My favorite scene is when Takion is thinking about the “left-turn race” just before being invited to run alongside.

Are there not only named horse girls in the mob, but also people from the friend cards I’ve seen in the game!?

The light and shadow are nice…

Senpai Fuji… that outfit…

The final boss is so cool that I want a spin-off where I’m the main character.

Finally, when the Umayoi Legend plays, for some reason, I can bask in a mysterious afterglow…

It’s not radio, uma pyo!
I’m writing the lyrics while completely sober, you know.
I composed music while finishing two bottles of wine.

It’s just a rough draft of the lyrics, so I just wrote it casually and got it accepted…

The lyrics might sound appropriate if I write something strange.
It seems that in order to break the theory of chord progressions in composition, I probably had to rely on the power of alcohol…

If you’ve been following anime for a long time, Uma Pyoi hits like the finishing ramen.

The MX4D Umapyoi is considered good for being able to provide a massage for the buttocks.

I’m glad I was able to experience the acoustics and the intensity of the race in the theater.

When I heard it 9 years ago, I thought, “What is this?” but now I feel unsatisfied if I don’t hear this at the end of an anime or a live performance.

They’re showing it again in MX4D, but they’re not doing it in 4DX, so I miss that shaking…

Ah, so you’re replacing racehorses with beautiful girls, while also giving it the vibe of an athletics monorace.
It pulls you into its world so well that even first-time viewers can easily understand, and then suddenly starts a live performance at the end with “Uma Pyo Uma Pyo” during the credits.
Is it acceptable for something like this to happen?

I’m grateful that they do it regularly on Dripass…
I hope they do another revival screening if they make another Uma Musume movie…
I set up a surround sound system for this movie.

Honestly, when the last live started, I was like, “Huh?!”

The descriptions of Pokke and Cafe chasing shadows overlap, but Pokke’s is about their weak heart while Cafe’s is about their friends, and they are completely different.

It’s like a theme song for the Uma Musume series.

The sound design for the race is specifically adjusted with cinemas in mind.

Shine and win.

I see… After watching the movie, I also felt like running, and it’s been a year since I injured my anterior talofibular ligament…

When I listen to songs like RSD on streaming, I think the sound is so quiet! I want to feel the pressure I felt in the theater.

The Teiemu has arrived with a flourish! Even though it’s not being said, I can hear it, ugh.

I wonder if they’ll make another movie.

Since it’s a special occasion, a reminder.
We’ll start the simultaneous viewing today at 18:00, around 10 minutes in.

Last year, I was able to enjoy several anime movies.

It seems like there are quite a few people who might be wondering what that Manhattan cafe living with a mysterious ghost is all about…

I love Beyond the Finale the most.

I hope the film crew can come in the fall of the 6th.
Sumipe and Yuiko Ogura would be difficult, but I want to hear everyone’s character songs too.

When I see the impressions of people who have first encountered Uma Musume, they’re usually confused by the live performance after the race and the Uma Pyoi Legend…

Tachyon gradually increasing its lingering feelings is nice, isn’t it?

The scene of Tachyon’s room, which became increasingly messy due to her understanding and indefinite hiatus from injuries, culminating in her ultimate desire to run again, perfectly captures the instincts of Uma Musume.

I thought it was an amazing soundtrack for Twinkle Miracle.
RGBreeze
The Japan Cup
BEGINNING OF A NEW ERA
Beyond the Finale
My brain was fried in the torrent of emotions.
I bought the CD right away.

Sorry, the classic is all taken by us!
Just winning G1 once…
You’re the same, right?!
I’ve only appeared once, so my win rate is 100%, you know?
A novel version of a café is nice, isn’t it?

I love the song that plays during Fuji’s Yayoi Prize and Derby camp too much.

I was so used to the slightly deformed body types of models in apps that when I saw Fuji-senpai’s appearance in the movie animation, I had the same reaction.
Also, there’s something sexy about the hands.

Has Tachyon actually made a comeback?

Isn’t Fuji-senpai way too handsome?!

The soundtrack felt very unique compared to the incredibly conventional structure of RTTT.
I felt that even more because I watched the re-edited version of RTTT in succession…

I used to think that Fuji-senpai was like a prince from an all-girls school who loves magic, but in this work, he had an incredible goofy smile, so I was confused.
Is this what the character is like…?

In the original work, Tachyon has not returned, and Fuji-san is busy with breeding offspring.

The app’s Fuji had a slightly mild Opera-Oh image, so my brain was fried by the film’s moist OB feeling.

I love the smile on Fuji’s face when he sends off the pocket; it makes my heart tighten.

Well, the original work was able to succeed as a stallion afterwards, so it’s on the successful side.

A senior suddenly appears in a sexy outfit.

I think there were many people who were grilled by Fuji-san after the viewing and asked for merchandise.
It sold out quickly…
On the second day, I often saw that all the goods were sold out at the shop along with Tachyon around late afternoon.

It’s great how Senpai Fuji is usually under the willow tree in those impressive scenes.

Tachyon, Cafe, and Poke have never run together…

It’s nice to see Nabe-san crying when Fuji-san won the Yayoi Prize…

Official merchandise is nice, but there are probably many fans who went on a buying spree for sun catchers (the sudden increase in sales of sun catcher sets on Amazon).

That’s called a sun catcher…

I just googled it, and it turns out Fuji and Tachyon both only had 4 races in their lifetime, all of which they won… They’re strong…

I was thinking that since Ocha Hoi has been getting a lot of attention, it must be playing an important role in the movie…

If I tell the real story, Pokke will…

Camera, get in closer!
Too close!
This time you pulled too much!
So close! Just a little more!
Summer training camp is great, isn’t it?
By the way, you can take a good look at the booklet that comes with the animation guide or the deluxe edition BD.

I’m heading out first.

The fluffy older sister’s supporting role has too much presence.

Kurofu… Peri-suchan is nice, isn’t she…?

Tropos that appears without any particular explanation.

By the way, that huge Aston Martin in the background…

Has it been a year since it was released…?
I used to go every week to watch and cry from Fuji-san’s Yayoi Prize, so I ended up becoming like Chikezo.

This futon is often dried in the sun; it’s quite fluffy…

Do Pocket’s friends? Hyungs? do they have models?

You should read it… the novel version of the new era’s door…!

During the Chrysanthemum Prize, it felt like a night game, but does it actually feel that way?

Not only was there no time to spare, but I wasn’t even at the training camp at night.

The only playable trainer allowed to make guest appearances in other media because they are always in a costume.

In a fleeting scene, various Uma Musume appeared, so I kept rewinding 10 seconds and pausing.
I feel like there was the most opportunity for the sweep.

I guess it’s better not to touch on it too much, but I was a little surprised that the scene with that person hasn’t been fixed.
It didn’t have a name in the credits, but…

Jaguar Mail, Tall Poppy, and I’m sorry to keep you waiting.It’s not Jagameil, it’s Oaken Bluesly!

It’s great to see Dotou clashing with the operator while watching from the audience at RTTT.
Even with a bold drawing style, it’s pretty.

It seems like Mei-chan’s name is a bit twisted, huh…?

Agnes Digital, who is just a nerd, has defeated Opera O in a previous battle while in the same stable as Tachyon.

Whoa!! Aura Bokan!!
I want it to stop because it looks like Dragon Ball.

Speaking of which, there were explicit elements that reminded me of my brother, but in the end, he didn’t come.
During the Blawan time, I was told “Could it be?” about the earring’s coloring, but it was different.

The first surprise was when the initially silly ancient Umamusume civilization suddenly took on a serious tone.
When I looked it up later, I found out that the original source, “Running Horse,” was an incredibly appropriate choice for the first movie in history.

I think the movie did quite well, but I wonder if there are plans for a sequel or to do something with a different generation.

They will probably continue with single remainder for now.
It’s fine if you make another one in parallel.

It seems that the film production had already started when they were raising issues about discrimination.

Let’s have the ace lead and bring out Lion Rudolph!!!

I’m stuck on what Pokke said about going ahead while facing left.
If you turn left and look left, the tachyon isn’t over there, right?

It’s been talked about extensively, but the depiction of light and shadow is intentional and amazing, isn’t it?
It’s the best that Fuji-san, who has been in the shadows all this time, is finally coming out of the shadows.

I don’t think they’ll connect it to the sequel.
If the production company and the script are the same, it might be possible to do it this time since we could connect it with RTTT.

Honestly, I don’t like the art style.
Why did it suddenly become a style like Wake Up, Girls?

In the timeline of the Saipiku anime, Singre is the oldest, isn’t it?

But really?

On the first day, there were no Fuji-san’s goods!

When it simply comes to before Singre, there are only the chairman and maybe Mabu left.

It’s a simple summary that can be understood even without prior knowledge, but I feel there were quite a few parts that are hard to notice the intention unless watched multiple times.

It’s nice that when Fuji-san decided to return to racing, Nabe-san also switched back to his previous type of sunglasses.

I couldn’t help but feel nostalgic with that familiar Yuuma commentary.

I want first-time viewers to definitely see at least the part where the title logo appears.

2.00.3
It’s nice, isn’t it? Especially the timing when you pick up the pace.

I liked the unique performances.
That kind of flamboyance is a flaw.

I like the subtitle font that doesn’t seem fitting for a girl-centric anime.

The early morning before the sun rises during the Triangle Relay feels great, doesn’t it?

The place where it’s made is different, so of course the design will change.
It’s not like there’s an original work like in Singre.

The beginning of Episode 1 of Sing Red is like that, too; scenes with original references are great, right?

It’s nice, isn’t it… the Uma Musume running in front that appears in the last 1 or 2 frames of the prism at the end of the Japanese Derby.
Were those who noticed it at the time of release monsters?

On TV, the screen is small and easy to see the whole picture, so it’s now easier to spot the details.

Seeing at 1/24 of a second is quite impressive…!

I don’t remember who was in the picture before I saw it…

It is beautiful that Fujikiseki, who gave Jungle Pocket the goal of running first, helps him regain his focus after losing his goal.

Speaking of which, I didn’t even notice that the Taramai group was eating yotimake…

I kept pressing the stop button repeatedly and finally got to see it…
You find these things well.

I feel like it would be possible with a new era approach, maybe with CB’s JC.

Every year, some new video content is supplied.
This year it’s Single Rider, I wonder what it will be like next year.

The next adaptation might be the Stego OVA or something like that…

Please enjoy watching Aston Martin at the same time.

I remember that Ryuji went to see it; it was a hot topic back then, nostalgia.

I just want it to be on terrestrial TV, even if it’s late at night.

It’s interesting, but it has a lot of dark scenes and is really exhausting to watch. Then suddenly, Fujikiseki appears in a lewd outfit, and that was too much.