
But the times when Beethoven is writing are probably the most interesting in this manga.
>>2
The more I try to express it in words… the lighter its weight becomes.
That’s nice, isn’t it?
There are also big-boobed gals, right?
I like it, but I probably won’t be able to continue with it… that’s the kind of work it is.
It’s tough with the current Jump… but maybe with Young Jump…
Well, in this situation, what the readers most want to see is the current Beethoven’s overwhelming strength…
On the contrary, it’s a matter of whether we can do well from here.
Turning sound into a picture is seriously difficult.
I think it’s interesting, but I can’t help but feel it might get canceled.
Right now, I can really feel the persuasive power on the screen that this character is performing an amazing performance!
It’s probably more interesting when that old man Beethoven is doing whatever he wants.
Yasō-kun is a side dish.
But if I send it to Jump Plus, it will probably just settle around two places above the bottom…
I believe I could have competed in a youth magazine if my drawing skills were just a little better.
Was it really “passion”!? The “passion” I have listened to until now is the Piano Sonata ‘Appassionata’… one of Beethoven’s three great sonatas… performed by pianists from all eras and countries… I have been captivated by its high-level expression. But!
Anyway, those who criticize something while praising the other person should just die!
If the opponent is Beethoven, there’s nothing to be done.
I think the heroine’s sharp and pointed design is good.
It’s impressive in a way that even after the fourth episode, the relationship between the protagonist and the rival hasn’t been fully depicted.
I’m looking forward to this because soccer is too bland.
Beethoven is amazing! We can’t just end it in one episode…
Rather than being erotic, there’s hardly any female presence, and yet they’re taking their time way too much.
I think the tempo is bad.
Definitely more interesting than soccer.
Soccer, it’s that the protagonist is useless, or at least remember the rules.
The old man’s way of speaking has a nice feel to it, but…
Even though it’s a story about recovering from trauma, the protagonist currently has too little happening, so I hope something happens soon.
>>19
I really like when they’re playing a duet and during the flashbacks.
>>56
It’s great, isn’t it? “He was in control of the piano.”
To be serious, it seems like Beethoven will have less of a presence once I enter the academy.
I hope they keep finding a way to keep this old man around.
I thought the expression in the performance, moving between dynamism and delicacy, was well done.
I don’t find the characters surrounding the protagonist very appealing, and the rival character that appeared at the end of this week is just obviously a nasty person, so the outlook for the story seems quite bleak.
Beethoven has a great vibe, so if we could feature that with the main character or heroine, it might work out somehow.
It’s amazing that soccer has no new elements at all.
Even if it is discontinued, if the essence of Beethoven can be conveyed to elementary and middle school readers, it would have cultural significance and could be considered a strategic victory.
Jan was doing a ton of famous person-themed manga.
I can’t help but feel that Jan is more suited for it.
But if you can draw this much, I also think it’s a waste for Jan+.
>>25
Were we doing something?
The great mentalist remembers.
>>25
What is the reason for shortening it to just “P”?
You could say it’s the most difficult manga to adapt into an anime right now in Jump.
The author is such an obvious abnormal Beethoven lover that I wanted them to do their best.
You can’t draw something like this unless you’re obsessed with it.
I like it, but thinking about fighting opponents like Nue, Killua, or Chōjun, it feels like I might just get overwhelmed.
>>28
Rather, you could go for it with the current Jump.
I can feel the sense of drawing what you want to draw.
Including the parts that might be influenced by manga that can’t be hidden.
I found PPP quite interesting, so I’m reading it with high expectations.
Interesting
I like it, but… when I think about it, I fill out the survey.
If Beethoven were to come to the present, it would be a lie if he didn’t dominate on the piano.
>>32
I probably can’t become invincible because I can’t play with super skills.
>>47
Since when did I have the misconception that Beethoven couldn’t play with virtuoso technique?
Beethoven Musou is the main focus of the story, right?
The boy is a character to advance the story.
The heroine has too many quirks.
It’s nice that the person I’m complaining to, who thinks someone like me doesn’t have the right to continue music, is an old man who became a musician while being deaf.
The argument of “who cares about qualifications” is far too convincing.
I understand that you probably like women who are big and thick.
>>36
😸
Excessively piled-up Saya Master
The heroine is too edgy.
It’s not that it happened to look thick due to the way it was drawn or from the angle of its first appearance.
The heroine’s legs are definitely extremely thick.
I feel that my drawing skills don’t match what I want to do.
>>45
At this level of motivation, I feel like I’ll just naturally get better at drawing.
>>45
What I want to do is clearly conveyed and it’s attractive, so I like it.
>>67
I like that the old man has a different painting style from the others.
The surrounding of Beethoven is so good that this time, where only the first thread has an image, isn’t very interesting.
Don’t let it be cut off.
I feel like my rank is low, but don’t end it.
I thought it was “Gunnm” from the thumbnail.
>>48
If Nova is wandering around high school, it’s the end of the world.
>>39
I feel overwhelmed with the desire to depict Beethoven, and I wonder if it would have been better to have just this one protagonist.
>>50
Beethoven alone isn’t enough to make a story…
It’s like saying it would have been better if Sai were the main character in Hikaru no Go.
>>63
The meaning was that since the Go spirit was possessing Hikaru, it couldn’t move unless Hikaru moved.
This guy can move on his own, so it’s not really a fair comparison, and if Sai could move on his own, it would probably just mean that this guy is the main character.
>>76
You can’t play a duet with a ghost, can you?
>>79
What I want to say is that it cannot be easily compared to Hikaru no Go, so that is not the point of discussion.
I like it the most among the recent series, so I hope it continues.
Yasuo, who lost his life’s gamble on the piano, is just a shell at first, and since it doesn’t taste good, I understand that the only way to go through the early part is to spin it with Beethoven.
It’s okay to have things like this.
I would like it to continue more concretely.
The legs are heavy, and the shoulders and chest are also heavy, that Saya teacher.
It would be appreciated if the story continues with Yasou-kun’s future as the main focus, while Beethoven runs around on top of it.
I wonder what this suspicious person will do about their living situation.
I feel like I might drop out halfway like in Hikaru no Go.
It’s the kind of manga that focuses entirely on dialogue, so it’s really a shame for it to end, but if it has to, then it can’t be helped!
For now, Beethoven’s musical perspective is incredibly cool.
I watched Classicaloid a lot, so I’m really enjoying it with that knowledge combined.
Well, compared to the guys who are stuck at the lower levels like in soccer, it’s definitely better, but if you ask if it’s really interesting…
It seems that even if it ends as a short series, I could still do what I want.
It’s enough to just include a scene in the epilogue where they become a professional piano performer.
Honestly, calling Beethoven “B” as a nickname makes him look really cool, like a demon king.
Kiyoshi-kun’s “Shinobigoto” was really rough at first, but it has recently bounced back and become quite interesting, so I want to have high hopes.
>>68
I saw a nameless person reading Kiyoshi-kun for the first time.
>>71
Hey, there’s someone here too, right?
>>71
Recently, Kiyoshi should read more.
The initial confusion seems like a lie, as it has transformed into a classic shonen manga, combined with the author’s strange sense of style, creating a unique reading flavor.
To be honest, the reason I was reading was to laugh at the strange naming sense, but now I’m at the level of contemplating whether to buy the paperback.
However, I have not forgotten the heroine’s thighs. ☝️
I think the challenge of expressing the greatness of music in a manga is something that has been quite successfully overcome.
The question now is how many eccentric pianists we can produce that won’t lose to the one in the thread image.
>>73
Will it bring Mozart back to life…?
>>89
Mr. Mozart! It’s fun to imagine being like him, and stories about great people become more interesting with their relationships during their lives, so I hope someone comes forward.
I put in a survey this time.
I hope it continues as much as possible.
I feel that Beethoven’s painting is more lively.
Sometimes I become like Hirako.
It’s clear that the performance is amazing, but the difficulty of music lies in the fact that its greatness doesn’t quite come across.
Isn’t music-themed manga a challenging area in terms of expression?
>>81
But there are relatively famous works, so at least it’s better than Go and such.
>>81
I think Shioek was doing quite well for a period of time, including the audience’s reactions.
>>82
I want this kind of thing to be extended.
>>82
No…
I really messed up by doing this.
Kiyoshi-kun isn’t so bad after all.
You’re really respecting Hirako, aren’t you?
Including things like panel layout and tempo.
Thinking about it now, the manga adaptation of music, Soul Catchers, was really amazing…
It seems that the music in Jump has secured a fixed fanbase but has a tendency to stumble somewhere without making a big leap.
>>92
Well, the famous ones in music are mostly from youth magazines…
Yasou-kun has a two-year gap!
Beethoven is fifteen times that!
Yeah.
>>93
Deception!
>>93
Ah, I didn’t realize that it has such a contrasting structure.
Wouldn’t it have been better if Beethoven had been reincarnated as a girl of the same age?
>>123
Nothing is good at all~~~
Kiyoshi-kun is pretty funny, isn’t he?
But this time, the finishing move wasn’t about firing a projectile; it seemed more like a close-range technique that gouges with the projectile part itself, and I didn’t quite understand it!
It feels like I am preparing to talk about the protagonist while discussing Beethoven.
I think it’s good because it’s interesting.
>>96
I think it’s great that you can do things like this with a double protagonist system.
One of the protagonists can be depicted with the other in a three-legged race until they accelerate, highlighting each other’s charm.
It’s just that this work being adapted into anime is impossible.
Reproducing Beethoven’s performance is impossible.
As a means to motivate a negative protagonist.
It’s too cunning and clever to bring up historical figures who didn’t give up even in tougher situations.
The girl who seems to be the heroine is somewhat conspicuous except for her design.
>>101
It’s not the right timing to speak up now, right? It’s pretty obvious to everyone around me too.
>>101
The design is quite bold, isn’t it?
To be honest, when I was writing the one-shot for the bottled miniature garden, I didn’t feel a hint of being a Hirako fan at all, so I’m surprised to realize how much of a Hirako fan I actually am.
Kiyoshi-kun was especially good this week.
If we’re going to steer towards a battle, I want this character to be used in that way, and it delivered 100% of that development.
I feel that what readers want to see is Beethoven’s achievements.
>>104
When I see stories like this week, I think that way.
I like Hiroko respect.
I feel like that aspect will be respected in this performance as well.
This time there wasn’t, but it seems like you did well using solid black.
I liked ppppppppppppp, but towards the end, it felt like I was betrayed in a bad way.
Kiyoshi-kun, the story from last week and this week is so typical of a shonen manga that it’s making me wonder what happened!?
The student council president is unbelievably erotic.
Since the author seems to handle the protagonist as if they are disliked, it’s like they are dead…
The stepmother’s limit is too short.
>>113
It feels like the protagonist being disliked was supposed to lead to a longer episode arc, but various circumstances overlapped and it ended up failing.
It’s ridiculous to say I’ve betrayed music! Are you really that great? I like lines like that.
I make sure to fill out surveys when a work that I have come to like is released!
The protagonist is always gloomy, so watching the thrilling adventures of the old man is much more enjoyable.
Well, I don’t know how well that will resonate with readers…
I like the type of reincarnation where I conveniently become my prime body.
I like passion because even someone like me who is an amateur can be amazed by it.
I understand that you want to convey Beethoven’s coolness through jumping, and that message comes across, but isn’t the shonen manga part a bit difficult?
I like talking about the spirit and philosophy related to music, without weirdly laying out technical theories or knowledge.
It’s more interesting than I thought to bring historical figures back to life in modern times and make them unbeatable…
I thought that, but when I remember, Paripi Koumei was also interesting, so this format might be totally acceptable.
>>124
If you miscalculate or misinterpret, it can suddenly become boring, so the difficulty itself is high.
As you can see from the actual modern reincarnation stories filled with corpses
I wish there was a way to change the restriction that legends in the creator field don’t release any new works for a complete revival.
>>125
I understand why you wouldn’t do it.
It will end up being completely redone.
If I can go on for a long time, I might talk about Yaso, but if I can’t, I’m thinking of ending it as a manga about Beethoven.
I want you to do your best.
Not going for a stand type in this kind of story is quite ambitious, isn’t it?
Soccer is slow, but even more so, it’s too slow.
>>130
In the first episode, a yankee meets an old man and awakens to the joy of soccer! He meets a rival! His yankee friends also start to enjoy soccer! Defeat! Advancement to a new school! And then to the soccer club─── it all feels amazing in the first episode.
The rumor that the loser might return to school? Claude, who heard the news and rushed over, is really too conscious of it.
>>134
I’m more relaxed than the kid who’s out of breath…
>>134
It’s not that I look down on you for coming in second because you lost to yourself; I hope that character looks down on the fact that you quit playing the piano because of that.
>>134
Looking back, it seems different from winning purely based on skill.
If PPPPPP didn’t have a dramatic climax here like a shonen jump manga, it would be a lie; the team battle with all the characters appearing so far was definitely underwhelming, and losing was quite memorable.
There are times when it ends coldly with that kind of development…
>>135
I have a feeling that what was supposed to be a thorough pursuit followed by a raise didn’t go well, and as a result, there was no choice but to just let it drop.
The good thing about Beethoven is that even if he is unmatched, there is no unpleasantness.
I wonder if they can somehow play the music that flows in the story in the electronic version.
If you listen, you’ll understand, but just by the name, all you can really grasp is destiny!
It’s already a huge challenge just to perform, and now we have a new piece by Beethoven revived in modern times!
It’s finally becoming something that absolutely cannot be animated.
The structure of the story is like Hikaru no Go, but I feel that stacking episodes to make the inexperienced protagonist likable is a difficult structure in this era where things can be easily dismissed.
I liked that Hirano Kouta started it last week.
I felt the spirit of trying to express music through visuals, for better or worse, in PPP.
I’m curious to see how the more restrained side will turn out.
In front of Beethoven, these guys are all equally worthless! So it all depends on how it goes from here.
>>144
I’m a little worried about this.
To make Beethoven an isolated entity, if you shrink the other characters, it will lead to deflation.
>>144
Music isn’t just spreading its legs for Beethoven alone.
The protagonist is a student, so it’s fine if they can’t compete with Beethoven at this point.
I’m worried that once my school life starts in earnest, there won’t be as much opportunity for Beethoven.
The first episode of the soccer anime was good.
It’s become the kind of thing that often happens when a series continues.
>>151
I wanted you to defeat it this week, senpai…
>>151
Since it feels like a development I’ve seen in Kuroko and Haikyuu, I think I’m okay with it now.
Even if the current Yaso-kun is called a loser, all I can do is chuckle… that’s just how it is.
Looking forward to the next time.
I like soccer, but if it’s unpopular with the anonymous crowd, it might not be good.
>>153
Is it somewhere that seems possible?
>>156
Recently, everything that has been dismissed by anonymous users has been completely canceled.
>>167
In the first place, it’s good if 1 or 2 works survive out of a year’s worth of new series.
If you say someone will die in most new series, you’re almost guaranteed to be right.
>>153
I like the old man and the protagonist from the first episode, but the other characters aren’t that great, I guess.
The girl is cute.
A rival with a pretentious genius vibe has appeared, but in front of Beethoven, it feels like…
I love the moment when Beethoven comes in and blows away the oppressive atmosphere surrounding the protagonist; it’s so refreshing, but I’m a little unsure if this is okay.
But Beethoven is interesting, so it’s okay.
It’s better to finish the practice match for the club entrance exam quickly, right?
I like the feeling of carefully addressing the reasons for giving up on returning to the piano.
There was an atmosphere where it wouldn’t be surprising if Saya started calling herself a loser in the first episode…
The soccer started off well, but…
Hmm, but isn’t the girl a bit chubby?
It’s funny how I have a special ability to measure the strength of my senior’s opponent in soccer that overlaps with Goro-kun’s “Thank you, pitch.”
I think the part where Beethoven from episode 1 adapts to the modern world has a really good tempo and is particularly well done compared to other modern transfer stories.
>>164
I know that the fact that I can hear with my own ears is a miracle…
No matter what happens after that, it’s understandable as a miracle, which shows they are good at character selection.
I want it to continue because the heroine was cuter than I expected.
It’s nice to be out of breath looking for something…
>>168
It’s nice how even during the piano duet, they were slightly put off by which one of them had the worse personality…
I wonder what Beethoven would do if Yasou could enroll in school…
It seems you can’t be left home alone, but you can’t come to school either, right…?
>>169
A facility…
>>169
Let’s enroll together!
>>169
You’re going to become a part-time lecturer or a full-time coach, right?
As expected, they must be thinking that far ahead at the plotting stage.
>>177
The fact that you didn’t turn into a spirit means that’s the plan, right?
I’m looking forward to it.
Although it’s already over, the manga about game development had a self-deprecating task at the very end to come up with a cute female character, which was kind of amusing.
It’s not that being anonymous is a bad thing, but…
Recently, if a series in Jump doesn’t get color by chapter 10, it doesn’t get any attention and just disappears, so there’s no excitement at all.
Recently, even the white table just ended up being really bad.
It has just started, but the title is hard to remember.
It must be an amazing performance, but there’s a problem with not quite getting it across.
It’s interesting because Beethoven stands out as the character in this manga.
I don’t know what someone knowledgeable about Beethoven would think.
It’s a shame that the high favorability of the old man and delinquents in episode 1 leads them to a different environment after episode 2 in soccer.
If I could declare that I have no family register or that I’m 16 years old, I would be classmates.
The one who said “this is no good” about Kagurabachi, Ruridora, and Ichi is Nameless.
>>184
I thought Kagurabachi was impossible for me.
Ichi knows the original work’s career, so I was thinking he could actually do it!
>>184
I feel like I was told that Ichii can do it…
Who is that four-white-eyed, thick-legged girl aimed at?
>>185
First, it’s me.
>>185
And it’s me, right?
>>190
Also, me.
I don’t know if the senior who plays soccer is trying to get attention from women like a snake or if he’s just an annoying guy who’s a mere pawn, but he’s too creepy for me to handle.
Why did Shiro-daku choose that theme? I think there were various failures…
>>191
In the end, was it you who threw this at me, being a girl?
Having encountered soccer and with enough time until entering high school, I still barely grasp the rules, so I don’t have much expectation for soccer.
In soccer, the main character wanted to play soccer and went to high school, but it’s not acceptable to not understand the rules or positive aspects.
Kagura was actually quite boring when it almost reached the bottom.