It was more brain-melting than I expected.
Are you a kid from Toyoko who got hooked on hosts and ended up in ruin?

I thought it would be more of a laughable romantic comedy.

The expectation is that, but when I watch the main story, their relationship is only at the level of being work colleagues, so I didn’t feel frustrated.

To be honest, I’m not really sure what I want to do anymore.

I need episode 3.5.

At least there’s no time to spare for broadcasting something like a beginning.

Was it really difficult to stream the beginning for free somewhere and make up for the time?

If you don’t start the beginning broadcast, we won’t know what Uncle Sharia wants to do.

It’s just a story where a stupid woman crazy about a man is causing a commotion, without any deep love triangle or human drama.

I don’t really like developments where the female protagonist competes for a man.
It was still tolerable that Matsu was making a fuss all by himself.
I was disappointed that they suggested escaping together until the meow.

I can’t believe it got to the level of saying “let’s throw away Matu and run away up to Nyaan!”

There is hardly any buildup to make the messy love triangle over a man interesting.

I think if that ED scene hadn’t existed, this development might have been a bit more accepted…

Rekoa output from a privileged environment.

Machu felt a spark in the midst of the typical depression of wealthy teenagers, realizing that only Shuji was there for her!

They say there’s not enough length, but there are plenty of unnecessary parts that can be trimmed down.

First of all, I have no attraction to Shuji as an individual from the very beginning.
Honestly, it’s kind of ambiguous whether to pair with either of them normally.

To a teenage girl with nowhere to go
Mysterious handsome men with combat power work very well.

Well, I really might not have enough time, but I’m not sure yet.

I think there will be a split two-cour.

It’s about my preferences, but even if the protagonist falls in love, I want them to have some agency in the romance.
You’re just being swept along as things are.

I think it’s pointless to have past flashbacks that neglect the development of the three main characters since there is only one season.
Commercially, this is probably more important.

Nyaan was likely excited about the existence of what could be considered their first friend, and there was friendship until the time they felt free.
It’s kind of frustrating when my friends push all sorts of things onto me, prioritizing Shuji above everything else; I can understand why they’d start to feel annoyed.

Since I know the ending, it feels like there won’t be a sequel.

What I was hoping for was that the three of us would get along and deepen our relationship while doing chaotic clan battles.
It was something like how Machu sometimes gets a little flustered by Shuji in a romantic context.
It ended up feeling all gooey and messy, and on top of that, I stuffed too many things in, making even that quite sloppy.

Even if it’s a love triangle, it feels dirty and I can’t get into it.
It feels like I’m being shown a trendy drama.

The ending that’s a random idol parody is too noisy.

I’m having fun now because I predicted it correctly.
Woman’s ugly battle preference

Looking back, I realized these guys haven’t really had any friend-like relationship-building events…

If it focuses on romantic comedy, then it feels un-Gundam-like in its own way.
It’ll end up being like a club activity…

Some people call Machu “Toe-yoko kids,” but rather than Machu looking like Toe-yoko…
I think the relationship between the three people is kind of like the Tōyoko kids.
It’s like we don’t really know much about each other, yet we still trust each other with important parts of our lives.

This week was interesting and there were various things happening, so if it leads to this kind of development, I can get on board, but I can’t help but feel there’s a sense of skipping the process.

I think the descriptions are too lacking, but I’m not sure if it’s because there’s not enough time or if they’re intentionally rushing through without elaborating much.

Rather, with Shuji’s disappearance, the love triangle has given way to a sparkly return to yuri.

At first, I thought Machu was a really great protagonist.
I was too obsessed with Shuji more than I expected; the beginning was the peak, and my attraction keeps diminishing.

The production side
Was it depicted as a superficial relationship that is bound to collapse eventually?
Or was it depicted as a tragedy where friendship collapses due to Machu’s complications?
I feel uneasy not knowing which way you’re leaning.

The Gundam series tends to not spend much time on the origins of the characters.
In episode 49, the G-Gundam, which deepened their bond, is an exception among exceptions.

I thought friendship would be built up from here, but it’s already at this stage.

It’s tough that Shuji doesn’t seem attractive at all right now.
It’s similar to the phenomenon where if the protagonist of a romantic comedy doesn’t seem appealing, even if the heroine is cute, you lose the motivation to read.

Machu couldn’t come out, and everyone is struggling, so even just trying hard to come out is fine, but I ended up facing a really terrible situation.
Nevertheless, when I tried to feel the sparkle, understand freedom, and convey that joy, it led to that explosive anger.

I was also expecting too much from the ending.
I might have really wanted to see the daily life of Machi and Nyaan after all.

The arrow from Machi and Nyaan’s friendship to Shuji is still clearer, you know.

It’s a bit too sci-fi and scary that Shuji and the red one disappeared at this timing.
It seems like in the second season, which takes place a few years later, Nyann has become a fully-fledged MS pilot.

If you’re going to harbor a faint longing, I think it’s fine to stay as a mysterious and charming boy.
If you’re going to get so deeply into showing off your possessiveness that you cut off your friends, then please describe the charm more vividly.

A young lady who lived a life of complete comfort is now arbitrarily dissatisfied with her current life.
I ended up in ruin after getting close to a child with a tragic background in the night streets, associating with bad people and learning bad habits, falling for an otherworldly man, and reaching for the glittering.
I think it’s an anime with a storyline that feels more like Kabukicho than something from the Universal Century.

Shuji is really too much of a template for this kind of character.

Isn’t it pointless to see such an ordinary everyday life in Gundam?

Well, it depicts romance, but that’s probably not the theme.

Camille and Fow meet, are attracted to each other in the first episode, go on a date, and then become enemies! That’s it.
It’s not just a matter of a short process.

Na

Machu, who had been relying on chance to seek sparkle while riding Gundam, is now facing the consequences.
The next choice is whether to keep piloting the Gundam or to get off.

I say a lot of things, but when I’m watching, I’m actually enjoying it quite a bit.

It’s important to capture attention online every single time now.
It was a great success this time too.

“Not being able to empathize with the story” and “the story lacking persuasiveness” are completely different things.
There are too many scenes where people are mixing up their feelings of comfort and discomfort while talking.

I think it’s really bad that even though it’s already episode 7, Machu hasn’t been piloting the Gundam and making a difference at all.

Camille and Fow are drawn to each other and exchange words.
Macha is only running wild because the crucial Shuji is too indifferent, and the two women are doing whatever they want.
I don’t understand what I’m being shown.

A year from now… it feels like there’s a flow where Shariyama and Exzabenyan, who is Kshiria’s bodyguard, will seriously go to defeat Kshiria and Girel, and they will end up clashing.

Unlike Amuro, who jumped in to save his hometown, and Camille, who ended up seeking vengeance because his parents were killed, Macu doesn’t seem to align with the side of justice, so the old man will probably keep complaining.
Is Gundam really about that in the first place?

From an objective standpoint, Shuji is just a radio-waves boy, so it becomes a bit frustrating to deal with him.
It’s understandable that those people are sparkling and shining.

I think Shuji’s character is fine as it is.
I wanted at least one more scene of their exchanges or something.

I got a bit tired of it! Bye!
It feels like Shuji is casually doing Zekunova, which is honestly a bit amusing.

Even though there were parts that bothered me until now, I was still able to enjoy it with the expectations for the future.
This time, I clearly got stuck in the turning point of the story, which made me start to care about the earlier parts as well.

Shuuji is handsome and has a mysterious charm, but at the same time, he has no substance, so I don’t really understand why I’m so invested in him.

This time, it was sincerely conveyed that I was missing a foot compared to the past.

Shuuji had only been watching Gundam from the beginning.

Like Macross

Quez has no hesitation.

If anything, Nyann is helping this time too.

Last week, I was anxious because Psycho was rampaging in the colony, wondering if Mom was going to be eliminated.
I never thought we would part ways like this, right?

Machu still has zero kills, except for the military police caught in Ziegax-kun’s thrusters, so mentally, there’s still a long way to fall.

Somehow, I feel like Machu and Nyaan will both experience heartbreak.
The ending is starting to look like a reflection meeting.

Shuuji has been clearly saying that he has been talking to Gundam all along, but it’s the Machu who truly think he isn’t actually conversing with Gundam that’s at fault.

At the place where we switch pilots, Nyaan not saying anything makes me feel the distance with Machu, and it’s tough.
If you had apologized at the very first moment in the shrine scene, the outcome might have been different.

So I can see mom being trapped in the space pod…

Stabbed and blew up just as I was about to stop.

Well, new types generally can’t understand each other during their lifetime either.

Machu and Nyaan are only focused on sucking Shuuji’s little thing, huh?

So, there’s really no season 2 after all.

I think it’s pretty amazing that there is a possibility that the conspiracy of Sharia Bull and the juvenile story of Machu might not intersect and reach a conclusion.

Is Shuji going to disappear?
I wonder if there will be a detailed explanation about Zeku Nova in the first place.

If you fail to portray Shuji attractively, everything will fall apart like a domino effect…

The TV show ends after one season, but…
It’s not impossible for there to be a sequel in the form of a movie.

There is a possibility of a yuri ending, but I think it’s different from what yuri fans are looking for.

Is it following the new Gundam?

I still have so many things I don’t understand, so I don’t know how to react…
I feel like it would have been okay to advance the developments a bit earlier with this.

It might be a pattern where we understand each other after it’s become impossible to go back, like Irako and Fujiki.

It seems that the only goal of the female protagonist is to achieve a romantic relationship…

The relationship ended while remaining weak…

I haven’t shown it to my elementary school son since last week.
I wonder if it’s okay to just fade out like this.
I went to the movies three times and was looking forward to the main feature.

If you die, you’ll understand each other.
It’s because it’s NT.

It was like a love triangle, but Shuji had no intentions at all, and as I predicted, Machunyaan got left behind.
And then the remaining ones will fight among themselves.

Since Eva succeeded with that, it can’t be helped.

Zegax was beaten up by 4 to 5 military police aircraft while trying to escape, and in the end, his awakening was quickly canceled.
It rolled around and happened to be under the road, so I can’t find it, right?

Machu is being criticized harshly for being referred to as Toyoko and Toyohashi.

Anonymous usually gets really excited and says things like, “It’s because they ruined their lives through love in history!!” but for some reason, they’re quiet this time.

I think that only a certain demographic would find joy in Machunya if there are female bodies lined up.
There’s nothing at all that I can get excited about in this relationship.

Because the relationship with Machunyaan didn’t deepen as much as I expected.
Even if it naturally becomes a conflict from here, there’s nothing that moves me.
It’s not that we’re super close or super distant.

The women in Gundam only think about romance and lack魅力, so it’s no wonder it turns out that way…
As expected, it’s Lady Kycillia.

Well, no matter how you think about it, it’s disappointing to have a abrupt ending followed by that.
The announcement of the second season is causing a huge buzz on social media! They’re aiming for that, aren’t they?

I don’t really have any particular thoughts about Shuji.
I don’t think Shuji is at fault, nor do I think Shuji is unappealing.
I know that Shuji has a strong will due to the incident with Shiiko, so he’s actually the character I’m most curious about.
Simply put, I can’t empathize or agree with Machunyan’s behavior, which is causing problems.

If Shuji has disappeared and that guy comes back, it would be laughable, but please reveal the principles of Zeknova quickly.

I wonder if it will end neatly as Macchu’s story…
I want to ask people who have seen Tsurumaki’s works.

I feel like the depiction isn’t keeping up with what I want to do…
There are limits to reading between the lines.

As a yuri enthusiast, I successfully exploded and became an unstable enhanced human without new-type abilities in this work.

The production team’s intention is to freely move past characters as they please.
To be honest, I might not have much attachment to the main characters.

Even if it’s centered around romance, I want them to stop because they’ll just end up writing a romance that’s inferior to Domon’s.

I thought he would disappear midway since his inner self wasn’t coming out in a natural way, but disappearing at this timing just doesn’t work for me…
This looks like nothing more than a stage setup that complicates Machunyuan.

Can Machu properly convey his apology to Nyan?

I’m an uncle who likes robots, so I can’t find interest in a love triangle between a man and a woman.
Just like how older sisters who like Johnny’s have no interest in trains.

Once you point a gun at someone, you must be prepared to be shot yourself, Machu!

I understand why Shariaブル is the director’s favorite.

Nyaan’s familiarity with Shuji is not depicted, so I don’t really understand the reason behind it.
I understand that we can’t help but act that way under the current circumstances.
Machu is that kind of girl, so I can’t understand anything beyond that.

People who weren’t really close to begin with end up falling out over some trivial reason.

The depiction of everyday life is critically weak, which is also harmful.

Machu, who can only apologize after leaving this world, is precious.

Since I read that post about the director’s self-projection, I’ve started to take on Takao Osawa’s expression.

I understand that Shuji has some purpose for killing, but I have no idea about the two women.

I wonder what the difference is between getting immersed in a sexual encounter and running away from home.

It feels like it becomes less interesting when the focus is on the main character and their surroundings.

In the end, during the moment of “Wait, when did you start calling him Shuu-chan?!” I felt left out as a viewer, and since then I still don’t understand the relationship between the three of them.

I don’t really care, but isn’t there a chance for Second Lieutenant Komori to appear?