Let’s go look for it!

I lost…

You said it was okay to draw Doraemon!

But it feels a bit like a knockoff…

The veteran feels a sense of defeat this time…

I can understand if it’s okay to steal from the Demon King’s army, but if it doesn’t seem like it’s from the Demon King’s army, then why steal…?

>>24

Rather, it was precisely because they were veterans that they understood the line…

There is certainly room to incorporate it well, just like Evans.

I wanted you to try a little harder.

Is there something that depicts the entire story of Doraemon?

The planning is bad, the planning is.

I like the punchline; it feels like something from Doraemon.

The camera work is excellent.

It’s the person in charge who said it was okay to bring out Doraemon that is at fault.

While the big names shy away and finish by drawing the cover, this is how it is.

>>37

I thought I made a big impression with a cute big shot drawn on the cover!

In this week’s Jump’s Kochikame project, there’s a place in all the featured works where Ryo-san’s eyebrows are hidden!

It’s like that thing where Gintama started a medium-length story using Ryan’s eyebrows as the subject for about one volume.

>>39

It’s a similar composition with Toriko, which was seriously thrown in and not fixed even in the collected volumes…

Misdeeds that are only tolerated in one-shot type manga.

He allowed it! I put it out there! And that’s the end of this story!

I wonder what Mr. F would say if he saw this…

Do I have to take it as a constraint to bring out Doraemon?

Should I take the right to release Doraemon?

I want to try drawing a panel of Atobe-sama from Jump.

I love the episode where the people of Teiichi’s Country were drawn in every panel.

>>47

I was told to draw as much as possible…

We can’t just have Doraemon show up in a critical scene of a serious story manga…

Even if you are a part of a scene in the background of someone far away who is not really related to the main story.

If you’re here, then you should figure something out.

Is this included in a paperback?

>>49

I think it was volume 15.

>>54

Is it okay to publish this…?

Most Sunday writers are probably people who were raised on Fujiko’s works…

I like a princess who fits the style of Fujiko’s endings.

I wonder how many manga artists haven’t been influenced by Fujiko’s works.

I wonder if I can exist in modern Japan.

>>57

There was a manga artist who publicly said they didn’t like it, but they said that after having read it.

>>57

Garo system

I also like the last dragon princess.

>>58

It’s nice that when you go to the world of Doraemon, it properly becomes like Doraemon.

>>94

According to that reasoning, it seems like if Doraemon was in this world, the animation style should match this world, right?

>>100

Is the Doraemon side a higher world? I wonder.

It feels like a feat where you can cross to the other side after slamming the accelerator and plunging into a cliff.

>>59

It’s still safer to encounter something completely unknown than to have conversations that only partially make sense or just have characters appear… safe? Well, it’s safe.

>>59

Another racer who barely stopped said, “I heard it was a chicken race!”

>>60

Since there are picture books, shoes, a “What If” box, time-space turbulence, and parallel worlds at the crossover destination, anything can happen.

Whether it’s okay to do or not

>>63

That’s for Doraemon’s convenience, isn’t it?

>>64

The manga itself was just barely managing to survive without running out of material, desperately relying on one-off gags…

“Since it’s a special project, you can include Doraemon in the manga (as a hidden character).”

“Eh!? Can I draw an episode of Doraemon for this week’s issue!?”

If Doraemon and Nobita were to come into this manga, it would become the main focus.

The main character will end up being a guest character in a long version of Doraemon!

There are genres that can avoid this and genres that cannot…

You said I could draw Doraemon!

>>73

Nobita’s famous saying, perhaps.

If it were Doraemon, there might have been an episode like this…

The project name is Doraemon Secret Collaboration.

Wasn’t the Straw Hat episode of Seishun Heiki part of a project where we asked to draw a straw hat somewhere in the magazine?

It sounds like it would be fun to be told I can draw Doraemon in my own work.

Personally, I liked the setting where the spare pocket is hidden under the pillow in the closet.

Do this project one more time before Dragon and Strawberry end.

>>81

Can I put Ichigo-chan somewhere in the work…? Is that what you mean?

>>82

Musashi is somewhere in the work.

Let’s try to find it!

>>88

🤖＜Tch.

Who said to do the entire first episode of Doraemon?

During this project, neither Ryuu nor Ichigo nor Freiren was included…

Well, it’s impossible to have a whole episode of Doraemon in Souibotei.

I could only say it was a difference in style.

>>90

If it’s the Moonlight Regulation, it seems like we can present it boldly.

The editing that intentionally conveyed only part of the project’s intent is impressive.

Shogakukan has a dedicated legal department for Doraemon, so if they’re okay with it, it should be fine.

I often see this in old literature, but I don’t understand the feeling that this type of Doraemon is cute at all.

The dragon and the strawberry are in the future…

The veteran duo of Fuji Taka and Shiina is having a great time on the cover.

It’s over the top! I felt the generational shift in how weak the material is, like a self-deprecating joke.

It’s wrong that someone charged in as if there were no lines at all.

It’s certainly difficult to include them in the main storyline of Soubo-tei from that time!

>>102

Welcome, Tanuki Dōji!

Even if the work isn’t serious, Jubilo is too revered to really disrespect it, and I think Shiina will mix in other Fujiko-related jokes, making it something only the fans will appreciate.

Veterans of Sunday like Mitsuru Adachi and Masami Yuki would probably do something stylish.

>>103

Certainly, that part seems like it could normally involve a dragon appearing and getting entangled in the story…

Doraemon and Nobita’s

Sleep at the Demon King’s Castle

Especially Shiina seems to take pride in being a fan of Fujiko F.

Doraemon (or rather Nobita) and Westerns go well together, and that really worked for Evans.

It leverages the strengths of a one-episode gag manga.

Was Fujita and Shiina really that uncool?

>>110

It’s not just uncool, but also to have my character, inspired by Fujiko, share the stage with Doraemon and the others on the cover illustration.

It just ended up being safe and sound.

>>118

Even so, the latter half of Zetsubou-chuu was in a super serious development, so it was impossible to draw Doraemon in the corner of the panel, so it can’t be helped…

Isn’t the Demon King’s Castle talked about too much here?

Even though the conversation is reaching its climax.

>>111

In the beginning, there were many threads, but once the emphasis on the specific traits of female authors and the strong presence of boy-boy pairings with a corrupted feel emerged, it started to either positively or negatively choose its readers…

>>111

Is it at a crucial stage!?

>>125

It’s quite intense now.

Especially An something-kun and Tasogare-kun.

>>135

I think that’s true, but I’m not really sure if that will be the end of the main story.

I feel like the hardest part was doing a self-deprecating joke on top of what I was wearing.

>>113

But such painful comebacks are also characteristic of Shiina’s style…

Shiina doesn’t know, but Fujita was praising the thread image a lot, which made it even more uncool.

>>114

Poor thing…

>>114

If I complain about it being against the rules or sulk saying that I can actually draw things like this too, I understand that it would be seen as lame, but what does it mean to honestly praise it and end up being treated as even more lame…?

Naturally, serving up natural ingredients is powerful…

I wonder what Shimamoto would have been doing if he were in this magazine.

>>119

Honoo-kun talks to Tonko-san about the greatness of Doraemon’s opening.

>>119

I think the two veteran performers who were completely off track have just become the three musketeers of complete failure.

>>119

“What!! You can draw Doraemon?!”

“……!!”

“What’s wrong, teacher?!!”

“I love you, Doraemon!!”

“Which…?”

“What!?”

“I don’t know how to draw it!!!!”

>>119

Time slip to Tokiwa-so.

I think Shimamoto will also play it safe.

Is the Demon King Castle and Evans still going on…?

>>126

Evans has been over for quite some time.

The demon lord’s castle could be coming to an end soon.

>>126

The Demon King’s Castle is currently serialized in a reduced page format.

Evans has long since ended.

I think it always takes a while after a new publication comes out.

I feel like the dragon and strawberry were drawing a dragon on the back of the whiteboard.

>>130

Moreover, the parody of “Obi-gyu” is too niche…

Fuji Taka, huh…

I must have been really frustrated about this…

You’re drawing too much! It’s what you yourself consider overdoing it.

It was hard to see how casually you leapt over the Demon King’s Castle, Evans, and the night watch.

Komisan and the maiko have ended, so the demon king’s castle should be coming soon too.

It’s nothing much if you’re just silently making the cover Dora-chan.

There was a self-deprecating comment like, “It’s supposed to be that Shiina is a hidden character, but this is going too far!”

The ones who are doing even more are being featured right in front, so it’s just a little bit of a flop.

Even in One Piece, there are serious and climactic battle scenes.

The navy has successfully managed to have Ryoutsu, and the serious world setting in the latter part doesn’t matter.

>>141

There is.

>>141

During the Ryo-san project, BLEACH was also treated like a cowardly joke, and everyone is being harsh…

>>141

If there are a lot of mob characters, it wouldn’t be impossible to mix in a human character like Ryo-san, but isn’t it extremely difficult to include the blue raccoon and the boy when there are so few members to begin with?

In other words, as mentioned above, it’s understandable that Shoubootei can’t be included in the main story because it was in the middle of a serious arc.

>>142

As mentioned above, it feels a bit like a knockoff because it hasn’t been subtly adjusted.

>>142

Even without that, it still feels lacking!

>>142

I feel like it resembles Doraemon a bit.

Evans had a lot of threads created in the early to mid-stages here, but it became too repetitive, and because it didn’t properly conclude at the end, it lost popularity midway through.

>>144

It seems that nowadays, looking back on it is only possible through thread images, and there are likely many people who don’t remember how it ended.

Shiina has had a tendency to enjoy pain since a long time ago…

Regardless of their statements, both Fujita and Shiina are in a situation where it’s not possible to joke around in the story, so there’s a part of it that can’t be helped…

If there’s someone next to you doing even more reckless things while you’re giving yourself a self-deprecating comment like “I might have gone overboard,” then you might look a bit lame.

Night Owling does not present its in-story small items like character merchandise.

Since Dora is normally present in a family restaurant, the worldviews are subtly connected.

A 100% emulator version of Doraemon is difficult even for professionals, so it can’t be helped.

Wasn’t Komi-san participating in the project?

Unlike that famous Kankichi Ryotsu, it wasn’t a full participation.

The One Piece originally has Pandaman hiding in it…

In a serious story, it feels like you need to throw in a character with wild eyebrows like Ryō-san, otherwise it’s just not crazy enough…

Doraemon is completely different from the early original work.

The Demon King’s Castle has changed from tickets to coins around the latest episode in the app, so I’ve stopped reading it…

>>166

It brings back memories of the time when it was said that Dragon and Strawberry might end soon, as they seemed to be in a similar situation…

I wonder where it is…

It’s okay to delete obvious replies.

Did you decide that it’s okay to hit the elderly?

I hope they animate this episode soon.

Well, I understand that if you don’t have much attachment, you can’t write well, Doraemon.

I understand, but it shouldn’t be diluted in this kind of festival planning.

>>149

The half-demon princess is being animated and such…

>>177

The anime comes first, and the comic adaptation comes later!

>>181

Forgive me.

Despite having plenty of materials about Dora’s destructive weapons, it’s lame that they’re showcasing a drill with no actual exhibits.

I don’t like that Nobita is crying and reluctant even though Doraemon is trying to head into the decisive battle like a long epic.

>>179

It’s kind of like the resolution is really low, and if you don’t really know, it would be fine to just draw a small bit on the edge, but because they are depicting unknown things in a big way as the cover illustration, it feels a bit off.

Rather, I think it’s better to use Dora-chan with a Jubilo flavor because making it look exactly like the real thing in such a project would be quite cringeworthy.

Even if there are strong feelings involved, whether one can draw it exactly like the original is a different story…

That thing with Evans, the serious faces lined up is subtly also a parody of that AA, right?

In Soubo-tei, it’s not just the cover; there are also drawings inside.

>>188

This side’s dragon is quite similar.

But if Fujita is actually told, “You can draw episode 1!” he would definitely be overjoyed and draw it, so I understand why he would be extremely frustrated.

I want to see the second season of the anime, but it seems tough.

In a project like this, it might be better to draw in a way that captures the essence while adding your own flavor, rather than just copying it exactly.

It really creates a disparity between projects like this, as some can be done properly depending on the serialized work, while others are difficult due to the main story being serious or not having appropriate scenes to incorporate it.

Well, I don’t think Jubilo is the type that can handle such projects skillfully.

This thread’s image is mostly taken over by veteran authors’ discussions starting from about halfway through…

>>197

Many people who remain anonymous can’t help but want to hit something…

During the time of writing Mugen Shinshi, Mitsume ga Tooru, and Fullmetal Alchemist, it’s clear that the energy and emulation level were different, so I think Fujita was clearly writing this at that time out of habit.

I was told I could include it in the paperback, but it really doesn’t fit the atmosphere, so it’s only in the main magazine—Doraemon from Soubootei.