you use the technique called Blast, it releases something like an infinity symbol.

There probably aren’t many people who have as little trust in the author as this.

>>73

Zero Pan is already…

>>71

It’s turning into a highlight episode for Blast.

>>74

So I don’t really understand what I want to do.

That person is ultimately just someone who will be taken down in one punch by Saitama, so there’s no need to make a fuss about it.

If you can redo it so that this guy never existed before appearing in the Garou arc, then I would welcome a redo.

The last revision also had the theory of discrepancy correction with Ryumon.

>>71

There’s an unnecessary character mixed in with the digging…

It’s amazing to just completely disregard the results of over a year’s worth of work!

A few years ago, I was worried about catching up to the original work, but now I don’t feel like I can catch up anymore.

>>71

The battle scene with the super unimportant weak ninja isn’t that important to take two years on…

I saw a mention before that there was an attempt to change the name during the time of Eyeshield. Do you have any sources for that?

You can see how unnecessarily long this conversation is getting…

I wonder why I’m drawing Blast?

I think it’s okay to go into more depth, but if the important scenes of Sonic and Flash defeating the ninjas are no longer there, what will the highlights become?

>>85

It’s a blast, but…

It would be fine to have the intense battles of Sony Flat, where everything ends easily with a bald guy in one punch, so why are unknown older men and that person’s past being added to the story in a way that makes no sense?

By the way, it’s sad that we can’t expect much from the anime’s third season, as it’s not being produced by MAD.

Due to being stagnant for over a year.

The original might be faster-paced, after all.

>>90

The frequency of updates has been increasing again lately, so it might really be fast.

When the martial arts tournament arc was happening, I thought it was going to enhance the Garou arc, but once it started, it wasn’t utilized at all.

As a result, the zero bread that was presented is really driving me insane.

Because ONE carelessly depicted that person having a connection to Blast, I thought it would be fine if someone expanded on this!

>>94

It’s just that you’ve been wronged in the past, that’s what fate is about…

>>94

The contrast of the crater after adding such settings is interesting.

I feel like the punchline will be ruined once it gets inflated there.

What was up with the second ninja, marrying Blast and his sister…?

As an illustrator, it’s great, but as a manga artist, it’s lacking.

You’re talking a lot longer than necessary compared to your strength comparison with Garou, but if you were really planning to kill everyone, you could have done it much sooner. It was more important to point out that you weren’t serious about being evil…

Isn’t it very well received within the range that Murata can see and hear? If not, that would be scary in a different way.

>>102

Because there are still people supporting it with the current content…

At this point, it doesn’t matter what I draw; the manga will sell as a volume, so it’s impossible.

>>104

Well, even if the story is like that, the artwork is still top-notch, so it has its value…

Unlike the Chainsaw Man, who has become terrible at both talking and drawing,

One Punch Man is a work where Saitama easily defeats seemingly impressive enemies with elaborate settings and titles, and someone needs to tell that.

Just think that the quality like that will never happen again because the first season of the anime was just strange.

>>109

Such… Mob Psycho maintained a crazy quality throughout seasons 1 to 3…

They might be trying to change that person’s name in One Punch Man to be like Vegeta, but it’s not Dragon Ball, so that’s not going to work.

This time, the roughness of the illustrations, including the cover art, really bothers me.

You went through the trouble of redrawing it, but it ended up worse.

It’s not too late, so could you do the Garou arc based on the INE version of the anime? Is that impossible? It’s impossible, isn’t it?

Who is INE?

Why are you trying to create a story centered around a character that doesn’t even appear in the original work?

Honestly, it’s better to give them a name like “Void of the Abyss” rather than just calling them the leaders of those ninjas.

However, the existence referred to as “that person” feels more significant.

>>116

It’s the same with Blast, but because it’s unknown, it leaves room for imagination, making it seem amazing.

I’m just looking at it as a separate work that happens to have the same name.

I will follow the original work, but I don’t think I need to follow the bra pan.

You should do something about those cheap shoulder pads.

It only looks like it’s made of Styrofoam.

It’s clear this time that I’m following the flow that was probably set from the beginning.

The contrast of going in circles with reworking is brutal.

Well, as for Blast…

As long as One Punch Man is One Punch Man.

I think that the moment something finally appears, its allure diminishes, whether it’s early or late.

>>122

It’s fine if it’s interesting, but it’s not interesting even if you put out a blast.

I was impressed when it was just filled with action…

The entire Boros arc, including the anime, was a miracle of achievement.

As expected, did the anonymous person who was defending disappear? They were going crazy just a little while ago.

I reread the original ninja village arc after a long time.

Once the battle with this ninja group is over, it’s going to be an immediate drop, isn’t it?

Why am I repeatedly doing an abnormal number of retakes for such a short piece?

Wasn’t it possible to just adjust the original panel layout a bit and change the artwork?

>>128

It’s okay to change it this time…

Don’t do it again, seriously.

Even if you count from the part where Flash comes to Saitama’s room, it’s originally a story that ends around episode 7…

I don’t want Tatsumaki to be attracted to an old man like this.

>>130

To be honest, Tatsumaki seems stronger.

The part where it’s a crisis in the main story but it doesn’t appear at all is key, and there’s some reason behind it, isn’t there?

If you move things around carelessly, they will certainly fall apart.

It would have been better if I had just pulled back when I was drawing about fighting in another world.

It seems the artist didn’t expect that their lackluster drawing would lower their mood when they had to redraw it.

>>133

In the end, what came out was the zero punch.

I want that development to be forgotten completely.

I don’t understand why they want to bring this guy forward as I reread the original and follow the depiction of Blast.

The zero-sum expansion can be said to be a complete denial of the concept of this work.

The 33rd volume of One Punch Man will be released soon!

In terms of naming in One Punch Man, rather than Blast, it would be…

It looks like he might turn into a ridiculous old man with huge shoulder pads and sunglasses.

I think it’s doing things that shouldn’t be done as a business, let alone in manga…

>>139

I will publish it as a standalone book later and sell it, but since it’s being made available for free as a serial, it’s safe!

In terms of character traits, Blast seems like he could become an interesting character who has similarities to Saitama but also different directions.

Well, take it easy.

Redoing it two or three times, a frustrating and boring madness.

>>144

Because it doesn’t change the fundamental problem that there is no need to forcibly mix in the blast…

I saw fan art of Blast for the first time.

I thought they would tidy up the parts that were dragging in the original work.

Rather, it means to drag on in a different way.

I unexpectedly laughed at something that suddenly appeared in the latest episode.

It doesn’t seem like I’m rewriting it because it’s fun either.

I don’t feel like I want to change the development, and I really don’t understand the meaning…

>>151

I thought Murata was the only one enjoying the redraw.

Could it be that no one is really benefiting from this…?

>>151

The reason why it was redrawn hasn’t been revealed either…

I think it’s only natural to be seen as taking readers lightly.

I can understand that they were struggling with the ending and decided to redo it around the zero-pan.

I seriously don’t understand the purpose of redoing the ninja village.

Murata seems to want to make God the final boss, so I can just barely understand why they would introduce him there, but that person is too minor and just seems to want to bring him out.

When the old man appeared in the latest chapter, all I could think was, “Whoa…!”

Suddenly barging in and defeating enemies that were supposed to be taken down by two people all by oneself in an instant.

Is it the strongest original character?

Don’t talk about the original in the Blast thread, you anti-fan?

I thought Kurobikari was creepy and a coward, but I’ve come to like him this time.

>>162

I was thinking, “How much longer are you going to ramble on?” while reading, but after just 8 pages of the latest chapter, I ended up thinking you’re cool…

>>162

I overlooked the fact that overwork is making me weaker.

I think it would be a good idea for Mr. Murata to take a break once.

It might be too early to make a decision because if Blast comes out in the ONE version, I might start rewriting it multiple times.

If Murata loses motivation to draw, then who will finally get him to redo it?

There’s not even a millimeter of anything interesting in the story just because there’s a village bro.

There’s no way the original author would mix something like this in.

It’s like a male version of Mary Sue…

The latest Masso is too strong, it makes me laugh.

I don’t even know what has been exchanged in the meetings, but it’s really troublesome that almost all the past manga-like drafts have been made public.

I have no idea who among the people involved is taking time or repeatedly asking for retakes at which stage…

It’s also a comparison to the Garou arc.

Wouldn’t it be better to just stop the village bakery entirely?

Continuing any further would just lead to more criticism, and there wouldn’t be any benefits for Murata either.

I thought Murata was taking retakes on his own to earn manuscript fees.

>>176

I’m not taking retakes on my own.

No manuscript fee has been paid.

Murata is adding unnecessary panels.

Isn’t this a story where it’s important for Sonic and Flash to get through together… ?

Are you planning to have a conversation about memories later, with a bearded old man in between?

>>178

“It’s a nice scene that the two, who became stronger due to Saitama’s influence, can now fight together…”

I really don’t understand the meaning of trying to mix foreign substances here.

>>178

I finally feel like I’ve figured out what I want to do.

An old man brokers the relationship between two popular characters, leading to a surge in the stock of Blast.

The latest episode of the Murata version probably hasn’t relied much on the background assistants.

I think there are about four small panels, and the rest was blank.

I might be late with the name.

I wasn’t really fond of Tanmasu or Kurobikari, but I suddenly grew to like them in this latest story.

Also, Webi-chan.

>>184

I can draw too!!!

In various ways, it will become difficult to feature Blast in the original work in the future.

They might be threatened by Blast fanatics.

Hero, please come quickly…!

Before the story takes the stage, putting aside whether we need to change the development of the story where Saitama falls with one punch.

If we’re going to increase that person’s appearances and boost the activities of Flash and Sonic, I can understand that.

It’s going in a completely nonsensical direction, like bringing in some random old guy who has nothing to do with it at all.

If we’re going to lean more towards the handling of the original work like we did with Amaiy and Ryumon, then…

Why can’t they realize that it’s fundamentally pointless to increase Blast’s appearances and settings when it’s not in the original work?

It seems like I won’t be using Blast in the main story anymore.

There’s no particular meaning in going out.

Because you came!!

I wonder why a single line of dialogue can be so intense…

>>191

That was only mentioned because of the low update frequency…

After rereading the original work from around here, I found that it was less surreal than I remembered and felt more focused on the characters of the two.

I wonder if they could make a separate doujin version apart from the Murata version and do whatever they want with that.

What I’m doing now is almost the same thing.

It will probably be crammed into the third season of the anime.

Why are you mixing your favorite character into a completely unrelated episode?!

Doing things at a level like Gag Manga Biyori in real life.

Just keep drawing pictures.

All they can do is degrade the characters and the story.

>>198

I just want to draw pictures, and I don’t want you to do weird things for fun.