After a bit of a gap, I talked about how the arrangements changed a little due to making a full-length piece.
Sometimes I wonder if there are certain anime songs where the short version feels different from the full version? Is that what this is about?
When I think about it, it’s obvious, but we have to create the opening footage, and we need to make and deliver the songs for the anime length early, or it won’t work…
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Whale
An opening theme song created and sung by a fan of the original work, without any permission.
>>2
As a fan of the original work of the Kohaku singers, I can’t turn down the offer.
I realized that I think about the title after making the song…
>>3
It’s the easiest to change and doesn’t interfere with the song section.
Sometimes different artists make typos with completely different song titles (but it’s clear they’re related to that song).
You can sense that (ah, the song title was different until just before this).
The medalist that I have been reading for a long time.
Zeke Axis, a huge fan of FLCL and Gundam.
Actually, I wasn’t really that interested in Ultraman.
>>5
Despite not being very interested, the understanding of Ripear and Kaminaga is too high…
They’re already hinting at Kamunaga’s circumstances after the main story!
After making that short version
Ah, that’s right, let’s make the theme arrows and bows!
Why does it all make sense?
If you can turn the fluffy image of Ultraman into those lyrics, then that’s really genius.
Wasn’t the title of the song announced at first?
>>8
It must be a story before it came to light.
>>8
It must have been passed to the studio while still undecided.
I think the lyrics and the music video were already decided based on the song title.
>>10
In a conversation between the author and Yoasobi, they said the order is to create a TV-size version → come up with the title and theme → then make the full version.
We need to align the timing early to create the OP video.
However, I was surprised that the intro is quite different.
When I learned the background, I realized that the lyrics mention a bow and arrow starting from the second verse.
Well, I can accept it until Kenshi Yonezu comes.
I have come all the way to Yuzuru Hanyu.
The original author seems to be the most confused.
After the monster fish’s anime short was completed, NHK was closely following how they were struggling to produce the full length version.
Stop it, Yonezu.
Don’t understand Ultraman more than me.
M87 that tormented otaku.
Even at the TV size, the lyrics are from Shiki-kun’s perspective.
The reason Inori-chan is letting go of the hoodie strings in the illustration is…
I’ve been feeling like there’s quite a painful misunderstanding.
>>18
Reading the lyrics, I can picture Inori’s slender fingertips slipping away smoothly.
In terms of anime, that is precisely the symbolic string scene where Inori-san gains courage and takes flight.
I don’t think there’s much discrepancy in general, even if it has both meanings.
Regardless of the circumstances, it’s great that something good came out of it.
In old anime songs, the vocal style and voice quality of the singer would be completely different between the first and second verses.
I guess there was quite a gap before recording the second track… that happened a lot.
Recently, such things have indeed disappeared.
>>20
I understand that there is a difference between TV size and full size, but is it common to shoot the first part and then piece it together separately afterward?
As expected, if you ask an otaku, they’ll say it’s anime songs that are good.
It sounds like a parent’s love sending off their child, something that an ordinary person would hear.
Where it sounds like music
What could a whale with completely different lyrics be?
DEEN tends to change.
Sakanaction struggled quite a bit with the full version of “Kaiju”…
The anime is about to end.
>>25
However, that one changed a lot in impression when viewed in full, and the anime collaboration PV is really cool, so it might actually have been good to have it at this timing.
It seems that it took several months for the full-size version of Dragon Ball Super’s Zeno-sama to be released, which is quite surprising.
They said that they were able to finish the first part of Made in Abyss Season 2 quickly, but the full version will take quite a bit longer.
I know this song from the anime! I think I’ll sing it!
When I entered it into karaoke, I struggled with the mysterious rap part in the middle.
I really like you.
Anime songs (or rather, OP/ED) usually start with creating a short version for tie-ups, usually 1 minute and 29 seconds long.
Everyone starts making the full version after that.
When I bought old Conan openings or CDs, I thought, “What is this?!” as a kid.
Right now, they’re also streaming the anime version, right?
I don’t really care about it now, but I used to like it so much as a child that I was completely absorbed in it. So I guess they must have been watching over me all this time, connected by an interpretation that is both incredibly gentle and powerful.
Are the bow and arrow one, when there are two of them?
>>35
Gen: “I want to tie the two together by wedging myself in between!”
>>35
The master is the bow, and the disciple is the arrow.
The theme song version of Tebbou from Fist of the North Star is the most emotional.
I prefer monsters in short form.
Whales are too mysterious.
The lyrics and title change between the short and full versions.
The quality of the TV size version of “Kaiju” by Sakanaction felt so good because it was created as an OP.
I understand that they made a short as a tie-up, but could it be that this fan of the original work decided to create a short on their own?
>>41
?
You… have never watched a television anime…?
>>41
The song was created after I received the request from the director, asking for something like the Peace Sign from My Hero Academia.
>>157
From the feeling I got from the interview, it seems that the approach was made by Yonezu.
Didn’t that kind of discussion happen in a meeting after things were decided?
Just wait and see, I’m sure everyone will notice your brilliance; with just one line of the lyrics, I can show the difference in the intensity of the fans…
Speaking of how different the OP and the sound source are, it’s BLEACH’s “Asterisk.”
It’s probably because we need to provide many ideas for songs until the chosen one is decided when making it in a short format.
Creating a long track from the start for a song that may not be used is a waste of time.
From your fingers, which I can’t help but notice are changing now.
Let go of the hand.
Go, never look back, to a place that can no longer be reached.
Go, go! You have always shone brightly!
These lyrics can only be written by someone like Professor Toji.
Releasing and being released are two sides of the same coin; I feel a hint of sadness in the word “let go” along with the supportive feelings.
It’s tough on the ground of the OP, but it’s nice to be able to smile on the ice.
Let’s live on the ice, shall we?
>>50
Inori-chan is a bit strange, which makes her strong.
The fans of the fans of the fans have come together, and ultimately, it forms a ring shape, which probably emits a mysterious energy that surpasses human intelligence.
The original creator is a huge fan of voice actors and wrote a manga for them!
Kenshi Yonezu is a huge fan of manga and has pushed for a theme song for it!
Yuzuru Hanyu has been a huge fan of Yoasobi since his childhood and even performed a jump that caused him injuries during his active career for Yoasobi’s music video!
Everyone is just doing their own thing for their support activities.
>>54
This is the voice actor’s first starring role…
In my tour live.
Please everyone read the most interesting manga in the world called “Medalist” → It will also be broadcasting as an anime, so please watch it → Oh, I also made the theme song, so please listen to it.
The man who promoted in that order.
>>57
My song is a bonus!
>>57
It’s too intense for the first move to be “read the original” instead of just saying if you enjoyed the anime, you should also check out the original work.
Tsuru Mai Kada has been a fan of voice actor Natsumi Haruse since her days as a company employee and has sent a letter to Haruse stating, “It is my dream to have you voice the protagonist.”
Seriously…?
There were people who were really angry about the episode regarding the author of the medalist on X, saying it had too many embellishments.
>>62
At the point when this is a clear fact…
>>68
That part is just taking on a life of its own, so wasn’t it about looking at more than just that part in interviews and such?
>>69
It seems like a young person who doesn’t consider that in a fan-like official interview they wouldn’t randomly mention the name of an unrelated voice actor after various things were erased.
>>76
It was a person who was making a fuss saying, “This is the source!” while completely ignoring the voice actors and only looking at an interview that had been thoroughly deodorized.
>>69
It’s just rephrasing the sentiment that it’s unacceptable to not draw with BL purposes in mind.
Original author: “You (Nappy) have always shone brightly.”
I listened to Professor Ikada’s childhood story and thought, “I had a feeling it was like that.”
The resolution of the incapable child is too high… Also, the explosion of Shibu and Hi has a sense of no turning back.
Hello, is this Natsumi Haruse?
Hello, is this the official Medalist?
Hello, is this Hachi?
Is it not okay to consider full size as the length of an anime episode?
It’s good or bad that Kaoru-chan’s voice actor hadn’t been able to land a lead role until coming here…
>>70
I think there are fewer voice actors who get to be the main character.
>>77
Even Suwabe took quite a while to get his first leading role.
The first person I recognized who draws doujinshi featuring voice actors.
>>71
Mr. Kamijōzume and so on…
I wanted to try reading the NAPIKAWA book.
For fans, it was business as usual, but for those who entered through the anime, the full version and MV of “Guren no Yumiya” was initially unpopular.
Is it physically possible to have a higher level of support activity circulation than this?
Isn’t the TV version and the MV different right from the intro?
>>81
We also talked about that in the discussion.
No job!
No money!
No experience!
>>83
…I have a favorite!
>>83
There is a compound fracture!
I keep playing characters that seem like they’ve never been angry.
I thought it was amazing that you could also perform a keo dance.
Well, I can read it on the official site, so I’ll go check it out.
You’re really an outsider…
It seems that the person who created the main theme song also drew the thread image on their own.
Just share 1% of that talent with me.
It seems there was a conflict about an adult man drawing a cute elementary school girl when drawing the thread image, and it didn’t work out.
>>89
I thought Yonezu’s drawing had a bad expression, but it turns out he was concerned about it…
We need to create the OP video, so we have to deliver at least the TV size version one year before the release.
There are countless stories about starting a band just to be popular and making a major debut.
Motivation doesn’t really matter, does it…
A passion without strength is powerless…
I really liked whales, but I don’t remember the title of the OP for the second Spica.
I must have thought to keep it within three minutes for use as a special feature when creating the full version.
>>53
Say it’s a bee fan.
>>99
(This figure skater seems quite troubled…)
Even if there were serious motives.
In reality, there aren’t many people who would go to every skating rink that appears in a comic and suffer from a complex fracture.
It’s one thing to have no money, but having debts to that extent makes it difficult to know if it’s okay to laugh…
No matter what the motivation is, it’s undeniable that I’m seriously researching and drawing…
It’s definitely scary, those who are fully committed to the cause…
Don’t be too strong in your support…
You’ll be surprised.
I want to become a manga artist, and coincidentally, being from Aichi Prefecture and being burned in my brain by Natsumi Haruse are miraculously aligned.
I wonder what Tsuru Maika will do after this series is over…
>>106
I wonder how many years it will take to fully achieve an Olympic gold medal.
>>106
I think you can draw anything with that ability.
>>110
Another work suitable for Natsumi Haruse as the lead?!
>>113
Shall I have you draw something related to idols?
>>115
Just finished U149, so should I have them make another U149?
>>113
I started from a place where I didn’t know anything about figures, so I feel like I can pursue this goal for a lifetime…
I feel like there are people who are exaggerating about how they made an OP as a joke for this reverse offer push activity, and there are also those who really think someone made an OP and then imposed it on them…!
M87 perfectly captured the vague admiration of those who aren’t familiar with Ultraman from their childhood in the lyrics, and I thought, is this person a genius?
I’m curious about how Tsunami-sensei reacts when they meet their favorite.
>>111
Cry
I’m mentioning the production process properly in the interview, though.
Are you going to do an anime for ○○? It’s the first time I’ve seen artists approach asking to create the music.
Moreover, it’s succeeding…
>>116
I can’t afford to fail…
>>116
This is a secret, but actually all the artists applying for competition formats are like that.
I want you to read beyond this.
Reading about the medalist born that way, I thought, “How painful yet happy it would be to portray this child’s life. It has become my dream,” and I replied to Nappy, it’s so nice…
>>120
This work is scary because it’s too mutually in love in various directions.
>>120
I guess I’ll never use “painful but happy” in my life…
Typically, reverse offers might be seen as a fabricated story for publicity, but this time it is overwhelmingly convincing.
I recommend an interview that shows the level of Nappy’s passion for figure skating.
I felt like I saw the roots of the episode called “My Card.”
https://sportiva.shueisha.co.jp/clm/othersports/figure/2025/03/07/post_8/
Are you even writing medalist articles for Sportiva?
The chain of support activities is heartwarming, but the pressure on production has become incredible… Well, we’re working hard on it, though.
>>124
(Before it starts) ENGI, huh?
(After the performance) Mr. ENGI!?
This is the first time I’ve seen the Next Manga Award being utilized.
There are three interview articles, but it seems there were different questions and multiple interviewers.
I laughed that the original creator is also quite the Hachi fan; I haven’t heard Bokuran in over 10 years.
ENGI is doing really well.
>>128
Are you doing well…?
Is 4th place wonderful…?
There are many works this season that feature the author’s favorites, like “Isekai Red.”
It was a free publication of a fresh content book, but now it’s ridiculously prized and it’s funny, the cute book.
It might be precisely because of that, in a sense.
>>130
The distribution volume of sharing software is probably increasing now…
Is it not illegal to distribute a free book?
>>144
There must be a reason for that.
However, since all the past is being burned, it is also true that one can only understand a person’s character through interviews and this much.
Honestly, I think ENGIs around this work have had the most changed fate.
I think that the creators in their 30s who are actively working now are generally from the generation that was directly impacted by the death metal and Vocaloid era, so there are probably a lot of Hachi fans in the industry.
I want everyone in humanity to read it or create a theme song.
At the pilgrimage site, feel free to interact with other fans.
It’s amazing how polite the otaku are, like yielding the order of photography.
Before it aired, it was treated like a crappy anime studio… but I was pleasantly surprised in a good way.
>>137
I don’t know if it’s true, but it’s said that they are betting the company’s fortune on it.
Please keep up this pace for the second season and the movie as well.
>>137
The fans’ reaction when the studio announcement was made was incredible…
I can’t sleep with my feet pointing in that direction now.
>>137
Rather, I want a KADOKAWA producer to turn this manga into an anime… but there isn’t a studio that can withstand the reproduction of the original work…
Alright! The subsidiary had the ideal of wanting to create these kinds of higher-level expressions, and since we decided to animate it in that direction, it’s going well. Just like before the skating with Inori-san, the low-quality studio is becoming like the one after the skating with Inori-san.
>>137
If the first team staff can receive the budget and deadline properly, it doesn’t matter which studio it is.
When I see various people,
Isn’t it the anime director who’s in the most trouble?
I don’t think there are many people who can create songs from Dr. Tsukasa’s perspective like this.
It’s not an anime, but the Last Mile song was really great.
I once lost even though I pulled a guaranteed winning studio, you know, Yonezu-kun…
Choreography supervision for the anime by Akiko Suzuki.
Eighth place finish in two consecutive tournaments at the 2010 Vancouver Olympics and the 2014 Sochi Olympics, bronze medal at the 2012 World Championships, silver medal at the 2011 Grand Prix Final, and champion at the 2013 All-Japan Championships.
>>148
Choreographer★★★★★
>>148
Awesome!!
Before it started, I thought it would be like Yuri on Ice with girls. I was thinking, “Are you joking? It’s too late to do a second-rate version!” I’m really sorry for that!!
>>150
Yuri on Ice had a rather tragic ending, didn’t it…?
There are times when I clearly state that something like that will definitely fall through…
Anime producers are passionate too.
I like ED too…
>>153
The OP has a feel of introducing the work as “Medalist.”
I like both the ED and Inori-san’s daily life vibe.
The rest is the script…
ENGI is working hard, but it’s clear that the money being put in is probably on a different level compared to other anime.
The motion capture person is amazing, but in that chaotic era, he seemed to be in the position of the weakest among the four heavenly kings… I have an image of him gritting his teeth and occasionally pulling off a major victory while doing his best.
The “Untranslatable Geass” was a mess in the opening, but the full version left a completely different impression and was good.
Well, of course it’s better if both are good…
If I had walked past without stopping in front of that ticket gate.
Since they are both retired athletes, it won’t happen, but if Jun Yotaka and Yuzuru Hanyu were to compete, who would win?
I want to see Novice A soon!
I want to make it, so I run for it → The production side, receiving the pitch, decides on brown rice as the theme song → Discussing with the production side about what kind of song to create, I receive the offer → Anime airs → The song that started selling becomes a hit, taking first place in sales → When the sales settle down, a music video featuring Yuzuru Hanyu is released, creating a buzz and dominating the morning entertainment news.
The bonds between people cannot be bought with any amount of money.
Even if passionate people gather and secure funding, it does not guarantee that something good will be produced.
Someone said that anime adaptation is like a sport that watches over miracles.
I’m glad I had a bow and arrows.
It feels like something’s wrong with a sword and its sheath.
>>168
Mr. Tsukasa was my sheath, wasn’t he?
The Yuri on Ice that is currently being released all at once has been dealt a fatal blow with the cancellation of the movie, so I hope the figure animation gets a boost.
Even when looking at Yonezu alone, this thread image might be my favorite.
>>173
The energy is incredible.
I feel like it’s rare for lyrics to be this straightforward.
The scene where Hikari from the opening visuals provocatively looks back while running away matches the music style and leaves a strong impression.
I really love the moment when I go from “Yonezu!?” to “Hanyu-kun!?”
I want the second season to have visuals that feel like a card game anime!
If I were to mention something unprecedented, it would be that the jacket is illustrated not by the original creator or the anime character designer, but by someone who sings.
There’s no way that Ynizu would make a song on his own and send it to us saying to use it as the opening.
I’m not a societal misfit like Yotaka Jun.
>>179
Anime opening sequences are cut in a matter of milliseconds, so they must have had meticulous meetings, right?
Look… at the flow leading up to the OP production that’s posted above…
Haruse-san’s promotion of figure skating has succeeded after a long time.
Nappy is a serious fan who has been watching figure skating since the novice level and can even distinguish between different types of jumps.
The current situation must be really happy.
I wonder who drew this.
>>185
Is it the composer himself?
>>186
When I write out of habit, my expression becomes so bad that it seems as if I hate everything in this world.
I heard that when you draw Inori, you pay the utmost attention, and I burst out laughing.
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