>>6

It feels crazy to see a lineup of 100 million when the pace is around 30 volumes for 100 million.

>>18

Considering that NARUTO has nearly 70 volumes and Bleach reached 100 million, their pace is insane.

>>17

I think the viewers’ standards are too high when they say things like “just try a little harder.”

It feels like he will probably return eventually, but it seems that both his body and mind were quite exhausted from the serialization, and with the work for the anime, there might be quite a gap.

The world’s brain has also been burned.

If I keep hitting it big like this, I wonder if my family has stopped telling me to quit being a mangaka and get a stable job.

I remember feeling like the Demon Slayer anime was something amazing that had been adapted, almost as if it was someone else’s business, during the advance screening.

>>19

It feels like we’re really just going through the motions of broadcasting, but is that really okay?

I want to sell at least one-tenth of what the thread image sells.

It looks like it could take off, but it doesn’t quite fly, Kagurabachi.

>>23

We have no choice but to wait for the anime adaptation.

Also, production gacha.

“Do I care about the Corona of the Demon Slayer movie? I’m going to see it!” said fans and the general public.

Don’t say unreasonable things like wanting a work with only the heat of thought to come back again.

There isn’t anyone in the current serialization lineup who has even surpassed 10 million sales outside of One Piece.

>>28

Haven’t you gone to Sakamoto Aohako?

Sakamoto Days is the next flagship of Jump, but it isn’t quite shining.

After One Piece, it’s Roboco that’s the next longest-running, you know?

The feeling that an animated movie has sold quite well at 10 billion yen.

Losing both My Hero Academia and Jujutsu Kaisen at the same time was quietly painful, wasn’t it?

I wonder why Sakamoto’s anime turned out that way.

>>38

This is exactly what would happen if you were to adapt the original work directly into a visual form.

“Is there any reason other than ‘the original work was like that, so the anime turned out like this’?”

>>52

Chainsaw Man and Dandadan are more like that, aren’t they?

If My Hero Academia and Jujutsu Kaisen are gone, Jump would be empty now.

The jujutsu anime is going to enter the Shinjukai (death march), right?

I wonder if it’s okay…

The quality of various anime adaptations, not limited to Jump, has generally improved.

Ichi… you will become the pillar of the jump…

Is Sakamoto’s 8 million copies seen as high or low compared to Wotakoi’s 15 million, Black Clover’s 19 million, and Mashle’s 10 million?

>>46

Sakamoto: Volume 21, 8 million copies serializing

World Trigger: Volume 28, 15 million copies sold, currently ongoing.

Black Clover: Volume 36, 19 million copies in serialization.

Mashle: Complete 18 volumes, 10 million copies.

The night cherry blossoms and Andera also came out at the same time…

This doesn’t hurt that much…

I think the theme song by vaundy was quite a hit.

>>49

Honestly, compared to other anime tie-ups by Bouncy, this song is a step down.

It’s strange that they don’t release a main jump game for these guys.

SAKAMOTO’s early part isn’t very interesting either.

Rude Sakamoto, the original work is becoming amazing!

To be precise, there was a problem when My Hero Academia, which started in 2014, and Jujutsu Kaisen, which started in 2018, were supporting things until 2024.

I wished the anime had properly recreated the Buddha’s clothing.

>>57

Personally, I thought it was good for Aoi Koga to continue.

I thought that Demon Slayer had calmed down quite a bit… but then…

It seems that overseas, it continues to grow, and the success of advance screenings of movies is expanding year by year.

It’s hard to resonate with the idea that One Piece, Sakamoto Days, and Aoharu Shotgun are the three major banners of the current Jump.

Maybe it’s because it’s not a battle manga.

I don’t think anyone would believe me if I said that Mashle would continue until it becomes an anime, sell 10 million copies, and have a hit opening song when it was first serialized.

A honor student called My Hero Academia.

It was a hit even before it became an anime.

Rather, Jujutsu had a strong feeling of aiming to be the successor to Demon Slayer.

>>70

No matter how hard you push, things that don’t become popular won’t become popular.

>>89

If it’s just gore, that’s one thing, but when it includes vulgarity and eroticism, well, that’s another.

>>105

Even considering that Chainsaw Man is that kind of work, the relentless focus on breasts in the anime just won’t appeal to the masses.

>>103

It feels like they were really putting in a lot of effort with programs like Ametalk and Push.

“Demon Slayer seems like it will continue to be adapted into visuals for about 10 years…”

>>65

As expected, it will end with the Infinite Fortress arc trilogy and the Muzan fight, so it will probably be finished in about five years.

>>65

I don’t have a feeling that the Infinity Castle arc will end in three parts.

It seems like they might be motivated to do the Muzan arc separately.

Don’t forget about Spy Family.

It’s like viewers have become more discerning.

Anyway, more people have become unsatisfied without extravagant action animations.

>>67

As for Sakamoto, that’s just how the manga is to begin with.

It seems like adapting a manga with great artwork into an anime would be quite difficult.

>>76

I don’t think the art in Demon Slayer and Jujutsu Kaisen is bad, but it feels like it’s nicely complemented by the anime.

I stopped reading Demon Slayer and Jujutsu Kaisen, but I resumed my Jump subscription at the final arc, and it’s fun.

Will Witch Watch bounce in the anime?

I’m looking forward to the voice comics on YouTube because they are entertaining.

>>75

I think the gags are consistently funny, but the lack of seriousness is a drawback.

Astra was certainly good because it had a remarkable payoff for its foreshadowing.

I don’t really need a witch right now… that’s how I feel.

>>75

As a manga featured in a magazine, there are no complaints, but I don’t think it has the stature to support the magazine on its own.

It feels similar to Akane Banashi.

>>91

It seems that there are many mid-tier characters like this in the current Jump.

Personally, I have quite a few things to read.

The animation of Demon Slayer is, of course, amazing, but since the effects and processing take up quite a bit, I don’t think it’s all about that direction.

I feel that the fact that these two works were released during a somewhat lackluster period for One Piece is also significant.

Right now, One Piece is interesting as usual.

Demon Slayer really gets exciting again when a new anime is released, which is amazing.

An abnormal situation with too little reproducibility.

>>84

Will there be a movie that can defeat Rengoku?

What is a reproducible hit?

>>86

Whether it is simply interesting or not.

The person from Voikomi who worked with Daibutsu and Nangun was great.

The Demon Slayer anime has excessive direction, but…

It must be because they’re forcibly stretching a short original story like that.

>>92

The way it’s stretched during terrible times feels like it’s at the Dragon Ball level.

I didn’t read it back then, but was it amazing to be able to read Demon Slayer every week?

>>93

The tension during the Upper Moon battles after entering the Infinite Castle was incredible, as anyone could have died.

Since Monday morning, I’ve been shown Genya’s death scene and my mental state has died.

The latter part of Jujutsu Kaisen Season 2 tried too hard to be flashy and ended up falling flat.

>>94

The Mako-ra battle was so exaggerated that it ended up being hard to understand.

>>114

On the contrary, the older brother battle was incredibly good, so it has come to have a strong impression of being like a testing ground for the meter.

Is there a strange phrase like “an unprecedented big hit with no replicability” trending among Demon Slayer fans?

>>113

In the first place, all successful Jump manga lack reproducibility, so it’s not just a story limited to Demon Slayer during COVID.

I think Chainsaw Man and Sakamoto should throw their anime into more ordinary good places.

The direction of the reasons for failure is different, but…

If you keep using the same image, you’ll get isolated immediately.

Wasn’t the initial sales of Demon Slayer not very high?

>>100

At first, it was joked about how there were things that shone so brightly.

>>108

The unnamed person had the ability to see through manga, so they were paying attention from the beginning and threads had been started even before it was adapted into an anime.

>>127

I haven’t forgotten that there was a time in the later stages when we couldn’t talk about Demon Slayer unless it was in a Shanks frame character thread.

>>100

That’s why you only look at the count and end up failing.

Demon Slayer should have other authors illustrate side stories.

Even in the academy, it’s selling like crazy.

Demon Slayer has had a completely different level of sense lately.

There was something that could only be gained from reading Demon Slayer.

>>109

My enthusiasm for the work has definitely cooled down compared to back then…

I remember the moment when my brother Mizu’s speed was incredible.

The Demon Slayer anime is well-made, but

I feel like the original work is spoiled because it’s always exaggerated.

They had good anime, even though they probably didn’t have a generous budget like with night cherry blossoms.

Demon Slayer had 5 million copies when the anime started (April 2019).

The growth from there is abnormal.

The original work was not much, but the anime was really amazing.

Demon Slayer is interesting, but it’s unreasonable to expect fans to recreate that massive hit.

>>121

If we’re saying that, then it’s impossible to recreate the massive success of Dragon Ball or One Piece, right?

>>130

Demon Slayer has easily surpassed those guys.

>>130

If it were that easy to aim for something like that, no one would have to struggle…

>>140

But the higher-ups at publishers, advertising agencies, and television networks…

“It seems like they are saying to the lower site, ‘Make something like that!'”

>>163

Of course, everyone wants a hit like that.

Demon Slayer was at a mid-level, but after the anime aired, it unexpectedly became a mega hit.

The achievements of UFO are significant.

I think it’s fair to say that Chainsaw Man’s cooking failures are at the level of an anime version.

Chainsaw Man changes the song every episode, which is just too much for an outside performance.

>>128

Isn’t that fine?

It was a topic of conversation.

>>133

As a result, it feels like only that girl became famous instead of Chainsaw Man.

>>128

I wonder if there were quite a few interruptions there, asking to get involved.

>>128

I think that area is where tastes differ.

I don’t like it because the impression of disposable items fades each time.

What happened to the Demon Slayer social game?

It’s the same with other companies’ Freiren as well.

I strongly feel the desire to somehow create that bubble myself!

That can also become a factor for cooling down instead.

It seems that a Chinese animated film based on ?? has become more successful than the Infinity Train!

I didn’t expect Chainsaw Man to become this bad in both the anime and the second part.

If I were seriously serialized in KochiKame, I would probably be closer to the beginning rather than the middle…

>>137

Since it won’t end no matter how much you struggle, it’s a small number of responses anyway.

>>145

It’s over…

The atmosphere is quite different between the beginning and the end, isn’t it, Demon Slayer?

>>139

It’s impossible to keep running at the top of the Japanese manga industry for 20 years.

It’s an undeniable fact that Demon Slayer is interesting, but I wonder why it continues to be so popular even now.

It’s strange that they’re selling a Tanjiro curry with his pupils wide open in the design.

>>150

It’s not just about your position.

>>143

It seems widely understood that if you let the strongest character on your side rampage from their position, it will be well-received.

>>143

Rather, recently, the popularity of heroines is overwhelming, and I hardly see any popular male characters, let alone in the role of Gojo…

DB One Piece and NARUTO are simply interesting and have grown, while Demon Slayer is completely different.

Mashle was putting in quite a bit of effort.

People were saying, “What kind of judgment is this to end Dr. Slump and start something like a half-hearted Journey to the West?” about the early DB.

The various hits related to COVID are mostly outliers.

I wonder what it would have been like if a BLEACH movie were being made now.

>>152

Gobo gobo go vo go vo…

The success of Demon Slayer is thanks to the anime.

I didn’t expect that anime to be so widely received… I mean, was there anyone who could have predicted that…?

>>153

Well, that’s generally how big hits feel, isn’t it?

The fact that e-books became mainstream was probably significant.

Chainsaw Man

Before the anime started (October 2022): 16 million copies of volume 12

After the anime ended (January 2023): Volume 13, 23 million copies.

>>161

Considering that the current flagship manga of Jump has a circulation of 7 million or 8 million, isn’t Chainsaw Man able to become a flagship manga as well now?

Since this magazine’s readership is thin anyway, wouldn’t it be better to just move to this magazine?

>>182

I think it’s better for people who can’t just draw whatever they want to go for Jump.

The one-shot would have been a hit even if it started serialization now, right?

Demon Slayer feels like it matched the era perfectly, so if it started its serialization now, it likely wouldn’t be as big of a hit as it is now.

Well, I think it’s popular as a category, Gojo.

It’s rare to put the strongest character in that frame, but…

Sakamoto’s compatibility with Toms is too bad.

I need to rely on a studio and staff that are better at stylish action.

>>166

It was an image of BONDS.

Well, there’s no point in saying it, but I really wanted them to put a bit more effort into the Ferris wheel scene.

One Piece is often cited as a good example when it comes to drawing comics, but I wonder if it became amazing through logical analysis or if it just sold well and made others think it’s good to get closer to that. Which one is it?

Even if you say “what if” mixed with unsubstantiated wishes…

Regarding the song, I really liked how it was showcased in the Demon Slayer anime’s Natagumo Mountain arc.

Since I’m an old man, I read the new One Piece serialization, and it was something special. The authors of other series mentioned it at the end too.

>>174

The quality of the first episode is still high even when I watch it now.

If it hits, you should make something like that; that hasn’t changed since long ago, has it?

I feel like I saw a lot of things that resembled Hokuto when it was popular.

Just because you can’t aim for something doesn’t mean you decide not to aim at all.

Demon Slayer was interesting, but I couldn’t get into Jujutsu.

>>177

I was the opposite.

The curse techniques were interesting, but only in the beginning.

A position like Gojo’s has been a sure thing since long ago.

Gojo messed up big time.

>>181

It was pretty close to perfect before it was sealed away, huh?

I really feel that the Levi slot has increased.

I wonder how much of a difference there is when comparing the current circulation numbers of Jump and Jump Plus.

As expected, let’s put One Piece aside.

It’s not in Jump, but isn’t the pharmacy and Frieren as popular as Demon Slayer?

>>188

That’s it when it comes out.

It seems like the “Yanjan” side has a better selection.

Bring a manga that can inspire YOASOBI to create a song.