Recently, I’m thinking, “Was this person really capable of drawing to this level!?”

https://www.sunday-webry.com/episode/2550912965341473104

I also like the jokes this person makes…

It sounds like a good story, but I can only understand it vaguely from the middle onwards.

>>4

A story about an insurance company specializing in extraterrestrials.

I felt incredibly sad!

The weekly serialized “Nirai Kanai” also had this kind of atmosphere in its final stages.

I remembered that it was often posted here when the first episode started.

You write good stories.

This person really loves the occult and sci-fi, doesn’t he?

Isn’t it interesting?

I can still draw something like this.

There are probably people who are more suited to a monthly rhythm than a weekly one.

Conversely, there are people who draw manga at a weekly pace even when it’s a monthly publication.

I only read a few episodes when this series started, but I never expected it to grow this much…

The story from the beginning was honestly really boring.

I hope it gets animated nicely and becomes a hit!

The improvement in the story has made the original girl’s animation incredibly cute shine through.

While there are monthly publications, this style might be a bit tough for the main Jump magazine.

Maybe there will be more battles.

Is the protagonist struggling with not being violent?

>>17

In that sense, the heroine is quite aggressive, isn’t she?

>>23

That is certainly the case.

I was worried that the next one after Beelzebub might have dried up, but the thread image is really interesting… it stands out to the point where the terrorist aunt arc feels out of place…

I like the senior from my part-time job.

>>19

It’s great that shared visibility is helpful…

I’m glad you were able to graduate from Yankee manga.

I wouldn’t say that weekly publications are evil civilizations, but they definitely reduce the time spent on coming up with names and increase the sense of urgency.

I’m sorry, but I feel like I’ve seen a similar situation in an erotic manga.

I used to often get off with Lamia-chan, so this is helpful.

>>25

I think this route is correct because Hilda was also popular in Beelzebub.

>>31

I… love you so much, Hilda after amnesia… I will become your Tatsu…!!

At least the two works that followed “Beelzebub,” which are serialized in Jump, had the problem of their main characters not being able to break free from the image of a delinquent like Oga.

It’s good from episode 1… and it’s been serialized for two years already.

It’s nice to see an ending scene that is different from ours…

I feel the amazing veteran aura of being able to intertwine human emotion with the main story.

Aren’t they the most interesting writer right now?

It feels like my peak is happening right now.

I didn’t find any of the three works that were published in Jump interesting, but I like this one.

It’s obvious because it’s a story from an insurance company, but it’s disheartening to see well-liked guest characters die without hesitation…

I can’t stop crying.

I feel like I’ve gotten older.

It ranked pretty high in the Next Manga Awards, but it’s not talked about at all here, is it?

The author might not start a thread because they get persistently targeted when they do.

>>38

I think that while “Beelzebub” is often discussed in a haphazard way, it is still talked about positively.

First, it’s because no one knows that I’m doing it.

You can read the previous story on the Manga One app, so you can catch up too.

Lead now!

It seems that even now, the most gifts on Valentine’s Day are still sent to Furuichi, so that guy’s popularity is really out of control.

I also like Old Rami the most.

>>43

That weakling is that popular, huh…

For all we know, the author of COSMOS might not be connected to the creator of Beelzebub.

I like Furuichi too, because even though he has amazing power, he’s the type that gets swept along but still keeps up.

One of the things I quite liked about Beelzebub was how it treated the ordinary characters around Furuichi, Kanazaki, and Himekawa with care.

Both Kanzaki and Himekawa have become quite round, haven’t they?

I think the character that was present in Beruze but not in the later serialization is something like Furuichi Kanzaki Himekawa.

However, reading it again now makes me chuckle oddly at Toho Shinki.

Have I ever done something this intense… Will I be able to do it in the future…?

I think the main character of Cosmos has a design that feels like a more reasonable version of Furuichi’s personality.

I love this episode the most.

Make sure to read chapters four and seven too.

My tear ducts are incredibly messed up!

This has been going on for quite a while, hasn’t it?

>>55

Since it’s a monthly publication, it’s still at Volume 5 in terms of the number of volumes.

>>55

Is it okay to consider the already published 5 volumes as ongoing…?

I want it to continue, but…

Niraikanai suddenly became interesting when it started to delve into enemy religions.

They offered about half of Beelzebub for free before, but it didn’t really become a topic of conversation.

It’s interesting, but…

I love Beelzebub.

Talk about Furuichi, etc.

Belze thought, “Ah, this isn’t going over very well,” and immediately wrapped it up to move on to the next story.

It gives the impression that a fair amount of losses were cut, and thanks to that, the series was able to continue to that extent.

I feel like aging and regressing to childhood don’t make much of a difference at the moment of death.

>>62

I think that’s exactly what it’s depicting.

It’s tough that we can clearly see the end more than aging, like in the case of infantilization.

This author was aware of the flaw of the story being too messy, but in the case of the Sunday GX serialization, the editing is quite skillful.

It’s scary that this alien could die just a few months after aging starts.

The guest character in episode 1 has a design that’s much closer to the usual protagonist, right?

Well, it seems to be selling reasonably well, so maybe COSMOS was really the best match after all.

The reason I picked it up was because it was co-written by the stylish master and Jubilo, but it’s quite balanced and interesting.

In other words, it was a good match with the Sunday-like style.

>>69

I’ve always liked Sunday because I’m a fan of Nishimori, but now that Sunday has come, they’ve discarded Nishimori elements.

You’re really good at using your abilities, aren’t you?

I was really happy about Jubilo’s belt comment, but now that I think about it, Sensei Tamura was a Sunday kid…

It’s true that omitting the Nishimori-like elements in this work has come together well.

It seems that even though it’s a minor magazine, it’s being treated as a main publication since it’s got a cover and goods are being released.

There are surprisingly many recommendations from famous authors of yesteryear on the band of the paperback.

I thought Dell and Hoshi’s Garden seemed like a story that Jubilo would like.

If aliens were turned into yokai, it would sound like something Ushitora would do.

I quite like the section chief who is tired from driving when he isn’t used to it.

The section chief really shows a lot of rare weaknesses in this discussion.

There are quite a few successful writers with Bye Bye Jump.

>>78

A story about a monster that can perform in jumps despite having no aptitude for it.