Isn’t this person a genius!?
>劇場３部作と逆シャア見た👺
Yes
It seems they’re already looking beyond Himiko Yamato.
>>3I wonder if it’s finished.
>>3It’s a bit amusing that when Ryohta Fujitsu asked about the topic of the new movie, he was instead confused when asked about his next idea.
When I tell them, they make a displeased face.
>>4Of course, that’s true about Char’s Counterattack…
Which part? Please state what made you think that.
>>5The battle was the most amazing!
The animation itself feels like a long time ago, but it’s really easy to understand what’s happening and what’s impressive about what we’re doing now.
Watch G-Reco too.
I think the setting, character creation, and lyric writing are genius.
Please watch Ideon too.
Watch Zambot, Daitarn, and Ideon.
I think you’re a genius at creating battle scenes.
I think he is a genius at creating dramatic visuals without moving the drawings as a director.
>>13A skill that makes people think it’s inherited but is hard to imagine.
V Gundam is not worth watching, so you shouldn’t watch it.
>>14(Anno strikes at a life-changing level)
Writing essays that are quite engaging.
It’s amazing that a lot of things that sold during the 4-cour anime era were created.
Watch closely.
The achievements as an anime creator are incredible.
Recently, the number of people watching the old Gundam has been increasing.
The novel has a peculiar writing style.
>>20It’s not really a novel! That’s definitely a screenplay!
>>23The text flows in the same way as the visuals.
I used to think he was an occult person, but after going to the Tomino exhibition, I realized he is actually a science fiction person.
The song is incredibly catchy and a really great track.
There are just too many novels anyway.
I wonder why I have so many aliases.
>>27If everything is done under the name of Yoshiyuki Tomino, the fee paid as the chief director will typically be the standard amount plus some additional factors, if any.
The reason is that if Toshihiro Onodani directs and Rin Iogi writes the lyrics, the fees will amount to three people’s worth.
I have heard a story that seems to have neither dreams nor hopes, but rather only dreams and hopes.
>>73It’s a concern unique to multi-creators…
An old man who transforms into Iogi Rin and writes good songs.
I like Turn A the most.
Genius lyricist
There isn’t a single person who can be called a successor, and it would be a waste to just let it die like this.
Let’s put on a life support system like the Iron Mask or Dugachi and help them survive for another 50 years.
The direction and character development are amazing, but since the story is lacking, it shines when paired with a great screenwriter like Hoshino-sensei.
Tomino is not a genius.
But Iogi is a genius.
A slightly concerning event.
Please teach this cool, energy-saving sword fight to someone.
I think they are a genius at screen transition effects.
The scenarios that the person writes are basically… how should I say it… мягко говоря, there are mixed opinions about them.
However, personally, I felt that the anime was somewhat lacking, but I think it depicts the people living in that world well.
>>39The depiction of the mob being lively is well done; it makes you feel that way with just a few movements and lines.
The use of the banks scene is really skillful.
The storytelling in MS battles is really top-notch, isn’t it?
Using character cut-ins frequently in battles is one of Tomino’s directorial quirks, isn’t it?
They are an amazing person, but it feels more fitting to call them a strange person rather than a great person.
Having too discerning an eye for people.
Many people ride on the world depicted by Tomino.
When I think about it that way, it makes me realize I’m creating a one-of-a-kind story…
I’m not confident that I completely understand the story of G-Reco or Blen, but the core themes come through, and the characters are lively, which I really love.
But I wouldn’t recommend it to others.
>>47Well, that’s really incomprehensible, isn’t it?
Orphan-san, it’s a revival with organic!
Are you okay?
>>84If you understand that no one in the story is aware of the situation, it’s not that difficult!
You can ignore all the storm of proper nouns and just focus on the human relationships.
>>90It’s not such a strange expression if you understand that it’s just being described in that way for the time being because there’s no other way to say it’s something organic.
This bald guy is amazing not only for his scenarios but also for his design skills.
Hermès, Big Zam, Z-Gok…
>>49I love the outrageous mecha designs from Ideon.
>>49It’s a good design, but I can still sense the era it comes from!
I like G-Reco because, by the end, it makes me feel a sense of inexplicable vitality, and by watching all the way to the end, I feel like I’ve accomplished something.
I don’t think I’m a genius of the artist type, but as a professional director, I believe I’m the best.
Scenes where the mob and supporting characters are lively are great, aren’t they…
Captain Yassaba and so on
Many people praise it, but I think that way of speaking is convoluted and difficult to understand, making it appeal to a selective audience.
>>54The more years go by, the more it becomes a digest.
It cannot be said to be good staff work.
Mobile Suit Gundam is amazing.
I really love the dialogue around “Kasha died” in Ideon.
Yassaba is so prominent that he overshadows the other characters, so he was removed!
When it comes to direction, there might be quite an artistic side as well.
An ending video that feels somehow good but can’t be expressed in words.
>>58I think that was quite evident everywhere.
I think they are an extraordinarily rare person when it comes to the use of language, not just in songwriting.
It’s incredible how many 4-cour anime were being made continuously during that time.
The ability to discover new talent like Kōbe and Nagano is impressive.
Forget about that, let’s watch King Gainer.
>>64According to Akiman, even that well-made opening doesn’t completely reproduce the director’s storyboard, which is a scary thing to hear.
I love phrases that end with a noun.
I think they can描ける描く combat scenes with a pleasant movement in outer space that’s different from underwater.
The ideas and direction are definitely good, but please have someone else write the script.
>>67I think he felt it himself in G-Reco.
>>67I want someone who can dilute the Tomino concentrate a bit because it’s a little too strong.
>>67I think the first was a miraculous balance.
It’s probably impossible now since it’s too famous.
I also like the naming sense.
>>68The level of completion of the Zaku, Dom, and Jim is amazing.
Even though it’s two characters, it has originality.
I like that the robot fights properly every time.
And even the robot has a certain cuteness.
Why is the ending in feminine speech?
>>70In Doraemon, Nobita starts saying things like “head” and isn’t that what the Showa era was like?
I make them say lines that are hard to understand but also somehow relatable.
Universe! Or something.
In G-Reco, I particularly like the part where Lalaia suddenly goes back to normal without any special reason.
I can understand feelings like “why!?” to some extent.
Why would you think of turning 2 into Z and then further into ZZ…
Personally, I really like Turn A and Brain.
Like concentrated Calpis.
If it’s not Gundam, Ide and Bren are good too, but I want you to watch Zambot as well…
There are likely famous episodes from Tomino’s script that were cut for the TV version of First.
I like the contrast between the idyllic daily life and the swift, fleeting nature of the battlefield.
I was moved when you emphatically said that we must never say anything pessimistic about the future.
>>87With what mouth…
You should definitely check out Bren Powered…!
>>88Don’t try to show me things like Bren or V Gundam!
The ending of Lean’s Wings is simple and makes no sense, but I love it for some reason.
I’m sorry if I wasn’t bald.
>>89I think I was doing it.
I seem to remember seeing Tomino supervising the movement of the wings in some kind of broadcast back then.
Ide, Bren, and Gainar
My favorite Tomino.
I wonder if period dramas are the foundation of Hage’s creations.
The techniques of storytelling and the battle scenes have a period drama feel.
The good thing about G-Reco is that it features a lot of sci-fi-like near-future technologies.
Ide was seriously amazing.
>>95It’s generally got a Tatsunoko flavor… that.
Char’s Counterattack is boring.
>>98To be honest, I think the story is lacking in explanation to the point that anyone other than a newtype wouldn’t be able to enjoy it.
What is being evaluated is mainly the mecha action and things like that.
I think the Sea Triton is enhanced by nostalgia, but it’s good.
Since the director can create the content quickly on their own, it would be more convenient if they could also handle the script, allowing for more flexibility.
>>101In the end, if you’re going to fix the parts you don’t like yourself, it’s faster to just write it yourself; there are directors who write all the scripts.
Even if the talent at the Imagawa Satotatsu is highly skilled, it has become evident that it’s better to leave rice cakes to the specialists.
I totally understand that opinions are divided, but I really love Gundam Reconguista in G.
>>102Whether I like it or not is a completely different matter from evaluating the work.
There are people in the world who can’t understand this, but…
>>102I think those who can only extract the good aspects of Tomino’s raw liquid are like that.
Other people stumble too much on parts before that.
I can’t deny that Blen-Powered is completely nonsensical and makes no sense at all.
I want you to watch because many魅力的なキャラ appear!
>>103If anything, even the Bren ones all have individual differences and are cute!
How many people are making a living from Gundam…
I’m looking for the bleep plate at the beginning of the blend, but nobody knows what it actually is, so it’s impossible to understand on a first try!
Bren can generally manage things he doesn’t understand with some kind of organic approach.
It’s easy to watch, even before considering whether it’s easy to understand or not.
As mentioned above, I feel like there’s a character who thinks they understand Orphan’s true intentions, but I really don’t get it at all.
>>108The reclaimer has a face like the spokesperson for orphans.
In fact, it’s quite progressively depicted that you’re just using the orphan for revenge against your personal motives, isn’t it?
It is because of that that the flow is established for Hima to go talk to Orphan in the second half.
I like the scene of the main character switching mechs the most with Bren.
Super Heroic
In works by Ahoge, it’s common for enemies and allies to suddenly team up, making you go “???”.
The storyboard is still amazing.
I wasn’t really into the TV version of G-Robo, but since the movie version is now available for streaming, I’ve been thinking about checking that out recently.
Zabungle is amusingly playful but has a surprisingly serious and interesting core…
Since being burned by the brain of a true genius, I think he’s a person of extraordinary effort who has continued to fight while turning his complexes into strength.
>>116I couldn’t become a film director and in the world of anime, I was thoroughly defeated by geniuses (or so I think, as I am a genius causing a social phenomenon).
G-Reco was fun because MS introduced a lot of different gimmicks.
The Gundam’s armaments consisted mostly of large beams and funnels.
When you understand that the humans in the story don’t really grasp the terminology, which is why the Reclaimers are merely researchers and Novis Noah remains an abstract interpretation, it becomes quite simple. However, if you take each word or statement in the story at face value, it can easily lead to confusion.
…There are a lot of works like that in Tomino’s creations!
The Reverse Char has a strange power, and it pushes through with that.
It’s nice that Roland and Beryl are good guys.
>>120Don’t mistake it for Belrizenam again. Born without good hearing, without wisdom, and from a filthy lineage, the Kuntala.
Char’s Counterattack is significantly saved by BEYOND THE TIME.
Huh… is this the end…? I feel like I was able to take it from there to something good thanks to that 90% of the time.
Personally, I liked the lines where Adette-sensei from King G persuades others.
“Laura’s speech about the cow or something”
Sometimes, a line just hits perfectly.
Blen is extremely unique.
Is it difficult to talk about G-Reco?
It felt like the tempo was off because they were forcing a battle into every episode.
>>125Honestly, I feel that the battles in G-Reco could have more freedom of movement because they’re in space.
>>148Some people have even made holes in the bottom of their own colony while doing whatever they please.
Watching Gundam besides Tomino’s makes me realize how difficult it is to depict two MS firing beams at each other in the empty space of the universe.
>>126It’s only natural that everyone wants to wield close-range weapons.
I think this person would definitely create a better work by not doing the screenplay, assuming there are places I like.
I think I get along well with people who enjoy not knowing.
People who like Taikai Master probably like Tomino’s anime.
When you revisit G-Reco after understanding the overall flow of the story, it feels quite simple.
If you watch it without knowing anything, I think you’ll really be like, “Huh????”
I get that some people may feel confused or found the TV version difficult, even though it’s a work I like.
I want some Tomino style, so I hope you’ll make some adjustments to the script.
>>132I think it’s fine for young creators to animate novels in that style.
Bren easily comes across as having a sci-fi brain.
If you don’t have it, you won’t grasp the atmosphere at first and will get caught in a trap.
I started to lose interest and stopped watching around the time everyone in G-Reco began cleaning up space debris.
I really like MS design.
>>135A barbaric human from Earth licking debris and burning up in the atmosphere.
>>141I painted it properly, you know?
The flavor of Tomino is similar to the flavor of An, and it seeps out in any genre, making it impossible for anyone to imitate. Just by following, one can do business.
Despite constantly being self-deprecating, when it comes to video editing, I can only claim to be a genius, and it’s incredibly easy to watch.
Tomino is lecturing Nagano, saying that this perspective is completely messed up.
When I instructed them to create storyboards like this, it didn’t get communicated at all, so the fact that I ended up doing all of it is stuck in my mind too much.
“Also look at ∀ and Kinge.”
It’s fine to only look at Anis power for ∀.
There’s already a lot I want to say about that.
There are terms like “funnel” in a believer’s sense, “black history,” and Japanese words that originated from the bald guy.
I’m unsure if it’s okay to praise the naming sense… I like it, but things like Kicchi Kitchen.
>>144The feeling of wanting to say “Kakurikon Kakurā” out loud is incredible.
I was impressed by the intention behind the composition of the right and left sides of the screen at the Tomino exhibition.
I was impressed by how the early bathhouse in Zeke Axes Beginning is mirrored.
My favorite is Bren Powered.
G-Reco also seemed to have a lot of movement, but when I look at it again, there are many still images, slides, and cut-ins that play around a lot.
>>149Since the time when the part-time aunt was doing key animation for Black Bug Pro and Sunrise’s launch, she has been a master of efficiency…
For moment-to-moment exchanges and battle direction, I really like episode 49 of ∀ Gundam the most.
It’s not just Char’s Counterattack, but you really hate F91 too, huh?
>>153It’s like it ended at the beginning in Z-Gundam, and F91…
What is the original work that Tomino likes the most?
>>154I think it will always be the work I’m currently working on.
In the past, it’s easy to say that this was bad and that was bad about works.
If you can’t enjoy cleaning up debris like in G-Reco or the white Tominos like in King Gainer, then you still have a long way to go.
The fact that it’s intentionally depicting a chaotic situation makes “I don’t understand the meaning” a valid impression…
>>157I thought it was amazing how all the characters in the first episode of “Wing of Lean” were confused.
Where did you come from!? Up there! It’s up, right!?
I like the battle scenes in Victory Gundam.
Usso does creepy things every time, and there is a variety of them, which is amusing.
In terms of the freedom of movement in combat, I think the ground battles in V Gundam were the best, regardless of space.
Isn’t space debris cleanup more like small skirmishes between space settlers vying for prestige rather than warfare?
G-Reco had a lot of stories that felt like a social studies field trip.
>>164It’s truly a story about a field trip on a cosmic scale.
>>164Well, it’s mostly like a field trip…
>>164The one who thinks they’ve become smart by just googling things is the biggest fool.
“Look for yourself, feel for yourself; real experiences are the learning you must pursue from a young age. The message from the spirited old man is that if you become a Gundam-brained person through anime or the internet, you will fail as a human.”
In G-Reco, there isn’t anyone who properly understands the situation in the story.
No one is explaining the current situation correctly.
>>165It’s the same with Blend S, but the difference is whether there’s someone in the story who pretends to know everything.
The G-Reco is easier to understand because there are too many people pretending to understand in “Blend,” while it is more honest to just say they don’t understand that part.
I have the impression that I am always creating work without being satisfied with my own creations.
Tomino was praising himself for the gold ingot scene in Char’s Counterattack.
In the fourth part of the G-Reco movie, the battle scenes are as sharp as ever, and I’m captivated.
>>171Personally, I have the impression that Onitake is someone who portrays combat in a calm and straightforward manner, so I was surprised that he was able to create such an intense and dynamic struggle with sharp contrasts and bravado.
>>171Isn’t 4 not that different? Then there’s the murderer! This genius old man is just amazing, isn’t it?
F91 fell, so of course I feel resentment for getting hit like that.
It seems like someone said, “Everyone is drawing pictures for too long!” during the Z movie as well.
In a world where conflict has almost disappeared, the tragedy brought on by a state of peace felt like a comedy to me in G-Reco.
The Sunrise family turmoil period was, well…
It seems that even Toshio Suzuki was resented.
>>176Even if, at that time, Producer Suzuki actually said to Tomino, “Let’s cut ties with those people and work together with me!”
You’re definitely not going to go along with that story… and it’s terrible because if I say that, you’ll get mad.
At that time, there were many people around Tomino-san, but there was only me by Miyazaki-san… that con artist who managed to get through.
There was no other way to describe it but remarkable.
>>208I thought I had witnessed true perfect communication.
>>208At the same time, you can feel Miyako’s loneliness…
>>221Although we work in different places, I know that Miyasan was somewhat sidelined at Karichou for about 10 years since Gundam.
When it comes to saying that, for a bald guy like me who was relishing the springtime of my life, there’s nothing I can say…
>>234Also, in reality, Tomino managed to get by on his own as a director…
>>208I’m curious about how much Tomino understood when he finished that interview, smiling quietly.
Even from the outside, you can tell they skillfully managed to get through the deception, so I wonder how they felt as the parties involved…
Personally, I feel like I was already satisfied by the time you could directly say that you abandoned me.
I like F91 so much, especially the scenes of the Frontier IV attack, Seabook’s first battle, and the fight against Laフレシア, that I don’t really care about how the story develops.
Sorry, that sudden infiltration scene was a lie.
>>180Directors tend to include infiltration scenes in other works to explain the enemy’s internal situation.
The viewers generally cannot grasp it and become confused.
>>190Write about the process leading up to the infiltration!!!
I love debris cleaning because it allows me to feel the atmosphere of that world.
They are fundamentally carefree.
>>181Originally, there really isn’t much reason for these people to go to war; even Musk is struggling.
I like the scene where everyone quietly leaves Fraubo and Hayato alone, possibly before the Battle of A Baoa Qu.
It’s actually more heartbreaking that they don’t specifically focus on Amuro or that Bright and Sayla aren’t being concerned about him or anything like that.
In this position, the mental state tends to have a direct impact on the work, and I can tell that in ∀, various burdens that were weighing on the heart have been eliminated.
Hashamossya
I thought the announcement of the design submissions for the anime magazine reflected a serious judge and serious people.
>>185If you really want to make her a witch, make the beam cannon much larger and stop trying to make do with what’s available. It’s way too straightforward and easy to understand, and giving such improvement suggestions is just too kind…
Bren wasn’t great when it came to names.
The wings of Lean are like being shown only the end of a story…
The representation of combat in outer space is so unique that there are no successors… right?
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