I wonder what it is.

There is.

They’re probably going to do Part 3 as well.

Aren’t our eyes not meeting?

It wasn’t bad to cooperate with Yoshida and Asano to repel the enemy a little while ago.

Did you not do this at the beginning of the serialization? That impression is quite strong.

>>7

I thought things were getting somewhat better lately, but this week’s update had artwork at an unprecedented level of terrible, and I couldn’t handle it.

The Death Devil (tentative) is way too lackluster… Where has the impact of the art shown by Makima-san in some parts gone?

So there is one here too…

I don’t understand at all what I’m doing or what I want to do.

I don’t even realize that I’m approaching the climax.

Is it about to get interesting soon?

>>11

The evaluation saying “It seems like it will be interesting” means “I have high expectations for the future developments.”

The current situation, which seems to be approaching a conclusion, doesn’t even seem like it will become “interesting.”

It’s all the dragon’s fault that it turned out like this. If it weren’t for the dragon, I could be watching an interesting Chainsaw Man Part 2 by now.

>>16

If Denji had looked really happy and seemed to be having a great time, it would make sense, but he constantly had a tired, pained expression on his face.

Is there a need for this development that interrupts? It’s noise.

The first of these is Nayuta’s death, though.

I can only appreciate that they did not easily revive Aki or Power.

>>18

Forget about the resurrection; focus more on the power.

“You were told to ‘find it’!”

Did Nayuta die…?

I’ve read everything, but the story isn’t getting into my head.

Not only power, but Nayuta being killed barely concerns me.

All that exists is desire.

It’s quite something to be this much of a loser…

There are illustrations that are rough but not messy, and illustrations that are well-drawn but messy.

The image is rough and messy.

>>24

It was around the time when Asa’s mobile collages became popular and were still commonly read on the bulletin boards…

The development of the story is rather rough to say.

It feels like there’s not much editorial intervention.

I can see that you’re making adjustments at key points, but it doesn’t seem like you’re intervening too much in the overall direction.

The fact that Makima’s dog and Nyako were also burned to death… it was the hardest part that Denji didn’t seem that shocked by it.

I thought the riverside was protecting the dogs and cats, but that wasn’t the case!

It was shocking that Power and Aki died, but it wasn’t a big deal when Nayuta died, as I synchronized with Denji.

The incomprehensible feeling of part 1 is nostalgic…

I think it was too early to bring out Denji, after all.

I wonder how the movie will turn out.

Looking at the sales of the paperback, it seems that the fans have already drifted quite a bit away.

I wonder if the fans back then will go to see it.

I recently read part of it and it’s super interesting! But it’s sad because a lot of my allies died…

I read the second part, but I don’t really understand it…

It’s surprising in a bad way that Nayuta’s death wasn’t even a climax.

I wonder what that character was all about…

It’s the worst if you leave Nayuta alone, and saying that it’s fine to just make another family after the beheaded sushi is also the worst.

The content is too thin compared to some parts.

If it had ended regularly at Part 1, it would have been a masterpiece.

It’s kind of a lackluster climax.

If the paintings are somewhat aligned, then maybe in the current development… no, it might be subtle…

Since there has been no development in the relationship with the character, I don’t really understand it.

It became clear that if something is not even entertaining enough to be a topic of conversation and is just unpleasantly boring, it will obviously reflect in the sales.

I think the illustrations and story in part were thanks to the assistants and the editor…

It seems that people from Dandadan and Kenturia were former assistants.

I think the artwork has a lot of influence from the people of Kenturia, especially in the second part of the story.

>>43

Why is the assistant thinking of the story?

>>53

I don’t want to believe that what I was thinking in part one will come out in the content of part two.

Part 2 has a lot of characters that make you think, “Who is this guy again?”

>>44

I like the impression that the scenes where the policewoman’s character break creates a level of residual images, and the art is so terrible that she’s not loyal enough to her job to risk her life, seem like different characters.

I seriously don’t remember the new character that came out in part 2.

Was there anyone other than Asa and Yor? Level

When a lewd character actually experiences something lewd…

It has been continuously going in a direction that isn’t the one that seems like it would be interesting.

A character that makes a full-fledged appearance from Part 2.

The only interesting one was the swordsman, Milli.

It somehow got sent to the monkey space in a slippery way…

Did I really draw such a bad picture?

The lines on recent clothes are really messed up, aren’t they?

The story is like a recent Nihei manga.

Um… what was with the person who had the same face as Fumiko?

Isn’t the author of Drama Queen someone like an assistant?

Once they sold a little, they lost control of the editing and ended up feeling like a celebrity.

I understand that the flow of the story changes abruptly in chapters, starting from Fire Punch, and that’s part of the style.

The transition in Part 2 is so fast that it’s difficult to keep up with the understanding.

Part 1 was really interesting…

That’s why I can only feel that this so-called sequel is nothing but garbage.

It seems like it lost its way a lot after Togata died in Fire Punch.

Aren’t you doing the same dance since Makima died?

Fire Punch was something else.

Isn’t it that this magazine might not be suited for doing things freely, unlike Jump+?

>>61

That is for sure.

If it had been done in this magazine, it would have become a survey waste at a very early stage, forcing a change in direction, so it was definitely better.

>>67

I don’t think it’s good that the number of pages can be changed freely in addition to this.

I feel like I’ve developed a habit of drawing too many pages for my short stories and ending up doodling aimlessly.

>>124

Instead, unnecessary cliffhangers → it’s become a habit to progress to the next week without much of a resolution.

I think it’s the result of having developed a bad habit from serializations rather than short stories.

I’ll make a comeback in the third part, so it’s safe.

But there’s a look back…

It is clear that the influence of the assistants is quite significant when it comes to the drawing aspect, but isn’t it just that Tatsuki has simply run dry in terms of storytelling?

>>64

So then, why did you say you would do a second part…

The quality of the story is simply related to the degree of involvement of the editing.

In the early days of Naruto, it became a masterpiece with the editor providing advice and direction based on the author’s ideas.

When a writer’s ideas are output without any filter, it becomes Samurai 8.

During the first part, even the local assassins and devil hunters were quite impressive.

In Part 2, even the main characters seem unsure of what they should do.

When I read it all together, I realize I can read more than I thought, but somehow the tempo just feels off for a weekly format…

It feels like not many people who like Fire Punch are really into Chainsaw Man Part 2.

>>69

I’m not opposed to accepting Fire Punch from the beginning, but I would be troubled if I got Fire Punch while in Chainsaw Man.

In other words, if the drawing had been better, I would have been somewhat deceived.

The recent drawings have been really terrible.

Still, it’s a mystery why it ranks high in the overall viewing rankings.

>>74

Inertia power is amazing.

To put it differently, the fact that they’re not in first place but have dropped to a higher position is quite concerning.

>>74

Once you build up popularity with Jump, you can ride that all the way to the final chapter.

This was also the paradise of the earth.

>>74

Even though the anonymous people in this thread say it’s boring, they’re still continuing to read it.

I feel like this manga just repeats Denji’s mental decline and lures with erotic content.

I thought that there is a certain boredom that even inertia-driven purchases are rejected when I saw the vertical decline in the sales of the paperback.

I do not recognize that half-open-eyed, half-mouth, hunched-back look as Denji.

FaiPan’s story went completely off the rails after Bebemudoluk, but even so, the art and energy were still incredible.

I think the fight with San, which has been talked about a lot, also had some really great scenes like the double-page spread of the ankle punch.

I feel like the way the assistant was used was top-notch.

Cutting out all the pointless stuff after the aquarium and suddenly starting the final chapter doesn’t have much of an impact on the story, which indicates that the plot is broken at that stage…

The only thing that has an impact is Nayuta’s death, but even that is something the readers probably don’t care about.

So, are you saying that without a competent assistant and editors who provide adjustments and feedback based on surveys, Tatsuki is no good?

Well, that might be true.

I wanted them to focus more on Nayuta and Denji.

My drawing skills were taken away by the demon of Dandadan.

The scriptwriting ability was taken away by the demon of Kenturia.

Accept the reality that the remaining Chainsaw Man demons are trash in Part 2.

Where did the people who praised Tatsuki as a genius go?

>>89

Tatsuki, looking at this, it really seems like you’re laughing out loud and taking notes as the author of the spy story.

>>89

Huh, were the people from Kenturia involved too?

>>99

I only said that.

I can’t hate it because there are a series of scenes where it becomes Fire Punch.

But after all, the ending is…

If action isn’t working anymore, it would be better to create something like a one-shot Japanese film.

>>92

Hmm.

I don’t think my talent for writing one-shots is dried up, and it’s not bad.

Considering the view counts from the past, I have to say that dropping to around the top rankings means it’s pretty much over.

When I see many former assistants who have become independent writers, I think that some of them really went all-in on their projects.

>>95

The members of Ash are too extravagant.

Even if the drawing is bad, there could be a defense if the story is interesting.

Every week, we fill 80% of the pages with conversations that are like poems from Bleach.

It’s no good that the author is doing the loose and stretched-out work intentionally.

>>96

It’s just a vague conversation that doesn’t even have a word sense worthy of being called a poem…

Moreover, most of them raise the question, “Isn’t this different from what you said before?”

I still don’t understand Yoshida’s position.

>>98

The character that became popular in some circles will make a reappearance, but its role is nothing more than fan service aimed at generating buzz.

It’s a manga that makes me feel a huge disconnect between myself and the world, even though it’s selling well despite being uninteresting…

>>100

Some parts were good.

>>100

The sales of the second part are dead, so they aren’t that off.

Don’t worry.

>>100

It’s no longer selling.

The latest volume of Kagurabachi is selling better.

I think the sales will continue to decline like this.

I’m sorry for mistakenly thinking that the author of Dandadan was a follower of Tatsuki when their serialization started.

I guess Power’s lines will end there.

I understand that the art quality will decline because the creator of Dandadan has left.

So if that’s the case, why does even playwriting and conversation seem to decline? It’s hard to find an answer other than I was being helped by my assistant.

Because if one part is the person’s talent, the other part of the dialogue drama should also be just as good.

Given the current state, there are even suspicions that the editor and assistants have been doing most of the work.

>>109

Chainsaw Man Part 1 – Dandadan – Kenturia – The editing is a mess in Part 2, you know.

>>109

I think it’s definitely true that Tatsuki himself had a sense for art, especially considering the fan art of Captain America and such.

That’s why the current situation, where I can do as I please, has made my art lifeless.

>>134

Seeing the current situation where they’ve just released a really messy line drawing after two weeks makes me wonder if that fan art was really drawn solely by that person.

It’s strange that the line art is bad, regardless of the finishing touches.

In the scene where Kwan Shi transforms in a certain assassin arc, the animation of the flying doll is very reminiscent of Dandadan.

An 80% decrease in circulation indicates that it has been abandoned by the public.

It’s tough that it was proven in part two that without the author of “Dandadan,” the Gun Devil can only produce seriously terrible artwork…

Is it okay that it’s beyond the level of being boring?

An apartment like Kowloon City, and there are naturally a lot of people holding spears, and too many lanes at conveyor belt sushi places.

Isn’t the world view in the second part pretty hard to understand?

>>117

Difference in resolution

Yoshida would have long since exited if it weren’t for fan service…

For a period of time, things were chaotic here like a fool.

At the stage where only those who truly remain after that phase are left, I have become able to speak properly.

It feels both grateful and lonely.

The author I was following, Tsutomu Nihei, has now become a follower of this…

It’s nostalgic to think about how enthusiastic we were about selling during the big hits of Demon Slayer and Jujutsu Kaisen before the anime.

>>121

The anime was really a sudden brake, but that doesn’t excuse the second part at all.

>>121

Even the antis probably didn’t think something like that would happen to Chairni.

>>121

The way the followers in that area were showing off was just incredible.

Upon reflection, even though they say they’re selling well, my level only reaches their feet, yet their attitude is way too big.

>>121

Compared to those two, I’ve always thought that Chainsaw Man has a lot of dirty jokes from the very beginning, so even if its current entertainment level is on par with the first part, it’s still hard to put it alongside those two.

Come to think of it, I don’t recall seeing any creepy discussions about this week’s Chainsaw Man on 2ch recently…

I realize that the author was supported by those around them more than I had thought.

Even though I didn’t remember, it was emotional that there was a promise, but then that was denied.

Even if power comes back after this, it would probably be anticlimactic…

The poem from BLEACH still has an impressive coolness that appeals to the inner adolescent in me…

It’s interesting that someone who was praised as a treasure of the manga world for a work that is often said to be selling out of sheer inertia is now doing this, so I hope they make a third part.

I feel that you might not be good at summarizing, based on Fire Punch.

Denji has been making a face like he’s always in a daze.

Even a still image without movement looked cool because of the background’s power, and that wasn’t Tatsuki’s skill, right?

It seems that the absence of Hayashi Shohei is also having an impact.

It’s funny how Denji and Asa argue with someone each time.