I was using it as background music, and suddenly it started saying things like a mentally unstable person, and I was confused.

“Dora Bian Night is good.”

Watch the main story too.

From Takeda Tetsuya to Eiychan all of a sudden.

Come to think of it, there was something I had been meaning to watch when I had time, but I somehow forgot about it.

That helps.

Some works include the last scene, so be careful if there are works you haven’t seen! But I don’t think so!

>>7

The editing made it seem like Dekisugi was shown the ending all at once in the new Space Small War, which was no good.

The trendy vibe around Eikichi Yazawa and Hinano’s SPEED is impressive.

>>9

Remembering that “The Night Before Marriage” was shown simultaneously adds to the emotional depth.

>>10

The main story leans towards that direction, but it’s being piled on with a simultaneous screening of the ending…

>>49

Wait, isn’t “Drifting Chronicles” still one of the more interesting ones?!

>>49

The story and character design aren’t really my style, but that massive galaxy drift fleet mothership is just incredibly cool…

It should have been done last year.

I thought so, but it’s the 45th anniversary.

“Just a single phrase, ‘Has your runaway ended?’ made me cry, so I guess I’m really done for.”

Speaking of which, Tetsuya used to sing the national anthem of the Cloud Kingdom…

The surreal feeling of Odoromu becoming like a companion.

(Dekisugi-kun being shown the ending of 42 works)

42 pieces… 42 pieces!?

The ones singing are all famous artists.

The song has already ended, but is the staff showing the “Chin-Kara-Hoi” part for erotic reasons?

>>19

Huh? I just played all the endings, okay?

Personally, I think the Robot Kingdom is nice because everyone has a mom… I feel like I wanted that.

I’m barely not in!

😁

I’m glad that the wind’s magic was used properly.

The lunar exploration documentary should be watched until the end, so it should not be cut from terrestrial broadcasts.

You are a person farther than the stars.

Whether it’s right or not, SPEED is just really good at singing… that’s what this space drift journal makes me feel.

I wonder if they are showing it every year after COVID.

By the time the new work is being screened, I think the site will already be moving on to the next thing, which is kind of amazing.

>>28

There is a one-year gap from the dinosaurs to the pioneering history (with Momotaro’s “what is it?” in between), and there is also a one-year gap from Wan-Nyan to Dinosaur 2006 (for the establishment of new organizational know-how).

I love this kind of thing.

I want things like Crayon Shin-chan and Conan to also have anniversary celebrations.

Add the OP collection too.

Did you really evaluate that absurd picture diary, Sensei…?

I’ve always wondered why my ED isn’t the person from my dreams since I was a child.

That’s fine, there are others with the same insert songs and ending theme.

Now, the magic of the wind flows normally…

Honestly, there are plenty of films that are somewhat mediocre.

When ED is cut out like this, it somehow feels good.

>>34

When I see Green and ED, it’s a masterpiece… well, that face isn’t it.

I wonder how Momotaro is being treated now.

It seems that in the past it was counted as a long novel.

>>36

Screened together and treated as a short film.

I went to see “South Sea Adventure” in the cinema, but I remember feeling very uncomfortable during that poem scene.

I wasn’t sure what position Momotaro holds since I’m not from that generation.

I found out that the movie was finally screened alongside 21 Emon last year.

>>39

I knew that we both made little cameos, but I saw the 21 Emon side for the first time during last year’s streaming.

Mr. Inoue can produce a boy’s voice of this type…

Adults sometimes make unreasonable demands.

It often appears in lyrics, and the employment rate of Tetsuya Takeda is high.

>>41

I mean, up until the 17th installment, Galaxy Express, it was done every year.

>>64

Because it’s F-sensei’s favorite…

The ending of Wan-Nyan, with its great song and the last moments, makes me inexplicably cry as it returns to the mundane everyday life.

I hope they release a CD collecting the theme songs from the movies like they did for the 40th anniversary.

Yoshiki is laughing with his full power Yoshiki.

The development of Tetsuya YAZAWA and Hina is too rapid.

>>46

(IZAM singing in Crayon Shin-chan during the same period)

I burst out laughing at the picture of Nobita chasing the Time Patrol leaving the birth of Japan, while Jai’s serious expression was fixed on him.

Show a bit of a disappointed expression!

>>48

The three characters from the animated movie back then were, how should I put it, too dry.

Especially the introduction part.

The OP’s part is quite long with Doraemon fulfilling dreams.

Namazu is not going to move!!!!

I wish Crayon Shin-chan and Pokémon would release videos like this.

Isn’t it true that there’s been a gap of a year between dinosaurs and the pioneering history?

Since the cast change, due to the impact of COVID-19, the Space Small War was delayed and there was a year with a gap of a whole year.

>>55

The dinosaur was released in ’79, and the pioneering history was in ’81, so there is exactly a one-year gap.

As mentioned above, the 80th year includes the film “Momotaro: What’s That?” as a double feature.

The childhood themes play about three times, including during the performance.

I really liked the story of Space Drift Chronicles.

I still can’t accept that the depiction of the space battle in the climax was almost like a still image.

I really like Nobita’s impressive gadgets in “Space Drift” as it approaches the end.

Stop the mesmerizing star.

The magical wind, the CD I bought long ago had an instrumental version…

This might be the first appearance of Dekisugi’s parents at the classical music concert for the ending theme.

>>62

Mother is the first.

Until then, only the episode about the Dimensional Idiot Bullets was treated as an appearance in official books and such.

Other than being delayed by the dinosaurs and COVID, it has always been the March screening during spring break, so March 1979 hasn’t even started broadcasting yet.

The photos of children performing the Earth Symphony (live action) come together to form a mural of the beginning swan, and the scene of a couple, the first on Earth to be united by music, gazing at it is just too good…

I’ll come again! I really like the anime of Space Battleship, where it shows that I’m having fun and actually coming back.

>>68

It feels like they keep saying, “This guy always comes back because of the end of the main story.”

>>68

However, the remake’s Dekisugi ending is excessive in its own way…

The design was the same as in the SFC version of Doraemon 3, Dekisugi’s mother from Earth Symphony.

It feels like the theme songs of Doraemon and Crayon Shin-chan aren’t really considered anime songs.

>>70

Even though there’s Crayon Shin-chan and RPG.

>>70

“Boyhood and Time Travelers are already regarded as classic songs from the Showa era…”

I really like the way the ending of Space Exploration History begins…

The doors connected by an accident are separating, evoking a sense of parting, while we communicate through a string game.

Hokuriku Sunshine ♪

I think most people don’t know that songs like “Harunohi” and tie-up songs are the theme songs for Crayon Shin-chan movies.