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Parent
Selection
Personality
Design
Whisper
This design has been like this since I was born, well, of course.
I’m sorry, but there is no Japanese text provided for translation. Please provide the text you would like to have translated.
It was often said to be the author’s favorite.
I don’t think I’ll make my favorites something as trivial as this ugly thing.
>>8
That’s usually just a pretext for criticism.
>>8
You’re not really that trustworthy when it comes to character design sense…
The final form of Makoto was also terrible.
>>8
You can say the same thing to Aatsuya, right?
Well, my favorite is probably not Suk-kun, but Autsuya.
>>21
I laugh when the real deal shows up in threads like this, so I wish they would stop.
I think the most uncool thing is winning against Rogo with mouth shamisen.
Meaningless
>>11
Isn’t it fine since we’re overwhelmingly winning in various situations?
>>12
Have we ever won so overwhelmingly?
This person can’t kill named enemies at all.
I was quite fed up with the three consecutive matches teaching me about love.
>>13
It’s just ten thousand.
I seriously wonder why they didn’t do the Heian era…
Kashiimo said how beautiful it is, so calling it ugly is the wrong opinion.
>>17
It’s because of the aesthetic sense of the Edo period…
>>17
It’s enviable for someone who loves combat to only have a problem that’s barely more than an itch around the right eye, becoming like a mask, even though using techniques would lead to death.
I wish I had a position that was used in the same way as Mahito’s curse.
With such an unusual appearance, not only are there no physical function issues, but in fact, they are superior.
It is certainly amazing, but…
I fell in love with the idea that since we’ve lost, we should change.
It’s just that I was hanging in there because I’m the final boss; I wasn’t given any special treatment.
Since the final battle, it feels like everyone, including the protagonist, has been showing respect for the thread image for some reason.
The story isn’t about Leak not being able to resist because Fugue is just slow and difficult to use compared to slashing attacks, and then losing when it comes to a battle of firepower.
Honestly, I wonder if that design is really that bad?
The thread image gives off a regular old man vibe, which is a bit funny.
>>26
The design of Yuji Itadori and Sukuna was completed to the point that they looked uncool.
Even if you say “two mouths and four arms is an advantage!” it’s a bit lacking in design for the final boss.
>>28
While binding seals, I hardly attack or even chant spells.
In the first place, there aren’t many situations where that advantage comes into play!
Due to the story’s circumstances, the upper adjustments where the ally’s instant-death combo didn’t work.
Due to the circumstances of the story, we got nerfed to the point where no one on our side can defeat anyone.
It feels pointless to think about it seriously anymore…
The story praises this old man as amazing and incredible.
I was reading while thinking, what the hell is this old man who can’t kill the technical college while struggling against it?
>>31
This old man, while strong, had a rather mediocre outcome against the ordinary Rentogen brother that I killed during the final battle.
Even the day car was still alive.
Kashi was at his most handsome when he came to see me off and said something like love is trivial.
The rest is an ugly old man with creepy eyes.
>>33
By the way, why have you lived on even after becoming a cursed object?
>>34
I suppose I didn’t answer because it would be embarrassing to say that I definitely don’t want to die…
It’s hard to get excited when a random character who isn’t even the protagonist defeats the final boss with an instant kill technique.
Well, if you can’t handle it well, then you shouldn’t bring it out in the first place.
I think it would have been cooler to fight while getting all battered and torn up.
Looking cool while fighting lazily is actually kind of lame.
It was just an enemy that could have been defeated more easily if done well.
The issue is more with the rollout than the design…
Those who don’t do binding ended up in a ridiculous argument about logic.
I set up a lot to make it the strongest final boss.
Since we pumped it up so much that the protagonist side has no chance of winning according to that setting.
I think it just means that this time, we have to impose restraints so that we can’t give it our all in various ways.
At least let the complete manifestation be against a dumb blindfolded opponent…
>>40
It’s fine to put on restraints, but…
It’s troubling because you keep bringing up perfection and returning outputs.
>>40
If the balance around that area was better, I think the strongest ally’s blindfold would have had more of an impact.
Even after a long bath, even after killing my sister, even after completely incarnating, in the end, I was still unable to detach from Fushiguro.
>>41
It peels off like that… I simply thought.
Although he often becomes a good-looking face, this panel, which often turns into a meme, is particularly ugly.
The protagonist’s rival character gets possessed and becomes the final boss, which should be a very classic and intense development, but…
Why did you choose to completely abandon the appearance of that rival character and go with this unknown old man design instead…?
Thanks to that, there’s barely any need for Fushiguro to appear anymore.
It should be basic storytelling that it’s better not to reveal settings that won’t be utilized in the story…
The cam token was also an element that was not utilized at all.
>>51
It was boring that the enemy who won against the opposing side was strengthened after being roughly confiscated…
It was just trash that was strong only because Fushiguro lent his power.