It’s impossible because I’m not handsome.

This guy doesn’t seem like the type to say something so constructive…

The topic shifts to Adachi halfway through, right? There isn’t really much to talk about with Kubo, that’s true.

This guy rejected the teammate flag on his own.

The conversation only turns to this guy’s true nature, the dungeon, or some outrageous physical talk…

I am Runa.

You’re much too proactive to treat me like that.

Anonymous… No, I feel like being anonymous can’t make one invincible to this extent… that kind of reckless bravery.

If the thread image isn’t killing people, I can still understand it, but it goes into top gear right from the start.

Strong both physically and mentally.

Adachi is throwing up as a result of indirectly causing someone’s death.
It’s a bit too much to be proud of being able to move Morokin’s corpse by yourself.

It’s too much of a challenger to go over Amagi on the first move without any prior acquaintance.

Anonymous loves this guy too much…

I really like the design concept of Shadow.

I often see people saying that I resemble a certain person, but…
I hardly ever see anyone with the name “320” who resembles me at all.

I slacked off on leveling up, so this Migid is super painful.

Isn’t it a bit physically unusual, like a typical perpetrator? Even considering that case aside, I still can’t help but think this way.

I have the courage to confess.

Rather, the character knows deep down that the thread image is full of bluster but actually lacking confidence.
It seems like you could properly develop a persona, but isn’t the aggressive part a bit too much? There’s something funny about that.

Waiting at the school gate for a beautiful high school girl and forcefully approaching her is too much.

The fact that he was able to expel this guy is joked about as Morokin’s only achievement, highlighting how out of place he was.

In terms of appearance, he’s more handsome than me and more proactive as well.
It’s not even close to being similar.

It might be a contrast that there are characters like this behind the protagonist who is fully enjoying a vibrant, fulfilling life, but their level of initiative is just too extreme.
It’s definitely this side that I want to do, just based on the story of the original concept 4…

You’ll be surprised if you join in the remake.

The resolution of the anime about the Empty Boss who can’t achieve anything was too high.

There’s a rawness to it that makes you think, “There are definitely people like this…”

You don’t have to join, but I want to see a deeper exploration of this guy.
Where did the drive to push into Yukiko come from?

I think if this guy had the mentality to seek out companions, he could have been somewhat decent.

Adachi also pulled the one.

Everyone, isn’t it gross if there’s someone like this? It feels like the creators just prepared a punching bag.
Isn’t it too sensational?

Depicting villains as ugly has been a method used for a long time, yet for some reason, this guy alone is said to be overly grotesque and various other things.

I mean, if you make someone good-looking, there are definitely people who want to recruit them just for that, so it’s no wonder they end up with a creepy design.
Symbols are important.

To be honest, if we’re just talking about the main story, the difference is like Adachi being good-looking and Mitsuo being unattractive.

It’s certainly not possible to take in someone who is seriously into Moroquin…
It’s confusing when they talk about atonement.

I was called someone who talks alone with Rise.
Indeed, there are times when I talk to someone in the city, and they start chatting excitedly by themselves.

A boy who gets poop on him every day.

I think the unnecessarily high difficulty of being a copycat criminal adds to its intrigue.
Since this is the kind of character, it would have been fine to be a little more careless with the imitation part.

Even if you say it’s because I’m not handsome, it’s clearly a matter of communication skills.

I didn’t like that this guy looked like a character from a different world.

People who engage in harassment or self-governance that crosses the line here might fit the thread image.
If it’s just a bad personality level, it won’t affect the thread image…

The character has an unappealing weirdness that makes it hard to love.

This guy has the guts to confess to Yukiko, but…
I forgot the content, but…

If you’re good-looking, it might fall apart as an intended character…

It’s overly real for someone to suddenly confess like they’re a “Morokin killer.”

I have my own background music.

If you’re told to choose between Morokin and this guy, who would you choose?

The result of adding everything that comes to mind about the bad aspects of otaku, along with a sprinkle of criminality, ended up with a taste that I can’t quite understand.
The flavors are completely opposite, aren’t they?

I can’t bear to see it because it was like this until about my middle school graduation.

Morokin, you’re trying to enjoy your youth!
It’s the kind of funny statements that fall into that category…

>Let me join in too.This guy suddenly starts a conversation pretending to be one of the group.

Only the ability to take action is amazing.

Morokin is a serious person whose earnestness is going in circles.
It can sometimes be seen as sincere, but it’s not really comparable.

It was a dream ending where I became friends in the anthology.

It will inevitably become an Adachi thread before we know it.

It’s sad that Morokin was killed.

Because I’m one step ahead of being a socially awkward introvert, I’ve become unable to be part of us.

Morokin works, but he drinks so much that he throws up in the river during the forest camp, which is a bit concerning…

Morokin is the type of terrible teacher who, once they become a homeroom teacher, can become a good memory if they can grasp the right distance.

This is about me… it’s enclosed.
From there, it keeps coming up, “This is not me!”

It feels stronger that Ikutame is more likely to be among the anonymous than Mitsuo.
I think many people are affected by Ikutame’s actions, not just those without names.

“The part where they say ‘I’m putting on a brave face, but in reality, I have no confidence’ is something that the kids in the tower community share as well.”
If the thread image had communicated with the leader before killing Morokin, there might have been a chance for rehabilitation.

I think there are fewer characters that become popular even with this appearance.

Killing is one thing, but how did you manage to hang it up, huh?

The depiction of being too proactive, not only in killing but also in confessing to Yukiko, seems a bit excessive.

Mr. Ikutame is like a shadow of the protagonist.
If you’re a player, it will hit everyone…

Upon closer inspection, the facial features are more on the ordinary side rather than ugly.
The eyes are the most frightening.

Morokin seems more suited to being a military instructor than a teacher.

This guy is really losing out just because of his looks.
The ability to take action is amazing.
If I had just looked good, I would have been part of the Persona 4 team.

A little too much.

Morokin describes Konishi-senpai as being frivolous, which has led to getting involved and dying, as well as the two points about vomiting, which are negatives for us.
Since Senpai Konishi is someone that almost no players know, it’s better to just keep my distance and watch silently.

It seems like there are elements in parts, but having all the elements belongs to the realm of fantasy.

The face, you know?

There are shadows that are aware of their emptiness, and I believe there is room for rehabilitation rather than just being a natural psycho.
It would have been nice to have an afterstory like Ikutame, where the character reflects in a juvenile detention center, even though having allies is out of the question.

The shadow was more mature than Mitsuo.

Iktame was only trying to genuinely save them, so if he learns the truth, he will surely reflect on it.

Since you rejected the persona, there’s no way to let you join the group.

To be honest, the only differences between Ikutame and the protagonists are probably luck or having companions.
There is a possibility that what we thought was for the best ended up being like Ikutame.

Listening to the self-deprecating remark of the unconscious “hero,” Yosuke also falls silent with a serious expression, just like Ikutanome-san.

Ikutame means well, but because he made Nana-chan suffer, I just can’t forgive him.

Morokin… I’ve avenged you…!

The protagonist is often in the shopping district during the daily part, but even when they try to talk, it ends up feeling like there’s no conversation happening…

The answer is that even with the drive to act, one does not approach their own persona.
Instead of considering others and taking action, I’m living in my own delusions without facing myself.

It’s strange that I’m doing only what I want to do, even to the point of being foolishly direct about it.

The matter of crossing Mount Amagi isn’t about courage; it’s simply an expression of abnormality.
It’s about people who cancel their minimum level of involvement and come to assert their own will.
I’m doing things that are completely opposite to communication.

If it were a world a little further ahead, I might have gotten tangled up in a strange stream due to my craving for approval, but maybe before it led to killing, I would have experienced pain and ended it there.

There seems to be room to expand various ideas from a relatively rare position of not facing the shadow, but due to having an awful face and personality, there’s absolutely no opportunity for that character.

I wanted to be like this.

I appreciate that they still refuse to accept the persona despite the atmosphere urging everyone around them to do so.

Create a work titled something like “Reborn into a Thread Picture” or something along those lines.

I wonder how the teasing of ugly and unattractive people will change if it’s remade…

Adachi feels like one of those criminals you just expect to see.
This lacks realism.

This guy is a problem that goes beyond being handsome or ugly…

How did we hang the Morokin again?

If someone new is joining, I think Ikutame would be good.

In reality, there are occasionally completely incomprehensible criminals, but there’s no sense of realism in that.

This trash is so bad that even the shadow gives up on continuing its influence or switching places.

It might be that if you’re going to get a Persona, it would be from Philemon…

Lifting a corpse weighing at least 50kg and hanging it alone at that height is
There is no other way to describe it than superhuman strength.

It’s great that only the last adult joins the group full of minors.
I think it’s a good flow, even though it’s not healthy to say “I’ll handle the problems that come up in reality, so you all just do what you need to do.”

It would be more understandable to say it’s just a stage set in the shape of a human.

Accepting shadows is something weak people do.
This overwhelming physicality

Without colliding with Morokina, I continue to attend Inaba School and think to myself that things around the transfer student are so lively. Oh, by the way, there haven’t been any incidents lately… will it end like this?

What you are doing out of goodwill is true, Ikuiname.
However, there is a different danger in involving someone who has just recovered from a mental illness, as it may lead to the worst-case scenario where they might sacrifice themselves and die.

This guy is not the level of just being a handsome guy or a different version of the protagonist…

The content is the problem.
If the contents are different, then it’s just not Mitsuo anymore.

A man who disappears without being saved afterward.

When considering it a mystery, there are obvious mislead factors that complicate the crime.

It’s like a troll.
I’m being told by my own shadow that there is nothing.

Empty!

I can’t accept that this guy has nothing, while Adachi has a special ending.

To say it’s empty, there are too many factors involved, including motivation.

It feels exactly like having the motivation to act in a bad direction.
The power to hang Morokin is a fantasy.

If Mitsuo had been popular, there would have been a community for him, right?
The reason it doesn’t exist is because it’s relatively unpopular.

Mayumi… lend me your last bit of strength… even if we meet over there, please don’t get angry at me… It seems like Ikutame-san might just charge in like that.

I mean, you wouldn’t want to deal with something this disgusting even in a game, right?

The face…

It’s drawn too ugly, no matter how you look at it.

I really like the part about the grandma who interacts with everyone in Adachi’s community.
I was calling out “Tō-chan” instead of my son, but the moment my son came back, I called for the detective.

Let’s focus on this product based on how much resources we allocate to which one! It won’t be like that.
The exclusive background music is an incredible deal.

There are elements that make it seem realistic, but the output is so overwhelming that it’s not realistic at all.

Rather, it’s the case that more resources are being invested… The acting, dungeon design, and boss battles are all surprisingly elaborate.

The number one monster in P4.
Although our directions are opposite, this guy is the only one who can compete with the boss in terms of monster-like qualities.

I wonder if things would have changed for him if he could have been with Yukiko.

How did Morokin end up in a place like that…

It’s a character like ASD…

I don’t have the same level of initiative as this guy.

The guy Sudou, the punishment and retribution radio guy, might be incomprehensible from the outside just like this one, but it’s all about interference, after all.
A man who is doing something incomprehensible with just his body and spirit.

I doubt whether there was any intention to draw properly in the first place.
They are nothing more than disposable mislead personnel.

He was the same as ever, not changed a bit even after facing his own shadow; his expression is gross.

To be honest, did you solve it once!?
It is nothing more than a stage set for the unfolding.