You seem to be relaxed.

It seems like the conversation may not align well due to differences in composition from that time.
In other words, the act of pretending to start now will be exposed.

“Don’t just keep being an otaku forever while playing in the theater, you idiot; are you going to punch me with pure hands?”
Now that I’ve had some breathing room to look around a bit, it’s the difference between telling someone, “Stop being a nerd forever, you idiot,” and hitting them repeatedly with a soft cloth wrapped around my hand.

In the live-action cosplay part, it feels like “wow…” in the way that otaku in theaters do.
Anyway, there was a strange destructive power in the live-action part…

Well, how should I put it, it was a work that was certainly like Eva.

The most enjoyable flow is a real-time experience.

It’s strange that something like this became a national anime.

The atmosphere makes it feel like something amazing is happening with the animation, but I feel like the content of the movie itself isn’t that impressive.

Isn’t it that Evangelion became a nationally popular anime starting from the new theatrical version?

I created a parody song saying “Go back to the field.”

A work that was misunderstood as a bad ending despite being a happy ending.

I thought back then that he was a mentally weak and fragile protagonist, but isn’t he ridiculously tough?

A video documenting the gradual transformation of Moscow, where remnants of Soviet colors remain, into the modern era.
I was moved by a Russian who made a video using “Komm, süsser Tod.”

It was causing a social phenomenon normally from the old theater, right?

But I think the biggest impact was on the creators’ side.

Well, everyone except Kensuke and Kaworu-kun is really cold, huh…

A story about despair because there is no love in the world.

At the beginning, having the protagonist masturbate in the hospital room and projecting the result on the big screen is already beyond sanity, I think.

I have a memory that it was from a rerun of the TV version, but is that just my imagination…?

Thanks to the new play, when I revisited it after a long time, I was surprised to see how much Asuka really likes Shin-chan, and I ended up liking it even more.
I had watched the video format version as preparation, so I had some understanding of the emotional aspects.

Even though it makes me feel exhausted when I watch it, I sometimes want to see it, but basically, I don’t want to watch the old movie.

At that time, I was in the fourth grade of elementary school and went to see it with my cousin who was a middle school student, but as expected, I didn’t understand anything at the age of 9.
I only remember that my cousin’s older sister had a really dark expression on her face.

Looking at this, it seems that Anno, and by extension, young Evangelion fans, desire a world where no one exists, leading to a wave of works that deny the Human Complementation Project.
Even Ultraman explicitly denied it with Dyna.
But in fact, even in Evangelion, the existence of a world with no one in it is denied within the story.

These days, you can follow trending titles immediately through streaming…

Although it is mocked as Anno’s rampage, I think the staff, including Masayuki Tsuruya, were also really into it.
It’s also called bad behavior.

There was a theater on the 5th floor, and we were lined up at the emergency stairs all the way down to the 1st floor, which was my first experience at the old theater.

I think they rewrote the story in a darker direction during the time between dropping the production and the Summer Eva.

I don’t think there are many movies with visuals as disgusting as this one.
I’ve seen a lot of gross movies, but this one is still the most disgusting in many ways.

Until the Human Complementation Project begins, everything is carefully built up, but Shin-chan quickly bounces back in that part where he says he really doesn’t like the Complementation Project.

I’m collecting back issues of BCLUB, but the topics in the reader’s submission section from 1997 overwhelmingly seem to be Ga-ga-ga > Eva > Raideen.
Overall, Eva looks somewhat distant, like that hugely popular anime…

The scene of Unit 02 going on a rampage and the complement scene are amazing and I love them.

Simply put, the animation is really good.

You can really feel an incredible power in the animation, right?
To be honest, the new theater doesn’t even come close to this in terms of visuals.
The creator’s passion or resentment truly comes across.

Asuka’s “disgusting” feels alienating, but at the same time…
It feels like it also means acknowledging the existence of others.

The entire story was so full of harassment that I can’t help but think that Sadamoto’s version was the original plot.

I expected this level of catharsis from Shin, but when I opened the lid, it turned out to be very ordinary, and I was disappointed.

Back in the old days, IG was also there.

Even after going as far as Shin, the new play ultimately did not produce any sharp content that surpassed the battles of men.

When I was in middle school, there was a vibe that Evangelion was a masterpiece, so I watched the TV series and the continuation, but even as a child, I couldn’t quite understand it.

The one with obsession was lent to Studio Ghibli.
The ones who came from outside left because the production period was too long and are now directing their own works.

Director Anno has finished his homework on Eva and has returned to being just an otaku.

Did the boom in the old series cool down?

The original synopsis was probably closer to Sadamoto’s Eva.
I wanted to see this completed as a TV series, but also not so much.

Whether the boom continues or ends, there is no product development on the scale of the otaku at that time.

There is no doubt that this old play has greatly influenced the creations of later generations.

Director Anno’s original style isn’t really a gloomy one, after all.

When I watch the TV series now, it feels like after the men’s battle, the drawing quality has really run out of steam… I’m concerned about how many still images they keep using.
The battle against the Apostles also considers energy-saving strategies.

The other day, when I sang “Soul’s Refrain” at karaoke, the visuals were from the old movie.
In the part where “my fingertips seek you,” Asuka is murmuring that she will kill her while extending her fingertips.
“It’s the scene of the mass-produced machines rebooting all at once with ‘Miracles happen, no matter how many times.'”
It was so terrible that I couldn’t stop laughing.

On the contrary, it seems that the excitement gradually diminished as the new theatrical version started to unfold in a more general-oriented direction.

When it comes to the new theater production and Evangelion, it basically had the image of EOE.
For me, it was rather the TV series that was the core.

“The beauty of incompleteness has been often mentioned in art since ancient times.”

I feel like there won’t be a work that surpasses the old film after seeing something truly incredible.

“The way future generations are influenced is like, ‘You bastard, if you’re going to create works like this, then I’ll make something like that too!'”
It’s a way of influencing that’s almost like a provocation.

The men’s fight is seriously filled with such sharp and stylish cuts that it’s scary.
There were scenes where Oneoamis and Top and Kare Kano were also great, but that 19th episode really stands out.

It flows incredibly insane footage with outrageous visual power.

I have a memory of many analysis books being released after the old series, each written freely by individuals.

In that society at the end of the century, if we don’t push Director Anno to that mental state with that schedule, the old movie won’t come out.
There will never be reproducibility for eternity.

I’ve been waiting for the anime adaptation of ANIMA.

I don’t think we really need that kind of reproducibility.

In the end, I couldn’t wrap it up, so I did the activation chapter!

When my parents got to know Eva through pachinko and then watched the anime, they had an indescribable expression on their faces.

When you watch the TV broadcast version instead of the video format version, it’s clearly conveyed that the changes in the latter half weren’t intentional but rather a last resort.

I feel a sense that the potential boom that was created by the hit of pachinko has come back again.
Even though there were hardly any video media flowing like “Refrain,” everyone in the pachinko parlor knew about it.

The generation of kids who say they love Eva and were exposed to Eva through the new films.
I wonder if they’ve watched the old movie… I want to hear what they think about it…

I wonder if those incredibly heavy-feeling combat scenes in Eva are impossible to achieve in modern times.

When it comes to Anno, everyone thinks of Evangelion, but Evangelion is considered quite different from Anno’s other works.

Well, it would be boring if there were only commercially packaged works, so I hope we get anime like this from time to time.

After getting older and rewatching the video format version, I realized my impression of it is quite different from back then…
I looked at the differences in the corrections later, and it’s changed a lot, especially after the battle with Zeruel.

Announcement! It seems that there are a lot of people who only know the songs, just like with the Imperial Assault Force.

Back then, it was written in the newspapers that a boom like Yamato would return, but was Yamato really that much of a topic?

I like Shin, but I still prefer Asuka from the original series.
Recently, there have been fewer heroines like those sharp knives.

If I had known at the time, I would have realized it was just like Ideon, but I didn’t know when I was watching it… I was young and it wasn’t available for rental.

At the nearby movie theater, the posters for the old version of the film and “Princess Mononoke” are displayed side by side.
“So everyone, it would be nice if they just died… I remember being told to ‘live’ while sitting next to each other.”

The TV broadcast version’s animation for the scene of Asuka’s mental contamination is so terrible that it makes me laugh.

I think it was a great decision to change the names of Sōryū-san and Shikinami-san.
If anything, it would have been fine to change the voice actors too.
It’s really like they’re a completely different person in every way.

I think the ability to stand out uniquely was partly because information sharing wasn’t as fast or widespread as it is now.
When I dropped an incomprehensible Sekai-kei work into the midst of the apocalypse theory that was stirring up society, it turned into chaos.

There are elements reminiscent of Ideon, but it’s not exactly the same.

I think I was out of my mind.
I’ve never seen it, but I’m sure it’s a masterpiece! So I bought the DVD box set with my first paycheck.
In the first part of the movie, I remember thinking, “The flow of ‘Kimi no Sei’ isn’t happening at all!!”

It’s too much like “Childhood’s End” and “Ender’s Game” rather than Ideon.

When I saw the plain version of “I think it’s good to laugh,” I realized it has this kind of face…

I can only assume that the TV show was lacking a budget in the latter half, resulting in a nonsensical, unfinished ending.
The first half of the old movie was great, but the second half doesn’t make any sense.
The new one just ends up being a mysterious live-action parody…
I wonder if you couldn’t get into it without being there to feel the vibe of the times.

NERV staff attacked and massacred.
Unit 2 being torn apart messily.
With Lilith’s awakening, the mass-produced model’s face becomes Ayanami.
Forehead pussy
It looks like a continuous live-action video that someone with schizophrenia might be watching.
A giant, half-split face of Ayanami.
Everything is just so gross and amazing.
And everything is at a level of super quality that can no longer be replicated in modern times, which further accelerates the feeling of unease, and it’s amazing.

After this, the anime that came out is really full of that Evangelion vibe.
After Madoka Magica, it’s not just that the number of magical girl battle royale shows increased, but seriously, whether I looked to the right or the left, everything felt like Eva.
I can’t believe how big of an impact it had.

In terms of the amount over a certain period, the Demon Slayer boom might be the biggest.

It is because movies with taglines like “So everyone should just die” are trending in the Sankei Shimbun’s letter to the editor section.
An article said that maybe there isn’t enough love from God and that we should believe in Christianity more.

Demon Slayer is based on original material and is created with a basic sense of fidelity, and it doesn’t particularly have a huge impact on the industry in terms of style or direction.

Anime as entertainment content is becoming increasingly commercially refined, and I believe that more hits surpassing Evangelion will continue to come out in the future.
That’s not what I mean.

Demon Slayer became a huge hit, but there haven’t been many manga that followed in its footsteps like with Madoka Magica.

I remember being kind of let down because the scene where the base is attacked was just like Blue Christmas.

It’s not common to come across a video that gives off a level of resentment that feels like someone might die from it.
“Things like Demon Slayer are focused on entertainment and really aim to provide enjoyment.”

Even Conan consistently achieves box office revenues of 10 billion yen every year, which is truly incredible for anime content.
It’s not like Conan has had any influence on subsequent anime or anything like that at all.

There was even a term called “sekaikei,” but I haven’t heard it recently…

Well, with things like Demon Slayer, there’s a clear original manga, so I think the vibe of the boom is different.

Director Anno is someone who really loves parodies based on original material.
Eva left such a vivid impression that it was overwritten to the point where no one even noticed the parodies.

Well, I think it would be better if a work like this never comes out again.
Considering the creator’s physical and mental well-being.
This work could only be created under a schedule that would push someone like Anno to the brink, receiving slander and death threats from viewers, leading to a complete mental breakdown.

Some works that have hit reasonably well among Evangelion followers have come out.

Since Evangelion, there has undoubtedly been an increase in anime that end unresolved.

I believe the core of Demon Slayer is its sense of dialogue.
I don’t think I can imitate that.
The drawings are too random, so I don’t really feel like imitating them.

Demon Slayer is interesting, but
I don’t understand the reason it became popular other than being genuinely interesting.

I feel that perceptions of the “Sekai-kei” genre have changed quite a bit before and after COVID.
I came to realize around that time that the world may not be as wide or as deep as adolescents think it is.

I later realized that I liked Isomitsu Yoshimura’s elements.
It doesn’t contain much of Anno’s elements.

I heard they were making a mystery book about Eva (lol).

After extracting the elements, it’s like the existing patchwork.
Every work is like that.

Eva didn’t just throw it away; she was given another chance to try again.

Speaking of Eva’s mystery books, anything inside sold well.
Actually, people who have never read this area misunderstand that it’s written about Eva, assuming that it contains something about it.

The “Demon Slayer” TV series became popular just before the COVID-19 pandemic.
The impact of COVID was on the movies.

I think the originality of Demon Slayer lies in its dialogue, but it’s hard to put into words for someone to copy it.
The setting and story are classic, so imitating them becomes clichéd.

Is it because the receiver is seeing something they’ve never seen before?
Just because it’s something I’ve seen before doesn’t mean I’ll feel the same way about it…

I think it was the straightforwardness of the story in Demon Slayer that made it accepted by people of all ages at that timing.

If we roughly define the idea that the protagonist’s choices change the world as “Sekai-kei,” then
It feels like the opposite has been trending lately.
It feels like no matter what I think or choose, I can’t leave any scars on the world.