The empress, Shakaar, and Taishin are also good.

>>2

Hmm…

>>87

Due to fan creations, the empress has a silly, pink-haired brain.

It has turned into an image…

>>90

Well then, is it just Shakar?

>>102

In the case of Shaka, I think it’s impossible because he tends to ignore things that are too bothersome or go off somewhere.

>>90

Windi-chan is also on the side that provides comebacks to silly remarks.

The essence of Lucky Lilac is foolishness.

It felt like Tama was made to do heavy labor.

Nature is also on the side of making retorts.

The older sister would definitely have a proper retort if there were no one to protect.

My sister is a goof.

I heard that the one on the right at the back can do some comedic commentary too.

Because he’s the king’s son, don’t be foolish.

No matter how you look at it, you’re foolish, aren’t you?

Ricky, take it seriously!

In a trio, there’s usually someone who plays the role of the straight man, right?

Gimlet Chris is a miracle or something.

Ayabe Opera O NTR or something.

It seems like “Sicilian Rhapsody” or similar.

Pocket Tachyon Cafe or something like that.

I wonder about that…

Maybe…

Maybe so…

>>19

I wonder if that’s true…

>>19

Yaeno———! My existence is being ignored——!

It’s tough for both of us to be the ones who make the retorts, isn’t it, Karen?

The king is top-notch.

I’ll do my best to dive in no matter who it is.

Tama is also top-notch.

That stand-up comedy technique is impressive, as expected.

How is Sister Vilsina?

>>25

My sister tends to go off the rails with either her sisters or any partner she has…

>>27

No matter who the opponent is, I’ll go wild with anything… heh.

I love the chaotic conversations between Daiya-chan and Vibros.

It seems that even the free-spirited Earth can’t be silly when sandwiched between Dia-chan and Crown.

Is that not acceptable?

Ace is tossed around by CB but somehow still goes along with it.

Gorushi is an entertainer, so he tends to support his serious opponents.

>>36

It’s just that he’s losing in a very specific area, but overall, Gold Ship is at the top tier.

There are noticeable exceptions, but in a group that tends to come together, there is usually one person who acts as the straight man.

When that child goes elsewhere, they tend to act foolishly.

It will be appreciated!

Mr. Fuji, gently appeased by most jokes, is a strong character.

Ayabe doesn’t seem to poke fun at anything other than Opera O.

>>45

In other words, I’m basically on the big fool side…

>>47

I’m in a position where anything I do is interesting.

There’s no way that the reliable position of dormitory leader isn’t a role for making retorts, is there?

>>48

Well, Am-san is reliable, after all…

Fuji’s ability to manage the situation is outstanding, but they succumb to the desire to go overboard…

The trio is essentially all comedians, and they take turns playing the role of the straight man outside of their own comedic territory.

This is the true nature of Suzuka-san, who was playing the role of the straight man in UmaYuru.

Mr. Fuji is an entertainer, so if he can liven up the place, he’ll get into it.

It’s a strange kind of horse girl who starts doing things like King Call, you know…

There are several people acting as the serious straight man while actually accelerating the role of the comic.

Maya, who was constantly being tossed around by those who didn’t understand Halloween, was shining.

Hey, Karen.

I’m the one who makes the retorts, right?

The burden on Tama and King is too heavy.

>>59

So sometimes I let King and Tama team up to take a break.

Overall, it’s working well due to the relationship where the runaway Uma Musume is being held back by the trainer…

Are you saying that it’s just a bunch of trainers running wild together? Yeah.

>>60

Why am I doing a chicken race…?

It’s better to take the role of the boke to stand out as a character.

Characters like Mac-chan and Ayabe-san, who consider themselves to be the comic relief but are actually natural airheads, are the most troublesome.

Laurel, who looks on with a smile and doesn’t make a retort, is the most troublesome.

Mr. Ayabe thinks that RTTT is too heavy, so this weight is just right.

Despite being the silly character, Machikane Fuku Kitaru often finds themselves getting a lot of reactions, so they end up being the target of many comebacks.

Daiya-chan is too strong because any member around her can’t help but make comments.

Even if they’re being silly, there are people like Topuro who affirm them by saying, “That’s right!” or “That’s amazing!” with a sparkling smile.

Gently kill.

If I had to choose the three greatest comedy trainers.

Hishiaakebono Tro and Furiosos Tro, and who else?

>>73

Martre

>>73

Hayahide Tori

Well, in one way or another, I think Golshi will manage to balance things out well.

>>75

I’m used to it on Pakachube.

>>75

That guy is more of a goofball, or rather, in the comedian category…

Oji ← Ayabe-san ← Karen-chan

A person who seriously responds to a joke… can’t really be called a straight man.

Turbo, Tsukkomu Ikuno, Tsukkomu Machitan, Tsukkomu Nature.

The role of the straight man in BNW is Chikezo, who also serves as the one to bring up topics.

The roles of expanding the conversation and making jokes are Hayahide.

Taishin plays the role of providing closure.

Please give me the king who is goofing around, caught up with the group.

As you can see from my previous game commentary on Canopus, over there, Canopus is chaos.

>>85

That’s because Nature is being left behind in the game controls and is malfunctioning…

There’s no way you can have such a busy game in nature! Just make it something like Animal Crossing!

>>85

That’s right~

It’s nice when the king occasionally acts a bit ditzy.

I was asked, “Will you come back to Pakachube?” and I couldn’t help but…

I like responding with “It’s good, isn’t it?!”

Isn’t Nature also quite a critic?

Canopus gives off the impression of being fairly easy to poke fun at.

PakaTube, where Royce and Royce had free characters.

Oguri has a strong image of making sharp comebacks, including in PakaTube.

>>92

Why is Creek giving me burnt meat…?

>>93

You can be so smug just from burning a piece of meat…

Flash and Falco are frequently alternating between the funny remarks and the responses, right?

Basically, there are types that can be put on the spot individually, but when they gather, they start to become the fool…

Everyone wants to be on the funny side.

When there are no other comedians like the 98 generation or Kawakami, King steps in as the tsukkomi.

In an environment where there are others to tease, one tends to become the fool.

In the 98 generation, Glass is originally part of that group, but when Glass is with King and others, Glass starts to fade.

Who is the one making the retort for Diamond Crown Shvardurakita-chan?

>>98

Personality-wise, they are like Shuba, but they are timid and can’t make retorts, so there are no comebacks.

Even a king would say something like “just go for a king call” if it’s just him…

It’s quite silly to just casually do something like King Reijou.

Daiya can use Golshi for comedy, which is a bonus.

It’s unavoidable to get color-blind related to trainers.

>>105

I’m not really talking about that right now…

It’s strange that Mira has no choice but to play the role of the straight man, making the second generation relatively normal…

The 19th generation seems like Loves will take on the role of the tsukkomi.

Tama might also be a bit of a natural airhead, so there may not be a true straight man in the real sense.

Shuva can only tease her sisters, and in fact, she can only be assertive with her younger sister Vibros, so she is a weak one.

If a legendary racehorse is implemented, it seems I would be made to take on the role of the tsukkomi for the third generation group.