
Grab the strongest.
Is it possible that there are only good songs?
>>3It’s great that a completely calm song is playing during the final battle…
>>13I really think the nostalgic strings in the part that could be considered the pinnacle of this work, “I’ll go ahead,” are truly tasteful.
I dare say.
Ready!! Steady!! Derby!! Sounds good, right….
It might be the first time I can clearly picture a scene just from the title of the soundtrack.
I bought the soundtrack right after finishing the movie and listened to it endlessly.
I’m still listening.
>>3It’s nice that it’s an arrangement of the beginning of Twincle Miracle.
The place I arrived at after struggling and suffering is the same as the shining prism of wanting to run and wanting to become the strongest, which was awakened by Fuji-senpai that day.
The piano music in Hanabi Stride’s summer festival is interesting because it evokes a sense of loneliness, as if the once vibrant summer festival is soon coming to an end, which is quite poignant.
BEGINNIKG OF A NEW ERA cries unconditionally.
The sadness of Pokke’s growth and the end of the story brings tears to my eyes.
>>22Ah… it’s scary… I can’t take it anymore from around there.
I absolutely love the intro of Twinkle Miracle.
The feeling of starting quietly is really nice.
>>24In the video, it’s great how the volume increases just when Pokke appears in the stand and passes by Fuji-san…
>>27After that, I got chills watching the massive Yayoi Sho.
I’m so excited!
Overall, I really like the ambient style.
I’m the guy who always ends up crying because of RGBreeze!
After listening to tracks that feel like a race, like RTTT or Shingure, when I listen to it again, the overall strangeness is amazing.
Each of them has a delicateness as if they are scenes for psychological depiction rather than battles.
There are too many people who want to overhear conversations in the movie theater.
Honestly, I underestimated the importance of sound.
It’s really impressive that they nailed the spectacular entrance with “Twinkle Miracle” for the first Umamusume movie…
I love that just adjusting the order of the soundtrack songs makes it almost perfect for the flow of the movie.
I participated in both the Amazon Prime streaming commemorative event and the Japan Derby commemorative event, and it makes me cry no matter how many times I see it.
I was watching there, but I want to see more of the cast talking about the background music.
THE BEGINNING OF A NEW ERA has the good part of the indefinite article “a” in “A NEW ERA.”
I wonder if the era of pockets, once it began, was just one era that would eventually come to an end.
There is a sense of loneliness around, yet there is also a feeling that the times continue on.
>>35If you trace it back, Fuji itself was also the beginning of the new SS era.
The times turn.
I would like to hear an explanation from someone who is really knowledgeable about music regarding soundtracks.
I re-listened to the soundtrack of RTTT, triggered by the door to a new era, and it’s really great too…
>>37The switch of the BGM in the Kikuka-sho is nice, isn’t it…?
>>37I really like RUN TO THE STARRY ROAD.
Since that final episode’s King of Kings spirit injection…
“I’m the one who will win!”
“No, I will win!”
“…I will win.”
The flow is too good already.
>>37Rain-colored dream stage is nice, isn’t it…
It’s great that the background music really matches the atmosphere of the place.
Hanabi Stride feels like a summer festival, and Triangle Relay has the feeling of early morning before the sun has risen.
If I were to talk about something other than music, thanks to this Amazon Prime, I’ve been rewatching Opera O Arima many times.
Too cool…
Also, Doto, who is in a dead heat with Opera O, is too beautiful.
>>42Teiemu has come! Teiemu has come! Teiemu has come! Teiemu has come! Teiemu has come! Teiemu has come!
Will you break free? Meisho Dotou! Teiemu! Teiemu! Teiemu, right? Teiemu? Is it slightly Teiemu?
It was an incredibly tough race, but…
>>53I like how it’s a counting call when saying “wait for this” and then “I’ll go ahead.”
>>56Every time I actually review this, I remember that it’s not really a connected scene…
>>53I thought you would do it, but seeing you actually doing it makes me happy.
When listened to solely as a soundtrack, it’s too edgy for a theatrical version of a so-called “beautiful girl” content.
>>43I think it’s too unusual to be a soundtrack for content pictures, not just for beautiful girls.
One of the strengths of a movie theater is the ability to enjoy low bass sounds.
Could you please do a revival screening…?
>>44I understand.
Lightnin Tachon was best when I heard it at the cinema.
I really love G1 Debut.
It’s so grand that it feels like diving into a dungeon.
I hope they play the background music from last year’s RTTT Christmas event when the Shimo Shinjidai no Tobira event comes around.
(JAM had a summer event.)
(Tachyon’s victory theme music)
>>47I think that’s the part you should listen to the most in the theater.
The Japan Cup segment becomes perfect with the combination of the dialogue, sound effects, and Mr. Honma’s passionate commentary.
Every time the tachyon breaks through, the sound is too ominous.
>>52I’m going to talk about something other than the background music, but it’s nice how when Pocky talks about Takion, you can hear the sound of an airplane engine, and how there are moments in the Satsuki Sho where Takion running for a brief moment overlaps with an airplane.
It feels like it’s about to deviate from the category of terrestrial organisms, just like the relationship with Agnes Flight.
On the other hand, the Tachyon from Japan C has a cut that overlaps with the train, representing the decline since the Satsuki Sho, yet it still feels like it conveys that there is meaning in continuing to run.
>>79I didn’t notice it.
Even if Mr. Fuji couldn’t keep up during his prime.
Still… it’s a good depiction that overlaps with struggling.
Doon… kakakakakakakakaka…
In the first place, since the new era allows for outside expertise, from the perspective of Kurofune, we can create another door to the new era.
If I could say what I want, I wished to see RTTT in 4DX…
Next, please make Katsuragi Ace the protagonist, Cygames.
>>63Shall we have Studio Trigger do it…
I wish I could have gone to the thunderous screening when it was first re-released on Doripass…
I believe that by daring to implement characters from the previous generation at the 2nd anniversary, Katsuragi Ace is very motivated.
I want to meet everyone’s expectations for RTTT, but… I really, really like it.
Moreover, in RTTT, Top Road guides Ayabe-san when…
On Christmas, Ayabe-san used it to guide Topol, and it was really amazing.
Thank you, Katsu Yokoyama.
Thank you, Oishi.
What is Martle, existing like a strange being behind the cool BGM?
It hasn’t been mentioned, but that person is probably Martle.
I was blown away by how cool this guitar is!
>>69Thanks to the costume, I’m the only superhuman who can appear beyond media as a trainer.
>>69You still don’t know if it’s Martle, do you?! There’s no way someone who does something like that isn’t Martle!
You’ve got beautiful legs…
I think it’s unthinkable to be anything other than Martre, but the fact that it doesn’t come out of Martre is, in a way, the ideal of Martre.
In short, it means that either Mar-chan’s costume is generally available in circulation, or there are trainers within the academy who are skilled enough to make it themselves.
>>73That’s scary in its own way!
>>73It might not be a Martlet! → There can’t be multiple madmen doing such things!
In the Marte scene, there are the Dirt Three Sisters, and Takion and Cafe pass by, but 90% of people can’t notice it.
There are many scenes that I didn’t notice when I pause.
I didn’t notice the Spacha-chan who was walking while eating pizza, overshadowed by Bright and Hayahide.
The scene with the salt and the flowing tail is nice, isn’t it?
It seems like there’s a direction where Cafe-Dan goes ahead and only leaves behind Pokke, and after that, he stops leading in the running and just makes do with toast. When you look closely, you can also see scratches on the sun catcher… You start to understand the meaning from the second time onwards.
I want to run… the lines from Danz that overflow are great.
The calm background music playing behind adds to it really.
It feels like autumn sunlight… I just love this movie.
>>80In fact, many people ran out after watching the movie.
Sometimes there were guys who became tachyons.
>>84I feel like there were two unnamed ones that broke down just by being observed.
>>84I rolled my ankle really hard and sustained a moderate tear of the anterior talofibular ligament.
I understood Tachyon’s feelings.
>>90I’m going ahead…
>>84Two months ago, I became Silence Suzuka and dashed past the bicycle in front of me.
Due to a muscle strain and bruised ribs from a fall, I ended up enjoying the school festival while taking painkillers.
I was quietly happy to see various app-related content, like Marutore, Aoi & Meek, Riko-chan & Kokon Glace, and the reporter Otoma Fumiki.
Riko-chan gave a huge sense of doubt to those seeing her for the first time, but…
That guy.
The person who sounds strong with CV: Romi Park! Isn’t that a person who sounds strong with CV: Romi Park!
I wanted this song to be included after the award ceremony at the derby on the soundtrack.
>>85It’s unavoidable since it’s included in another soundtrack.
(I wasn’t lonely at all)
In the main story of Shingre, Park Romi’s character, who seems strong, was making strong moves, so there’s a possibility that the weak-looking Riko-chan might only be seen in the app.
It’s okay not to understand that part!
>>91There was.
>>91I was in a picture with Ayabe-san and Top Road’s father during the Japan Cup.
What I want to say is that it was a good movie.
Even after a year since its release, there is still so much more to talk about.
I was really happy to see Topuro and the trainer have a role, since I watched it after seeing it in the RTTT cinema.
It’s obvious, but I’m glad to know that they were still teaming up after that.
Trainer Okita: “Top Road!!!!” (A husky voice echoes in the theater)
I have the feeling that I want to see the last year of Top Road after the movie featuring Opera O and Doruto.
Even Uma Musume gets injured, so it’s inevitable that the nameless ones will get injured if they run due to lack of exercise.
I couldn’t even notice something like that.
>>103It doesn’t matter.
I want to run.