Kiriko is a great character, isn’t she?

Well, when it comes to Dougram, it’s true that Donan and Lacocque left a stronger impression.

I feel like I don’t really want to bring out a robot if it’s not necessary.

I was told that Nishida-san left a stronger impression than Yushirou, so I guess that’s true.

I think that the so-called real robot genre, which depicts war with a historical drama-like storyline, reached its completion with Dougram. However, compared to the more entertaining aspects of Armored Trooper VOTOMS, it has such a strong military flavor that it often goes unspoken, which is a shame.

Galyan’s charm lies in Mardal, who is almost the main character, which is also a weakness.

I wonder if there will be anyone who would join me if I said, “Let’s talk about FLAG, which has fewer episodes than Dougram, and about the late Edo period theory, Iroha ni Hoheto!”

FLAG has leaned too much towards the real robot side, lacking charm in its mecha…!

FLAG has Reina Tanaka reading too monotonously.

Dougram is currently being streamed on YouTube… Even after this part is over, there’s still one more season left…

I’ve never seen Dugram talk about Kurin…

Is the latest work “The Fable”?

I wanted to believe that Muteking was just a name loan because it was so hard to watch.

Rayzner… somehow managed to balance the enemies and allies!

Instead, various things happened.

Since they have a normal sensitivity to cleanliness, they don’t leave much of an impression.

Kurin’s final job is to see my father off at the end, in a way…

On the ally side, Chiko and Nanashi leave too much of an impression.

Who are those guys?

The Kasim family’s two older brothers are really worthless… it’s just that the brother-in-law is a better person in terms of character.

Dougram, in a sense, is a story about “the Zeon successfully stealing Gundam and winning independence,” but the achievements of a single guerrilla unit hardly influence the larger picture, and the protagonists politically resolve matters that are unrelated to them, which raises questions about the realism of the anime. At the time, it received very polarized evaluations; some anime fans loved it while others absolutely hated it…

Isn’t Gasaraki directed by Takahashi?

Professor Nishida is the one I remember the most…

I think the document diagram is quite well organized.

The way Lacock disrupts the second half really makes me think, “What the heck is this guy…?”

In the end, one suffers the consequences of a lack of popularity.

Kan-Yuu is just a terrible superior, but their character is too prominent.

I think Epsilon was an incredibly attractive rival character.

Daisy and Fiana are both too determined as heroines…

Director Takahashi has publicly stated that his job as a director is essentially to gather the staff, coordinate with important people, and take responsibility, while basically leaving everything to the staff.

Although it was under the name of the general director for GaoGaiGar, there are talks that I just gathered young staff to adjust things so it wouldn’t become too niche, and then I just wandered around the site.

Let’s buy Takahashi’s director’s column because it’s interesting!

Destan

Kan-yu

Niva

Gostello

The piece by director Takahashi shows a great taste of the scoundrel.

The next preview is too poetic.

Let’s mention some interesting lesser-known works by Director Takahashi.

I’m into the Silent Service! The Seawolf battle is insane!

The robot battle in FLAG is just an extra.

The scene of sidestepping to dodge enemy bullets is too surreal.

The discussion turned to the production of an OVA for the Armored Trooper Votoms side story.

I love the story about how Mellow Link was decided on the spot, even though it was at a proposal level, surpassing the popular work Blue Bell.

Despite this, I come from an underground theater background.

For some reason, I can write scripts for shoujo manga.

I had an exchange with Daichi Heitaro.

I’m currently making a preview for the next time I’m there.

I understand, Hamdo-sama.

Showing the decayed Dagram in the first episode is completely Yamato, isn’t it, director?

I like director Ryosuke Takahashi’s columns and notes.

I heard that the songwriting royalties for “The Fate of Flames” allow for a little income each month, enough to go out for drinks once in a while.

I think Tomino could live off just the royalties from his lyrics.

I’m currently watching Dougram on streaming.

The crowd is full of Shigeru Chiba.

Even if you say “old bald,” I’m still going to work.

You’re young, even though you’re 80 years old.

I love the scene in Gasaraki where the metal fake dodges tank fire with just the command “Spin!” while stepping.

The political scene was asleep.

It really feels like he’s turning into a nice old man, but Oshii absolutely never speaks ill of anyone, while back in the day, most animators were like gangsters! Hahaha! laughs the martial arts enthusiast.

I wonder if they were trying to attract kids with Choro Q Daguramu.

That’s impossible.

Calligraphy shop and next episode preview shop

A teaser for the next episode, thought of in 10 minutes while going to eat rice.

It leaves too strong an impression.

I quit Mushi Production and, having some free time, was working on directing and scripting underground theater when I was suddenly called by the newly established Sotsu (Sunrise).

Someone who made a zero tester.

If I had left it to the young ones, Fianna would have died…

Speaking of the World Expo…

Also directed by Morizo and Kikoro.