There are many episodes that are meaningless like the void episodes, and the design of the final boss is terrible, but the battle animation is amazing, and Kudu is a great character, so there are still highlights.

Since we don’t know what will happen to the Dragon Ball franchise after Toriyama-sensei passed away, Daima is just feeling more tense. I think that in a few years, when other Dragon Ball works come out, it will just be remembered as something that existed.

>>3

Alright, I’m going to vigorously replay it in my head in the voice of Hirofumi Kageyama!

Couldn’t OPED have been a bit different?

The sight of you getting all fired up like that was quite a laugh.

But hey, Goriro.

>>9

Contrary to the setting and the final enemy, there are way too many minor characters…

But Fridays without DAIMA are lonely.

I love DAIMA to the point where I can’t AKIRA it for the second season.

If it’s a follow-up, then they would skip everything except for battles.

GT can be appreciated for having created Super 4 Goku, Vegeta, and Gogeta.

It’s not boring just because it’s not interesting.

That OP will never be evaluated even after 100 years.

If Toriyama-sensei had passed away just before the broadcast of GT, there wouldn’t have been so much debate about it.

I think GT would have been really tough if I weren’t a lolicon guy.

>>23

I felt that the animation power was somewhat wasted.

>>35

If the drawing isn’t good after this, I wonder what kind of suffering it would have been; I’m excited!

Don’t just diss GT without hesitation; let’s go on an adventure!

Talk about DAIMA.

What’s up with Gotenks and Gohan not having their Ultimate forms? Seriously.

Wasn’t it boring even while it was airing!? There were just threads asking for agreement like that, right?

I can’t follow you if you’re panicking with the ray gun anymore.

The treatment of Piccolo is also poor.

The final battle being the most boring is a bit tough.

Tamogami was still better.

That’s great.

You can look back at it again.

The Dragon Ball anime is short and easy to watch!

It’s not really awful, but the flat dullness just goes on and on.

I don’t think I can really enjoy it in a deliberately provocative way.

The good points and the not-so-good points are clear.

I wish there were more better places.

But when I think about the timeline, I also feel that creating the story must be tough.

The animation is good, but the fight scenes are only interesting up until the Tamagami battle, after that it’s pretty boring.

As for that, it’s all Gomor’s fault for getting so big.

>>33

I started to experience pain around here and gave up.

I feel a strange sense of obligation that I have to watch it until the end in order to confidently say it wasn’t interesting.

>>34

I think the first half of the movie’s remake period has rough animation and is quite tough.

>>45

If it’s a follow-up, I can completely ignore it…

Just let me watch that super movie.

Back then, even the boss enemies in GT were said to be lame and uncool…

I really think it’s questionable that the final boss itself and the final boss battle are incredibly boring.

I feel like people will keep saying things like, “You could have done something better with the time spent on such a ridiculous plane crash tempura.”

I’m not very familiar with the database, but the battle scene was definitely more interesting in the Jiren fight.

I seriously never thought that Ku, who was heavily criticized at the outset, would become a source of comfort.

Since there was so much time, it seems like they could have included a story that deepens the bond with Goriro a bit more.

This might be a guest character that won’t have any more appearances after this.

Gohan! It’s annoying that you keep saying GTGT and in the end, you’re being taken to the DAIMA thread GT!

They definitely have a twisted attachment to GT!

>>43

Isn’t Daima just an anime that respects only the unnecessary parts of GT?

>>43

First, the staff is appealing in interviews that they have gathered staff from the GT generation.

>>67

Talk about DAIMA too ♥

>>71

The recap of the Buu arc in episode one was good, but the structure was terrible for spending too much time on that part and not getting to the point where it shrinks in just one episode.

The story has no ups and downs and is frustrating, filled with airplane trouble and random filler starting from episode two.

I finally got to see what I wanted in the Tamagami battle, but I’m back to a story where I don’t know what I want again, damn it.

The characters on the Alince side were relatively good, but in the end, the final battle felt lacking because it was their first encounter and there was not enough interaction, which was disappointing.

I brought out the Ginyu Force’s self-parody characters, but they’re just unoriginal filler characters with no design differentiation, which is disappointing.

It’s frustrating that there are inexplicable developments where Goku and the others almost lose to a weak army, and then characters who hardly get any screen time come to help, nearly die but end up surviving, with none of it being emotionally impactful—it’s just terrible.

I don’t understand what Degas wants to do, and it’s pointless for the Kaioshin to exist as they exit, it’s frustrating.

Gomara has no presence at all since he has no connection with Goku and the others until the end, and his design is terrible.

The last battle proceeds with a vague structure where it’s hard to tell who is strong or weak, and the fact that they just brought in Super Saiyan 4 is annoying.

The exchange on Alince’s side in the final episode was quite good, so Alince and the others weren’t too bad.

I don’t think everything was bad, but I felt that the jokes were completely off.

>>44

It’s a weird joke, so there’s no helping it.

The artwork alone makes it valuable as Dragon Ball GOAL.

>>47

The action is lame in Dragon Ball, so it’s a net zero.

>>51

Goku’s S4 big demon world Kamehameha was cool!

I quite like the OP’s song.

I only dislike the part by Akira Toriyama.

It’s amazing that no one is praising the design of Goma.

Oh… Speaking of which, where’s Gohan…?

>>50

Not being out means being a winner.

Gohan! You should also struggle against Goma!

Isn’t the action rather good?

>>54

The only time I can be properly praised is during the Tamagami battle in the Third Demon World.

As for Kuu, but did Dou really have that great of a character…?

>>56

I like it quite a bit, except for the fact that the gag character is somewhat weak.

I suddenly really like the scene where they imitated Super Saiyan 3…

Like GT

Looking at it now, it might not be that bad → Simultaneous broadcast → No, it’s still crap after all.

I can only see the courses that will become.

>>20

If we’re going to say that, there was almost no beauty in the still images until the very end.

I thought that guy was from somewhere else because his figure looks out of place.

In a situation where certain races are established, that guy’s race is hard to understand.

There are quite a few scenes that are ruined by excessive slow motion, but there are also normal good scenes as well.

Goten wanted to be in DAIMA too, right?!

It’s sad that Goten has been left unused all this time, right?!

>>64

Birds have their bad points.

The beginning of the Super is really terrible, but it’s fine if you watch the movie…

>>65

What should I do with an F that’s bad in both ways?

>>69

The movie version is worth it just to see Frieza’s resurrection set to a Hormone song.

I feel like the size of the giantized Goma wasn’t stable, but is that just my imagination?

Don’t repeat the pattern of a full recovery after you think you’ve defeated it for a month.

To reassess, it is difficult if we do not avoid “seeing it all at once.”

Can that evaluation be treated as a reevaluation?

I think they should have increased the parts with Arins and the events where Goriro fosters friendship, while excluding the airplane crash and the guaranteed win against weak enemies.

Kuu was too good for the material.

I think it had a sense of “Buu” in it.

It just didn’t really connect to the charm.

It’s an external conscience circuit called “big brother,” right?

Wouldn’t it have been better to make Goten and Trunks the main characters instead of shrinking Goku and Vegeta?

>>78

I have to do it… I have to do it…

I actually liked the interactions at Arins’s party quite a bit, so I didn’t dislike the vibe itself.

Jiren also became popular, so Gomar will probably become popular too.

>>81

Giren was treated on the same level as Gomar.

>>87

Shut up! What do you know about Jiren!

>>81

Is it okay that DAIMA ended before it got popular?

>>81

Shut up! What do you know about Jiren…!

Thousands of jabs and strange gags are fine after all.

The overall structure is critically flawed.

Chō also has movies, so that’s overwritten by that.

That said, I think it’s good that they’ve produced such a great work that it overwrites and makes me forget the parts that were not so good.

As expected, I don’t need the Ruyi Jingu Bang; I have instant teleportation and enhanced forms, so it’s a waste.

By the way, it took about three episodes to even enter the Great Demon World, right?

I think there are a ton of good aspects, even though there are definitely a lot of bad parts.

I have no idea who this is for.

Well, I understand that you’re aiming for two generations of parents and children, but it seems you’re not doing anything that would appeal to that generation at all…

I thought it made sense that with the hole, the airflow improved, the air became lighter, and the sky got brighter.

If you’re going to do that, you could talk about it more, or discuss how the stories differ from demon realm to demon realm, right?

While it has many highlights, there are also a lot of sections that are too long and difficult, so I want a revised version.

The game team will enhance the production, and fans who haven’t seen the main story will start to praise it as a masterpiece based on that image.

>>97

Well, if Jirengoma fights coolly, the evaluation might change…

>>97

It seems like you have something to say about our GT Super 4, huh?

>>116

What is the Big Bang Kamehameha?

Goma stuck to the third eye didn’t really change in appearance, but the fact that it got bigger is no good.

The original looks too much like a gag character and doesn’t give off a final boss vibe.

I think that the inconsistent portrayal of strength is an overall issue.

I can understand that Goma’s strength comes from a significant size correction, as was mentioned in the part about the giants, but it was a bit too repetitive.

Also, it wasn’t good to suddenly introduce a new technique at the end; it would have been better to do that earlier.

If you’re not planning to make someone super annoying, then you probably didn’t need to do things like suck their life away.

>>101

It’s Dragon Ball because unpleasant people are treated with leniency.

Even if I say the drawing is good, you know…

Honestly, it’s something like “compared to other DB anime” or “for a Toei animation,” right?

>>102

Well, if it’s one of the better ones in the DB anime, it must have some value.

No matter how good the animation is, I realized that if the fighting characters aren’t appealing, it doesn’t get exciting at all.

>>103

This sums it up.

As a battle work, this is fatal.

If you wanted to produce a silly enemy that Akira Toriyama would like, I think you should have just completely discarded the battle elements.

>>103

I think the materials were good, except for the goma.

I think it was really bad that there was a complete lack of portrayal at a catastrophic level, and that it mostly took away from the depiction of existing characters like Goku and Vegeta.

>>114

You keep saying “goma,” but there are still plenty of useless ones like Degu and the Special Forces.

Jiren’s overwhelming strength was emphasized when he took down Hit, and his recovery during the last battle thanks to Toppo’s encouragement was also great.

Gomaru is just a small villain that has grown larger and is repeating full recovery.

If you want to make Kuu the king and turn the demon world into a good place, I thought it would have been better to focus more on interactions with the indigenous people.

The setting of becoming a child is unclear.

I understand that commercially, things like SS and aerial battles are essential, but I think it would have been better if they had done something about the halfway aspects of those.

I was thinking that it would have been better if they had just explained that they would immediately release the SS.

For example, you can become an SS in a short time.

I think all the Tamagami battles were great.

Arin’s breasts will be evaluated.

>>112

The reason why there’s a stretching element is simply due to Toei’s bad habit…

It’s easier to extend the story rather than cramming new tales into a fixed number of episodes or time periods, but the circumstances are a bit different since it’s been done for a long time in Z.

It’s not that they’re too strong to win.

I really wonder about the final boss when I’m worried about my allies’ stamina.

When I reread all of Akira Toriyama’s short stories, the underlying themes are generally similar.

It’s a strange way to put it, but there are many parts that feel like they are original to the anime.

Since we are desperately living in the moment, we shouldn’t say things like “I should have done it this way or that way” afterward.

Hey Shenron… make me DAIMA.

>>119

If you’re going to make something like that, I honestly want to see a remake of the original or a continuation of the sequel.

Rather, it’s surprising that Dragon Ball can output this from such high-quality material.

>>120

Um… well…

>>133

Unlike Revolution, the author did this themselves, so it’s a different kind of excitement.

>>120

The recognition is reversed, and DAIMA itself is created as a new material.

I think going forward, the game will be expanded with other Dragon Ball content.

If Ieyoku is not functioning as a brake and is only siphoning off money, I want them to relinquish the rights to DB.

Isn’t it not okay to play characters with regeneration, like Zamasu?

>>122

That kind of thing has been around for a long time.

>>122

Zamasu could still be utilized as a gimmick in combat.

I can understand what it means to become immortal in Dragon Ball because it was depicted well.

Gomaru is, how should I put it… I wonder…

>>122

Both Cell and Buu have regeneration abilities.

>>122

The ability to regenerate allows for finishing moves like the parent-child Kamehameha or Spirit Bomb, resulting in overwhelming attacks.

>>122

Zamasu became a pawn for the Omni-King, but because Gomar can fight even against Normal Vegeta as an adult, he is way too weak as a pawn for Super Saiyan 4.

Since this is a posthumous work, I think DAIMA will be handled the most for a while to come.

>>123

I can’t stop the excitement.

>>123

It’s just a little rough now because it’s the time when posthumous works are pulling content with daima and subtly designed characters, but once time passes and daima is no longer pushed…

There are some good points, but I feel it will just be rated as a somewhat boring anime.

GT has received a relatively lenient evaluation in the sense that it produced that opening theme song and SS4.

The anime may not be suited to it because both Z and GT are poorly made.

The Tamagami battle was fun one way or another, so I think it’s just that Gomaru is overwhelmingly terrible…

Gomaar did not take the usual route of being consumed by power and becoming deformed or having their ego collapse; rather, it might be a uniqueness that they fought as Gomaar.

Whether it is interesting is another matter.

>>132

As a result

The final battle became one where the question “(Why are they fighting…?)” constantly lingers.

At least go on a rampage.

I dislike various settings that seem likely to have an impact in the future.

>>135

You can just ignore it.

In the timeline of DAIMA, that’s the case, but it can be different in other respects.

If you complain about the reanimation holder, you’ll get stabbed from behind by Cell or Buu.

>>136

It’s probably boring when someone weak keeps continuing to respawn.

Even though Jiren raised his evaluation in battle despite being criticized visually, Gomar went even lower, right…?

>>139

The torn clothes made Jiren look good, and he got bigger, but Gomara hasn’t changed much…

If anything, you can’t regenerate at the point of Piccolo, either.

Uhhiehhie

I’m going to binge-watch it!

It’s going to be reevaluated!

Kudou isn’t that bad, but I think that’s a relative evaluation.

Isn’t Broly’s animation actually better?

>>147

I think it’s definitely different to compare it to the movie version.

>>154

Even though all I have going for me is my drawing skills, it’s troubling to be given a condition like “for a TV series.”

>>147

I think the fact that it’s a 20-episode anime that can compete with movies already deserves some praise.

Why waste something so precious…

>>147

It seems that even you, who are usually carefree, have finally grasped it.

The true plan of mine is to let the entire universe know the excellence of the Z movie.

>>147

That is definitely true.

It’s just that the animation was good (as far as the Dragon Ball TV series is concerned)…

There are too many unnecessary things like Megas, Krakens, tanks, and special forces.

I thought there would be disadvantages like the third eye or that my lifespan would decrease every time I recover, but there weren’t any in particular.

It’s a matter of what anyone below Darbra does.

In the scene where Goku and the others are scared of the tank, I really thought it was a terrible anime.

The gimmick of revival is super effective in making battles flashy.

The ally’s attack has incredible power, but the opponent regenerates, so the battle can be incredibly flashy.

Goma is just getting hit and turning into a punching bag, except for the last Kamehameha.

It seems that the rights for the manga version of Ultra belong to Shueisha.

In the future, it seems that DAIMA, led by Iyoku, will be the main focus for anime and game development.

>>158

At worst, DAIMA could be completely altered to the point where the original form is unrecognizable, but we don’t need IYOKU, right?

There was no one who could easily say to transform into a Goma.

I thought I would finally be able to see a complete package version of Dragon Ball without any delays.

Hey, Shenron… please reevaluate…

The feeling of lazily fighting against someone with no charm has the boringness of Toei’s original anime gags, which has a sense reminiscent of Toriyama-sensei.

>>165

It’s strange that someone who made a name for themselves with gag manga…

Dear Arins,

You should have just studied Namekian yourself without complaining, huh?

I want to see all of Toriyama-sensei’s posthumous works in a fan book.

If you wanted to do a multiverse, you should keep doing it in the future.

>>168

Please let us have a live-action movie version of Goku too.

>>177

I like beautiful girl Goku.

It seems like gacha games will promote “daima” in the future, but it’s helpful to be able to save stones and money.

If you want to see a Dragon Ball that isn’t stretched out, there’s always Kai.

Well, the Buu Saga starts to obviously include padding… Hehe…

It’s just being hyped because a famous content released it; if it were an unknown late-night anime, it would probably have settled at a decent level of evaluation.

The problem is that this is Dragon Ball and Akira Toriyama’s final work.

The Tamagami battle had great movement and the choreography was impressive.

As expected, the giant Goma is quite bad.

>>176

It’s like wanting to keep fighting against someone who’s reviving without any countermeasures.

>>176

The Gomare battle had good animation, but I think it wasn’t good that the development felt like it repeated the same flow for about 3 or 4 episodes.

Recently, I had the chance to watch GT all at once, so it’s honestly interesting that it became an easy point of comparison.

Overall, I personally felt that it was inferior to the GT.

Jiren is strong, and the battle was interesting.

If the new works of DasaDB start to increase in the future, the ones that Tori was involved in will definitely be the best.

The atmosphere is created that nothing else will be accepted, so DAIMA will also be re-evaluated, so look forward to it.

Dai-ma has good animation, but there’s no interesting movement.

>>182

The movement of fighting against weapon users in the Tamagami battle is interesting, but I really think that’s about it.

Because Deges, who seemed to have no particular thoughts on what to do, followed me all the way to Earth.

The flow of the Supreme Kai, who is somewhat awkward and doesn’t know much about the Demon Realm, accompanying on a journey has been completed.

GT←Completely original anime

Super ← The ratio of anime staff to Akira Toriyama is about 5:5.

DAIMA ← 100% Akira Toriyama content

When I think about it, the balance in DB’s anime is too difficult.

Just being talked about like this might be better than nothing.

Check out Rurouni Kenshin!

>>185

At the time of Raiden…

The finale was pretty good, so I can’t really get into a “this is a terrible anime!” mood.

>>186

I was hoping for a more refreshing journey along the way, culminating in a flashy final battle, so that it would feel like I had witnessed something great in that finale!

Just because it hasn’t collapsed doesn’t mean the movement isn’t sluggish; I don’t want to say the animation is good, dammit.

Rather, being able to break it down with impressive force is the current trend in battle anime.

>>187

We started making it six years ago, so we should think of it in terms of the trends at that time.

I don’t think it will be re-evaluated, probably.

That being said, it doesn’t seem to have the rating of a “terrible anime!” but rather a rating of just being a mediocre anime.

It’s not just crap; it’s nothingness.

You can’t talk about others when you’re not doing well yourself, Gohan!