I don’t know the top one…

It’s probably something like “Bocchi the Rock!”

The number has increased only recently, so we had a relatively long period of operating with a select few elite members.

Can I count John separately?

I feel like it would have been better to have a generational transition style rather than having multiple Love Live groups progressing simultaneously.

Dividing things up little by little may be the secret to longevity.

I only knew the name of the hard-to-approach department through the internet, but it’s the Love Live project…

So, would it have been better if Aqours had ended five years ago, or if Liella! hadn’t started until this year? Which is it?

The seniors are still super strong.

The first Love Live was good, but it’s complicated for fans with this kind of selling approach when it’s a different thing with the same title and the original members don’t appear…

Sunday morning shows are definitely seeing a generational shift in their main viewer demographic…

It gives the impression that after μ’s → Aqours, a certain selection has been made, and then with Aqours → Liella, even more dedicated people are left.
It seems that Nijigasaki is coming from voice actors and the Pretty series, so I’m not really sure.

While it will have parallel development crossover, it will not be a direct sequel.
Once the series starts rolling, it usually goes pretty well.
It also serves as risk avoidance when trying out direction.

In long-running series, the first installment often tends to be deified, but how does Love Live fare?

The unexpected Anigasaki and the impact of COVID-19 must be significant, but…
Until then, I’ve been repeating the cycle of doing a TV anime, making a movie, then scaling down before starting the next title, so there isn’t really a sense of simultaneous development to that extent.

It’s interesting how the people who refuse to acknowledge anything other than μ’s are the ones trampling on μ’s’ intentions the most.

In a way, the generational transition from μ’s to Aqours has succeeded, but in another way, it has failed.
That’s why we are here now.

I wonder if there are people who follow everything.

Before I knew it, there were more series than Idolmaster.

The Ikidzu live has undergone a shocking regression, and I can’t help but pay attention.

The song by Ikidzurai-bu-chan was really good.

It’s just that the series is being developed concurrently.
The 102nd class of Renno Sora has graduated.
The first-year students of Yukigaoka have graduated.
Aqours reaches its finale.
It is held for three consecutive weeks.
What should I do…?

There are new songs appearing every couple of months; Liella! just released a new song the other day, Ren is also gradually putting out new songs, and Ikizurai has released their debut song, so I can’t keep up with all the music alone.
The release of the CD has coincided with the complete lifting of distribution service restrictions, so it is still a relief.

Are the people in the tough section okay…?

It seems that due to the cast’s age, the final chapter of the anime will likely air at the beginning of the year after next, followed by the last live performance that same year, and then it will be over.

It might draw criticism if I compare it to Gundam right away, but Sukumyu is like Origin and Ikiduz Live is like Turn A.

Speaking of which, during the first performance of Sukumizu, I had heard of Tokisen, but it was my first time seeing the actual members.
I didn’t expect Tokisen to jump like that.

There is a former underground idol in Ikidzu Live-chan.

Musicals can have changes in the cast.
Support your favorite when you can.

What happens when you graduate? Do both the cast and characters become considered OGs?

If we’re talking about the original group still being active, it’s the Idolmaster.

μ’s has knees, you know…

Is it already something of the past, the school idols from the Ikiz Live?

Well, if you think about it normally, without a huge capital weapon like a rainbow, it would probably just be a transient boom for school idols.
If you reach the extreme, can’t you just be a pro?

I’m looking forward to the lotus anime a bit.

I want them to regularly release music videos that cost tens of millions of yen, like the first generation or “Niji no Believer.”