>>6

That time I got reincarnated as a slime is in a different magazine.

I wonder if it was because they were unhappy that the sales of the “Crazy Over” DVD were losing.

Not just a comedic parody

Is this a serious copy?

That is not good…

>>13

Is it an adaptation of the original work?

>>16

It’s Dragon Age, after all…

The worst kind of ending, cutting off immediately without any warning.

It was not updated to a manga RTA due to being recognized as a regulation violation.

>>26

There should already be a record for the fastest immediate cancellation RTA, as other manga have been caught up in magazine suspensions.

>>27

That’s what Comic Japan is like.

Everything, including the fact that it has nothing to do with reincarnation in another world, is half-hearted.

Well, it is certainly a work that can be considered the origin of the isekai reincarnation genre.

>>28

There are also those who have been transferred and the locals as well…

It’s all about the “Narou” genre, so the readers of “Narou” were mocked as if they were angry, but it’s actually just not good at all.

>>29

In an unusual situation where the summary people tried to settle on such a thing, the summary citizens pointed out that this is not acceptable with a rational argument.

It seems that the editor in charge was immediately dismissed.

>>30

It wasn’t a complaint from outside the company, but rather someone from within directly said, “Why is a member of our own family dissing our cash cow?” and got angry.

Of course, there were complaints from important figures in the company and from capable people within, and since it was the editor-in-chief who was doing this, higher-ups should take responsibility or give a severe warning.

It feels like being directly held accountable without any cushioning and immediately expelled from a job that isn’t editing.

>>30

They really put a lot of effort into promoting it, and there were web news articles about the large new serialization everywhere, so why…

>>86

The genre is expulsion.

>>61

I think it’s everyone involved in the original work, the illustration, and the editing.

KADOKAWA’s main body has announced a policy to push the currently popular Narou genre as a group, and right after that, the Dragon Age editorial department presented this work.

>>34

Well, it’s not good to easily parody and kill off characters from someone else’s work.

If it’s just being serialized on Narou or Kakuyomu before being turned into a book or manga adaptation, that’s one thing, but…

>>34

Even if it burned, its original level of recognition…

If you had the ability to overpower the readers, I think this kind of setting could have continued.

The only thing I can say is “You’re an idiot!” about this manga and its ending.

Is there no work meeting or competition happening at the editorial department?

Is SAO an isekai reincarnation…? Or is it an antithesis to the whole “Narou” style of works?

>>44

“That… even in the infinite world of otherworldly works gathered, it’s appearing in another world.”

>>47

Well, it’s undeniable that many isekai reincarnation stories have been greatly influenced by SAO.

Still, I can’t help but wonder about that… If it’s said to have the strongest appeal, well, that might be true too…

>>44

There are aspects where it’s lumped together with narou-kei because it influences things like reincarnation in games or full-dive VR.

Of course, if you were suddenly mocked by a family member in a manga you don’t know, you’d get angry.

This kind of thing is usually just a counterintuitive approach to being a hero, but there were too many problems.

I wonder if the person who did the artwork was picked up somewhere.

Homura Kawamura is operating as usual.

>>56

From the very beginning, the choice of works is completely that, isn’t it, with this lineup…

It’s sad that there are quite a few fools who reflect their displeasure in their work, but it’s hard to see those idiots who take it to the point of broadcasting it externally or through the media.

Well, there are multiple people even just in my memory…

MMO genres can be broadly divided into complete reincarnation systems that cannot return, optional non-return death game systems, and home center systems that travel between reality and the game, which also includes reincarnation.

I wondered why this was a topic of discussion to this extent, but it seems the publication was completely wrong.

If I had done it in Champion RED, I probably would have gotten through.

I’m curious about how much of a mess Flare is and what kind of beatings they will take.

If you make Kazuma Miki angry, then of course you’ll get fired.

Why is a cheat-type combat ability user working as a waiter in a restaurant?

I think entering this is different from the other world restaurant… there must have been something else!

Only the manga artist is singled out while the original work suffers no damage.

>>78

“That original author… I don’t need to read it anymore.”

If you’re going to do it anyway, you should have done it with Goku, Luffy, or Naruto.

Kirito gets parodied a lot, but it’s really only his looks.

I’ve never seen a citation that includes personality aspects.

>>74

Is cross-dressing okay as a hobby?

>>74

Now it’s a long classic work, and they probably don’t have any intention of watching it seriously.

You should at least watch just the first SAO arc.

To be precise, it wasn’t this parody that caused the uproar.

A parody character engaged in necrophilia and caused a major controversy.

It’s the locals, not the cooks, in the other world restaurant.

>>79

Even if he were a cook, he doesn’t have any cheat abilities!

I want to gather members from another world from the early Heisei era.

Like Ramuness and El Hazard.

It’s terrible that the bones were affected by the shape and spread to different works.

It’s just like Yamamaru-kun…

To begin with, is it a character name? A title? Even if you don’t know the original source, it still feels strange to call it something like “the villainous noblewoman.”

I wish I had done it with the BUNKA taboo.

>>92

In reality, the editing of BUNKA Taboo mocked the readers of Narou for the cancellation and provoked the authors of “Tensei shitara Slime Datta Ken,” saying that they have no right to call themselves creators.

>>105

The taboo has a level of intelligence that doesn’t pick fights with convenience stores and a cowardice that prevents it from selling.

What is a looper? I guess it’s because they are looping by returning from death…

Everyone is a higher rank.

If there were just a lot of characters that looked similar, there might still have been a possibility to laugh it off and forgive, you know…

I distinctly remember that in this meeting scene, we weren’t really having a proper meeting and were just insulting each other the whole time.

It’s impressive that this spread alone can give off a genre airhead vibe.

It’s not an anonymous bulletin board or anything, so if you’re going to tease, at least read it properly.

I can confidently say that an anonymous person drawing on the same subject will be 100% more interesting.

The fact that they confidently presented a meta concept of turning the reincarnation in another world into a villain, even though it had already become quite a cliché by the time this came out, is impressive.

>>102

Well, it’s not common to have a character from a commercial magazine get involved in death sex…

If it were now, it seems like they would probably include Shanflo and the unemployed, right?

>>103

In other words, even at the time of starting this series, those two already existed and were quite famous, yet they weren’t included.

Seriously, this is just filled with works that have been adapted into anime…

>>103

Shanfu is just waiting for someone to point out that he’s just playing a game, right?

>>122

Recently, I saw a social game that seemed to combine elements from different worlds, and it had Shanfuro mixed in.

I have a memory of the protagonist having a name that overlaps with a different work (comic adaptation) currently serialized in the same magazine, despite being original.

Wild monkeys also don’t have cheat skills…

It’s visually easy to understand and it’s selling well, so I’m sure the bird brain would have definitely included it…

>>109

It is an undeniable declaration of war to dump two of Kodansha’s best-selling works…

>>110

If it’s human bones, it would just end up being that way…

Isn’t there a mix of people who aren’t reincarnated?

>>127

Even Aqua is just like a local, right?

>>113

It’s troublesome because irritating people get involved no matter how you react.

>>121

In reality, the BUNKA taboo has come at me saying, “Who do you think you are? Shut up!”

>>113

I heard that Kadokawa directly apologized, but Kodansha must have been really angry about it.

Of course, the manga adaptation was the second best-selling at the time, right after Tokyo Revengers.

Fact-checking is important.

It seems like it would have been better if they just passed on the power to those unqualified ones, like they sometimes do in Nichiasa.

Like another rider from Narou.

Well, it’s stupid to go out of your way to provoke your own customers.

If this were a promotion for a Japanese film, it probably wouldn’t cause any controversies.

>>117

It’s really boring and the ideology is transparent, which can be discouraging, but I think it wouldn’t have caused an uproar.

It probably won’t be taken seriously by the Japanese film side.

Given that the character from “Wise Man’s Grandchild” was committing necrophilia in front of the protagonist and his childhood friend from the village, it can be inferred that…

I had a feeling that when the protagonist kills these guys, they would say something that dismisses the original source’s achievements in a contrarian way.

It was natural for it to disappear.

If it’s a gag work,

In another work parody, there was an otherworldly strongest tournament being held in the Black Channel of Korokoro.

Characters based on Goku or Ultraman are present.

>>134

That place has originally been on a route for SCP battles and things like that…

By the way, isn’t there an unemployed one… I wonder if they were saving it for the true mastermind or something.

>>135

The theory the author was unaware of.

At this point, it should still be around the first season of the anime.

>>139

It’s only at the level of a prologue.

The book was already in progress, but it was probably too much trouble to read.

The fact that the motifs are not unified in another world is also a point of laughter.

It’s not that I shouldn’t have done it, but my behavior was just too rude.

By the way, I just watched the KonoSuba movie.

I want to release this pent-up libido that I’ve been eagerly feeling somewhere.

Did everyone think they could jump on the bandwagon happily without facing any criticism?

The artist was full of confidence! …I locked the door.

There are quite a few mainstream anti-type characters like this, but it seems it’s not okay to present them almost exactly as they are in real works.

It’s half-hearted, like using characters that appear first when you input the title into Google, from works like an Isekai Restaurant or Konosuba.

When making a parody or homage, the feeling of respect is important…

>>146

It’s not okay to use someone else’s work as a villain and depict necrophilia.

When you try to take it seriously, it’s more difficult than starting from scratch, this kind of subject matter.

>>147

Parody works really need to be done well; otherwise, they’ll be viewed with disdain, and people will scoff or laugh derisively, even if they’re not as bad as the images.

>>154

I’m using quotes a lot in the web version, so if that hasn’t been fixed in the book, it feels a bit like editing!

I often feel that I would rather you fix that than have me rewrite it.

If you have the character say something like “I’m sorry, ◯◯ Sensei” like Kekkou Kamen…

>>149

Atsushi Kase is called out by Leiji Matsumoto, given a serious lecture, and made to write an apology letter.

The author of Nobu was getting all worked up about why it was “Isekai Shokudo” instead of my work.

>>151

It’s too much trouble, so just be quiet…

>>151

It didn’t work.

>>158

It’s regular business hours…

Although the original author had other successful works,

It leaves the impression that it’s someone who writes original works that get canceled immediately… so it feels like it’s just a loss overall…

Starting with the intention to gain attention through controversy, and then abruptly canceling when the controversy occurs is just plain stupid for the editors.

The writer is pitiful.

I thought that reincarnation stories, to some extent, include this kind of depravity and counterculture, so I was surprised to see it being taken seriously.

I mean, there are definitely people doing similar things in commercial works, it’s just that they haven’t been discovered yet, right?

Is it a dirty another world quartet?!

>>160

The production team of the quartet was saying something indescribable about their impressions… Well, they are really careful about character balance and treatment over there.

>>168

Even if it’s called a guest piece, it really feels like just a customer stop, to the point where the initial quartet fits perfectly…

It’s held together by a miraculous balance.

A parody of a famous reincarnation work.

😨 The parodied character has the worst personality and brutal actions.

Since there have been no particular complaints from Toei about “Isekai Red” or “Sentai Daisakku,”

I think Toei is being too lenient, to the point that it’s rather strange.

>>173

I used to get angry about fan-made creations of Kamen Rider.

I remember feeling wowed by the way the parody was inserted, which seemed like it was brought from a summary site.

An incident that taught us that those who pretend to be critics by bashing the original work on anonymous forums or social media won’t become allies, and that their numbers are not as large as their loud voices suggest, even when creating anti-works in commercial magazines.

>>165

Even the anti-fans of the grandson were shocked that he would do something like this!

Those guys have come full circle and are now fans.

>>170

This expression is just someone justifying themselves as an anti.

>>165

It’s the original work’s fault for not being able to read the situation, since they’re talking big only because they’re hitting from a safe distance, filled with nothing but BUNKA taboos.

I mean, even without saying it explicitly, most people, including the ones involved, already understand this, so someone who makes a living from manga shouldn’t act like that.

Don’t do parodies that would be problematic if they were exposed.

>>166

Rather, you just want to be found out, don’t you!

There are works that you can more or less treat as toys.

Superman and so on.

In terms of setting, the otherworldly diner stands out…

Why did you put the Isekai Food Stall here?

>>171

It’s considered that the theory of revenge is strong, stating that the other anime airing in the same season as Kakegurui sold better because it was so incomprehensible.

The main series of Sentai and Rider often do whatever they want…

>>176

Isn’t your Heisei era ugly?

>>176

I’ll knock you out…!

But I didn’t realize that the editing was a parody…

>>180

It feels like there is some sort of intellectual disability.

>>180

As expected, it’s too much to overlook a parody of one’s own work…

I thought the jump genre was a category you could play with, but they get seriously angry about it.

Could it be that they made her have sex with a dead body just because her grandson seemed to be the least popular…?

It’s not limited to this, but why do the protagonists in works where reincarnators are getting smug end up getting smug themselves?