I wonder if there’s a setting for the Four Demon Nobles.

Is it the one with the branding iron?

>>2

Is it the one that says something like “You should sweat it out…” and then comes out?

>>6

Those who say “Shed blood, sweat, and tears!” while weighing down my movements.

I dislike it because my balls got eaten after the update strengthened it.

>>18

The hypocrisy of pretending to be a muscle-bound fighter while causing economic chaos and spreading drugs in the Abyss League.

Characters that gradually appear as playable in Romancing SaGa RS.

Since the remake of Romancing SaGa 2 was interesting, I want them to release 3 as well.

The Seven Heroes know about the Four Demon Nobles, right?

In the remaster, a bit of dialogue was added, but it’s hard to say it contributed to character development for the island nobility.

>>8

Speaking of which, it was fine whether it was Shimakizoku or Yonmakizoku… but it was decided to go with Yonmakizoku, right?

A fluffy existence that had not yet determined its pronunciation.

>>8

Don’t say it like Torikizoku.

The soldering iron is Arakesu.

Grandpa is Aunas.

It seems that the deep dive into the Seven Heroes was done through discussions about cards and mobile games, but is there nothing like that for the Four Demon Lords?

>>11

The origin of the relationship with the demon king is described in the flavor text of LoV.

Well, it’s already a given that a third one will be made; it’s just a matter of when it will be released.

Upon reflection, the Seven Heroes are the final bosses, but since they’re not really the final bosses themselves, maybe that’s why they aren’t explored much.

>>14

Dramatically, it’s easier to explore the Holy King and the Demon King.

Four Heavenly Kings of Destruction

It’s not exactly like that.

It seems that while each event can be quite lively, it doesn’t feel like there’s anything that could really enhance the main story.

Is it bad that there are neither a holy king nor a demon king?

Even though there shouldn’t be anyone else, I couldn’t realize that Forneus was Forneus just from the page on the right.

The impression of the monster is too strong.

>>19

The shadowy figures are a reflection of their ideals, so if they leave a strong impression, that is a delightful thing.

Why are there confusingly named guys like Aunas and Arakes in the group of four, even though they aren’t twins?

I was tormented by an incomprehensible deck with Shizune from GunSlinger and Sheerah and Forneus from Romancing SaGa in LoV3, so I really despise Forneus.

It seems that the Holy King is greatly exaggerated in social games or something, but is there no relationship with the Four Demon Nobles?

>>23

From the perspective of the holy king, it is nothing more than an existence that should be defeated, having once allied with the demon king and harmed humans…

I couldn’t help but laugh at the Gomaki tribe.

Forneus and Bune seem to leave quite an impression, don’t they?

Bune is probably thanks to Guwain.

In social games, the full picture isn’t becoming clear at all, as it’s being revealed bit by bit.

It seems that the end of service will come first.

The water one was really strong.

>>29

The casually arriving maelstrom is too crazy.

Isn’t it really a remake for 3… shouldn’t it be completed before that?

The second one, whether it’s a port or a remake, already has a solid foundation, so the situation is completely different.

It’s recognized as an unfinished game that was released after its prime time.

In Remake 3, it seems possible to gather the memories of the Holy King and Demon King, but unlike the Seven Heroes, there’s a feeling of “what’s the point” in looking at the past of those who aren’t in the present.

Forneus wants to equip fish scale armor to counter the maelstrom, but they also use lightning, leading to frequent accidental deaths…

3 has incomplete parts that can be felt at various points.

I want a remake because I want to see that completed.

It seems that just throwing it at Gene Studio won’t solve the problem because we need to put a lot of effort into it.

Isn’t it tough to start with reducing the number of protagonists?

Some characters have very little relevance to the main story.

>>35

I’m playing Minstrel Song again, and it really feels like you could compress the main character down to about half.

The variety of dialogue is amazing, so it keeps my motivation up for repeated playthroughs.

Troublesome.

The remaster is more comfortable, but as for whether it’s complete… the Eastern side is still barren!

Well, I was able to learn about each character’s background, so the level of completion has increased.

It would be okay to change it as much as Minstrel Song.

I want erotic illustrations to continue!!!!!!!!

If anything, I could directly invade and ignore the main bodies of the Four Demon Nobles.

The character event in the remastered cave was good, but it feels completely tacked on and isn’t woven into the game.

It seems like the one that jumps saying “den den den” was the arakusa…

The second one feels like a compilation of various enhancements that took many years to reach its original level of completion.

To make number 3 appealing, it needs to be enhanced, and above all, it seems to be quite difficult because it is originally incomplete.

Wasn’t there a joining of Katarina as a companion even in the HD remaster?

The Twelve Holy Warriors have not yet made their appearance.

There are many holy king weapons whose users are unknown.

I heard that the number of nobles in mobile games is increasing.

>>46

It seems that Oryax has emerged, and there are rumors that it might be related to the 72 found in the original source, Solomon.

It’s goodbye…

You probably understood, didn’t you?

Obsolete SFC games released in the era of PlayStation.

Is there anyone who has as much attachment to real-time as I do?

>>48

The PlayStation of that era was like air.

The maelstrom is painful, and the bullseye is painful too.

It might just be a story that the demon king opened the gate and summoned four people for the time being.

If I had opened 72 gates, Bael might have come.

At least, it would be impossible to elevate the Four Demon Nobles to a level of charm equivalent to the Seven Heroes.

Even if a remake comes out quickly, it will probably be in 2 to 3 years.

If it’s just Biyunei, could there be a chance if I go all out on the erotic side?

>>56

The Demon King is more impressive when he impregnates the heroine, who is the protagonist’s younger sister, and has twins in the first part of Re:Unite than in the original work.

>>94

Terrible.

>>97

Because I’m making them inhale miasma and getting them pregnant…

And the player is teased, asking, “Was it really your brother who did it?”

>>94

I thought it was definitely Polpol-kun’s seed, only that it’s out of compliance.

Surely, only the fire old man has a low rank around that of a viscount.

The deep exploration of Seio-chan is being seriously done in the social game.

There were several browser games and social games, but the only ones that have increased are Oriaks and Dandalion, I suppose.

People who played PlayStation during the time of Romancing SaGa 3 are rare.

You did a stage play for 3, right?

In the beginning, it was probably Virtua Fighter 2 on the Sega Saturn that dominated.

Due to being incomplete and lacking explanations, it only turns into a nameless enemy that is impossible to understand.

The Four Demon Nobles battle has a cool BGM, so it leaves a lasting impression.

I have no memory of the characters from the Four Demon Nobles themselves.

The Seven Heroes

– At first, someone straightforwardly picked a fight, and that’s how the conversation started.

– If you get too detailed with the events, you’ll understand that ancient people hold grudges and are trying to take revenge.

– Therefore, I will defeat it because it has become nothing more than a transformed monster.

There was a framework like that even before the remake, and since it’s the core of the story from start to finish, adding details didn’t feel out of place.

It’s really tough to do that in Romancing SaGa 3.

I’ve seen stories where someone just gets beaten up by the demon king and becomes their subordinate, without much thought put into the setting.

It’s partly because the Four Demon Nobles are unsatisfactory.

The reason why the Seven Heroes should be defeated as an enemy group in the SaGa series and RPGs is also solidly established…

The expansion of the empire and the defeat of the Seven Heroes both serve as solid pillars, which is why Romancing SaGa 2 is interesting to play.

There are aspects where the sadness of losing both body and mind to an accumulation of past memories becomes especially prominent.

I think what Reb Saga skillfully managed, without wavering, is the fact that, in any case, they are merely enemies that should be defeated.

>>71

It’s not a big deal, but there are already seven monsters.

I feel like I’m in a position where I’m providing mercy killing, as if killing them might be their salvation.

Forneus still has some connections with that old man, but I don’t really understand the others.

>>72

Bunai also has a connection with Gwain, so it’s somewhat better.

Arakes and Aunas don’t have anything special like that…

>>111

Wasn’t Arakesu supposed to take an offensive approach from the economic side with that kind of appearance?

Is it the third one where only the flames are animated and glittering?

My first experience with a Romancing SaGa character was in LOV.

>>75

I often included the Seven Heroes and the Four Demon Nobles in my deck from the protagonist’s side.

I like both the visuals and the way the name “Bune” looks.

>>76

The transformation of the three-headed dragon’s head and the aerial battle between the protagonist and Guinevere, as well as the combat situations, are well-executed, which is great…

It was cool that the Seven Heroes reproduced their pixel art poses before the battle.

If it were to be remade as 3

I want to see how to draw that bouncy character coolly.

I only remember that Aunas and Arakes had confusing names and that they showed up as if they were just there when I entered the dungeon.

Forneus and Bune are well-defined characters, and they also have some backstory.

Bune is weakly wondering if my main body is destined to be defeated here… which is a little exciting.

The character Yakigote has a distinctive feature of making a heavy entrance as it walks in.

Many players in SaGa 3 don’t really understand the story to begin with.

First of all, in that world, there is a solar eclipse (referred to as “death eclipse”) once every 300 years, and all babies born in that year (including humans, animals, plants, and monsters) die.

But in the death game 600 years ago, for some reason, only one person survived, and for some unknown reason, that person claimed to be the demon king and caused chaos in the world.

At that time, I opened the Abyss Gate, went to the demon world, wreaked havoc there, beat up the four demon aristocrats who are the rulers of that realm, and brought them back here as my subordinates.

After that, the Demon King died (he wasn’t immortal or anything, and had a normal lifespan), and the remaining four demon nobles continued to wreak havoc in this world without going back or anything.

So, 300 years ago, another death event occurred, and this time there was one human who survived. That person claimed to be the Holy King, beat up the four demon nobles running wild, and sent them back to the Abyss, closing the gate.

Three hundred years later (at the start of Romancing SaGa 3), a death-causing event occurs again, and this time, because two people survived, it somehow bugs out and the world breaks!

For now, the Abyss Gate is half open, so shall we go close it? Let’s smash the Four Demon Nobles!

It feels like they’ve been continuously beaten up overall, so the Four Demon Nobles are kind of lame.

>>82

It feels more like it just happened naturally, rather than being a purpose of the trip.

I feel like the only ones whose purpose for the trip is clear are Harid and Catalina.

Bune → Attack on Roanne from the Tough Turn Mountain.

Arakes → Establishing the Dufore Trading Company and engaging in covert activities.

Forneus → The island at the world’s end and the Vanguard attack

Aunas → Doing something deep in the jungle.

I don’t really understand what Aunas is doing with their research on magic.

There are parts that are stored in the reuni settings, but four of the strongest among the influential figures in the Abyss appeared in 3 as the Four Demon Nobility and are generally satisfied with coming to the vibrant world of 3 (especially Bune and Forneus). Aside from Aunas, who was beaten and submitted by the Demon King, I only understand that they have mostly equal relationships and have become the Demon King’s subordinates.

I still don’t know the real name of the Holy King… Even during the Girls’ Generation, it only comes up under the name of Lance’s daughter.

I was stolen by the spear saint king of Arakes…

The presence of the Four Demon Nobles is almost thanks to the background music.

I thought 3 completely unfinished after going to the east side of the map.

I don’t really get it, but those guys have cool background music!

It’s not like the bad guy is super obvious like Saruin, so I feel like I can’t really get into defeating the things he’s destroying.

It’s like some kind of natural phenomenon.

The sense of turning “Bune” into “Byune.”

A country person who longs for the city went out with the flow, but since there was nothing else to do, they went around closing Abyss Gates.

>>95

Hmm, this is an heroic act, so I’ll raise your rank.

It hasn’t been stated that the Demon King suddenly left for the East and became missing, feeling like he died.

In the case of RS, they became an existence outside the principles of the world and were working in the shadows.

>>98

Although it was a rejected idea, there was a crypt and it seems like I might be physically dead.

The island nobility only gives the impression of suddenly appearing and killing.

I don’t know anything to the extent that it’s impossible to explain what it is if I’m asked to.

The Sinon group has a sense that once they embark on their journey, they’ve achieved their goal.

Bune is not the type to be influenced solely by charm, so what is with that overly provocative fashion? Is it a hobby?

It can be inferred that there are discussions about OP, poets, and Johannes, giving a sense of the background and the necessity of closing the gate.

Towards the end of Sarah’s reveal, it’s difficult for her to connect with the main characters, and there’s a lack of that sense of mission, isn’t there?

>>104

It’s not like everything converges to this being the cause!

For now, there is some harm, so let’s close it… that’s about it.

It’s confusing like Torikizoku.

They are just people with cool background music.

Ultimately, destroy the solar system with destructive power! Transform that into the power of regeneration with the power of the child of destiny to regenerate the solar system!

But the Death Star, isn’t it just fine to say it’s no good…?

It is somewhat a distant cause, but it is related to Harido’s grudge, isn’t it, Arakesh?

I like the Romancing SaGa feeling of somehow imagining the world from sparse descriptions and short phrases.

If it’s explained too carefully, it might end up being something different.

However, there are many things I want to know… Hmm…

There is no need to explain everything, but there are many parts that are insufficient to be filled in by imagination.

Overall, it is clearly unfinished.

Byunei: “Nyu!”

>>117

Rock Bouquet: “I’ve been stolen away!”

What were the people of the fire technique fortress doing by building a fortress…?

Was it Thomas’s role to stop the invading Abyss Company and others?

In RS, the Demon King made Liz pregnant to create a destined child and use it as a vessel, or something like that…