The enemy’s scale is smaller than last year’s Earth Orchestra, but the fear factor is definitely higher with this year’s boss.

Shizuka-chan is too impressive!

I’m a bit concerned that Pal’s voice sounds too much like a celebrity.

I didn’t like taking a bath because of that… but I wouldn’t have noticed the flowing somen unless I followed the log.

The causal relationship is really well-crafted.

Technical final boss

That fluttering cape person…

>>4

If the cloak had originally been white, perhaps…

>>4

Is this the first time the HIRARI cape has clashed since Antarctica?

>>5

It was almost over, to be honest…

The final boss has its weaknesses revealed due to the weak enemies, and I can already imagine how to defeat it, but it’s still too strong…

There wasn’t a scene of someone munching on a chocolate banana.

>>9

I’ll write it myself!

The theme is art, so it’s just right.

I wonder if I ate something like chocolate fondue.

You hate taking a bath…?

>>11

Shizuka-chan was astonished.

It’s great when the final boss breaks through not due to flaws in the strategy, but through sheer strength.

Seriously, don’t mess with me.

>>13

Even though it’s said to have spread, the whole world being hit with whitening beams is a bit too much!

>>15

Isn’t it great? It’s a devil that destroys the world born from the land of art, you know?

The flavor of the gag was different than usual, giving it a freshness.

>>18

A construction site scene like a Pythagorean switch is nice, isn’t it?

Major incident!

The reason is partly because Izel and the red dragon were originally from a volcano.

The painter’s skill and madness are tremendous.

The final boss this time was pretty intense, wasn’t it?

I feel like I say this every year, but…

>>22

Last year was bigger in terms of scale, but I seriously lost.

The feeling of despair when Clare and the theater version heroine are supposed to be main characters but exit midway during the final boss battle.

But the power of the air cannon is amazing…

>>23

(So it’s either nullified or damaged by Claire’s mysterious power… I’m being taken out normally…!)

It’s clear that if a growth-type boss makes an initial response mistake, it can be tough.

It’s mostly useful, but it can’t land the finish — an air cannon.

Tekeretsu no paa

The future of destruction remains unchanged, which adults can sense; it’s bittersweet and there’s no need for forced alterations.

Even though I was just dreaming, I wish that there was a bit more salvation for Claire, who is floating in the space of four years…

>>29

I wonder if until recently I was looking at Claire in the Lost Forest or if I was looking at my hometown that is about to perish.

That aside, I’ve been thinking only about girls’ panties since yesterday.

Even though I completely let it flow with a fluttering cape…

There’s no scene with the take-off copter in the movie this time.

Although I use it before combat.

>>32

I can’t say for sure, but it feels like a bad job was done.

I’m glad that it picks up little jokes from things like Chinkara Ho and old movie versions.

Shizuka-chan’s broom handling is amazing.

>>33

If Shizuka-chan hadn’t been there, there would have been dead bodies ×2

>>35

It’s also Claire’s rod handling!

…The term “rod handling” can be misleading when taken literally.

Going to the hunter’s place alone is a bit too much of a determination, Shizu-chan.

Isn’t it too smooth that everyone eats konnyaku in modern times, so when you go to Artoria, the words connect too well?

>>37

The words that don’t connect are too fluent like an old Showa drama.

Even though TP was the enemy in a light-hearted movie, the final boss is too serious.

>>38

Summoning the strongest boss of all time from a villain with a terrible name.

>>43

Not only just a painting thief

The feeling of self-inflicted consequences seems to make the crime of nearly destroying a nation a serious offense.

>>56

It’s a real villain trying to execute Gian and Suneo.

It’s an incredibly easy-to-understand setup, making you think they will win with a water return sprinkle, followed by despair → a roller coaster of emotions.

What’s up with that guy? How can he take in the incoming light?

>>40

That guy is like a lump of paint, so it seems like you could put all sorts of things inside him.

It may not have any meaning, but I think it could have incorporated other light-type secret tools if not for that.

Giant grabs everyone beautifully as they come out of the hole.

Everyone was laughing when Claire was knocked down.

Is it Alice from Wonderland? I just thought that it might be connected to the fact that the real Clara saw this event in a dream at the end, not just a casual point.

I didn’t expect that the fact that one person and one pet were anti-nagashi somen was a foreshadowing.

Both future people are too careless.

Dora seems to really love flowing soba noodles with those hands that look difficult to hold chopsticks with…

Toshi

The theatrical version of Gian is really reliable.

The paintings that children at that time worked hard to draw, even though they have no value at all, are nice, aren’t they?

>>51

Isn’t this picture drawn with crayons that don’t belong to that era?

Is it really worthless, sensei?

>>52

It’s a discussion about artistic value… The historical value is probably crazy.

>>51

Everyone is drawing Doraemon and trying to put the eyes inside the circle, but the resolution is too high…

>>51

It was nice that the TV announcer and critics also followed along.

In a novel, it’s dismissed and concluded with the notion that it has no value.

>>58

Thank you, Sandwich Man…

>>61

If we go by the preliminary information of 0, neither of them understood at all.

Mr. Takeshi’s power bomb.

I believe there was definitely a version of the script without a happy ending part at some point.

Nobita, aim for the Tokyo University of the Arts.

>>60

Stop it, it will turn into a different manga.

>>63

“Artoria ‘Blue’ is like that…”

I like the last dad too, but I also love the dad who is laughing while watching Nobita and the others running around noisily when he’s cleaning the house.

Milo was cute and a good kid, but when it comes to romance, he’s quite clueless, isn’t he?

>>67

It seems like Claire-chan is going to be very assertive, so the future is promising!

>>67

No, no, when I found the ore at the end.

With this, I can draw Claire’s picture with my heart!

Saying it directly to the person is already a confession, right?

>>74

Well, right after that, we say goodbye!

I was thinking, “Do they not have a human heart?” until I saw the scene right after.

Class difference childhood friends are nice, aren’t they…

To put it frankly, I wished they would keep the growth rates separate and completely destroy my fetishes.

>>72

The growth rates are not separate.

I don’t think that Claire will ever grow up.

My preferences are just going to get more broken…

While the main family members are doing something, it’s impressive how Shizuka-chan and Claire can get what they want in one try…

The Time Patrol is surprisingly unreliable…

>>75

I want you to take inspiration from the birth of Japan.

It’s really good after all.

>>75

Look at the TP bon!

You should understand it well!

There were quite a few scenes that felt like a confession, weren’t there?

When I had Milo do the scene where he takes the last invisible cloak, it was so intense that I was almost unable to do anything for a while after the movie.

>>80

Isn’t that a bride’s veil?

After stealing the painting drawn to comfort the kings who lost their daughters, disguising herself as the returned daughter, and treating the real daughter as a fake and shutting her out, it would be better to die.

Achieving dreams, Doraemon is truly the best.

The part where Sodoro tripped twice for some reason when he appeared.

I thought it connected to “korobashiya,” but it turns out it doesn’t, and I was surprised.

Did they change direction in the middle of the script?

>>84

Was it because it was a disguise and you weren’t used to wearing it?

>>84

It can be considered a foreshadowing that they are not used to wearing a clown’s outfit.

>>86

I see.

After explaining that it wouldn’t stop until it had tripped three times, Sodoro, who tripped once, exited.

Since they fell down twice unnecessarily at the beginning, I was reading too deeply into it, thinking there would be a scenario where they switch places with a time machine in the latter half.

>>84

They thought they were performing as a court jester with that.

Isn’t that just not enough?

I’ve heard that court jesters didn’t even exist in Europe during that era.

>>88

The king only said that he was an interesting guy.

I was told that, and it made me want to check the movie again.

>>88

By the way, I realized that the word “clown” itself doesn’t appear even once in the work, and I was thinking that maybe the term “clown” isn’t appropriate anymore in recent years.

The king said he was an interesting guy, but that’s… (a future person not suited for history)

It was the first time in several decades that I saw a Doraemon movie, so I was moved to see Doraemon fulfilling dreams in the opening.

You’re still not out of the game, are you…?

>>89

Let’s watch last year’s movie too.

I cried over Doraemon as I fulfilled my dreams.

>>92

I watched this after hearing good things about it, and then I watched it on Amazon Prime.

That’s way too skillful in how to use it!

I seriously cried when Doraemon in the picture came to help.

>>91

A drawing filled with love is great, isn’t it…

>>91

Everyone pretty much cried over there (the audience is crying), that’s been talked about.

Even the clumsy Doraemon that I draw and imagine becomes my ally, which seems to resonate in various ways.

>>97

I truly believe in what the author of the picture has drawn, which is why Doraemon brings out the secret gadgets.

Bitter No Bitter No

I think that clumsy Doraemon surrounding is cliché, but it’s nice.

It’s kind of nice that my dad and the critics are saying that the drawing has the feelings of the child in it.

The poor design of Doraemon was a collective representation of how everyone remembers and draws it vaguely.

That’s definitely going to resonate with adults.

I think there are many people who have drawn that flavorful Doraemon.

I thought that kind of striking portrayal really shows the talent of the director of the Secret Tools Museum.

From the part where I’m adventuring in the opening picture, seeing the desk and black-and-white Doraemon looking at me, I was convinced that I liked this movie.

I know it’s easy.

>>106

The series of famous paintings ends beautifully with a manga-style illustration.

>>106

I love the mischievous kids having fun behind the neat and tidy Shizu-chan.

In the opening of the movie with the theme of painting, I was completely thrilled when it started with the song I’ve always imagined in my heart.

Claire’s overly comical nature in the modern era may have been a hint that she is a character from a painting.

The local Arturians were pretty ordinary unless they were being hit by a rolling stone.

At the end, when the banner at the base came down, I initially didn’t understand its significance, but then I realized it meant it wasn’t colored.

The explanation of the tools was almost nonexistent, which made it feel quick-paced.

There are even tools that might not even have their names mentioned.

>>113

What is that scouter…?

>>113

It might have been good that all the guest characters interpreted everything with magic.

I wondered what items from the previous movie would appear, but this time they were so subtle that I didn’t really notice them.

>>116

Basically, they are always very cheerful, but when I say something wrong, they scold me and it’s clear that they are always there to support me.

>>122

The ability to recreate things like “not this” or “not that” was way too high in the clumsy drama.

Even a clumsy Doraemon is already being used in commercials.

Well, it’s a waste to hold back and lose customers.

In the opening where various pictures are included, the last one being the original Doraemon is nothing short of “I got got!”

At that point, I had lost.

I feel like it’s been a while since I saw the base building and food part.

In the Sodoro battle, I really realized that I like secret tools vs. secret tools…

Aha, this goddess is going to be the key to the story…

It won’t do…

>>125

The goddess’s fountain revealed the enemy’s weakness!

>>125

Perhaps I wanted to impress that it is water that is bringing wealth to that country.

The weaknesses become apparent early on.

Moreover, it’s strong and the countermeasures are crushed.

I think it’s one of the top boss characters in history.

Oh, that’s cute!

Is it Alice from Wonderland?

>>128

The acting is too celebrity-like… this is suspicious.

>>130

When I thought he was an enemy or a cool character, his voice felt quite strong… but after his clumsiness started to show, it actually suited him pretty well, Oji Suzuka.

>>130

It’s too suspicious to be obvious and immediately…

I can tell this guy is not an enemy.

It was suspicious, wasn’t it…?

It wasn’t trying to deceive with childish tricks or nostalgia; it was genuinely interesting.

The quality of Doraemon movies is really high.

>>129

There was a time when it was a bit suspicious.

In the last ten years or so, I’ve been quite sincere in facing children and adults, so the work turned out well.

>>129

I’m easy, so just watching this work made me start digging into the past works.

>>129

The current Doraemon production team joined because they love Doraemon and are determined to make Shizuka-chan a moe character!

Children quickly realize when they’re being deceived.

>>141

While reading the pamphlet, I realized that there’s an otaku on the production side who has watched all the Doraemon movies from the one with Nobita’s Dinosaur and still has the admission bonus from the dinosaur movie; that’s a bit too strong.

>>173

Too high of a heat.

The scene where water doesn’t work on Izeal reminded me of the scene in Demon World Great Adventure where silver darts don’t affect the demon.

Overall, this director is on a different level.

The works I am in charge of usually receive high ratings.

>>133

I like it because there are interesting stories, but it also properly portrays the friendship between Doraemon and Nobita.

>>137

It’s great to have the bells connected at the ending.

>>148

Homo!

At the pile driver, adult laughter could also be heard.

At the construction site, I heard children’s laughter, but the adults weren’t laughing at all.

>>134

There have been about 5 fatal accidents happening there…

>>134

If you didn’t know Claire’s true identity,

It’s going to be like, “That was close!”

Even though it’s a movie

Personally, “Ideal Country” didn’t resonate with me, but it’s highly rated in general and has been for the past few years.

“It totally feels like there’s no longer that sense of ‘For now, as long as we’re doing the usual promises, you’ll be satisfied,’ right?”

Everything around Hetaemon has been foreshadowed.

The drawings of the world revealed by the entry light reflect the artist’s feelings.

In that picture, Nobita is expressing his feelings of love for his favorite character, Doraemon, after receiving the advice, “It’s okay if it’s not good, just draw with the feeling that you love it!!!” So, he is drawing in his own clumsy way as “Clumsyemon” with that feeling of love!

Nobibibiin!

It can’t be helped, but in a good way, it’s a melancholy aspect that Artlea will surely be destroyed by a volcanic eruption, just like in the historical record.

I wonder if it will perish soon after that; judging by the thief, I can’t tell how much time we have.

>>147

The thief said it would be hundreds of years later, so Claire and the others are safe for now, but it’s still quite sad.

>>150

For hundreds of years.

I wonder if the people living at that time were able to escape because this event was passed down through generations.

Izell = volcanic ash, the red dragon = with the eruption this time, whether one likes it or not, the fear will surely be conveyed…

>>168

Even if the manifested Izeal dragon destroys the country as it is.

It’s good that things are turning out as predicted, even if just for now.

Not good.

>>147

I feel like they said a few hundred years.

Clair is fine with it.

>>147

However, since the paintings of Hetaemon and Claire remain, there is no doubt that that adventure and Claire existed in history.

Aren’t there people who joined the company to create their ideal loli?

I feel like they’ve included exciting promises that have been thoroughly thought out.

The real Claire has proper memories of her adventures, and I added Doraemon and the others into the picture, so she is having fun with Doraemon and the others in that scene. That picture still exists today, and if you use the entry light, you can meet them anytime.

For children, a happy ending like this is just fine.

It’s a good scene, but it’s poorly done.

Just a little, remember the broken Doraemon from the Cloud Kingdom.

Trauma from childhood

It’s interesting that Nobita starts lamenting his talent alongside the symphony, but his approach is different.

Because one person is bad at acting.

Ah, this guy is totally useless, which also serves as a character description.

I was surprised by how natural the acting of some celebrities is.

You won’t know unless you see the end credits.

The child’s drawing, which conveys a love that everyone can see, is too good for a child’s level of doodling.

Year-round animated films like Doraemon, Conan, and Shin-chan seemed uncertain about ten years ago, but recently they have been stabilizing in my impression.

I envy today’s children.

Gian also had quite a few good scenes.

>>164

In the early game, I stopped Claire, in the mid-game, I desperately fought for Suneo, and in the late game, I put my body on the line to help my teammates.

Overall, it feels like the delicious parts of a long feature film about Gian.

>>164

The scenes of catching the basin, biting into the board, and protecting Nobita are great, aren’t they?

Suneo had a position where it was troublesome if he wasn’t properly there, as he was able to see through thieves, grasp weaknesses, and set quotas, Mom!

This time it struck me so deeply that even responding to feedback makes me teary-eyed.

I will go see it again.

I like the usual nightly conversation quota.

Even among entertainers, those who primarily perform on stage or are musicians tend to give the impression of being skilled at projecting their voices.

There are no highlights in the eyes, I know Alice, and they have something that looks like binoculars, so they’re probably an evil person who will betray Milo… I was completely deceived, but I realized it when I started watching.

I want to hear the BGM from when I first entered the Forest of Confusion again.

>>176

That tune around there really feels like Takayuki Hattori.

The Izear I drew is the strongest!!!!

>>177

Strongest (strongest)

>>177

Rather than that

Izeal and the red dragon are seriously dangerous! Be careful!!

It’s a painting that conveys a warning for the future to the fullest extent.

Yes, it was seriously crazy.

When I saw the artwork for the Forest of Confusion, I was a bit worried, thinking, “Are they really going to go with this? Is the background staff going to kill themselves?”

The order in which our allies are taken down, you know.

It’s a movie about Shinnosuke, whose intelligence and high judgment can turn Shizuka’s timidness into courage, allowing him to make a comeback move, but Gian’s role is reliable yet slightly lacking in explosive power.

I felt the murderous intent of the script that said, “I won’t let you cooperate with your allies.”

>>180

Shizuka-chan, this time you were incredibly active with all the action until then.

I felt a meta-like situation where if they were let loose over there, they would completely take the narrative away.

“Why would an intrusion light connect to 13th-century paintings…? No matter how you think about it, it should lead to the other painting that’s supposed to be in the modern era… And the answer is ‘because it came to the present through a time-space gate?’ That’s quite reasonable…”

“I really like the part where he says, ‘That’s why I’m the time patrol!'” It’s quite charmingly clumsy.

>>184

Don’t do something like being with Doraemon!

I interpret that the reason Claire’s memories were connected to the real thing was because there was a shortcut to Artoria in the Forest of Confusion.

It felt more despairing when Doraemon and Nobita were defeated first, like in “Doraemon: The Adventure of the Demon World.”

The Time Patrol wasn’t outsmarted or caught in a scheme by the villain, yet it feels like this is indeed a level that competes for the lowest rank among all the past instances, doesn’t it?

>>190

I hate to say it, but compared to someone like Giga Zombie who’s trying to change the timeline in a super obvious way…

Someone who can be given the title of “art thief” is probably just that level of useless.