>>1

Kasshi… don’t go bankrupt…

Even if I say it, there are many in the metropolitan area, so…

Since there is also a distribution, well…

There are various levels of liking, but isn’t it suspicious for someone to be pursuing everything unless it’s for work?

“I want to stay in Fukuoka between Shani Fukuoka and Dere Fukuoka.”

>>5

It’s just one week.

To be honest, I don’t think there are even 1000 attendees, so I feel like the official has been mercilessly overlapping events recently.

Shani will definitely have a live performance in October as usual, but could it be that this year there won’t be any more additional ones?

I had a feeling there would be a joint event this year, but maybe there isn’t a gap…

>>12

There is still the end of the fiscal year.

I think it’s amazing how some people follow not just Dere but other brands as well.

I think it’s questionable whether there will be a live performance since the joint event itself will be held.

Aren’t you using SSA or anything like that lately?

I was following DereMiriShani despite the small number of AS, but now that Gaku has joined, I’ve had to narrow it down.

Because marriage and child-rearing have come into view, I have started to narrow it down to just Miri.

Honestly, it’s so much that it’s exhausting even if it’s all streamed.

I’m following multiple games, but it’s financially impossible to fully follow multiple brands for real events and merchandise…

At this point, it’s a choice between staying calm or dedicating your life.

Even so, this is on the smaller scale for events in the two-dimensional idol content genre, isn’t it?

It feels like Love Live and BanG Dream place more importance on real events.

>>23

I watched Bang Dream, but aside from external invitations, there were 30 days’ worth of plans for this year.

So, since the number of live days shown in the thread is the same, I feel like when comparing all of Idolmaster and BanG Dream!, Idolmaster has more.

>>30

There are many invitations from outside.

Well, Shani has that aspect too.

The overlap between Idolmaster and Idolmaster is happening quite normally now.

>>24

Even so, it seems they are doing their best, for better or worse, by keeping it to events like release events and radio recordings, while avoiding overlapping with large concerts.

>>24

External events and doujinshi fairs tend to overlap quite a bit, after all…

Although transportation and accommodation costs have risen dramatically, the pay remains the same, so traveling for expeditions is tough…

It feels like they are putting in effort to adjust the timing of live streams, whether earlier or later, considering each Idolmaster.

It’s strange that there’s some Idolmaster stream every day.

I was unsure about who AP Kassi was and had avoided them, but this person is very knowledgeable about everything and it’s quite impressive.

>>28

Since I didn’t get into the iM@S live, I’m taking action by applying to be part of the setup staff for the iM@S live (as staff, I won’t be able to watch it or anything like that).

There is also a local collaboration on top of this.

Mili’s postponement schedule for the 11th has not been announced yet (at least after the 12th).

It seems likely to grow normally by the end of next fiscal year.

>>32

Well, if we’re going to keep it consistent with Meitetsu Kanko, which is sponsoring us, and have it in Nagoya while also coordinating the members’ schedules, that’s a bit tricky.

>>32

It’s possible to hold the 12th a month after the 11th…!

The thread image only shows the large live events, but in reality, there are several release events as well.

I’m just thinking that the merger will probably be around next summer.

Since this is organized by Idolmaster, there will also be external appearances, like in April’s Main Note.

>>40

I wonder if Anisama will come too.

>>36

Mili usually holds only a handful of large live performances a year, except for the 10th period, which is unusual.

The frequency of the release events has decreased quite a bit compared to the very beginning.

>>36

Aren’t both Deresute, which holds tours multiple times, and Shining, which has an incredible number of live performances, really energetic?

The academic mass has just begun, and they are still in the process of measurement.

>>42

It feels like the frequency of discussions about the live events themselves is quite high.

Learning really begins after you expand your capacity, right?

It’s a personal impression.

The 12th Tomikku solo live is perfectly overlapping, so it’s impossible to hold the 11th R at the 12th venue…

Because the 11th was canceled, Million was in a live hiatus for nearly a year since Act 4, wasn’t it?

If a milo-star’s leading role live performance happens once a year, it will take at least 20 years, but I wonder if they will increase the pace in the future.

>>46

If we’re going to do it, it seems like it won’t be completed unless it’s in a small-scale setting…

>>46

Well, you’re just all talk and holding onto those aspirations, aren’t you?

I can’t really believe that Matsuda’s leading performance is coming.

>>61

First of all, Matsuda hasn’t been able to attend Milly’s live performances much lately…

It already seems like it’s going to be fun, and I want it to be done grandly in that sense as well.

Mili’s live frequency has calmed down compared to a while ago.

Although there are circumstances on the 11th, the 12th is also a reasonably sized venue for a solo performance.

M is nervous about whether everyone will gather for the 10th anniversary.

>>49

Has everyone been present until now?

There are surprisingly few subjects in school, aren’t there?

>>53

It’s still in the early stages since it hasn’t even been a year since the release.

Since there are multiple songs for groups like Shani and Bandori, there will be group participation.

It must be tough for people who try to keep up with just one piece of content.

>>54

Shani participated in some external festivals with all units last year.

Isn’t it already insufficient with just K-Ari?

I’m happy that I won the ticket for the school Matsuri live, but next week is the Dere Okinawa.

Furthermore, if you pursue the person inside, you’ll find that nothing is enough.

The curriculum was probably decided before the release for the 1st phase, so it might increase after that.

I think my friend who goes on trips to this and voice actor live events almost every weekend really has a lot of money, even though they have a good job.

I don’t know if it will happen because Fuji TV is all mixed up, but if TIF takes place this year, Shani, who has been participating every year, and possibly Gaku might be there too.

I’m following Viarra, but there’s no way I can manage the consecutive live performances in March!

Basically, it’s really difficult to secure a venue right now, so it’s almost impossible to suddenly book something, even though it depends on the performer’s schedule.

First and foremost, with the streaming options being incredibly rich nowadays, the number of people going to events in person has significantly decreased.

So it differs quite a bit from the feelings of the past.

>>68

About two years ago, LV made a comeback, but even at the closest location, it wasn’t filling up, so I haven’t done it since.

It seems tough since they also handle popular titles like BanNam’s live unit Love Live and Uma Musume (Lantis-related).

I think Gakumas hasn’t been released yet, but I believe there will be one or two more real events this year.

It seems difficult for iM@S to gather voice actors all at once.

The thing that Bandai Namco has built in Shibuya wasn’t made for them to use themselves, was it?

Well, it’s not like 10,000 people will come, so it would be troubling if it’s used for the Idolmaster anniversary.

>>73

I see people saying things that sound oddly like an Idolmaster theater, but wasn’t it about whether it has a capacity of 2000 or not?

The use as Bandai Namco seems to be mainly focused on eSports, and it doesn’t look like it will be used live much except for release events (it might be possible for classical concerts?).

>>79

If the release event is being held at that location, as a resident from the countryside, I would be incredibly happy.

It’s really difficult to go back and forth once you leave Tokyo Station.

Aren’t you the only one in the world…?

The Bandai Namco box is just right for playing MRxR, don’t you think?

It will probably increase in the future.

>>77

Shani was 2500 last time and will be 2400 next time.

961 is 2000.

When I think about it, I feel that it is completely insufficient.

I still thought I could manage everything, but thanks to the other dimension, everything has gone wrong.

>>78

Yesterday’s milli was quite busy with dual responsibilities on the other side…

>>85

Hachipoti has waited 7 years for this long-awaited moment, but there seemed to be many people over there who were quite serious about it in a way that felt a bit too intense…

If you follow everything, you’ll go bankrupt, damn it!

Die!?

To be honest, if I go to concerts more than three times a year, I would go bankrupt.

Kasshi is doing his best, but it’s already at its limit that AP can’t run events…

>>83

Kasshi is so much of a superhuman that it’s painful that a partner can’t be born.

It seems that just keeping up with all the songs would result in about 10 new songs a month.

If you only participate in one day of each brand’s live event, it should be manageable.

If you try to do all 2 days of the event, you won’t be able to save money.

The local price increases are gradually becoming a problem.

The venues for the MR live performances I’ve done so far are large, around 2500 capacity.

Suddenly, there’s the question of how much of the Budokan will be filled by Chihaya when she jumps up.

Do you like IM@S? I know about it! I collect all the merchandise!!

>>89

You’ve had too much Dodekaminn.

>>94

I might have gotten used to this kind of thing with Koiwai milk coffee.

>>89

Focusing on one brand can lead to bankruptcy; even if you avoid that, your body might suffer (from drinking too much like with Dodecamin or Koiwai’s products).

Isn’t the MR Budokan around 7000 due to equipment reasons?

If you think in terms of the time when it was about 7000 yen a day, it’s understandable that it has nearly doubled, but you can only accept it since the previous prices were just too low.

Even though it’s the 961st performance, they said the venue is small! That’s how I felt.

Speaking of MR live, Shani was doing the characters’ commentary, and I want them to keep doing that more and more.

>>98

It’s quite interesting that if we say the characters performed live in MR, we can incorporate the live performance that actually took place into the work.

During the COVID-19 pandemic, prices went up, but the environment where there is no one next to you in a staggered arrangement might have been the best.

>>99

It’s good that I can avoid damage from those who are hyperactive and can’t speak since I can place my luggage.

I haven’t been able to get many tickets this year, so I have some spare time.

I have already applied, though.

Kasshi is amazing, but a little creepy… an amazing person who is coming out ahead.

Yesterday, it seems that a P was distributing hundreds of Mega Shaki on-site for some reason.

Recently, I’ve heard that the main reasons for price increases are the rise in labor costs and the rising prices of equipment used in production (mainly semiconductors), but while prices are at past levels, the production quality seems to be improving (not necessarily bad).

There is one thing about the character that is not good for the audio commentary.

Too elegant.

I’m only following Deremasu, but I’ve given up on the live shows in Fukuoka and Okinawa…

Expeditions are fun, but the money…

Why am I buying both the streaming and the discs even though I’m there in person…?

>>109

Because there are things like audio commentaries.

Speaking of which, I’ve been doing more live performances in Tohoku lately, but have I ever performed in Hokkaido besides for SideM?

>>110

I feel like AS was doing it before the anime.

I looked it up!

AS6th was in Sapporo.

How about that!

https://dengekionline.com/elem/000/000/380/380486/

>https://dengekionline.com/elem/000/000/380/380486/

Oh.

It’s scary that they’re tracking everyone in the database.

I wonder if Kassi has a job and if such tickets are provided.

>>116

It seems that it won’t happen.

>>119

Well, it’s probably the case that going there in person is impossible.

>>120

It seems that I was at the venue for a business card exchange project with Connect Lip, but apparently, there were no seats prepared (the person also mentioned that sometimes there are no seats available).

>>120

I think we’ll end up watching the stream in the room where it’s being streamed…

>>120

It seems that a seat for related parties is sometimes prepared, but their stance is basically to get a ticket and participate on their own.

It’s not just the local ticket price, but the transportation and accommodation costs are high too.

I think the local forces are having a tough time.

Which regions haven’t had any real-life events besides collaborations?

Sanyō, San’in, Kōshin’etsu?

>>118

If there is a festival, Komettic was scheduled to appear in Nagano.

>>124

They were there…

I was waiting for my turn, but no one came no matter how long I waited.

Something feels off with the timeline, and the corridor is blocked and covered with blue tarps, which makes me feel really uneasy.

But all the participants, instead of complaining, are expressing their gratitude and giving applause to the organizers who reported the cancellation and to the staff who are guiding them back.

I was able to feel the warmth of people, so overall it was good.

>>167

It was just too frustrating.

The venue for the 11th Mili event has terrible access, so I really want them to stop… Can we do it somewhere else…?

>>121

Whether it’s fortunate or unfortunate, since it was postponed, there’s a chance it could be at a different venue…

As a result of following various things.

I think it would be good to have a live performance about once every six months.

Kasshi will also have a live stream tomorrow playing all current Idolmaster games for April Fools’.

People often talk about live shows, but it must be tough to also keep up with games and not do any AP work…

The new IG Arena in Aichi seems good since it’s located in the city.

I hope you won’t use trashy venues like Centrair or Port Messe.

>>127

I think that expectation will probably be betrayed, as a resident of Aichi Prefecture (there’s nothing in the vicinity, and while it’s not impossible to walk to the urban areas with various things, you would go there by subway).

Aren’t live performances not as real lately? The anime has settled down too.

Even the San’in region, which has no connection to collaborations, has developed ties with Matsue in just two squares, and it seems that each region has some kind of connection (if you say there are connections nationwide at the Animate National Fair, that would be true).

>>130

Before that, Shani had collaborated with the pudding thing from Tottori.

Since it’s online shopping, it’s not on-site.

It’s already become a completely different price, but isn’t streaming still expensive?

In the LV era, noble gases were a bit cheaper.

>>131

I was looking at my purchase history on Asob Store the other day.

The live event in 2021 had fewer than 10,000 attendees on both days.

It felt really cheap.

>>131

LV is cheap because the location is limited and there are many users.

Streaming costs money because many people use it.

You don’t have to go to everything just because it’s about Idolmaster; you can just go for the ones you like.

Kasshi can go as an industry person, but since it will be in the industry seats, it seems like it’s still common to secure tickets together with connections from the old days of the Idolmaster as much as possible.

It seems like they’re spreading it around even in the VIP section.

Content that cannot be caught up with by the poor.

In the first place, you can’t really pursue otaku hobbies without a certain level of income, which has been true for a long time.

Due to various expenses, I’ve been opting for only one day instead of both recently.

So when it comes to which one to watch, it’s the second half, right?

Before Shiny Colors started, I was playing all the Idolmaster games and participating in the live events through live viewing.

Since the start of Shiny Colors, I gave up on following everything.

Well, if you ask whether it’s enjoyable for someone who has been normally enjoying from the audience to now be sitting silently in the VIP area, the answer is no.

Sometimes I think it might be okay to enjoy things that way.

I was able to see it for about 4000 yen at the cinema…

I casually went to see live shows when my friends invited me, even for artists I didn’t know.

Well, that friend went to V…

Please give me a ticket for the school mass!!!!!!!!!!

！！！！！！！！

It seems that GakuMas hasn’t held a live performance with all members assembled yet.

>>145

Isn’t it quite natural for that to be the first?

>>151

Still, I don’t know if Yume can come.

Based on precedents like Dere and Shani, it’s not impossible to have just one song or maybe a brief appearance.

Everyone gathered at the theater wearing their best clothes, and the atmosphere felt like a semi-official venue, which was fun.

You can’t see the faces of the people enjoying together during the stream.

>>146

Let’s do it… ZOOM indoor camera otaku live viewing!

>>146

It’s fun to gather at a hobby friend’s house and watch a live stream together with multiple people.

>>152

The ease of being with family is nice in its own way, isn’t it…?

If there weren’t works like this, I wouldn’t be here in the same space with the people I am with now.

I loved moments like that…

The only live concert I attended was in 2021, but it still felt a bit lonely.

Finally, I participated on-site.

Strictly speaking, it’s not an IM@S live, but…

It was the first BanG Dream! Fest.

I want to see Bandai Namco Fest 3nd too.

>>154

I want to see the 1st and 2nd as well.

The good thing about streaming is that you can have good food and good drinks while watching.

I drank too much once and passed out.

One time! Two times!

The cast and performances are prominently displayed on the theater’s superb sound system and massive screen.

Looking back, it was luxurious…

Since the people of M were serious about curry bread, I decided to buy it at this Hatchipotch, and it’s seriously delicious.

I want to eat it again.

If you only follow the academy and Miri, it feels like there isn’t much of a crazy amount of live events or merchandise supply.

It was something like compensation for the canceled live event, but I would like to see a streaming project similar to the 283 Festival again.

Every time I see Gaku, it feels like he’s collaborating with someone…

>>164

Isn’t it the case that almost all the iM@S brands are always collaborating?

>>164

There are certainly places where it’s a win if the various contents that were all the rage 1-2 years ago come up from time to time, and there are definitely places where you have to pour in resources all at once.

Last year, many brands had cancellations or delays, didn’t they?

Did only SideM manage to narrowly avoid it?

I want to see another mysterious project like a 24-hour live broadcast.

>>170

The impressive scene of a raw egg spinning in the water while someone inside the thousand nights calls out to wake up was noteworthy.