
The system, the scenario, and the big breasts are all great, right? 2
It feels good to be organized after Yumia…
Throughout the series, there were depictions that conveyed loneliness, but it’s nice that it wasn’t spoken about until the ending of the second one.
>>3
Until then, it was flowing like a shocking fact, and at the very end, it made me tear up a little.
Big boobs, big boobs, and the atelier of big boobs.
To be honest, I like the song the most.
The huge breasts may make it less noticeable, but Sophie-san is also quite big…
I have loved “Sail on Sunlight” since the first time I heard it, and it’s still one of my most played songs.
If I had to say, I would have liked them to simply show Neuenmüller.
The buffs and debuffs are so strong that it’s fun to throw items around.
But it’s bad that it has a low usage frequency.
I quite liked the combat system where you could switch between the front line and back line.
Isn’t it okay for an atelier not to be open world?
>>12
Since Gaston-chan tends to feel overwhelmed, an area-based system is more cohesive…
Alchemy is fun.
>>13
I really understand…
Is there romance?
>>14
No way!
In other words, it’s a timeline that was inserted between the series, so there’s no way to include it no matter what…
There were some points deducted, but it was the first Atelier where I thought, “Oh, it’s okay! I forgive everything!” with Sophie from the ending.
I think the so-called weather stone is totally valid even until snow.
Both the opening and ending themes, as well as the song for the mayor’s inauguration, are good.
Hoi hoi hoy!
Gurukongurukon
I laughed at the fact that grandma has an incredibly tough fighter’s big chest and doesn’t look like Sophie at all.
>>22
Not being able to clean the room is the same thing!
Saying goodbye to Sophie and Grandma is nice, isn’t it…?
It’s unavoidable, but since I can’t get involved in my friends’ circumstances, Sophie’s reaction felt somewhat restrained, which was a bit lonely.
I wish they had explored that more, especially since they have characters from various eras.
I feel the obsession in the NPCs being packed with big breasts.
I’ve always thought that it must be easy for the shopkeeper, who is close to the shota and loves to sleep and drink milk, not to have to think about how to introduce H scenes…
>>26
I’m going to help the young boy with his first experience…
When I watch interviews about the making of YumiA, I can’t help but think that it’s a miracle that the Mystery series was able to come together with a proper ending as a drama.
>>28
It leaves a strong impression that Gust is not very good at creating stories…
>>31
The first and second installments are good, but I get the impression that the quality of the scenario declines from the third one.
Yesterday made it possible for us to properly use collaboration attacks.
It’s really great that blending is so much fun.
Make 3 of them too.
If you duplicate Pirika too much, she’ll fall asleep, you know…
>>33
I want to drink milk…
Grandma, it’s a shame to end it here.
>>35
Since their name is mentioned in both the main story and the events in Les Relais, they might have a role.
>>40
I want you to come since the young Plafuta is out too.
Can be used in Musou Abyss as well.
If it starts after Redisutuuru, it seems difficult because you’ll be wondering what the alchemist Osugi will do!
I mean, you don’t really understand grandma’s husband, do you?
I was playing while thinking, “Is it really okay for Elvira to be this sexy?”
>>41
High gray…
The elements I’m looking for in the atelier might really be enough in Sophie 2.
The combination of Rie Takahashi and Yuuka Aisaka reminds me of a certain unit from their early days.
Rousha has become a lewd goddess…
If I had to say, I wanted a boss battle with vocals.
Aisaka-kun’s audio comment is long… heavy…
>>47
The usual comments from Sophie in the Mysteries series are good, right?
I remembered from the comments that Tohchi-san’s comment about Philis was super simple and it was disappointing.
I definitely want an atelier on this route too.
>>48
I want you to create two versions, one with an action theme and the usual theme.
I want to use the doll’s prafuta too…
>>49
I think it’s a waste given that it was newly modeled with such effort.
It’s unavoidable that becoming too close might cause problems later on, so it feels like I didn’t really delve into relationships… well, even so, I’ve managed to resolve quite a few issues.
All three of Orias, Aret, and Dbolt are not too quirky and are really nice people…!
I haven’t gotten into it yet, but where does it fit in the timeline?
>>53
Between Sophie and Phyllis
>>53
Between Sophie and Phyllis.
>>53
Sophie after, Phyllis before
It seems difficult to fit the timeline of Sophie 3 in from here.
That said, it seems that if “Phyllis 2” comes out, it will likely become an open world…
I could sense the determination to continue with Sophy Pura.
I really think the puzzle alchemy system is well designed.
>>61
It’s my favorite alchemy system.
It’s really tough not being able to change the alchemy furnace!
Alchemy catalyst…?
That’s nice, isn’t it?
It’s a large-busted high-leg (swimsuit), but the contents are of a young girl.