>>1

Is the script the same as it is?

Was there an announcement at today’s live event?

>>3

Currently presenting.

I’m watching it on the stream.

Well, he used to be an assistant director, after all.

It’s finally the last day, huh?

Ah… ah… ah.

When will it be broadcast?

Around next year?

I wonder what they’ll do about Cideros.

It’s not like it’s that high of a hurdle or anything.

Once you’ve gone through everything, just do the story of the Ijichi family in the final episode.

It feels like it ended very beautifully in one season, but is there another chapter in the original work?

>>12

I have it.

You will definitely do it until the riot is over, right?

Wow, it’s not just the director that’s changed, but the character design too!

>>19

Well, is that direction fine then…?

It can’t be helped, can it…?

I wonder if this kerorira will be excluded from the main.

It seems like Bandai is unnecessarily meddling.

It’s not that Kerorira won’t be the main character anymore, but since Kerorira will still continue, I don’t think much will change.

I thought it was already decided a long time ago.

The fact that the broadcast year isn’t written means that there might be a possibility of it being from 2027 or something, right?

Kerorira seems to be ongoing.

Did the character designer from “Kise Koi” join?

I was surprised, but then I felt very relieved because it was a great group.

It feels like the director has made the assistant director into the director.

It feels like the result of thinking about how to avoid the impact of the main staff becoming busy with sales.

Well, the atmosphere changes quite a bit after the cultural festival in the original work.

It’s more a story of rising as a band rather than a tale of personal growth for someone who’s alone.

Is it just that someone else is taking over the character design of the first season?

Anime is determined not by popularity, but by industry connections… Places that decide on a second season from the start have strong backing.

>>31

Even if I think about making it after it becomes popular, sometimes the director and staff’s schedules are booked years in advance.

The increased character designer is someone who worked on the character design for the Kisekoi anime and also did the animation for the first season, so it seems like that aspect will remain mostly unchanged.

They were surprisingly fighting with just the materials from the first season…

Well, they’re just normally there, aren’t they?

Unlike in the first season, it has completely become the era of big girl bands.

>>36

Recently, girl band anime has been causing a decline in public safety due to characters raising their middle fingers and experiencing mental breakdowns followed by multiple personality disorders.

I’m glad that a peaceful work has come.

You’re the worst, Frieren.

I think it’s unavoidable to put Kirara on the back burner.

Considering the power balance of publishers

Is it not okay to make Bozaro while making Freiren?

And while making one more thing, too.

>>40

It seems like they’re also participating in a government-led project to showcase anime abroad (starting with studying English conversation or something like that).

I’m busy regardless of Freiren.

Suddenly, the radio came on…

What??? Is the director changing for the second season???

Was it the first season’s director who took the story of the anime adaptation everywhere and gathered a lot of staff?

>>43

I think it was a kerorira.

>>44

An anime that quickly gets a second season is definitely planned from the start.

>>44

I haven’t mentioned a time yet, so it will take a while.

Since the timing hasn’t been decided yet, it should be about a year later.

The director is someone who was the assistant director in the first season, so I can feel that they are doing their best to maintain the tone of the first season despite the scheduling conflicts.

>>47

Since he was the assistant director while also directing episodes 8 to 12 and doing the original animation for the opening and main story, I think it’s actually almost the same.

>>55

Are you a jack-of-all-trades?

>>70

I started doing storyboards and direction about three years after my debut, serving as the assistant director in the first season and then making my directorial debut in the second season.

I think they are actually quite capable.

It’s the person who created the opening for that super popular character’s first season.

I have to buy back the instrument…

It’s too much like a video studio.

This is definitely Umihara-san.

In the first place, since I’ve completely missed the timing, it’s like starting from zero again.

I’ve thoroughly enjoyed this anime over the three years since season 1.

I don’t understand the meaning anymore since they’ve started releasing concept albums about the members of Binding Band from a little future.

>>57

If anything, the OPED gives an impression even before the main story.

I was trying to season it mildly to appeal to as many people as possible.

I want them to do their best there.

Personally, I think it’s fine for a loner to have big boobs.

The original work’s style is also changing subtly around this time, so it might be okay…?

Probably around four years from now.

Students at that age seem to benefit little from the benefits of one school year up.

I wish the poison character was a little milder.

Personally, I feel it depends on the quality of the song.

>>62

The biggest hurdle in Season 2 is the quality of the Cideros song.

>>75

The truth is, I don’t even know the direction.

Maybe just around gothic metal?

Among band-related things, it was my favorite when it came to standalone anime.

Other big names have a lot of plus alpha, so they’re strong, which makes me spend money on that side.

The song itself feels a bit different when it’s played during the anime.

Since the time in the story moves quickly, there’s growth depicted, which changes the overall style.

Nijika and Yamada have already graduated from high school.

>>66

Seriously!?

>>69

In terms of anime, I think it will probably just go up to the festival without going that far.

The competition for talent in the anime industry is intense…

Still, it’s amazing that I was able to secure the script and the character.

Becoming a Saitama resident has given me a bad image…

If the director or character designer has taken on another job and things have changed or more people have been added, then the work is probably already in progress.

I think it will be broadcast sometime next year.

Tie wraps are weak bands!

A weak band with just a little over 100 views!

Well, it was already a sure thing that there would be a second season, right?

>>73

That’s why they asked the shiny new director and the well-prepared Clover for help, thinking that even if they gained popularity, they would have a solid strategy in place.

It’s strange… the director is fighting over the script, and the morning drama Clover is overwhelmed with work, and it’s a big mess…

I wonder if Umehara-san will continue their position?

I want the cosplay event with the store manager and PA to have plenty of time.

It usually takes about 2 to 3 years from the announcement of the decision.

That’s strange… During the first season, he wasn’t such a famous director, and there should have been more talked-about directors in the same generation…

If I watch the second season, will I understand the manager’s loner crazy jokes?

>>81

I come to understand that I have always liked the same type of woman and that it is deeply ingrained in me.

It’s been a while since I’ve watched an anime all the way through, so I want them to maintain the quality…

The original story has already advanced two years in time.

If the director changes, will there be no more clay animation?

It seems that shows like “Gal Crew” had auditions and were in production about 4-5 years ago, and even “BanG Dream!” that is currently airing was completely packaged two years ago, so music band-related anime takes a lot of time, including the songs.

Is there a shortage of talent in the anime industry?

>>89

There are too many.

If it hadn’t been a hit, there probably wouldn’t have been plans for a second season from the start.

The revival of Kirara Fantasia is near.

>>91

Hurry up! I’m seriously about to give up!

It’s unclear whether Director Saito succeeded on his own or if it was already known that he was capable.

>>93

Originally, what I’m good at is a style like Freiren, so I think that one is probably bigger.

It was said to be Kirara’s secret weapon slot.

>>95

It’s the final weapon slot.

It was said that there’s nothing we can do if this doesn’t explode.

I wonder what will happen since this is exploding more than I imagined.

If the director could split, it wouldn’t be like this…

Assistant director!

It’s precisely because of the labor shortage that the director who made this work succeed so much cannot be overlooked…

Even if you create a social phenomenon, it won’t last without connections.

It should be around four years from now.

Despite giving it my all, the mystery of Houbunsha’s lack of a plan for the second season.

>>101

It’s purely a difference in the financial power of the company.

>>101

To be honest, I don’t think Yoshihonsha has enough funds to back that up.

It can also be said that it took three years until the announcement of the second season.

I guess it must have been quite a challenge to move forward with the project that was created with the intention of seeing it through.

Finally, the erotic drawings of a lonely mother wearing a sailor uniform and cheating are being drawn everywhere…

>>103

The cable tie lady is becoming known among the anime crowd—!!!

Well, I feel a sense of reassurance that if Umehara continues, everything will be fine.

I bet everything on orange with two companies, and while I won, it’s sad that my stamina couldn’t keep up any longer.

I really hope it doesn’t change the atmosphere at all like in Yuru Camp.

>>111

The atmosphere changes from the original source material even within the range of the second season.

“Kisekoi and Escape Young are also waiting in this studio.”

By the way, is there still no news about the second season of Tomorrow-chan?

>>112

Strong

There was a time when there was almost a Kirara anime every season, but now they are quite cautious.

I think it’s amazing that Kirara manages to have a smash hit approximately once every five years.

If this one hits as well, maybe Director Yamamoto will be taken next time.

>>115

Is it the Weekly Young Jump where my favorite child is biting this time?

>>119

Please create a junket bank.

Bozaro, the opening theme of Oshi no Ko, is it Furiren?

I hit all of them.

Maybe it’s the inner imagery of Bocchi-chan.

It seems that the quality of that song presented from the beginning may have had an impact.

I’m looking forward to the voice acting of Poizun and Yoyoko.

In the first place, the staff for Freiren has not been announced yet.

There is a possibility that it won’t involve this side as well.

>>124

So where did we go…

>>124

If it’s Freiren, then it can’t be helped.

What is that? If they were involved in some kind of anime, it could end up being a hassle.

>>124

Regarding the director, they have clearly stated that they will “be involved” in the second season of Frieren.

It is unclear which position they are taking, and honestly, I can only say that I don’t want those who create original scenes that contradict the source material.

Houbunsha seems to discover amazing new talent every time and sets them loose into the world, doesn’t it?

Fliren seemed like it would be good anywhere.

It’s not about selecting the content for the artwork.

I could see that if I was grinning and saying that Sidaros’s hurdles are high, something beyond my imagination would be presented, and I would end up flipping my stance completely.

Change in director and production?

Well, I guess it’s understandable that I couldn’t do it because that was the sticking point.

>>131

It seems that the person who was the assistant director in the first season will become the director.

It’s probably just for the sake of the anime, but the band has already reached completion despite being newcomers, so the level of their rivals keeps skyrocketing.

>>132

On the contrary, there is also an event coming up to improve Kita-chan’s singing ability…

There’s enough original material to go for about three seasons.

Before the announcement of the second season, the timing has come and the world is truly entering the era of major girl bands.

Are you busy, Kerorira?

>>138

There was a time when I was so busy that my health was in bad shape, and I said I would reduce work, but it hasn’t actually decreased.

More used instruments should be available…! Become cheaper…!

>>139

Has the used market price for Les Paul Customs dropped?

If it’s not bringing in a supervisor from elsewhere and it’s the assistant supervisor who gets promoted, then that’s fine.

The schedule of the anime staff is basically just the order in which the discussions were held.

Since Season 1, when Kita-chan started singing, it was so good that I couldn’t help but laugh weirdly.

Yusuke Yamamoto

Bocchi the Rock! (TV/2022)

Assistant Director

Storyboard Episode 3 Episode 11

Direction: Episode 3, Episode 11

Director’s Cooperation: Episode 8 (Co-production)

Original Drawing OP Episode 11

Key Animation: Episode 9, Episode 11, Episode 12

Video 10 episodes

Theatrical Compilation Bocchi the Rock! Re: (Theater/2024)

Storyboard and direction OP

>>144

This alone has dispelled my anxieties.

With Kirara’s scale, we probably can’t bring up the discussion of a second season until after the first season has been successful.

It can’t be helped.

>>145

So, you’re finally starting to create the music once the discussion is settled, right?

Well, it will take about 4 to 5 years.

Fliren was given a special emphasis, enough to create a new anime slot on Fridays during that time frame, so it can’t be helped…

This is going to be another season with a change of director!

It’s probably pretty tough to make someone as already skilled as Hasegawa even better.

>>149

If you keep doing it, you’ll get better and better.

>>153

It’s too good, so it’s really difficult to detune it.

It’s a pity to compare them to the legendary music anime that keep creating songs and performing live relentlessly.

Pacifica had plenty of used ones around six months later, right?

I wonder how Hasegawa was so good even though he had no rock experience…

>>158

Because my hobby was solo karaoke.

Can I properly say goodbye to Grimmy!? If I became a constellation, could I create a masterpiece that even I, who cries halfway through when I listen to it now, could agree is great!?

>>159

You can’t possibly win against me, who cries every time I release a new song, so feel free to cry without worry.

>>169

You’re just too weak…

I wonder if it will turn out like Yuru Camp.

>>160

There are some people who are really negative about the third season, aren’t there?

On the radio, Director Saito from Season 1 and Director Yamamoto from Season 2 are discussing the reasons why I wasn’t able to direct in Season 2.

The Kitta-chan enhancement event is not about singing techniques, but rather a matter of mindset, so it’s fine to go with the atmosphere.

As the seasons of Symphogear progressed, Aoi Yuki kept getting better and better at singing!

I want a song about suffering and struggles.

It’s still one song, right?

>>165

Mr. Hasegawa overdid it.

I wish Aoyama-san would do the guitar practice radio project again.

The most troubling thing about “Gloomy Goodbye” is that it seems to overlap a lot with “Flashbacker.”

I’m honestly happy that many new songs will be coming out again.

Hasegawa’s voice is really amazing because it’s completely different from their natural voice when they’re performing as Kita-chan.

Soo is an amazing husky.

>>171

The natural voice is that of Masakichi from Midnight Punch, right?

It seems I won’t be able to listen to Gotou’s father’s song just yet…

But I’m happy no matter what.

Flashbacker gives off an image of songs from a much later era.

During the first season of the anime, the staff mentioned that it became difficult to match Hasegawa-san’s singing ability to the main character, Kita-chan, as it improved too much along the way.

Watching the live performance, I was impressed by how Hasegawa-san was singing continuously all alone…

>>177

In the original work, there are more scenes where characters other than Kita-chan sing with cable ties, and if they increase it in the anime original content, it would be a different matter.

Huh? Isn’t Kita-chan’s person a singer somewhere?

Did you happen to do well by chance?

>>179

Originally, because I was an anime fan, I often sang anime songs at karaoke.

It seems that before “Bocchi the Rock!”, they didn’t learn anywhere at all.

>>179

It seems that there was a singing audition only for the role of Kita-chan.

In other performances, there’s the character Mihono Bourbon from Uma Musume, but I don’t really feel like she’s a great singer there…

Now I won’t be told, “Is Bocchi the Rock! still running?” anymore.

Kita-chan sings well and has great expressive power; isn’t it difficult to surpass this?

>>182

We’ll have to go with the Macross method where the singing parts are done by a different person.

Is it going to be the second season for the first time in about a year and a half?

>>183

What we will do will be two or three years from now.

>>198

I heard that there are plans packed for about three years for new anime.

Even in real live performances, I’m the only one appearing, and the leveling up is incredible.

I’m listening to the radio, but Director Saito doesn’t plan to do a second season after the first one and had already scheduled things.

It seems there was a request for Yusuke Nakayama, who was a reliable assistant director, to be in charge if there is a second season.

Isn’t the performance in “Bozaro” done by someone else?

I never really thought about it, but is the vocalist the only one who is a voice actor?

It may be quite a while from now, but if they release a few covers of Asian Kung-Fu Generation, I can get by for another five years.

Director Saito’s talent has already withered, so I want him to come back here.

It’s been a while since a late-night anime became such a huge hit.

I feel like the number of works featuring Yoshino Aoyama has increased since this production came out.

I received a regular role in Pokémon and also in other anime.

The stage version also unexpectedly appeared, and this work has too much luck…

At first, I was exhausted halfway through the live performance, but I gradually got better.

If luck is really strong, I think they would have come back in two years…

After four years, the topic has mostly faded.

>>197

“You can’t just make a second season easily on the radio, you idiot! I’ve been told that many times…”

Mr. Aoyama is getting better and better at playing the guitar.

The songs and performances in the main story are different from the album, so it’s fine to go all out with strengthened Kita-chan.

You finally came!?

No matter how smoothly the production goes, we can’t get a time slot.

I remember that it was said that Kirara’s ultimate weapon had a significant impact because it ended shortly after its implementation.

The way the first term hit was amazing.

Especially the way music and related merchandise sell.

There aren’t really any serious songs in the story, are there?

It takes a lot of time for bands to create a lot of new songs.

So it’s decided that you’re going to make a song from here, right?

>>214

As expected, I suppose you’ve already started on it, right?

It’s here!

It was long.

Season 1 was an anime with incredibly detailed direction that was almost overdoing it…

Creating an anime centered around music is quite challenging…

When I first heard the opening, I thought it was being sung by a professional anime song singer.

Huh, is the person playing Kitachan singing…?