I’ve thought about it several times after watching, but this movie expresses the desire to run as a rainbow… It’s not just the light of the prism, but also the eyes of Pokke and Tachyon, and when Fuji-san is at the riverbed showing his feelings for running, there’s also a rainbow. Later, when I tell Fuji-san that I’m going to run, there’s a rainbow-colored light on the clouds in the sky.

So Fujisan, who didn’t feel like running, was hiding in the shadow of the willow…

It’s just a little over 2 months until the first anniversary.

…..One year anniversary!?

That way of packing is certainly due to being a mobile game.

I keep looking at the JC part over and over again.

Cry a little.

It’s hard to believe that only two hours have passed when I feel the satisfaction of finishing about one cour’s worth of content.

Even though that’s the case… it’s really good to say that now…!!

When I think back on the summer camp while keeping in mind that I was actually feeling unwell the whole time, I start to wonder if Pokke couldn’t sleep after the scene where he appears to be sleeping in bed before heading to early morning practice…

>>12

There’s a scene where Dark Pocky looks like it’s having a hard time sleeping.

PRISMATIC SPURT is good…

>>18

I jokingly said “Just look until the Uma Musume logo appears!” and a friend really ended up watching everything, and it was no good.

I’m grateful…

The movie was good, but the bonus feature voice drama on the Blu-ray was the best.

>>16

By the way, I haven’t heard about that.

Is it different from the bonus novel in the first week?

>>20

The content is exactly the same.

But when it gets voice acting and direction, the resolution really increases and it’s great.

>>20

The main points are the same.

I love commentary.

>>19

“To the knights of Opera O! I wonder if everyone is doing it.”

It was interesting in various ways.

The episodes with Ogata-san and Fujimoto-san were good too.

I like Shima-chan.

The deluxe edition of the novel is nice, isn’t it?

The capricious Tachyon and the nostalgic Odd Chahoi and the Manhattan Cafe Horror Story.

I feel that Tachyon and Dants are surprisingly good as a bonus.

Every time I see Fuji-san, I fall in love with him more.

>>24

It’s a bit lonely to see Pokke leave the nest on its own at JC, but also makes me happy to be able to fight as a rival; that expression is nice…

I’m just happy to see Ayabe-san having fun…

The smile of Fuji-san, which is a bit tinged with sadness except for during the Yayoi Sho and his final smile, is nice.

It was nice to see various kids bustling around in the background.

I wished they would have done this during the dere phase… that’s what my brain’s producer keeps saying.

It’s often sun-dried.

For this type of inn, it’s surprisingly fluffy.

But you have to be careful about how to use fabric softener.

>>31

Shall we go to bed early?

>>34

It’s great how they’re saying this so happily…

>>72

Not long ago, it wasn’t even fluffy at all…

Is this utilizing the know-how from the dere aspect as well?

The commentary is interesting in RTTT too.

Regarding the sound, it was lacking, so I went to a rental movie theater to watch it! This is definitely something meant to be seen in a theater.

>>36

A rental movie theater!? I didn’t know that existed…

>>40

There are quite a few options ranging from expensive places to reasonably priced private cinemas.

Listening to the audio commentary, there are quite a few mentions of the background music, and it really makes you appreciate music… doesn’t it?

There will be a re-screening next week!

I’m looking forward to MX4D because it’s my first time.

It’s more of a glow than a rainbow.

The pocket’s prism kept shining until it was damaged.

The prism that Tachyon has decorated in the room has always been cloudy.

>>39

I didn’t notice…

>>55

When Pokke came to say that he would participate in the Japan Cup, he began to shine.

It’s great to hear commentary that feels so familiar it could kill you.

The metaphorical direction is really abundant, and it truly feels like a cinematic creation.

>>42

The crutches next to the photo and trophy of the Yayoi Sho…

>>42

Even if you take a quick glance, it’s easy to enjoy as entertainment, but when you really want to dig deeper, you get the feeling that it requires quite a bit of experience with films (not anime, but Japanese live-action films), given the direction.

>>42

Shinkai also praises the artwork and soundtrack.

“Shinkai’s perplexing final live performance.”

>>89

Haha, well, those who don’t play the game might be confused by the last live and Umapyo… it’s kind of long, isn’t it!?

Since it’s widescreen in CinemaScope format, there were surprisingly some details in the corners that I hadn’t noticed when watching on the small monitor at home.

I thought I could listen to all the character songs including Tachyon, RSD, PRISMATIC SPURT, and Beyond the Finale on the 6th… I guess I’ll have to wait until fall.

The opening background music has a calm feeling at first, which is nice.

>>47

Also, the volume is low.

And as Pocke passes through the corridor and steps out into the stand, it becomes larger.

I had seen the spoilers in advance, but the scene where Senior Fuji appears in his competition outfit sounded like he was shocked by the lewdness, and it was just unacceptable.

I wish they would make a movie once a year.

The violent running of the tachyon is really good, isn’t it?

I saw the winning outfit of High Seiko at Nakayama Racecourse when I went to watch the Yayoi Sho featuring Fujikiseki at the beginning.

>>51

…..Huh, really!?!!?

It’s obvious, but back in the new era, even High Seiko could be designed.

Tachyon became rainbow-colored precisely because it faced the desire to run at the very end.

>>58

It seems like it was a smooth return at the last moment, but it’s actually quite rough, and the bonus with Dark Tachyon is nice, isn’t it?

The flow from Triangle Relay is nice, isn’t it?

The background music for the race is noticeably different from RTTT; while the former has a distinctly battle-like tune, this one seems to have a stronger aspect as a stage device for emotional depiction.

The presentation that shows the race name and track from above the racetrack is just too good.

>>61

I like both showing it at the beginning and revealing it dramatically after the race.

>>61

Bang!

Hochi Hai Yayoi Sho Deep Impact Memorial (Satsuki Sho Trial)

Nakayama Turf 2000

In the final stages, Tachyon not only doesn’t shine but even pulls the curtain closed by itself…

It’s completely different from a café surrounded by stylish interior that somehow shines even in the dark.

The overview of the massive Gothic course is great, right?

I have to buy a new external Blu-ray drive for my new computer, and since I’ve already seen it twice, I thought it might be okay to hold off, but I’m starting to want it after all.

Hochi Hai Yayoi Sho Deep Impact Memorial (Satsuki Sho Trial)

Nakayama Racecourse 2000 meters (turf)

>>67

It would be funny if this was stuffed tightly into one line.

I was watching without knowing anything about horse racing and thinking it would be nice if the Satsuki Sho could be run again.

The sound is still somewhat unsatisfactory… The first step of acceleration resonating in the belly of the tachyon can only be experienced in a theater.

I feel like I wrote this when it was released, but it’s amazing that the Hopeful Stakes has no background music.

Wooooooo I’m going to Kemigawa Bridge with the excitement from watching the Derby!!!!

…..It’s quite far!!!!

>>74

Because it’s the same distance as JC.

It’s great that everyone at the Japan Cup is so fired up.

>>75

When Opera O broke away and Pogge turned away with a face like “Is it really no good…?”, you could hear Mob yelling, “I won’t lose!!!!” “Not yet!!!!” (his voice cracking) – that’s great…

It’s not satisfying without that approaching sound of footsteps…

It’s nice when Takion, the full brother of Agnes Flight, gives it his all and sounds like an airplane engine…

Burn

>>78

The racetrack is far away!

Seriously, has it already been almost a year?

Isn’t something strange about all of this…?

>>79

It’s been three years since the Dantsu Frame was announced.

The sound in the theater is… Fuji-san’s breath from the Yayoi Prize is nice…

(I don’t know the game, but it must be an important item…)

>>81

(I guess this Rumi Park is an important person…)

I love Opera O when she becomes an event boss! It’s great how she keeps up with the acceleration like it’s obvious.

Poke: “What in the world is happening, Fuji-san?!”

Watching a movie, me: “What the heck, Fuji-san!?”

>>90

It didn’t work with the same reaction in the audio commentary either.

>>90

I’m really curious whether in that scene she took off her bra while wearing the uniform somewhere nearby and then came to the riverbank, or if she ran there in that outfit without a bra.

The additional bonus novel made me think even more “this guy is a tachyon,” and that was a no-go.

When Ryuji saw it, it was the most intense era! That might have been the time I was the most scared.

Hochi Hai Yayoi Sho Deep Impact Memorial (Trigger-like text)

Because the super cool senior I admire comes wearing clothes like a slut.

>>96

It’s not that, but the way of saying “pocket” really gets to me… I can’t deny anything when it comes to a battle outfit that upsets me like this.

It might just be because it’s app-compliant, but bringing in the character traits with a competition outfit from the start, not just from Raji-tan but from Hopeful, is a bold decision.

I thought the line on Fuji’s pocket was important, so it would be drawn properly, but it turned out to be a role that was much better than I imagined.

The newly written bonus will be the one exclusively for those gathered in the room.

Fuji-san… that outfit…!

When I first saw it, my gaze and thoughts were completely captivated by the incredibly dynamic motion of Dan’s Otta Hoi during the Satsuki Sho.

Why is there no real name, it’s become Kurofune.

It’s because Kurofune, who was an outsider, participated in the Derby that it was called the door to a new era.

>>105

Isn’t it just noise to be doing it in a new era where the concept of “maru-gai” doesn’t exist?

>>105

It’s better not to use real names suddenly here, as it might distract from the main point…

>>105

I understand the feeling of irritation, but when it comes to talking about pockets until JC (junior high), it’s not really necessary…

Director Shinkai seems to have gone to watch it together with his daughter, who is an actress and likes Umamusume.

Well, it’s unlikely, but there might come a day when your daughter becomes a voice actor.

Can’t you see it on streaming yet?

>>109

I guess there’s only online rental available now.

Is the implementation of Kurofune not here yet, Steam?

I’m reviewing the scenes written here, but I’m thinking, “The sequel is so slow…” right now.

Physical media is tough.

She was a mysterious Magician Uma Musume, after all.

I’m glad the spotlight is on you.

I’m glad that Dantsu can really get angry when crossing the line.

The correct name is the Hochi Hai Yayoi Sho Deep Impact Memorial (Satsuki Sho Trial).

You know, right… that Tachyon is white rice…

Please carry out the execution.

I hope it comes to Amazon Prime soon!

(Oh, really…?)

Pokke only knew Fuji-san in competition clothes from archival footage, so it was the first time seeing him directly and witnessing him run just like when he was active.

I’m far from who I was back then.

>>122

I like that gap over there.

I was curious about Haiseiko and checked, but all I could say was, “Is it this one… or this one?” based on the order of the events.

Were there other scenes that were shown?

A movie that completely erased the image of Fujikiseki, which was only seen as a perverted character here.

>>125

That outfit…

>>125

When I saw the key visual, I thought it was just a big sister position connected by the same stable…

The movie that made Dan’s Frame instantly famous.

I never thought there would come a day when anyone other than horse racing fans would understand Dan Tsuframe.

Tachyon was doing this in the novel’s extras too…

I thought it was a local specialty from somewhere, but it turns out it’s not.

What I want and what I desire ultimately have no place in this movie, so I can only say that…

Well, I can understand wanting more opportunities, but…

>>129

However, I wanted the length of the Kikuka-sho! I love staring at the Tachyon in the novel.

Fuji-senpai appears quite a bit in the training scenarios of other characters.

“Honestly, I couldn’t hear ‘Occha hoi’ in the theater.”

>>137

Even if I can hear it, I’m like…? What…? Is it a misunderstanding…?

>>137

Is it tea-like? Seems like it’s something about going to drink tea, probably!

The scene in question has an unmatched gaze attraction that really stands out unless you pause it.

>>138

I noticed the character on the opposite side on the second look there.

It’s nice how Fuji is grinning in the first winning scene, isn’t it?

After this, a smile like that of a widow continues.

>>140

I love the smile that feels 70% joy and 30% jealousy when Pokke won the Derby.

>>140

The smile when you call him “Trainer” instead of “Nabe” is just the best.

The scene where Senpai Fuji comes out from the shadows is great, isn’t it?

>>141

Even when it showed up, it was always in the shade, as if it was imagining the ghost under the willow tree or something like that.

Regarding the Kikuka Sho, it seems there were conflicts as seen in the staff interview, so it’s pretty difficult, right?

>>142

I understand that what the production team wants to see and create the most is clear, so I’ll forgive you.

Why is Otchahoi in Fuchu?

It’s strange that I still can’t develop Dantz at this point.

>>149

I thought they would come out in line with the movie release.

“The story of how Team Fujikiseki, which couldn’t compete, captured the Derby with Jungle Pocket was conveyed in an incredibly detailed and Uma Musume-style manner.”

The real single race is about to start soon after throwing out the pretty ones in order with RTTT…

>>151

Which one is Pretty?

>>156

That’s a lie.

>>156

Pocky-chan, shaking hands with Mr. Fuji using both hands, is pretty, right!

>>156

The pocket that’s shaking hands with Fuji-senpai with all its might, and the pocket that’s become a squid.

>>156

Everyday life is pretty nice, isn’t it!

Well, the movie has been talking about pretty much nothing but a tough story throughout the second half.

It’s understandable that cafes are often marginally omitted due to the tight schedule.

Even so, while watching the Kikuka-sho at the cafe, there’s a presence being asserted by Takion, who is tapping his feet.

A movie I ended up watching three times without really knowing the source material.

I really love the timing of the sound at the finish line of the Sapporo racetrack in OP.

>>160

There are many scenes in this movie where the sound editing is exceptionally skillful.

>>167

The sense to bring that is impressive.

>>174

It’s nice, the very first movie in the world…

I was wondering if it would turn out like that just because the highly regarded Uma Musume suddenly retired?

The same situation occurred at the Arima Kinen.

Even if I completely throw away the pretty factor, the balance becomes poor, so I still hope it has some level of pretty in scenes other than the race.

Watching the entire thing feels painful, like Ayabe-san from RTTT.

I want to see the meeting between Fuji and Pokke that was skipped in the OP… I wonder why they decided to introduce the retired Nabe-san.

In this regard, it’s just like the original source, but it’s interesting from a visual composition perspective that the Hopeful Stakes, Sapporo Kinen, and Kikuka Sho, where Pokke lost, are run clockwise (right to left), while the Derby and Japan Cup are run counterclockwise (left to right).

>>171

When there is hope, run towards the left of the screen.

When there is destruction or despair, I am running towards the right side of the screen.

When I heard that and looked back, I was surprised to see this even on the buses before and after the summer training camp.

2.00.3 is good, right?

The obviously dangerous warning sound in the latter part, along with the clattering sensation of the visuals and sound.

Last year when I went to Niigata, I had a great time.

>>173

I’m Boba! I’m Boba!

2024 Derby (Door of the Old Generation)

When I heard Ochattohoi in the movie theater,

I was thinking about checking if such snack-like things are trending when I head home.

When I was about to leave, I completely forgot about Ayabe-san, Opera O, Fuji-san, the heat of Poke, and the goodness of the live performance.

I got home, checked Twitter, and thought “Oh right… that happened!”

A movie I really love that makes me want to talk about it no matter how many times I see it.

I’m looking forward to the next one, but I’m torn between wanting it to be made carefully and wanting to see a new release at a pace of about once every two years.

The early daily life part of Singre is pretty.

Now?

Yeah

>>183

It’s harsh to make a newcomer do that!

Is that opening footage possibly the one mentioned in NOPE?

>>185

Exactly so.

The background mob of the young Nabe-san in the flashback has a bit of a black-and-white photo vibe.

The only time I was anxious was when the director had a strange reaction because they were criticized during the release of the key visuals and character designs.

It’s great when you realize later that a scene that seemed unnecessarily scary at the summer festival was actually a moment of being pushed to the limit.

Isn’t it great that Tachyon takes away the derby and everything else in that bad pocket performance?