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Congratulations on the 10th!
It’s relatively not discomforting…
Jolt
>>2
Joe’s Macchiato
>>2
It seems like something.
It seems like a stand is about to appear.
I think it will fit quite well with bolts.
>>5
In other words, Bolt is about 60% JoJo, right?
>>7
Uzuhiko had already gone about 90% of the way, and it was no good.
>>7
The paneling and composition of the bolts have a JoJo vibe and a Dragon Ball vibe to them.
Considering the capabilities and the scale of combat, it fits quite well, so I can’t complain.
A slightly decadent feeling.
Spiral Bullet (Golden Rotation)
Where did those eyelashes come from… which original work?
We don’t really match, do we, Araki-sensei?
>>10
The Kenshiro drawn by Araki-sensei was also unique…
>>12
The approach to this type of project varies by writer, but I think it’s more interesting if the guests do it in their own style.
>>10
It seems like if I adjust to the other side, it won’t be this anymore.
>>10
What readers want to see might not be Naruto drawn in Kishimoto’s style, but rather Naruto drawn in Hirohiko Araki’s style, right?
>>16
Well, it’s true that there are people who can perfectly emulate, but you can’t help but wonder what they’re thinking…
>>16
What you want to see in this kind of project is that, right?
I like that the favorites differ depending on the author, allowing us to see various characters.
>>37
I love that Mayuri-sama is drawn as well as Ichigo in the BLEACH original art exhibition.
Jormakijolt…
I’ll call you JoJo!
Ryotsu was terrible too.
Before assisting with NARUTO, Ikemoto-sensei’s art style was originally more leaning towards this.
>>14
In the beginning, it was like Kishimoto’s style, but gradually it became my own style.
>>14
Isn’t it a really long time ago since I assisted with the one-shot that was published?
This man makes you want to uphold the path of the ninja just by watching him.
Datteba = YO
It’s not like there aren’t child characters on par with Naruto in the main story, so they could draw them properly if they wanted to, but it really looks like a later JoJo face…
>>23
But the kids after part 7 have a deeper facial structure and long eyelashes, so that’s not quite the case.
Isn’t it Lucy Steel’s age when it comes to someone close to Naruto?
The first episode of BORUTO had a quite strong personality.
Sasuke and so on.
If anything, Araki-sensei doesn’t even match his own old drawing style.
Just looking at it makes me enamored with this Hokage.
The author of Rock Lee was also a former assistant to Naruto, and it seems that when he was at work, he talked mostly about JoJo, so there seems to be a tendency to get influenced by JoJo when assisting Naruto.
>>28
Well, Kishi Kage was originally a Togashi fan.
That’s because Togashi is a JoJo fan.
It can also be said that we are returning to the origin…
The facial details are intense, but the hair to match is too simple.
If anything, this illustration is a contribution to the Naruto 10th anniversary book, so isn’t it from about 15 years ago?
>>30
I thought it looked like an SBR style, but since the serialization period was from 2004 to 2011, it must be right at the end.
“Pay respect to the rotation, that’s what it means…”
I have come to admire the Hokage!
Surprisingly, the thick sexy lips are only SBR.
The version of Nakagawa by Araki is something that should receive a perfect score of 100; this is exactly what I want.
I love the Giorno drawn by Kishimoto.
Laughing at the expression of hair, regardless of the face.
Murata’s Jotaro is really no good.
It would be unpleasant if Araki was fond of trouble…
Kishikage is also good at drawing characters from other places.
I was drawing Giorno, and it looked really cool.
Recently, the 21st anniversary book of Eyeshield 21 was good.
I like that Hirohiko Araki’s work Dragon Ball has a flavor of Akira Toriyama while still retaining its own style.
>>43
So cute…
I think Ichigo from other characters is the coolest.
BLEACH 2024 I am happy to be able to celebrate this 20th anniversary as comrades who have fought together in Shonen Jump for a long time, even while getting worn down. Ichigo’s image is like this too – a being that fights while out of breath, covered in blood, and worn out. Both Kubo and Ichigo were amazing in that regard. Congratulations on this occasion!
>>48
The comments are also profound and good…
Nakagawa had a solid fusion of styles, which was nice, and Naruto and Lala really showed their lack of interest in vampires.
I remember thinking that the Jotaro drawn by Yuusuke Murata was good, but…
>>50
The fact that I can feel how hard you tried to imitate it just makes it even more painful.
What is being asked for is probably not that…
Ryo-san rather firmly conveys the depth of the era through his own comedic style and relentless jokes, and I think Jairo’s retorts were also funny.
The thread image is un…
I was surprised to see that Takehiko Obata drew illustrations for Karakuri Circus somewhere.
I wonder what the connection was.
>>52
Isn’t it just a request?
The most surprising thing was that the author of ARIA is from Kochikame.
Is it okay for an artist to kill their own style and draw things that look exactly like the original?
Is there any reason why only Jump authors do things like writing characters from other authors?
Is it possible that other magazines are really strict about factions?
>>54
Conan was doing it a little while ago, and the comic adaptation of Monogatari had a tribute project every week.
It might be unique to Jump to include contributed illustrations in a commemorative book.
>>54
I feel like there isn’t much freedom.
Especially the magazine.
On the contrary, I feel like it’s common for jump authors to contribute to other magazines.
That’s because Obata is a fairly old friend of Fujita Kazuhiro, so that’s the connection.
Kazuhira Fujita also contributed to the spirit of the Fujiwara era, and Obata made Watsuki read Ushitoro to get him hooked.
>>60
We are just friends.
There are unexpected connections.
>>61
The selection of characters you’re drawing is too much of a personal style.
Champions also quite often engage in illustration projects between artists, so I don’t get the impression that it’s only about Jump at all.
The champion does it sometimes.
There are few legend slots, so it ends up being BJ, Dokaben, Baki, Urayasu, etc., but they were doing it on Fullotto on Thursday.
It looks like a character drawn by a lolicon.
It’s become common for manga artists to contribute across different publishing houses.
Even though it doesn’t make money.
Authors of weekly serializations often get to take on projects like this, don’t they?
>>67
Because I accept proposals, you can receive proposals.
(Naito Yasuhiro being told “That’s not how you draw Fate’s Saber!”)
>>70
If you’re going to draw it, it should be like that! But also, that Saber had an oddly pointed and thin jaw, which wasn’t cute at all.
To be honest, it seems difficult for anyone to make it look like Saber.
Teacher Crocodile was doing his best.
>>71
To be honest, I understand when you mention Rin and Saber… but I feel that Wani’s art style doesn’t quite fit Type-Moon.
The image of “Teasing Master Takagi-san” is strongly associated with characters like Haibara and the faces from Idolmaster, overflowing with a sense of understanding.
I was really surprised by how cool the illustrations of Ushio and Tora and Jack from Baki that I drew for fun turned out.
Naruto Uzumaki has a dream.
I have come to admire ninja stars!
>>75
When it comes to drawing things that give off a sense of enormity, they’re really good at it, aren’t they?
Takagi-san’s author also drew a loli Hancock in One Piece’s contributions, so their taste is way too easy to understand.
>>77
It’s not a contribution, but I was also drawing Maribel from Dragon Quest.
I understand it!
In this style, the dream of Mamiya Mugendai drawn by Hirako was super cool and impressive.
>>79
I’m reading something like “Mugen Shinshi”, Hirako…
>>84
It definitely looks like you like it!
I like the illustration of Gyro being shot a lot by Ryo-san that was drawn by Mr. Araki.
I remember that the Mister drawn by Ryoji Minagawa in Part 5 was perfect.
Recently, the Rurouni Kenshin event had a lineup of prominent figures, but photography was prohibited and it’s not even included in the catalog, so damn it!
I’m really curious about who you would draw if you contributed to JoJo as Mr. Crocodile.
Looks like you would like Jonathan or something like that.
It was amazing how various authors portrayed Ram-chan.
>>89
Hara Tetsuo’s Ram-chan was really amazing in various ways…
>>89
Even though Minagawa-sensei was bad with girls, Ram-chan was really good.
>>89
“You’re used to writing, aren’t you?! I also like Shiina.”
It’s not a contribution or anything, but all the Fate characters drawn by Umino Chika were so cute…
I feel a little nervous about contributing to Watsuki-senpai.
What generation gap does a one-eyed cat have?
I really like fan art like Hiromu Arakawa’s Vash and Tora; it’s clear you love that stuff!
Strictly speaking, it’s not a contribution, but it’s a bonus for the Gintama movie.
I like how the gorilla drew all the Hashira by riding on the popularity of Demon Slayer.
>>95
I never would have thought that the Rock Pillar would become the most popular.
>>95
All of that must have been discussed, but it’s the author’s flavor.
Sugita doesn’t know.
Yeah×1
Congratulations on the 30th anniversary of Detective Conan!! To Mr. Yūhei Kozanki and Mr. Aoyama!! Congratulations on Conan’s 30th anniversary, Rin Odatomohito. The truth that has continued for 30 years is one!! I will challenge this with my life! Congratulations, Mr. Yasunori Kumeta. Detective Conan’s 30th anniversary!! Congratulations! Congratulations on the 30th anniversary of Detective Conan! To Mr. Kotoyama Kayama.
It’s boring if you don’t put in any effort, but if you put in too much effort, it’ll become meaningless for you to draw! It seems difficult.
The Ram-chan project was amazing because Kazuhiko Shimamoto completely emulated Rumiko Takahashi’s art from that specific era during the serialization and depicted Ram-chan in compositions that were not in the original work, yet for some reason, it received boos.
Those who like Narumi-sensei are too hardcore…
I love when gag manga artists draw highly detailed artwork that is hard to imagine coming from their usual works.
Usuta’s JoJo, or something like that.
The gorilla riding on the Demon Slayer wave must have been really happy because the crocodile loved Gintama so much and aimed to become a manga artist inspired by Gintama.
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When it comes to Tetsuo Hara
>>108
If you were strong, there would be no complaints.
The end cards of the despair anime were written by various artists and were really luxurious, weren’t they?
>>109
I really love that guy, Hiromi Samura.
The author of BLEACH seems to really like characters like Toushirou and Ghiaccio, as they always draw them with incredible artistic skill.
>>110
When I said I liked Nanamin in the Jujutsu fanbook while drawing Geto, I thought, “Why is that?!”
>>112
I can understand both liking Nanamin and liking Geto.
It’s often joked about, but it’s pretty rare for Tanigame-sensei to draw fan art.
There used to be a lot of collection illustrations of Jump heroines for the latest serialized works not too long ago.
Have you done it recently?
>>115
If we do that now, it will be noisy…
The fact that they stopped featuring erotic manga is probably related to that.
If Gintama was still being serialized, I would understand why it would ride the wave of Demon Slayer more.
>>117
That’s the Ripple breathing, right? It seems like the Stand arc is about to begin.
>>117
The band that always brought us together and united us when we were scattered at the Aniplex commemorative live! It’s great to see unique jokes that you can only find at events that aren’t abbreviated or jump-related!
The Akemi-chan drawn by Satoru Noda had a sense of “this isn’t it.”
I guess they want to draw other things too, since they have a light footwork like CLAP.