
There are too many otaku whose brains have been fried by Owen.
There are a lot of dark songs…
The fact that they can’t create the same sound now that they’ve accumulated life experience adds depth.
Crimson was in the game folder in wav format.
I like both versions of Meiji Seventeen’s Shanghai Alice.
Enigmatic Doll!
There were also some older works and Western songs.
The love mound of cherry blossoms is nice, isn’t it?
I like bullets that are a bit slower, like those of crimson color.
There are many types of bullets that fill up and remain on the screen, but I also like to dodge them while weaving through.
I want to live with the nostalgic feeling of the Horai legend and the cherry blossom love mound.
Is it true that the BGM from “Koumakyou” is slightly off in pitch when incorporated into the game?
The Hōrai dolls, including the booklet, have a gloomy feeling that becomes addictive.
To be honest, I can’t even say that ZUN’s recent songs are good…
The style of the early Win version might be difficult if it lacks youth and freshness…like the pretentious way of expressing things.
I made it to Pro Gear’s 2-5, but got stuck at Dying Death’s 2-2…
Recently… it’s been 6 years since the beast, so it might indeed seem lackluster lately.
I think it’s nice that there are ghosts even when it’s not a night like Luna Rainbow.
It feels like it’s from a religious route or something like that.
I see, I really like the idea that the world is made to be cute.
I love the heavy Japanese atmosphere of the country of snow, moon, and cherry blossoms.
I want to listen to something dark and intense again.
I thought you were quiet lately, and then I got my brain fried by Pure Hueries.
I thought it was quiet again, but I was burned out by the idol.
In Daioh, once you enter the second week, your remaining lives are confiscated…
Recently, there have been a lot of calm or upbeat songs, so I’m looking for something more intense again…
In an interview, it was mentioned that Owen, when he composed, thought he was a genius due to his youth, and I can’t help but agree entirely with that.
Though the bones have also become round, I can’t help but feel that if I were doing it now with the same sensibility as when I was young, it might still pose some problems.
It wasn’t too long ago, but when I first heard the idol music, I was deeply moved.
“I’m a fan of Izumi Takemoto and I’ve been influenced by their art style.”
I learned about it for the first time the other day.
I wonder if you’re watching Apocalypse Hotel.
I’m looking forward to what kind of BGM will come out in Nadeshiko’s trip to Tokyo, no matter what.
I love the glorious law of survival of the fittest, even if it tends to be hidden behind idols.
When I heard the memento with Go, it wasn’t that great.
When the story of Beast’s Blue-sama played, I got so excited that it became overwhelming.
When it comes to older works, there might be a tendency to take a step back in that regard.
There are other old works that are just too similar too…
The old work is a fan work, after all.
Well, even now…
Well, old works are, for better or worse, doujin.
In my opinion, I’ve updated my masterpiece in Unlocalized Hell, so I don’t feel like speaking badly about ZUN’s recent songs.
I feel that game music has become varied in many ways compared to the past.
There are quite a few characters from older works that are on the borderline of being out… but I want to see Mima-sama again.
Horai Ningyo really has a lot of dark songs, doesn’t it?
My recommendation is Circus Reverie-chan!
The Hōrai doll is not that dark.
What is truly dark is “Rendai no Yagyou.”
Even now, I still get a little excited when a song with an old-school vibe comes out.
Eternal three days of rule.
“Let’s listen to the long-awaited twilight time of recent songs!”
Also, most of the tracks in Bullet Phoria are great.
It feels like the sound sources up to “Kou” are fundamentally different from the ones after, but I wonder how it is.
I love the music from that time.
I can’t tell whether the songs included in the Hourai dolls are from the old works or not.
I like past flowers.
When it comes to the Touhou series, I get the impression that only the music for “Kou” is special.
Isn’t the sound completely different from the previous work and the subsequent yokai?
If I were to say, maybe it’s the same source as the west?
What is Touhou? A mysterious midi captivated me in the official website in the past.
While rainbows are a big hit for all the background music from the fourth stage onwards, the boss music has a strong quirk.
The Horai legend is great, isn’t it…
I am a man whose brain has been burned out by Star, Tensoku, and DS.
Is the sequel to Tensoku still not out? I’ll keep saying it until I die.
My favorite CD is “Uto” but overall, in terms of the whole “Hifuu,” it’s “Old Adam.”
Tanabata-zaka had great original songs, but there were quite a few arrangements that didn’t quite fit.
Lotus Platform Night Journey
I really love Namushou’s songs.
But it’s not that I dislike old songs, so the number of songs I like keeps increasing.
Twilight, you see…
Why did that happen…?
I love it so much that I wonder if it’s really okay for such a cool song to come from a declining industrial heritage…!?
ZUN was fulfilled at the time he composed “A Thousand Year Gensokyo.”
I also consume old works.
I will also devour the new work.
The ability to feel both as delicious and transform them into one’s flesh and blood is essential in the East.
ZUN was fulfilled at the time he composed “Matenrou no Kanjou.”
I feel like the style has changed since after God.
“Give me the arrangement of the sea urchin, even if twilight has to die.”
I thought you were quiet lately.
The super direct and flowy melodies of Hyōitsu and Memento are really great, aren’t they?
I don’t care what it is, just release the Beast King Park soundtrack on subscription services already.
It’s somewhat difficult to talk about old titles because there are almost no legal means to play them.
If it’s a trial version, it’s still being distributed, so as long as the environment is set up, it should work, right?
I can’t express it well, but I was surprised that songs like this are okay from a Shinto priest’s perspective! That was “Tsumitsuki.”
ZUN was fulfilled at the time he composed “A Thousand-Year Gensokyo.”
It’s crazy that Owen and Septet are in the same work.
ZUN was satisfied at the point when he composed Pure Furies.
I am always impressed by the new elements in each new song.
Aren’t you still unsatisfied, actually?
This uncle is always satisfied…
ZUN is not satisfied even after composing Tengu Gensokyo for a thousand years.
Witches’ Ball ~ I Love Magus
I downloaded the MIDI version from the old HP, set up the environment, and when I listened to it, I cried.
It seems like it’s going to be released this year too, but it’s impressive that it continues at a pace of one every two years.
It’s really sad that the serialization of Kourindou 2 has been interrupted.
Do it at the ragpicker’s place.
A game that cannot be forbidden…
I like the atmosphere of the game “Phantasmagoria of Flower View.”
The tone is somehow easy to listen to.
The ghost band is nice, isn’t it?
Lyrica is not popular, but…
I want new works every year, and I also want Hougetsu at Reitaisai.
I love to wander through the Denderara field at night.
I want to listen to it when I take a night walk.
I like the atmosphere of “Fūjinroku.”
The beautiful yet somewhat lonely atmosphere of autumn can be felt from both the visuals and the music.
In recent years, aside from the EX boss songs from the 6 bosses, I like the first boss “Oni” and the fifth stage “Niji.”
It can also be seen as an artist who releases an album every two years.
It really felt like a game song, old Yuanshen.
I can hum the melody, but I can’t remember the song title, man!
I am aware of the existence of the old works, but the means to access them are too limited, so I don’t feel the need to pursue that aspect too much.
Even though it’s not a very prominent enemy theme from an old work, “badApple” became extremely famous and is filled with the essence of the Touhou Dream from that time.
I like the old compositions of Romantic Children.
I love the disappearance of dreams from older works to an insane degree.
I was moved when I heard it at an orchestral concert in the East a long time ago.
Bring out more Western monsters.
I wonder if there is anyone who knows all the Touhou songs…
The old songs feel more Western in style compared to the Windows version.
It’s nice that it starts with the Hourai legend and ends with the mysterious everyday life of the flying miko…
I don’t know why, but I really love Desire Dream.
I got pierced by the Desiardrive.