You’re turning into an even crazier guy than the real Char!

Mia Campbell-like

Isn’t not listening to what others say a high level of reproduction of Char?

I’ve been thinking about it for a long time… What is that hairstyle?

So far, what’s come out is this guy and Zoltan…

Is it okay to say that Aflanshishaa is ultimately the finest masterpiece of the Char clone?

It’s kind of disappointing that Neo Zeon can’t even make Char’s clone.

If you’re going that far, why not match your hairstyle too?

“Indeed (laughs).”
However, despite Zoltan’s appearance being a “return of Char,” he doesn’t really have a Char-like vibe, does he?
Fukui: “He is a rejected existence because he is a defective product.”
I think it surely stems from the fact that he has only one eye.
Having lost one eye and twisted in character, I think it became that way with a feeling of “I’ll make it symmetrical!” while self-harming…
“If he had grown up like that, on the contrary, his individuality would have been suppressed, and he would have become a person like Full Frontal, the antagonist who speaks and thinks like Char in ‘Gundam UC.'”

With that chubby body, it’s impossible for a comeback like Char’s.

But this guy’s paisu is red, so it’s better than the all-back hairstyle wearing yellow.

A mysterious man who, despite only saying “the return of Char,” is often thought to be the real person or a clone for some reason.

Thoughts are empty♡

Full Frontal
The leader of the Neo Zeon remnant army “Sleeve.”
The test subjects of the “Return of the Red Comet” are numerous, and Full Frontal is the subject among them that has undergone the strongest and most successful enhancement.
The face, identical to Char Aznable’s, is due to plastic surgery, and the original face is completely unknown.
Gundam Universal Century Memorial Page 35
Issue Date: November 30, 2018
©Sotsu・Sunrise

Aren’t all the enhanced humans at Monahan Baharon’s place crazy?

As long as it fulfills the elements like color scheme, piloting skills, and a good way of speaking, I think it’s fine to be considered as Char II.

Isn’t it dangerous to put a test subject whose personality has been broken to the point of madness into a weapon?

You always appear when the topic of UC comes up.
The long text quoting person is…

If you create a clone of Char, they’ll just act however they want like the original Char does, so it’s safer to just enhance someone and deceive those around you, right?

Clone technology seems to be relatively common in that world, according to Kai Shiden.

Despite being Char, this guy is also strong in a fistfight.

Afranshi is the true reincarnation of Char, so he can throw away being a leader and live with his childhood friend.

Clones are not that万能.

I created a bot-human that has been self-bleached and surgically altered to endlessly recite famous lines from Char, yet it’s just some unknown old man.
It feels like something that would be done by a dark megacorporation straight out of Ninja Slayer rather than the Universal Century…

I thought while watching ZZ, why do they refer to enhanced humans as superiors or with honorifics?
You can completely become someone else, just like Mashumaru, using only tools.

There are clones of Shirocco.
The existence of clones like Giren’s clone, Plu, and Gremmy means that cloning technology is omnipotent in the Universal Century.

It seems that the clone path of great figures like Gremy and Puru felt like a failure in the Zeon series, so Monahan might have decided to stop that direction.

When I look at Char again, I really think he doesn’t seem like Char at all.

Dropping meteors on Earth too.
It’s the same as drilling a hole through the boundary between this world and the afterlife with a Psycho Shard.

You will understand when you take off the mask.
Oh, this person has a puffier face than I expected…

The collar makes me look fat.

Char doesn’t want to cause the extinction of all humanity; he just wants to give Earth a break, so that’s a clearly different point from Frontar.

How dangerous is Psycho Shard?

Both the original version and the anime version have as their underlying theme an older man trying to take life experience supremacy over the younger generation.
The anime has its own way of being considerate towards young people.

I cannot be burdened with the despair of middle age!

If you can hear me, Banaji-kun, stop it (stop it).

The original work has a line that says something like a monster that returned from gazing into the abyss of space through Angelo’s mouth, laying the groundwork for not being human.
The anime also has the same setting and explicitly states that the director is a higher-dimensional being who has seen the afterlife and returned.

In the first place, the real Char has a rather rugged face and is muscular.

“That was something that should not exist in the human world anymore.”
A red aberration that amplifies individual thought using proliferating psycho frames to create a pseudo-psychic field.
If it had returned to its original owner, it might have demonstrated the power to manipulate time and space, potentially creating a huge hole in the fabric of the world.
Rita――to be exact, Rita and the “whole” which includes her called me to prevent that.
Those who are transitioning to a higher dimension cannot interfere with this world even if they have a medium called “Phenex.”
I was not chosen; I just happened to be the one who responded to the call.
The ability to connect with the other side… I had a slight aptitude of a Newtype, which allowed me to hear Rita’s “voice.”
To be precise, it was the heart that regretted and remembered Rita that opened the connection, allowing me to connect with the “whole” through the form of Rita.
Mobile Suit Gundam UC 11: Phoenix Hunting, page 214
First edition published on March 26, 2016.
© Sotsu・Sunrise

Well, even including UC women, there is a feeling of a big face and sturdy bones due to the influence of Anno’s design.

Many people still think he’s a clone of Char.
Char, who is resolute, and Full Frontal also come from that background.

There will be no clones of Char created until Gaia Gear.

Wasn’t it a clone of Char?
Someone really strong.

Well, there are some who are enhanced, but the reason they’re strong is that they’re higher-dimensional beings, especially in the case of Frontar.

Nobody knows what will happen if you poke a hole in the interface of the world in the first place.
I mean, this seems like a story that would be in the sequel of that UC.

The quality that connects to the other side is a new type.
Frontal, who created Neo Zeong with knowledge from the other side, is completely a Newtype, isn’t he?

Let’s all struggle and suffer together while we die in misery.

The afterlife is where the history of humanity, past, present, and future, is accumulated, and being able to connect to that Wi-Fi is what makes someone a new type that can use sensing waves.
What Frontal wanted to do was probably to show the Akashic Records to ordinary people who can’t use empathic waves.

I have never thought they look similar.

An empty vessel
When hatred and malice are packed in, it becomes the novel version of Full Face.
If you include feelings of hatred, malice, and maybe just a bit more… it turns into the OVA version of Full Frontal.

A man who tries sincerely to meet the demands but is not interesting at all.
Occasionally resist.

— Frontal appeared not so much as the embodiment of Char’s regrets, but rather as a character that is very difficult for both creators and viewers to accept, someone who seems to be outside the realm of human reason, regardless of age.
Please tell me how the director perceived and portrayed him as a character.
Director Kazuhiro Furuhashi said that he didn’t know what to do when Mr. Fukui told him he was “void.”
Conceptual events pose no issues in writing, but they are the most difficult to express visually.
Moreover, it is accompanied by the real voice of Hidetaka Ikeda.
In any case, if it is a being that is not human, I wanted to treat it as a higher-dimensional soul.
His desire became mixed with his words and impressions in the novel, further turning into chaos.
Episode 7’s “Void Scene” is a remnant of elements.
MOBILE SUIT GUNDAM UNICORN GREAT WORKS BOX III episode 7 Interview Collection pages 03-04
First edition published on June 24, 2015.
© Sotsu · Sunrise

Connecting to the other world and becoming something other than human is very Lovecraftian and cool.

Zoltan, who resents the fact that his life has been freely manipulated and cut to pieces, is too healthy.
It’s broken to the point where even hatred towards the frontal is nonexistent.

He probably won’t work at the construction site.
After all, impersonation won’t do.

This is the original Frontal.
Why are you not dead?

It’s just a story about how the characters changed a little in the anime version.
The reason is that Mr. Ikeda has a strong attachment to Frontal and directly complained to Professor Fukui.
The man who plays Char is Ikeda himself, so his performance is different from Char himself.

Even after being pierced through the cockpit with a beam tonfa, it still talked to me.
The gimmick that allows communication through the resonance wave even when the physical body is dead is the same for both Full Frontal and Lita inside Fenex.

It’s unclear before the frontal is made, so it’s not a separate part.

Anyway, there is no one who can surpass me when it comes to burning other people’s brains.
It is the kind of man Char who runs away immediately despite…

Frontal appeared not so much as a manifestation of Char’s regrets, but rather as a character that seems very difficult for both creators and viewers to grasp, someone who is outside the realm of human reason, regardless of age.
Please tell me how the director has perceived and portrayed him as a character.
Director Kazuhiro Furuhashi was told by Mr. Fukui that he is “void,” and he didn’t know what to do about it.
Conceptual events pose no problems in writing, but are the most difficult to express visually.
Moreover, it is accompanied by the real voice of Shuichi Ikeda.
In any case, if it is a being that is not human, I wanted to treat it as a higher-dimensional soul.
That desire became intertwined with his actions and impressions in the novel, further turning into chaos.
Episode 7’s “Void Scene” is a remnant of the elements.
MOBILE SUIT GUNDAM UNICORN GREAT WORKS BOXIII episode 7 Interview Collection Pages 03-04
First edition published on June 24, 2015.
© Sotsu・Sunrise

Frontal seemed more like a personification of Char’s regrets rather than that; he appeared as a character that was very difficult for both the creators and the viewers to grasp, resembling someone who has stepped outside the realm of human reason, regardless of being an adult or a child.
Please tell us how the director perceived and portrayed him as a character.
Director Kazuhiro Furuhashi said about Fukui, “He is a ‘void,'” and I didn’t know what to do.
Conceptual phenomena pose no issues in writing, but are the most difficult to express visually.
Moreover, it is accompanied by the real voice of Hidetaka Ikeda.
In any case, if it is a being that is not human, I wanted to treat it as a higher-dimensional soul.
That desire became intertwined with his actions and impressions in the novel, further transforming into chaos.
Episode 7’s “Void Scene” is a remnant of the elements.
MOBILE SUIT GUNDAM UNICORN GREAT WORKS BOX III episode 7 Interview Collection pages 03-04
First edition published on June 24, 2015.
© Sotsu · Sunrise

Frontal appeared to be a character that is very difficult for both the creator and the audience to comprehend, more so than an embodiment of Char’s regrets, as he seemed to stand outside the realm of human reason, regardless of being an adult or a child.
Please tell me how the director perceived and portrayed him as a character.
Director Kazuhiro Kobayashi was told by Mr. Fukui that he is “void,” and he didn’t know what to do.
Conceptual events pose no problem in writing, but they are the most difficult to express visually.
Moreover, it is accompanied by the real voice of Shuichi Ikeda.
Either way, if it is not a human existence, I wanted to treat it as a higher-dimensional soul.
His desire became intertwined with his behavior and impression in the novel, further turning into chaos.
Episode 7’s “Void Scene” is a remnant of the elements.
MOBILE SUIT GUNDAM UNICORN GREAT WORKS BOX III episode 7 Interview Collection pages 03-04
First edition published on June 24, 2015.
© Sotsu・Sunrise

– Frontal appeared to be a character that embodies not so much Char’s frustration, but rather someone who seems to be outside the realm of human reason, making it very difficult for both the creator and the audience to accept, regardless of whether they are adults or children.
Please tell me how the director captured and depicted him as a character.
Director Kazuhiro Furuhashi was told by Mr. Fukui that he is “nothingness,” and he didn’t know what to do.
Conceptual phenomena are no problem in writing, but they are the most difficult to express visually.
Moreover, it is accompanied by the real voice of Hidetaka Ikeda.
Anyway, if it is a being that is not human, I wanted to treat it as a higher-dimensional soul.
His desire became entwined with his actions and impressions in the novel, further transforming into chaos.
Episode 7’s “Void Scene” is a remnant of the elements.
MOBILE SUIT GUNDAM UNICORN GREAT WORKS BOX III episode 7 Interview Collection pages 03-04
First edition published on June 24, 2015.
© Sotsu・Sunrise

Frontal appeared to be a character that is very difficult for both the creator and the audience to grasp, more so than a mere embodiment of Char’s regrets, as if he were someone who had stepped outside the realm of human reason, regardless of age.
Please tell me how the director perceived and portrayed him as a character.
Director Kazuhiro Kofuhashi was told by Mr. Fukui that he is “nothingness,” and he didn’t know what to do.
Conceptual events pose no issues in writing, but they are the most difficult to express visually.
Moreover, it comes with the actual voice of Mr. Shuichi Ikeda.
In any case, if it is not a human existence, I wanted to treat it as a higher-dimensional soul.
His hope became intertwined with his words and impressions in the novel, further turning into chaos.
Episode 7’s “Void Scene” is a remnant of the elements.
MOBILE SUIT GUNDAM UNICORN GREAT WORKS BOX III episode 7 Interview Collection pages 03-04
First edition published on June 24, 2015.
©Sotsu・Sunrise

Frontal appeared less as a manifestation of Char’s regrets and more as a character that is very difficult for both the creators and the viewers to accept, someone who seems to be outside the bounds of human reason, regardless of age.
Please tell me how the director depicted and perceived him as a character.
Director Kazuhiro Kobayashi was told by Fukui-san that he is “void,” and he didn’t know what to do.
Conceptual events pose no issues in writing, but they are the most challenging to express visually.
Moreover, it comes with the real voice of Hidetaka Ikeda.
In any case, if it is a non-human existence, I wanted to treat it as a higher-dimensional soul.
That desire became intertwined with his actions and impressions in the novel, further turning into chaos.
Episode 7’s “Void Scene” is a remnant of the elements.
MOBILE SUIT GUNDAM UNICORN GREAT WORKS BOX III episode 7 Interview Collection pages 03-04
First edition published on June 24, 2015.
© Sotsu/Sunrise

The mention of seeing higher dimensions and coming back is probably a homage to Kamille, who was taken over by the “whole” by Sirocco.

Captain Angelo is the only one who properly recognized the individual known as Full Frontal.

I like the idea of a colonial co-prosperity sphere.

Rather than it being due to Char’s residual thoughts
Both this guy and Zoltan have gone through tough times, so it’s fitting that in the end, they try to involve others with terrorism as a foolish act.

Is Mohanan Habaro crazy?
Wouldn’t it be better for the world’s direction if you died?

The real mastermind appears relatively early, but they are in an absolutely safe zone, so they will definitely not die; that’s the characteristic of the masterminds in Fukui’s works.
That’s why Monahan won’t die.

What can I say, what is being sought is…
It’s not Casval Rem Deikun, it’s Char, the Red Comet.
As a necessary element, it includes the lineage of Dykun as well.

Ikeda: “Frontal’s end is just too pitiful. He can’t achieve peace like that.”

The enhanced human, created by Monahan using the funds of the Zion Republic, attempted to connect to a higher dimension and wreak havoc on the world.
The failed creation was a high-dimensional weapon intended to cause damage on the scale of dropping a colony on Earth by triggering a helium-3 critical explosion.
They’re all useless people, so I can expect what terrible things the next test subject is thinking about.

I think I prefer the OVA version over the original.

In G-Savior, even after the Earth Federation government was dismantled, it absorbed places like Side 3 and ended up in a decent position, so I quite like the twist that the Side Co-Prosperity Sphere didn’t really mean anything from the beginning.
It seems like it’s becoming a corporate alliance like “Federation vs. the Moon.”