>>3

Two years!?

>>9

It’s correct to say that it’s a boring development at the point of the surprise ninja theory.

>>9

In this case, it means that works that become interesting by using blasts are not acceptable…

There’s no need to understand.

Just remember that the Amaimask arc hasn’t started yet.

>>7

It seems like the Amama Mask arc is going to be really heavily altered…

By rewriting it multiple times, I can avoid catching up to the original.

>>16

Who?

Where did you come from?

Thanks to Blast, let’s take a route where Amaiamask is not persecuted.

How are you?

It would be better to just read the original work.

I might laugh if Blast shows up.

>>62

That’s as far as it goes.

>>24

Who?

Please rewind to the time when Murata was drawing faithfully to the original work.

>>27

It wasn’t faithful from the first episode, and there have been redraws as well.

The original work also had the Child Emperor vs. Doctor Skipped, didn’t it…

Wow… Ryumon stands out too much…

Did they try to instantly defeat the weak enemies from Nintendo in response to the criticism about the blast being weak?

It’s simply that the blast has become a symbol of foreign matter, but who benefits from the story itself degrading compared to the original…?

When Blast fights, it learns to loop.

What’s with me getting close to Pochi without even realizing it?

The series of blast favoritism is probably this, I guess.

I’ve lost count of how many times I’ve seen the part where ninjas with unique naming sense from the ninja village keep appearing one after another.

I don’t know what has been disregarded in the Blast settings, so this is already a pain.

Entering a situation that isn’t really a pinch and taking out weaklings with countless punches.

I remember laughing at a response that said it was like a satire of Saitama.

It was totally chaotic, but up until now, I thought this time would be a story closer to the original.

What happened this time that made everyone go “Wow!” was bound to happen.

The fight between Saitama and Tatsumaki was almost faithful to the original, but the ninja village arc where Blast appears has been overly exaggerated, hasn’t it…

A manga where you challenge the final dungeon with a save point before a game over.

Is it a loop-type?

If you want to talk about the correction story, stand it upside down.

If I redraw from the beginning, I can battle for five years even without progressing the original story.

I want to read stories about balding.

The animation seems to have started getting messy…

The fact that that person has a connection with Blast was touched upon in the ONE version as well.

I understand the thought process that makes you want to incorporate more blast into that.

If you’re struggling with how to incorporate the blast and end up redrawing it twice, then it’s about time to give up on the original development…!

I was thinking that since they overdid it, maybe they’ll reduce Blast’s appearances.

Well, I just said “calm down” and then instantly finished…?

I understand that you really want to make Blast a great character.

If this rewrite is just a loop gimmick, then I’ll change my stance completely.

It doesn’t seem like I need to redo this multiple times at all…

Regardless of the original work, since the Murata version is a reset, it’s a waste of time to get into every little detail.

It might be better to wait about a year before reading it.

Is Blast Murata’s original character?

I liked the chabudai, but was it unpopular?

Far from just ONE, I think even Murata himself doesn’t fully grasp the situation.

I feel like I’m reading a fanfiction filled with characters that only exist for the setting.

The depiction of Saitama stopping a slash from a higher dimension with his fingers.

It’s a scene that really gets me excited regarding the Void.

That has also disappeared…

>>56

Can you not read this anymore?

It’s a bit unsettling that, despite being an original character, it has turned into a Mary Sue.

The fact that Burasto has the face of the main character in Murata is somehow bothersome.

Honestly, it doesn’t look impressive no matter how many times it’s shown because the pre-release hype is wrong, and it’s the same lack of charm. Blast.

You could just buy the paperback and read it.

Stop just reading the sandbox version that is offered for free to see the response and complaining about it.

It suddenly appeared on a spread, and I was taken aback.

It’s a great manga because it’s satisfying when Saitama finishes things with one punch, but it’s not interesting when other characters get involved.

The fact that the Yakuza Ryu-mon is playing a cool hero makes our situation stand out even more.

Rewind to the limit where you can still release the paperback like this.

I guess you decided that after discussing it with ONE, but I really don’t want to see Blast.

Did you reset after a year based on the feedback?

Well, although I haven’t received any manuscript fees, I still think it’s quite abnormal.

Because ONE made the character’s name Blast…

Because a resilient heart is important for a manga artist…

It’s clearly rougher than before the redo.

>>75

Aren’t you redoing it to improve the quality? I don’t understand, Mr. Murata.

>>75

I feel like I was originally redrawing it under the pretext of improving quality.

By the third time through the same part, it’s understandable that my motivation is waning, but it’s starting to feel counterproductive.

>>76

Since I’ll have to rewrite it anyway, it doesn’t matter if I write it properly…

Don’t you think Dr. Murata feels the same way?

>>81

That means you’ll be redrawing this one as well.

>>91

Is there any room for doubt there?

Everything is trash.

Your sense.

Items to choose from

Everything is trash.

https://tonarinoyj.jp/episode/2550912965179935321

The author should calm down.

(The sudden appearance of Pochi brought by Blast has me thinking about whether the setting of him joining the Fubuki group has come to life or been disregarded.)

Give it up already, Murata…!

With this habit of rewriting things up to this point, I wonder if you’re also struggling with wanting to rewrite the entire book.

I think it’s only a nuisance that they’re dragging this out before the third season of the anime, but I wonder if Shueisha has nothing to say about it.

>>85

(Because it’s a contract, I can’t say anything.)

Well, no calming down!

If you update the main house, build it.

It seems like they’re bored with Baki and are laughing a lot at Ippo.

Since I’ve been told that I only have the brain for drawing until now, this is my chance to redeem that evaluation with One Punch Man, so there’s no choice but to do it, right Murata?

A yakuza, who is an insignificant existence, has become the center of attention.

The much-anticipated enigmatic number one has become an insignificant presence.

Putting aside the pros and cons, I heard that the person is an art fanatic, so it probably isn’t too much of a struggle for them.

You really do it well…

It seems like they’re hustling with information on monster movies and real events.

It’s time to finish up.

I guess they won’t rewrite it anymore.

Is it a naive thought?

>https://tonarinoyj.jp/episode/2550912965179935321

The previous timeline was definitely fun.

I wanted to redraw it in Eyeshield too, so I was troubled because it was handed to me at the last minute…

>>102

Don’t act like you’re not in trouble in the first place. What are you trying to do, overstep your authority so naturally?

I think a god that only gives drawing skills to those who aspire to be manga artists is quite a cruel existence.

>>104

It’s just that the person has only been studying drawing.

If you’re going to change it dramatically, I can still believe that it was redrawn for this purpose.

It’s really confusing when things are subtly changed, like probing and shifting the safe line.

Originally, it should be the original work that puts the brakes on, but the illustrator is more experienced as a manga artist.

There may be things that are difficult to say due to various considerations, so I think the editing team should handle this somehow.

>>106

Since it’s a contract that says I’ll draw for free, don’t complain; it’s actually the editing side that’s unreasonable.

>>111

It’s a contract that went through because ONE wrote the original without any edits and it’s genuinely interesting…

It wasn’t a cyclone, it was little Tatsumaki.

>>113

I think it’s already a story from a different world that is similar, Murapan.

Manga is kind of boring right now, but I wonder what will happen with this manga from now on.

The most peaceful thing right now must be the thought that something will happen from here on, or the opposite.

It seems like there’s something interesting about the thrilling ups and downs.

When you keep being told to correct, it makes you think… maybe I’ll read it after it’s done… ★

Since it’s set as the S-rank number one, it’s only natural that it’s strong, and isn’t it also natural to make it a great character?

Although I’m ranked S-Class 1, it would actually be a twist that I’m the weakest, which would just be a repeat of King’s storyline.

If you arbitrarily turn a character who is set as the number one in S-class in the original work into a despicable minor character, isn’t that more of a problem?

As a result, it’s questionable whether it’s moving well, and it’s just that every development is being rewound.

>>116

Once you set up with that amazing introduction, the way to roll it out is already decided.

The way to show someone who seems really mediocre at first but ends up being amazing is actually quite normal.

In Murata, Blast is probably the main character.

Who does he think he is, disregarding the original author’s name and inflating it on his own?

At this point, you’re already disqualified as a professional.

Isn’t it kind of pointless to be so fixated on the Blast Ninja village?

>>121

I thought the village section of this bread was just a gag part with the panic and crash enhancement event.

>>121

It’s just a matter of saying that the person in question was involved with the cube, so they came to collect it.

It seems that the honey trap, internal ejaculation, and impregnation won’t be forgotten.

>>122

It looked like an old man who was making excuses but ultimately couldn’t resist the temptation of big breasts…

“I wonder if saying that Amaimask looked cool while fighting in his true form is really something Blast would say.”

If you’re a professional in drawing, then that’s fine, isn’t it? I think it’s amazing.

It seems that Mr. Murata has been concerned about that for a while.

>>125

If we go back to the era of Niji fan utopia before Narou became popular, the original characters’ achievements were often almost entirely portrayed as those of the original main character.

Research in that area is already a lap behind.

Story by ONE

I loved the wedding’s adorable and delightful blast so much…

When will the One Punch Man spin-off Blast end?

>>128

Well, calm down.

>>128

It’s better than being poorly altered, so maybe we should do this until we accumulate enough original material.

I don’t think it’s fair to blame everything on just one person’s animation work, though.

Even so, it shouldn’t be possible for the ONE side to ask for such repeated redraws.

At least the proposal should have come from Murata, right…?

>>130

Blast pretending to be an understanding figure in the background.

>>130

(A detailed explanation of Amai Mask’s feelings by Blast)

ONE seems to be quite humble and serious.

The compatibility was terrible.

>>131

Pushed hard.

I can easily imagine being asked, “How about this? How about that?” and just drinking it.

Speaking of which, Blue really is my son, isn’t he?

I thought it was a character that was brainwashed or something and believed he was my son.

>>134

Is it a matter of checking the answers?

You wanted to become a manga artist, didn’t you?

Don’t introduce foreign elements into a story that’s perfectly tied up with just Flash, Sonic, and Saitama.

Calm down, Fubuki.

>>140

It’s just plain erotic doujinshi, isn’t it?

I don’t hate the story before I rewrite it or Blast, but is this an unpopular opinion?

It’s fun to insert my own alter ego into the original work, but it’s not really good to do that in commercial projects.

It’s fine to blame Murata for the bad things and give credit to ONE for the good things.

You can just pretend you didn’t see Story by ONE.

>>156

Since it’s co-signed, ONE has responsibility, right?

If you don’t like what I’m doing on my own, then let me step down from my name.

>>156

Since I don’t know where it starts and where it ends, making assumptions beyond the clearly stated range is not good.

It would have been great if Saitama had shown up and knocked everyone out.

Take care of that person behind the scenes while you’re at it.

It’s a blast after the transformation is cancelled, right?

>>155

It seems like they would normally engage in hero activities while being close to Amami.

One Punch Man is a work with a strong irony that even if there is an ultimate character, it’s the same as not existing if they are not present.

Blast is amazing in a way that it doesn’t care about that at all.

Just a little time left until the release of the save feature.

As long as it’s cool, it doesn’t matter if the mysterious veil is lifted.

I don’t know why it seems like Murata is rewriting it on his own, but was there an official announcement?

>>161

There was only one time when that kind of thing was written in the cover illustration and had to be rewritten.

One of the multiple attempts has been confirmed, while the others are unconfirmed.

Neither ONE nor Murata has properly discussed this, right?

Because research on reverting monsters back to humans is progressing, and Mana, the sperm, and Pochi are getting familiar with humans, and Blast even has monster-like companions, it’s pointless to depict Amaimask’s struggles.

“It’s more of a mental issue than a physical one, but it still makes me wonder how seriously you’re troubled.”

Right after the Garou arc ended, I thought the story was progressing fairly close to the original, and I wondered if they were reflecting on it…

>>168

Tatsumaki vs. the Bald Guy, I was thinking “This is it!” but…

I don’t know who is at fault, but the current situation is bad.

I might rewrite it again.

Where is the correct place to introduce Blast…? Here…? Or over here…?

I think it’s interesting to imagine that they’re experimenting with whether to bring it out earlier in the Tenjin battle!

>>173

If ONE is troubled by that, then it’s fine.

I wonder what the reality is.

You want to see the blast instead, right?

Since Saitama has an unparalleled strength, he can think from a perspective that is unique compared to other characters, but if there were another strongest character, it would ruin that.

Think about why Blast doesn’t appear in the original work.

The fact that powers other than Saitama can be observed means they are second-rate, you know.

There’s no need to attach any original character’s backstory to characters that suddenly appeared and died in the original work.

Well, calm down.

Whether it’s true or not, the fact that ONE has never redrawn any of the numerous works it has produced is a strong testament to its credibility.

I think it’s better to stop reading for about a year, forget the content nicely, and then read it again.

Blast is way too much like a cancer cell in the work.

It’s just retribution for the bad reputation you’ve built up until now.

It was already no good by the end of Eyeshield and at the point of the Phoenix guy.

>>188

A bald cape is so uncool…

I wonder why I put it out so quickly…

I can’t believe they’d just get defeated and leave after dragging it out this much.

It seems like they are planning to retrieve the void and return to humanity with the intention of continuing to release it in combination with Blast.

If it’s being changed without permission, then Murata should be removed in the first place.

If you write “Story by ONE,” then of course it will be blamed on ONE.

If it’s unrelated, just erase your name.

In the original work, the brief flashback featuring Blast gives off an aura of an unknown strong being, so why is it always a grinning old man…?