As long as it gives me a feeling similar to that of Fullmetal Alchemist, I’m fine with anything.

The hurdle is too high…

>>8

After writing a lengthy account of history, presenting “But we don’t know if this will actually happen in the future…?” is

I like the clever elements based on the original work, Fengshen Yanyi.

>>15

The sense of putting ruby characters on this story in a manga is really cool, isn’t it?

Fullmetal Alchemist and Fengshen Yanyi are pretty high hurdles… but I understand.

>>11

My heart feels heavy…!

Someone like Azumanga Daioh.

>>14

In a normal world, the ongoing battle type is tough.

In that world, the security situation is already finished, which somehow makes it brighter; from now on, Ken will continue to fight.

My personal favorite is Violence Jack in the final episode.

It was good what we had for free until yesterday.

It feels refreshing.

Something like Crossbone Gundam Ghost.

It’s fine as long as it’s like the flames of fierce fire.

>>27

Show me when you’re eating!

The final episode of Trigun is great, isn’t it…

>>29

Wolfwood: “Answer me! Vash the Stampede!!!”

The name of Vash the Stampede will disappear from history in two years…

Here comes the one setting off on a new adventure!

>>30

Do you like the ending of YAIBA?

>>36

That’s nice, isn’t it?

Blowing away the somewhat somber atmosphere that has started to settle in.

The story ends with the grown-up Yaiba and the beginning of a new adventure.

I can easily imagine all kinds of magic swords that are just named…!

In a world where battles have become the norm, the fighting will continue, and it fits perfectly.

It feels the same for jujutsu too.

I love the clichéd directing that layers over the early episodes.

A story where the protagonist and the rival fight without any constraints.

Something like Wahhaman.

>>41

Even if it gets sluggish along the way, it’s helpful if it can be finished neatly, even if somewhat forcefully!

>>41

It’s one thing for short stories or one-shots, but when you’re following a long series, you develop a connection to the work and the characters.

>>42

The story is properly structured, but if you ask me whether I like it, I would say I hate it! That’s quite common.

Egg Prince and the original version of Beasts Weeping in the Wilderness.

A little loneliness is nice.

I don’t want it to feel like it’s the end!

>>43

Is this what the goddess wants… It seems like it’s meant to be a definitive ending.

I was wondering if they would depict the chaotic Morisato family one more time just as they have until now.

I didn’t buy the paperback in the middle, so I need to get the complete set…

I like the depiction or writing that shows what happens to as many of the main characters as possible afterward.

The final episode of Full Metal Panic was great.

I feel like it’s been drawn to completion, but I wouldn’t mind seeing a slightly longer epilogue.

It’s nice to end like a mugen with a pure kiss in the end.

I’m dead.

Hokuto no Ken is incredibly fulfilling because, after the bloody battles with his brothers, he ultimately calls Bat his little brother.

I really like Gash.

I love our last.

I like the idea that the protagonist moves forward and looks ahead, even though their partner, who has always been with them, is no longer there.

“Ushi to Tora” and “Parasyte”

>>57

I think it’s a high point that neither completely disappears.

>>57

The Parasite is a title that Hirokawa once collected in a sensationalist direction (the way humans behave).

I think it’s great that Shinichi and the others see things in such a ridiculously positive way.

I think the ending of Attack on Titan was neatly wrapped up, but it’s also possible that it wouldn’t have been like that if the parties involved hadn’t been around… I thought.

>>59

I mean, a crazy amount of time has passed…

I like something like My Hero Academia.

>>61

The impression after reading is not bad…?

The result of trying hard is death or something.

I think it’s no good because the side that was saved doesn’t enjoy the food starting the next day.

I thought the thread image would have a sequel or a one-shot after the final episode, but there shouldn’t be anything left to do…

I was struck by the story of Al’s armor.

The work of the author of Yu Yu Hakusho.

I read Shigurui without knowing the original work, so I was like… Is it over!?

>>70

What can I say, it makes you think, why the hell is she dead, you damn woman!

Early rivals and the final battle

I like the sense of impermanence in the final episode of “To Adolf.”

>>72

I was surprised to suddenly jump into a discussion about Israel or Palestine, but well, given the subject matter, there really isn’t anything else.

…Now I would see it differently again.

The protagonist’s problems are all resolved, and it’s enough for me if they’re just a little positive and have some room for imagination or speculation!

I’m weak against things like the ending of the Demon Slayer manga.

But the aftertaste really differs depending on whether you’ve read the paperback or not.

>>74

When I read it in serialized form, I understood the message and what I wanted to express, but I thought it was too brief, so I was glad it was extended in the volume.

It’s not a manga, but this is deeply moving.

I like that it purposely shows a happy ending, even though it’s understood to be unnecessary like in “Hell’s Paradise.”

I liked the way they wrapped up the story in Wind Taxi.

A finale like Shogun Cop.

In addition to the good feeling after reading like in Fullmetal Alchemist, it would be even better if the protagonist didn’t lose their powers.

I understand the circumstances under which Ed lost his alchemy, but that being said, it’s a matter of preference.

>>81

I like how, in Ed’s case, there’s a solid logic where what was lost properly returns (to him).

Giant’s Star is great, isn’t it?

I like the line that talks about aiming for the next star, as it seems like the curse of baseball has been broken.

I don’t know about the sequel.

I understand there are mixed opinions, but I like the ending of Iron-Blooded Orphans.

The part that positively subverts the expectation that the world of Gundam has not improved with the abolition of slavery and the acquisition of autonomy is quite interesting.

I still can’t swallow the ending where death suddenly appears right in front of Sigurui and Exoscal.

>>84

Sigurui conveys the hopelessness of feudal society, and considering the original source material, it’s understandable that it has to be like that.

It left me with a really unpleasant feeling to go from the energetic and determined recommendation to Exoskeleton Zero for some reason…

Old Man Usopp is telling another tall tale of adventure!

I really like twists like in The Truman Show.

I want to see something like Karakuri Circus again.

It’s a bit subtle that the protagonist becomes powerless after the battle.

The method of breaking the curse in Golden Kamuy is nice, isn’t it?

>>93

The culprit behind the curse is money!

I was used as currency by someone with a stupid-looking face!!

I like that the cover of the final volume has both enemies and allies smiling at us together.

But what kind of specific examples were there?

>>94

The curtain call of Karakuri Circus.

It’s not the cover, but…

I like the conclusion that the end of the world in the Exoscalibur Zero manga will come someday, but until that day, the hero will be by your side.

>>96

From the perspective of the setting, that has a really hopeful ending, doesn’t it?

Maybe there will be no more achievers.

I thought about it a lot, but I might like YAIBA the most.

I think Ushio and Tora has the best aftertaste among Fujita’s works.

>>100

Even if the journey is stressful, as long as the end is refreshing, it’s okay! A great example of that.

>>105

It’s nice that the core part of the work is mostly written in the opening theme, isn’t it?

I don’t know how to give light, but to know the time to meet~♪

>>105

I really love that it makes you feel like it couldn’t have reached that ending without Aiba Kouji.

Including the fact that the person’s abilities are very ordinary.

Is there an ending like the Seven Ninja of the Imperial Guard?

I really love the newly illustrated part in the final volume of the manga Frontier.

I feel like losing power is the only end that’s allowed for D-boys…

>>107

That guy is making a comeback!

A title that collects things.

I understand that the ending of Dungeon Meal is at just the right balance where you still want to read more, but…

I know, but…!!

I want to read what happens next…!!

It’s nice that our “The Earth Launch” is the last panel…

>>110

It’s a boy’s dream, isn’t it?

I hope the battles continue in this chaotic world as they are, with strength intact.

I would be happy if this power became unnecessary in a peaceful world.

It might be better if there’s no final episode that feels like a typical final episode, but I guess it depends on the genre.

Mushi Master and so on.

I love the almost original anime final episode of Summertime Render!

>>115

It’s nice that the manga showed a peaceful island world in detail, which was wrapped up in just a few panels.

The story ends with going to Koshien, and I don’t know what happened in the match, but in the final episode, the championship trophy is shown.

>>117

The author has run out of energy…

>>117

Was it touch?

>>117

The Great Eating Koshien, huh…

I like endings that don’t leave a sense of longing by depicting an epilogue many years after the protagonists’ exploits.

I love developments where the fighting power is lost.

You can choose to live peacefully as you are, or it would also be good to have a sequel where an incident occurs and you decide to fight again.

Many post-apocalyptic manga tend to end without any resolution, relying more on atmosphere.

>>124

What do you mean specifically?

The final episode of “Kisei-koi” left me thinking, “What the heck is this?”

I am grateful to Omamori Himari for putting both enemies and allies, all the girls, on the bed.

The ending of NARUTO was good.

Works with sequels are just, hmm.

>>128

Chaos;Child was pretty much a failure because of that.

I suppose I’ll pray for a safe voyage… but I think that’s a bit of a stretch, Steel Ball Run.

I think it’s a perfect ending as a bitter end.

>>129

In that case, it’s frustrating to find out that Johnny wasn’t able to have a very good life afterwards in part 8.

>>139

But I like that ending because it’s so much like Johnny.

I was able to obtain something invaluable.

It’s a bit questionable to have the timeline come last.

>>131

So I’ll write the timeline from the beginning.

>>144

The story after the timeline is casually introduced.

I believe the final episode of the original Gundam is perfect.

I’m fine with something like Armed Rebellion: Period.

…Would you like it heated?

I wonder what they were planning for the final episode of Berserk.

Putting aside various things, after all, it’s Kemono Friends.

The protagonist sustains serious injuries in battle and loses both power and status, but…

The woman I loved remained by my side, and while raising a dog named after my best friend, she quietly looked up at the castle, a symbol of our dreams.

>>140

Is it true?

Are you really satisfied with that?

I love long-running series with bad or bitter endings, but it often gets criticized harshly, which makes me sad.

Riding Duel: Acceleration! ended with 5Ds.

The ending of Sou Bouttei is

Human emotions have been analyzed!

The enemy takes an action for a moment that even they themselves don’t understand why they did it at the very end, and it fits so perfectly that it feels beautiful as they disappear.

>>143

Bringing the color page over there is really unfair.

Dr.STONE is

I want to keep reading, but it’s a good way to end because I’m stopping here.

I was thinking that, and then surprisingly, a lot of things came up one after another.

The glutton is easy to evaluate in terms of being a long piece with a beautiful ending.

That person rarely had a beautiful ending in the final episode.

Recently, the serious love sticky beast was good.

It’s fine to be normal, just normal.

It would be fine if we just settled all the conflicts and my buddy disappears satisfied, saying, “I’ve already eaten.”

I was a bit overwhelmed by the final episode of Fire Punch.

The Law of Ueki

She is skilled at utilizing her somewhat forgotten abilities.

I want them to do about four episodes of the epilogue.

>>154

I feel like both Jujutsu and My Hero Academia have had a similar structure lately.

My Hero Academia was much more polished.

I can’t recall what work it was at all.

A cheesy moment where they recreate the exchange when the two first met and burst out laughing.

I like you.

I absolutely can’t stand if the protagonist dies.

>>162

Is it really that bad?

>>162

I think Edge Runners was good, though.

I find myself accepting FF10-2 only because of the existence of the true ending.

There is no such thing as what comes after.

I hope that a laid-back slice-of-life like Love Yanz continues to be laid-back even in the final episode.

If the ending is unsatisfactory, it makes you feel as if all the time and emotions you invested in the series up to that point have been negated.

>>166

I think the ending accounts for about 30 points out of a perfect score of 100.

It was good that Fullmetal Alchemist ended with Hohenheim and Trisha reuniting in the last volume.

>>168

While absolutely denying the resurrection of the dead, it is compassionate to not deny the existence of an afterlife.

It’s rare to find a completely satisfying ending in a long-running series.

An image of a batting average of about .200.

What kind of feelings did the readers have about gems and such?

>>170

Wow~! (I don’t understand anything.)

I like it if the bad end, bitter end, and happy end all resolve various things throughout the process.

I dislike a hasty conclusion more.

I get annoyed when the ending of a serialized story is unsatisfying, so I only read completed ones.

>>172

In other words, even if a series has consistency, if it goes on for too long, there are times when I stop reading it…

The ending of JoJo’s Part 6 is intensely divisive, but I quite like it, so I guess I don’t really have a fixation on the protagonist’s life or death.

I also like the ending of Attack on Titan.

Our story is called a depression manga, but in the end, it’s surprisingly refreshing.

This communication

The final episode of Wingman that made me think, “That’s not right.”

Just like in Fullmetal Alchemist, there’s such a great sense of satisfaction in seeing a light depiction of a few years later in a photo.

>>182

Did you all really get married?! And you definitely don’t suit the emperor’s clothes… that thing is nice, right…?

I wonder how Ed is in his later years.

Narutaru

I kind of like what this was like.

Then I’ll settle for something like Golden Kamuy.

Kyoushirou 2030

The world is terrible and nothing changes, but as a story of Kyoshiro and Shino, this is a happy ending here!!

Is simple and good.

While Hell’s Paradise had a lot of sluggish moments, I felt it was worth reading by the final episode.

I also like endings that don’t strongly convey a sense of closure, like in “Mushi-Shi.”

I would be happy if there were descriptions showing what happened to the supporting characters, even if it’s just a single panel or line.

The protagonist is weak when it comes to departing somewhere at the end.

I like cannons and stamps.

Congratulations on your marriage, despite everything that happened!

There are works where it’s still interesting even if the protagonist dies!

Most of the time, it’s something that makes you go, “What the heck is this…?”

>>194

That’s why I don’t really like rough and easy happy endings…

I like that Clare, who goes to return the arm in the last of Claymore, is trying to fulfill the promise made with Irene.

I feel like only Jubilo can master the curtain call.

It’s fine if it ends like the original Crossbone Gundam.

I love those where only the final episode has a few years passed.

I love the ending of Hellsing.

I knew it, reconnecting with long-lived species is great, isn’t it?

The three tigers… yeah!! That’s already no good.

I’ll have a face like Komatsu.

Ah, light people.

Please provide the text you would like me to translate.

Correct qualities

The guy who gets the title of the work by hitting a rock.