I had quite a good time.

There were too many original anime.

Not enough eroticism.

>>2

That alone won’t fill my belly.

When I hear the term “original animation,” it makes me want to tilt my head a little.

It had a somewhat abrupt ending, but what happens next?

>>6

The production of the third season has been officially announced, so…

>>9

But I like Aoshi, who goes all out in being funny in the next episode preview.

>>12

Because of that, no matter how serious Aoi Murasaki is in the main story…

I started to think that you must be thinking of something quite enjoyable, you bastard.

>>12

Could it be that I’ve done something wrong…?

Because even half of it doesn’t get through.

>>11

I think it should be a little less, around one-third.

Honestly, I feel the tempo of the combat is much worse than the voice quality.

Overall, it’s somewhat sluggish and lacks sharpness.

Kaoru is eager to go to USJ whenever there’s a chance.

Even though it’s different from the original work, it’s impressive how battousai can quickly adapt.

I’m happy just to have seen the fight between Sanosuke and Hōji.

>>20

What is a bouquet slap?

>>145

I didn’t want to see someone like Hōji clinging to Sano without a plan.

If that was Saito over there, I would be killed and it would be over.

If you are inferior in combat power, I wanted you to play an active role in supporting Shishio with your intellect.

I was watching the episodes of Raijin Juta again.

The previewed Ao-Purple is probably going to say that he waited at the entrance of the hideout for months.

>>27

Honestly, I think there’s nothing that surpasses Gatling Saito when it comes to bad jokes.

The excessive mischief has completely overshadowed the already scarce stories of Aoshi.

>>27

I like putting out fires with blood, though.

The process is way too harsh.

It’s already obvious that the animation direction can’t surpass the Kyoto arc of the old work, so as long as they do their best in other areas, that’s fine.

But the second half of the second season was quite tough.

There is overwhelmingly a difference in budget regarding this matter.

It’s a Golden Fuji.

I’m sorry, but the difference between the OP and ED is severe.

The new anime has original elements in the final chapter that I can understand the intention behind, but it was still a bit… questionable.

The successful experience of Kanryu completely backfired.

What I mean is that the elements that seem to be working with the author’s supervision are also a bit of a hindrance!

I don’t think the second season’s ending theme is as bad as people say.

Meiji Rurouni Kenkaku Kira Jump is just something that makes me laugh no matter what.

The original anime dance seems to be clearly about the convenience of time and pacing, I guess…

I guess they wanted to start the 3rd season with a decisive battle.

>>39

It’s impossible to fit it into two cours even at the pace of the old works, and I think this clearly highlights the disadvantages of the modern split-cour system.

In the third season, which will have more battles, do your best to connect to the revenge.

>>40

I really hope they can do something about the Jinju arc in an original way.

Fairy tales are fine as they are, you know.

The old anime is indeed amazing in parts, but when viewed as a whole, it’s rather poor, which complicates the evaluation of the new anime.

And some of those feel almost like out-of-place artifacts…

>>41

It’s often said, but to be honest, putting effort into the key points is only natural.

It’s just a matter of not having to watch unrelated anime originals or bad parts if you don’t want to.

The old works have opening and ending sequences that are still remembered in anime history…

>>42

The depiction of cherry blossom petals flying is so extensive, it’s a bit overwhelming…

>>42

But the old OP really feels too out of sync with the work.

If we don’t add original content, there will be too much unused time, so it can’t be helped.

But I like the way it was extinguished with blood.

>>45

I like this place, regardless of everything else.

This interesting cut is memorable.

Raijin Juta’s complement was good, but the original story of the Kyoto Great Fire, while I understand the intention, isn’t very interesting.

I haven’t seen it, but did Shogo Amakusa show up?

>>48

The Kyoto Great Fire chapter has changed significantly.

The result is the same, but the process was different.

I personally don’t mind the change in the plot where Sanosuke boards the ship using an explosive round to deal a fatal blow to Purgatory…

>>51

It’s nice that Aoshi and Rengoku first reunite and have a battle, as it leads to later connections.

It seems like the whole group of Shishi members underestimated Sano-suke, but isn’t that a bit too much…

>>52

It’s unavoidable because it’s someone whose name I don’t even know.

>>52

Isn’t it foolish to have been so arrogant even though I’ve already revealed the ultimate double?

It is a big mistake to expect quality from TMS Entertainment.

You can simply respond with “Feng Shui edition” to those who say the old days were more interesting.

I feel like season 3 might be too much for two cours, so maybe they’ll do it in one cour.

The reverse blade sword’s first strike is also not bad as something to delve into.

Honestly, the changes to the main storyline are currently just highlighting the bad parts.

>>63

Regarding the performance of OPED, it’s impossible to win…

Since it has been decided to parallel Kamen Rider and Tokyo Revengers, the possibility of the quality of the third season dropping is pretty high.

>>65

Kamen Rider!?

I wonder if today’s animators, like Zhang Zhan, can’t draw intense action scenes?

I’m dissatisfied that the rule of law has been made to seem like a fool running wild with a bouquet.

The story of the garden’s foot soldiers is probably extremely unimportant.

That thing with Kanryu and Hoji totally has the vibe of what the current Waduki would do.

With roses!? (Attack) and then with roses!? (Extinguish) can be managed, but I’m doing my best.

To be honest, if I’m being carefree, it’s actually Shishio who looks the dumbest since he’s getting submerged by Rengoku.

I enjoyed watching the first season.

I didn’t mind the police chief’s scene, but were the scenes of the lower ranks of Shishio’s faction just dragging things out, or the half-mob scene at Aoi-ya really necessary?

I like the series of stories featuring Shishio’s mob in the original anime.

I like the director of Satsuma too.

The old man and the kid are somewhat difficult to understand.

I was watching, thinking that the girl tugging on it isn’t really that interesting.

>>77

This has a bad feeling of Heisei-era rubbing.

When comparing the old version, it surprisingly doesn’t seem to be moving that much, but it turns out that elements like the pacing, the way the unsheathing effect was emphasized, and the impact of the memorable BGM were quite powerful.

When it comes to decadent artwork, it has a strong style.

Even here, opinions on the original anime parts are divided, aren’t they?

>>80

The background live-action must have been quite intense.

>>80

The main story also feels quite like that, so rather than focusing on the budget or animation quality, it’s more about the power of the direction that makes a huge impact.

I liked the original work, but the anime-original content…

I liked the new work, but the original anime…

>>82

That’s it! The ultimate in original anime!

I want to determine the evaluation based on the performance of the third term.

>

I love you, I love you, I love you.

Around Saito → I can’t help but laugh at Aoshi’s cut.

The difference between when a gag fails and when it doesn’t has been quite drastic since a long time ago…

I was looking forward to seeing how Megumi would be involved in the original anime, but I was really disappointed that they only used her for filler.

>>88

Isn’t it more about what will happen with the Aoiya attack?

You probably can’t do that flickering flash effect anymore…

>>89

The idea of using that to create a dimly lit feel for the hideout is a total victory in creativity.

I’m really enjoying the new anime, so it makes me a little sad when it’s criticized.

>>90

I can understand the feeling of wanting to say something precisely because I love the new work.

>

No matter when I see him, Anji looks like a boss.

>>92

Comparing the bad things and saying this one is better doesn’t really help, does it?

Whether the chief is tough or if Kageya and Kamataro were just enjoying the prickliness.

In other words, the biggest advantage of “Shin” is the part after the Kyoto arc that couldn’t be animated in “Old.”

>>96

I feel like I won’t end up doing it anyway…

I must have watched the Amakusa arc, but I don’t remember even a little bit…

The titles of the episodes in the old anime version were lacking…

Well, it gets better halfway through.

If you’re just going to complain, why not just look at the old one?

Even though I already know that Mai’s safety is fine, pulling in “Mai-chan!!” is clearly a structural mistake.

Speaking of anime originals, I was thinking how impressive it is that Ms. Megumi adopted triage during the Meiji era as I was watching.

Dine and dash → Leave it to the police → No way, I’ll have them split the logs.

No matter what, if you turn the firewood into splinters, it won’t be usable anymore, you understand that, right, Sanosuke…

But the teacher’s alterations were fun.

>>104

I think the reason I had expectations for what came next is because of this.

“I wonder if the opinion that ‘the flying heavens don’t match’ was that of people from the past.”

>>106

So, what kind of song suits this sword? Is it “Freckles”? But that’s never really matched well since a long time ago…

>>106

I’m watching the old works too, but Hiten is great!

That one song covers everything about Rurouni Kenshin.

Do you really want to see the “Human Punishment” chapter that much?

>>107

If you’re going to do it, I want to see it.

>>112

If you let En get beaten up by Watsuki’s friends, then it will make Kenshin think he should die, so it’s better not to change it too much.

It’s been a while since I last saw it, but Hoichi is a good character, isn’t he?

I’m looking forward to the third season of “I Love You ‘Til the End” as I like it too.

I remember the old CCO incessantly saying that this world is ultimately a struggle for survival, a dog-eat-dog world.

>>110

I guess it was a time of stretching because the anime was catching up to the manga around that area…

Don’t turn your back on the feng shui section.

The historical research indicated that the explosive shells were moved from the closet.

I guess you’re really solid, but it’s disappointing as a flashy element.

Weak meat

If we were to do a longer series, I wonder how many cour it would take including the flashbacks.

The change in the people’s punishment chapter was almost perfect in the live-action movie.

When I suddenly saw Shishio laughing out loud in the anime original, I thought, was Shishio like this?

In the original work, they suddenly burst into laughter.

>>126

The boss messed up.

In the end, I can’t evaluate the Kyoto arc until I’ve seen it all the way to the last episode…

>>127

From here on is where the real deal starts, you know.

Monk battles and painful memories from the past.

I want Takamiy to sing the OP or ED, but I guess it’s impossible now.

I still have the impression that I occasionally sing anime songs.

I found Akahou Time interesting, so I hope they will come up with something again.

I wonder if Shishio will be picked up like a runaway ninja from now on…

It seems like they might add a scene where Ashitaro brings out the Infinite Blade.

The older version of the Kyoto chapter was done with the director risking their job by sticking closely to the original work, so of course, the quality is good.

I feel like it was good just because the Kyoto chapter was exceptionally great.

I want to believe that it won’t turn out like The Promised Neverland.

The old anime has too strong of a power in its background music.

It makes me feel like I’m watching a good anime with that BGM.

>>138

Also, the SE (sound effects) sound nice and the use of them is skillful.

I didn’t like the mob under Shishio in the original anime.

I don’t care about you guys, just die.

>>139

Shishio’s reputation will drop if he’s not able to fully captivate people.

>>139

I understand that it’s something you wanted to do.

Even just a supporting character, each has a name, a life, and thoughts, and they must have joined the Shishio group for a reason.

But if you ask whether it leads to anything interesting, that’s another story, and honestly, it’s just a mere extension.

This isn’t the ending theme for the Kyoto chapter.

Some old works have endings that just endlessly play incomprehensible live-action footage!

Chirping sound

After this, Rurouni Kenshin.

Chirp chirp chirp chirp chirp chirp chirp.

I like how it neatly summarizes the people living through the turmoil of the late Edo period to the Meiji period.

Hiten was the best.

The rest, both the music and the visuals, somehow…

For now, I think the latter half of the Kyoto chapter has a lot of exciting moments, and I hope they don’t do too much unnecessary stuff.

I wondered if it was just nostalgia when I compared the old and new battle scenes.

As expected, the old version’s production is amazing.

The changes have both good and bad aspects, and you can really feel the influence of Watsuki now…

>>152

Since they’ve been taking a lot of breaks from the serialization, I suppose they will be very close-knit.

>>152

There are good things about visualizing past stories in new episodes, but…

Changes that are overly assertive like mob characters only create discomfort and have a stark contrast.

I wonder if Usui can still do that gruesome finish where the upper body gets blown away.

At least I can confidently say that the webpage for mastering the double extreme is crap.

>>154

I laughed a lot at various stupid things, so I’ll take it as a win.

>>154

That’s just a funny piece of crap, so I’ll let it slide…

Starting today, I’m the coolest!

Absolutely the strongest number one!!

It inevitably looks like a cheap Flash animation.

The song might have some heightened expectations at the beginning with the flying heaven part.

I wonder what the image of walking on a sword towards a five-story pagoda is.

It’s not about good or bad, I just don’t really understand it…

Old man, don’t do unnecessary things, okay?

Just say you’re only going to tease Fuji and raise the stakes!

>>161

No, I’ll have you battle with the old man…

>>161

I went out of my way to have the treatment done by Mr. Okina, so if I can see a showdown with the old man, I want to see it.

There really aren’t any good points about the hammer.

>>179

Since I’m making a stand against the other Ten Swords at the hideout, I should have combat ability even when fighting alone.

>>146

I can’t imagine that it would be like that even if I watched another anime from the same year in the same Jump genre.

>>163

They were teasing Arale-chan about her big face seriously…

>>166

I was made to change it due to complaints, and it didn’t work out.

>>168

Why does it develop into bullying at school…?

Why…

>>168

I can’t forgive them… those guys with big faces…

In the old version, Sojiro’s memories were incredibly well done.

I was a student who didn’t particularly care about drawing, but I kept going back to watch this because it’s incredible.

>>165

I mean, I think everyone around the Tenbongatana was really fired up.

The intensity of the sobs from the children of the monk after the burning is incredible, as is the power of the performance.

Spicy

It’s unfortunate that the original work’s length doesn’t quite match the current split-cour system.

The old works were from an era without division.

There are definitely some people who are in the gang just for a dark side hustle, but it’s not like they should be the main focus.

Ten-ten-kun was constantly saying “penis!”…

There was also a 2-minute ending for the old work, huh.

Makiba-Oh has an original song, but it was really sung like Makiba-Oh!

It seems like the old man has zero good points, so he might create a moment to shine.

Whether it will be well-received or not is another matter.

I think “Invisible Power” from Nube is one of the greatest songs of all time.

Soujirou’s scream at the moment it broke was really amazing because of the past.

I definitely want you to hear the terrifying and broken screams of the new one.

>>186

Well, they seem like someone who could do voice acting.

If you’re going to do an anime original, I would like you to include at least one service scene with Matoi.

>>188

Loli is not allowed.

Hōji tried to fight the old man alone and there was a combat room for Hōji in the hideout.

I have the feeling that it was supposed to have combat capabilities…

It’s not really related to the thread, but I was so happy when I went to the Yokohama concert last year and they played TACTICS.

>

There is production involved, but I can simply feel the difference in the videos.

When the topic of Hōji comes up, there are times when someone passionately asks, “Did you really like it that much from the beginning?”

Personally, I prefer the new voice for Shishio.

In the sense that it is leaning towards the old atmosphere.

The Tokyo edition had shortcomings in both the original work and the old anime, but the new anime brilliantly transformed those aspects and became a masterpiece.

On the contrary, the Kyoto chapter has no flaws in the original work or the old anime, but the new anime changed or added parts that didn’t need to be altered, resulting in a somewhat ambiguous impression.