It’s not just the aircraft; there are Sentinel elements scattered throughout the scenario as well.

It’s a story that settles the chaos in the Earth Sphere during the first half climax, and the desire to introduce the Zodiac around that time is clearly conveyed.

It feels like they wanted to engage in battles like the Moon route or Ayers.

I knew this because it’s famous.

I don’t know anything else about that.

Come to think of it, it’s a story about former comrades turning into enemies and killing each other…

The fact that Ibiss is doing Kurobon also adds to its credibility…

Pokémon has totally joined in even with the logo, it’s funny.

The Sentinel got scrapped, so the people from 0083 are stepping in as substitutes.

Is it true that in Nilfa, Tsugumi got angry at Amuro for Gihren Zabi’s speech and punched the monitor? I was hearing that.

The aircraft was already mostly assembled.

I can tell you were really motivated.

Is there no data for Pegasus III?

I wonder if the mothership is still Albion.

>>14

Well, to be honest, I think we only need Ryo, Shin, and Stole.

They probably won’t make the S Gundam a three-seater.

Didn’t you obtain permission from Sunrise and Bandai?

It’s just that the rights holders of the scenario and characters said no.

It seems that it wasn’t intentionally made to join at the last minute; it really was a mistake that was put out, so something went wrong.

I imagine there wasn’t enough time to redo the Bazam model or the battle animations when I was told it was no good.

Why is the rights owner of Sentinel so difficult to deal with…? In the VS series, Ryo has ended up like the culprit in Conan.

>>26

That’s not correct.

In the old days, you would let me do it without asking…

>>21

It was only the plane because it wasn’t allowed…

>>21

No… I wasn’t forgiven…

>>21

That’s right, that’s right.

>>30

That’s a rumor.

Nagano mentioned Super Robot Wars purely because he doesn’t want others determining the numbers… So, regarding the question of whether there will be participation in Five Star Stories, he hasn’t said anything about Elma’s circle.

In other words, if we’re talking about the Fourth Time, I think it’s probably Moto-chan’s fault…

>>21

I got really scolded for Blood Temple and Superior, so I’m safe.

The T and 30 are on-site and it’s just on the edge, so it seems like there’s a normal overlook in the checks…

>>25

The pace around there was really something…

If it were really out, it would have been erased in the Fourth S…

It seems that the early wing was quite on the edge.

>>28

It seems like the anime team over there was making it on their own.

It’s disappearing in sulfur, isn’t it, Arie?

It wasn’t a project where we thought, “ZZ is really garbage, so let’s make it ourselves.”

The mechanical Thunder God that vanished due to the transplant of GC’s XO.

This was at a stage where it seemed likely to receive some degree of approval, so aside from that…

In the past, those who released things on their own might have been numbed into thinking it was okay to do so, because Dynamic Pro generally forgave them if they had the rights to a work.

Rather, it seems like I have to make it on my own out of the expectation of participating, or it won’t be completed in time.

My pace has been off lately.

Blood Temple is becoming well-known as it’s coming out in things like cancer cures from that time.

>>38

Because Sato is so close with Nagano, the SD project itself was tolerated as it originated from the flow of anime parody doujinshi, leading to the SD adaptation in later publications.

The Coplander squad was also put on the Combattler machine…

Since around Super Robot Wars X, the copyright statements have become quite detailed.

MSV has also started to be written clearly.

The premise was that the compatibilities themselves weren’t real, but it’s bad because Super Robot Wars is leaning towards the original work.

>>41

It’s the flow of the times, right?

The time has come to return to the Hero Wars Chronicle.

>>42

Special effects works have portrait rights now…

It seems that the assumed scenario and the assumed participating works have been decided at the planning meeting stage.

It sounded like Terada was saying that the Sentinel had suddenly become impossible to get permission for, even though it had been approved before.

Well, it’s a Sentinel after all.

I wonder which name the Early Wing would fall under at that time…

>>47

It’s a movie pamphlet, so I think it’s fine to have it related to the movie…

The fourth one…

>>49

It was streamed normally…

Nowadays, there’s a strong trend of saying that the screenwriters of that episode also have copyright! So, recreating the episode seems more troublesome than having the aircraft participate…

If we were to make something like Super Robot Wars now, it seems impossible to complete due to rights issues and other factors.

Authors who are cooperative about participating in the event are warmly welcomed…

Is the name “α Numbers” derived from the α Task Force or something?

>>57

I think it’s because of Super Robot Wars Alpha…

In the first place, I was originally planning to release GaoGaiGar from α, so I guess this kind of incident must have happened somewhere.

I heard that the back entrance is different, but is it true that Gan Eden and the three servants are remnants of Big Fire?

>>60

In the first place, Ilui was originally supposed to pilot Gun Eden, but due to the disruption of G-Robo’s participation, Big Fire took his place (which is why the visual for Gun Eden was completed at the alpha stage).

Because it’s Big Fire, it is assumed that there will be a cut-in with full nudity.

Getter is too free.

>>61

I don’t understand the meaning of having Black Getter in Nirvana.

>>66

Doesn’t Musashi’s face look different all of a sudden?

>>61

“The ‘Dynamic Original Aircraft’ can be released without copyright notation.”

Zoids, which now stream normally, used to have complicated licensing issues, and during the OE participation, it was toned down, but it has become strict again.

Alpha is just barely bringing in the SD Gundam all at once for the battle.

83 is a project that developed from a centimeter anime concept, so it’s roughly centimeters.

There have been various circumstances, and the continuation of participation in G Robo and others has come to a halt…

I mentioned it in a live broadcast once, but isn’t there a good Aura Battler in VelVin? I heard it would be possible to bring it out with just a phone call…

>>69

Now that we have completely become a studio under Bandai Namco, the Bandai copyrights have become more accessible.

The Orphan joke was introduced on Balmar’s home planet, but at the ending, Banjou is making a J9 joke.

As expected, we won’t include the ending in the video.

>>70

The Future Group can’t be helped, but I wanted to use Braiger until the end…

Sentinel is a truly entrenched stubborn character, as they rarely make external appearances outside of Super Robot Wars.

>>71

G Generation seems to be forgiving in that regard until the characters are introduced…

Maybe the mass-produced ν is strange when you think about it carefully.

Is Terada amazing, perhaps?

Dynamic is quite flexible, you know.

>>75

Oh, it’s okay, I forgive you.

>>75

Original Mazinger for Super Robot Wars? Sure!

It was the Super Robot Wars magic that Ryouma from the true Getter Robo piloted.

>>77

I’m using the Yamabushi Ryo of Go without using the one that Ishikawa-chan specially illustrated for the new version…

There were staff members who were saying things like, “It’s tough with just four titles in a crossover fighting game like BlazBlue, so what about Super Robot Wars?”

The more you push Terada-san, the smoother and more flavorful the scenario becomes.

>>86

This huge Ayanami map is great, whose idea was it?

Huh, me…?

>>86

Response from the person who created the impact.

The Getter Robo from Super Robot Wars feels like the ultimate adult situation.

The presence of the New Decisive’s fleet really shows their genuine motivation.

In the past, copyright management was careless or not properly organized…

It seems like XAN is quite strained as well.

It turned out that the storyboard got really amazing.

Cross Omega was amazing.

>>93

Ouchi has a lighter footwork than Terada.

The creator of Linebarrels is also providing music, which shows how close they are.

In the past, at an event where Gundam’s day-of licensing was granted, only Sentinel was not permitted.

There was an incident where a garage kit of Mk-V was released through backdoor means under the SD Gundam license.

At one point, Getter Robo had a problematic position because it wasn’t produced by Toei, but after various events, things improved somewhat when Dynamic was considerably severed from Toei and began to get closer to Bandai.

The scenario of MX is that the brain reaches its limits and spits out, so we should put more stress on Terada.

The fact that Bravern came to DD at lightning speed is like an unofficial admission.

>>106

They made the anime team do some pretty unreasonable things, that’s terrible…

>>53

Endless Waltz somehow appears on the participation list in some works and not in others.

What is the backdoor participation in the first place…

The number is from Big West…

There are many old robot anime that have become commercially viable thanks to Super Robot Wars.

>>107

In other words, the difference in the media adaptation of old robot anime before and after Super Robot Wars is significant…

>>107

There aren’t many opportunities to rewatch old anime, you know.

Even if I want to make an inquiry, I don’t know where to go, so it’s like a detective’s job.

>>108

It’s not really related, but it’s impressive how Todd’s voice actor used a private investigator to find him.

It was a generous era.

Everything was free.

>>109

The freedom for the undefeated in the east to become an alien is unnecessary.

>>121

Alright, Grandpa, I’m going to confess to the aliens we helped while traveling through space that they came from another planet!

Reed Pro

Sotsu Agency Sunrise

Dynamic Planning (Using Go Nagai’s CB Character World.)

Toei

Tohoku Shinsha

BANPRESTO

The fourth era was able to feature those participating machines just with copyright credits.

>>110

Since I’m using CB Character World, I could bring out characters like Devilman if I wanted to…

>>110

By the way, the credits for the second season are only for Dynamic Pro and Sunrise.

In general, this work is really interesting, and I want it to be in Super Robot Wars! It would probably just make me happy, right?

Devilman is already out…

If it weren’t for Super Robot Wars, there probably wouldn’t have been Steel God Jig or Gaiking LOD either.

Now that it’s in MSV notation, such reckless behavior as releasing the F90 alongside the F91 is not allowed.

I’ve heard that the position of Gun Eden was originally meant for Big Fire, but I wonder how they intended to incorporate Big Fire—or rather, Devilman 2—as an enemy unit in Super Robot Wars.

>>123

Put on Gun Eden.

>>123

The design for Gun Eden was released at the α stage.

Gan Eden is a repurposed final boss (licensed character) from the dead alpha version.

I’ve heard that the Big Fire that rode the Gun Eden became the final boss.

Rather, I think it’s Sakon-san who is being overly considerate, isn’t it?

There are quite a few vague references in other places too.

>>124

I played the α side story a while ago, and it was inconvenient that I couldn’t mention the name Excellion for the Aegis Project…

I feel bad for the fans, but if the Big Fire’s absence led to Ilui’s nice design being created, I can only be grateful…

I never thought the day would come when the Tin King would join the battle…

>>126

The treatment is poor.

Well, the talk about Super Robot Wars can be somewhat exaggerated, but Ougan genuinely had very sparse information available online at that time…

It seems that Dunkouga has somehow become a dynamic child.

At that time, there was no setting for the Barzam Custom, so the TV version of the Zamu and the Century Zamu were essentially the same unit, just differing in resolution, so it wasn’t clearly out of the question for it to be included.

>>130

Since it’s an SD, I can make all sorts of excuses about the body being a little different.

Big Fire has elements not only from Babel II but also from Mars, so the six-god fusion should have been the mechanism.

>>133

That is a doujinshi.

In discussions between companies, it seems that properly handling matters has increased benefits.

As a user, I haven’t really been able to enjoy the benefits.

It seems like the restrictions are just increasing.

At the time of MX, I didn’t know at all about a work called Zeorymer, but I wonder if it was a well-known work among robot anime fans back then.

>>137

It was a machine I had never seen before, but its overwhelming strength left my brain numb.

>>137

At least, it is quite a major category as an OVA robot work.

Next after the top.

>>137

The recognition and reputation of OVA have been quite high since long ago.

It means “in the context of the OVA.”

If there was definitely a Full Armor ZZ that looked like FAZZ, it would have been even more outrageous…

>>139

By the way, this Hyper Mega Cannon I’m holding…

>>145

It’s included with the MG Full Armor ZZ, so it shouldn’t be a problem.

Just the other day, the ordering mistake for the Neo Granzon’s sword was casually revealed.

The α spin-off was clearly made in a hurry, so that might be why such things happened.

Right now, this (the alien Utau Fuhai and the gay jokes about Rai) is what’s popular!

>>143

(Terada P crying)

The Mars element of Big Fire is not God Mars, but rather the Gaia from the original Mars.

I think the real proportions cut-ins for mobile suits and things like Zambot Daitarn started appearing around the second Z, but I wonder if copyright issues have anything to do with that.

>>147

Simply the effort of drawing

Most of those kinds are not reused but newly drawn.

>>147

They were really obviously avoiding it even in realistic 3D CG other than cut-ins.

There was definitely something, but I don’t know what it was.

The Magellan Kai appeared because there were two of them in Sentinel and 0083.

When I think about it after reaching third Z, the fact that I analyzed the mental commands and made the beast warriors use them is incredibly impressive…

If it weren’t for Super Robot Wars, the top thing that wouldn’t have been born is probably Mazinkaiser.

Zeorymer is some unknown robot, but its BGM, specs, and the original performance with the kanji effects are too impactful…

>>158

I was really surprised to learn that this kanji production was original back then.

Babiru II with a big-breasted blonde girl…?

I think Cross Omega was relatively easy to create because it’s a short story and the machinery doesn’t require too much effort.

I wonder what the most obscure robot in Super Robot Wars is.

The first time I learned about them was around Organ in Super Robot Wars.

I feel like Dunkougano Nova and Super Robot Wars might not have come out if it weren’t for that.

That was the original creator who was not informed about the participation of ZeoRimer…

I love how the story about the approach to join from the Ashibe side in Supacuro is so incomprehensible.

>>166

I think it’s amazing that the opponent involved in this is Mazinger ZERO and Gargantia.

>>166

Maybe the part that was the hardest to understand was when the Gargantia staff asked if it was okay to perform with Ashibe.

I wondered if some sort of setting was established in the original Gundam series until the time of the last Super Robot Wars appearance of the Dijeh SE-R in MX, but it’s truly impressive that when it appeared in something like Battle Operation 2, the setting was still completely unclear.

I think it’s quite a popular MS.

>>167

I still don’t really understand it after going around in circles, but it became a regular topic.

>>167

In the first place, the design drawings of the machines from a project that is completely different from the normal Universal Century were quietly included in the MS Encyclopedia as a playful inclusion or misunderstanding, so there is no setting or anything.

I wanted to watch Dancouga, but there are too many works, and I can’t figure it out!

On the contrary, I wonder why Super Robot Wars likes the Dijeh SE-R so much.

>>171

It’s been a long time since the third one came out.

>>171

The one I released as a hobby during the old third series is bad.

>>177

The old Third Stage looks too ridiculous now.

In the past, you said you couldn’t do a real cut-in for Gundam because you were using a life hack to collect everything with SD Gundam.

Wasn’t it around the time when the original Dijeh participated in Super Robot Wars Z…?

>>178

I’m only at Z.

>>178

It’s a ground-only machine, and even if it’s handed to an MS pilot, it’s too much to handle…

>>183

What to do in a game where dendrobiums fly in the atmosphere?

>>178

Dijé!? Not the SE-R!? I was surprised.

I found out much later that the SE-R had such a troubled history because it was casually mixed in with the SD.

Dancouga, not to mention Nova, why are new forms being added now?

>>181

I want to sell toys…

>>181

It’s been a sweet relationship since the time when the playful jacket art became standard.

There are times when I’ve become able to do things that I really couldn’t do before.

It was actually amusing to find out that the development side of Sakura Wars was the troublesome faction.

Even though Z has been around for a long time, there are fewer entries for the regular Dije.

When making the Mazinger Z Infinity battle anime, I was using the ancient method of just going to the movie theater over and over…

>>186

The new theatrical Evangelion by L is the same.

Why is the Dijeh rarer…? It’s technically a suit that Amuro piloted, right…?

>>188

Amuro can just ride the Re-GZ.

I love SE-R, but the fact that the normal Digé didn’t participate until Z and it was also a hidden character! When I think about it again, it makes me laugh.

Well, I understand that the hidden reason is because it’s a theatrical version.

The Gundam cut-ins were a big treat in the newly released Second Z.

There is definitely one even on the sub Gundam.

Just when I thought Z had finally come out, recently it’s been set after the main story or Amuro has been in the ν Gundam from the start, so there’s no chance for the Djeg to appear again.

I guess you could say it’s a hobby, or maybe while searching for materials on DJing, I happened to notice that particular thing…

Even if I remembered Z Gundam, Dias, and the Hyakushiki, I probably didn’t remember the details of the Dijeh.

If we’re going to have a big fight, the giant robot’s OP is also there.

It seems best to ride on Gaia.

Dancouga keeps releasing ridiculously expensive toys.