Everyone is so resolute and strong…

Everyone is too determined to stop the torrential flow of heavy rain together.

Everyone except Sakippe is getting their arms torn off one after another.

Perhaps my previous life was too much like a Gurkha soldier.

It’s amazing that Otomo-kun can go that far with jealousy.

Moreover, it suddenly stops at the end.

I feel like it was a story with not much hope.

>>5

Well, the kindergarteners were able to go home, and Sekiya died, so the survivors will survive in the future, so that itself becomes a hopeful ending.

Well, I was saying something like it’s hard to think that Mr. Umetsu could actually survive…

>>11

I often see this, but I still don’t know which source it is.

Firstly, shortly after drifting ashore, the lower grade students all jump off and commit suicide.

>>7

Eeeh…

>>10

>>7

It’s not a jump down.

I became a bird.

>>7

The scene of jumping down is one thing, but Umizu’s manga carefully devotes several panels to shocking moments, doesn’t it?

Gyaa! → Gyaa! takes two panels.

>>7

Wasn’t the teacher almost a suicide too?

>>64

It seems like the male teacher who went crazy was killing everyone.

The delinquent girls are also incredibly strong.

Yanase-kun ends up having to undergo an appendectomy just because his parents are doctors.

During the open surgery, it hardened, so nurse aspirant Sugiyama-san spat on it to bring it back to sanity.

The Death Lily Relay Held in the Background

The way of determination is like an elementary school student in the Survey Corps.

Mom is nice too, right?

When the homeroom teacher goes crazy, I feel a strong sense of inconvenience at the part where they’re killing all the other adults.

Will the children who became monsters from eating strange things be able to survive?

It’s too intense that the child who created the monster with their imagination has to deal with it themselves.

Don’t forget about me! Hey! (Hits my face with a rock and commits suicide)

The old man who lived alone until the children came is quite strong.

If the “Drifting Classroom” and 14 years old share the same worldview, then the cause and reason for the destruction of the universe are clear, and the recovery is also certain, so it might be said that it’s a happy ending…

The old man from Sekiya is too stubborn.

Why did the murderer leave the old man behind…

This guy is seriously cool.

Studying is no good, but he did it anyway.

Heroes die first…

Sho, who suddenly had to undergo an appendectomy without anesthesia, is also in a tough situation.

It’s tough for those who have to do it too.

>>32

It’s trial and error! It’s trial and error!

A robot that comes to kill just for touching a boob must have had a mistake during the manufacturing process.

I still can’t accept the monster of delusion.

The elementary school student is too brave, even in death.

When I read it again, Sakippe is a bit scary.

There was a person who seemed to survive, but they died quickly and it’s just too sad…

You should not grope an android’s breasts.

When I was 14 years old, I remember feeling a mysterious emotion while thinking, “What is this?”

Our universe was a bug!

It’s not a bad option at all to become future humanity, right?

>>36

But when that happens, you get eaten by a massive creature…

>>36

I’m unconditionally being drawn into that beyond the horizon, but if I can definitely die in that future, then that’s not so bad, right…?

Umezu-sensei is an amazing manga artist.

Everyone, become chairs!!

Was that monster of delusion really true…?

Speaking of which, why did that big baseball player become a mummy?

If it’s said that it’s because it’s in the future, I can only accept that…

>>43

In the novel version, I talked to an acquaintance who is a director.

“No matter how well you perform in baseball, it won’t leave a tangible result.”

“I complained about it.”

“If you want to remain in shape, I’ll keep your body after you die.”

There is such a flow.

It’s great that Sho-chan’s mom looks like she’s going crazy from a modern perspective.

>>44

It might feel a bit like a game’s siren.

Even though it’s a shonen manga, I have a memory of laughing even in serious scenes because the trust in the last dynamite’s energy was too strong.

There isn’t even a fragment of hope left in the future world.

Personally, I didn’t dislike the drama.

I like the part where you understand the meaning of the long love letter in the last letter.

The voluntary quarantine from the suspicion of plague infection is impressive and prompt.

Isolation and disinfection that resemble a witch hunt carried out separately.

>>51

I really wanted to go back to the present era, after all.

There was a girl who wished, “I don’t want to part ways, so I don’t want to go home!”

>>54

That’s the protagonist’s childhood friend.

Since Sho-chan has gotten close to the spiritually sensitive Nishi-san, we have no chance of winning if we go back to the present like this.

I thought I didn’t want to go back at all! So I couldn’t return.

She ran away, but Ootomo-kun intervened, leading to the birth of a new couple.

First, when surviving in the future after a great tsunami, even if we somehow manage to grow crops in the soil, what will we eat to survive until then?

As expected, I’ll eat the future mushroom…

I think it has a hopeful ending just by reading the work.

>>53

In the author interview, it was said that living solely as a child is impossible…

The supplies left by my mother are falling from the artificial satellite.

I’ll keep surviving from now on! Is that how it ends?

Getting stuck in the mud is terrifying.

It felt like we all walked to some kind of futuristic theme park and came back super quickly.

I don’t have a sense of direction around that area, though.

The child of the creator of the monster makes the heroic decision to take their own life while thinking of Mr. Nishi, and it is thrilling.

Performing an appendectomy without anesthesia requires a strong resolve from both the patient and the surgeon.

I have to do it or I’ll die, but the surgery is intense.

It’s an amazing work that truly depicts everything, even including scenes of cannibalism.

I think the “Can’t live in the future” part is from the “Kazuo Umezu, do you have any questions?” project, or it’s when Kazuo Umezu explains his works one by one, but can I still watch it now?

I was 14 years old then, and it was rare that I could hear Shingo’s commentary.

Somehow, I was supposed to have sent just a part of my face into the rift in space-time, and only the old man and the little child were supposed to be sent back to the past.

Compared to Sekiya’s toughness, the teacher is too soft.

I think the words about not wanting to return to a world like this when Yuu-chan comes back to the present pretty much sum everything up.

There is a gift from the past from the sky, and I have hope that Yuu-chan will do something about it.

Also, sprouts were growing from the corpse.

Being 14 was seriously the most fun.

It’s amazing that I can reconcile with Otomo.

>>73

It’s both the reason for coming to the future and a cause of division and cannibalism, but it’s okay because I properly apologized and was accepted.

Compared to the children who have made the decision to live on, for better or worse, it’s tougher to watch the mothers.

I think the teacher who went crazy at first is really something, but honestly, I can somewhat understand their feelings.

Crazy

Roasted whole pig, delicious Yeah!

The place where the most extreme candy is inside a container that cannot be taken out.

It’s really painful to be treated like someone whose mother has lost her mind in modern times.

Well, it is indeed bizarre behavior itself.

Well, if you want to know the details, it would have been good to catch the teacher while he was alive and ask him while he was taking a walk in Kichijoji.

It seems like they are the type of person who writes all the plot details in a notebook before turning their work into a manga, so they probably think about the finer settings and epilogues as well.