If a gentle and flirtatious kid slips into my heart while I’m hurting… well… you know…

I wonder why it got so attached to me…?

“Isn’t it okay to just start over even if things go wrong?” I wonder if that really resonated with me.

Even though it’s the first day of transferring schools, if the cheerful types are kind enough to talk to just me, invite me to karaoke, and cheer me on, I can’t help but fall for them…

Can you play the tambourine? How about the castanets?

Did you really want to play that instrument (not that you had any intention of being a vocalist), I wonder, from your perspective…?

That girl is amazing…!

It’s too strong to be happening so quickly.

Even in her rough mode, Shou-chan is easy on A-chan, it’s funny.

Even though I ignored Soyu’s LINE messages, the moment I heard Ain’s name, I decided to go see her.

The fact that Aine studied abroad.

I guess the only one who knows is still just Akari.

Tou really doesn’t get involved with things they are not interested in…

Oh, I love penguins!

Are you already completely fallen for karaoke?

With a light-hearted response of “You can just redo it,” I critically ended up saving them…

Complimenting the penguin-themed band-aids would definitely increase the favorability, and by the time we hit karaoke, I’d be completely smitten.

In the light, Kuraishikku thinks that they disbanded because of themselves.

Shoko is cold, and she can’t meet the other members, and she’s the one who brought me out into the sunlight when I turned back into a pill bug under the stone.

If Takisoyo knows that Aine-chan has experience with setbacks, she won’t be able to tease her in her usual manner…

I love the compatibility between Akari, who keeps moving forward even if she’s down or lost, and Aine, who is a trend follower and tries out various things.

Only Tō knows about transferring to Haneoka, which creates a clever relationship.

I often hear opinions like “In the first half, Aine is the protagonist.”

When I think about it, Aine ran into a classmate from middle school in episode 5.

Without any questions, the light pulls them up from the spot and takes them away.

From this time, I was already being a hero, right?

The study abroad failure is just on the surface, it’s just that the band split up or was boycotted.

How the person was hurt by that is an important part of the story.

You probably don’t know anything about the instrument arrangement or music genre, do you, Akari?

Viewers will likely tend to support Tachiki.

This scene well demonstrates how the perspective is completely different depending on the character.

In other words, I didn’t have any knowledge or preconceived notions about what a “band should be like.”

I may have been able to pull off something unconventional like a solo reading live.

Isn’t it already high in favorability from the self-introduction of Tomorin when she sat in her seat on the first day?

It’s a life where I’ve only been running away, that’s what Ainon is saying to herself.

When I see serious competitors, I not only run away but also fail at studying abroad itself.

It seems like you might have a complex about not having anything serious for yourself.

Looking back now, I wonder if Aine also wanted something as important as that, to the point of tears.

It seems like I probably haven’t even properly done the song “I Want to Become Human.”

Simply put, Tou seems to be the type who likes a person like the sun who pulls him along by his hand.

Until I make a shadow in Kasuga after karaoke.

I wonder if they were practicing a song about wanting to become human.

Aine-chan has a vocal face.

The astronomy club’s room is

It has completely become a school base for just Akari and Aine.

Being the first to grab the maracas at karaoke really represents the painful position of Akari well.

Become a member…

Aine-chan, it’s amazing that despite having so much, you’re able to find joy in the band in such a steady way.

Aine-chan generally moves in the way that Light’s ideal would…

Embarrassingly, me.

The stray cat said, “That girl is interesting,” and I originally thought it was about Aine.

The astronomy club is a space for lyric writing and guitar practice.

I think it’s a good relationship to not just become a member on a whim just because you’re drawn in by the light.

Aine probably has no interest in stars at all…?

Instead, we’ll go to the aquarium together.

If Aine-chan officially joins the Astronomy Club, it seems like she would put in enough effort to create a scenario for one Garupa event.

When it comes to the type of light, Ai sounds a bit off compared to Shoko.

As a result, it seems like I got hooked or something.

That god tends to involve others but doesn’t actively take care of them…

I don’t really know what A-chan was thinking during the classic reunion.

Although the situation is the same as Umirine’s.

The only interesting girl is Tou-chan, but does it end when Aine-chan goes home? It’s likely that she was seen as a member from the very beginning.

Stray cats are the type that value their territory, so it’s probably not just about having an interesting girl around.

Because Tomo had a strong complex of feeling inferior to Shouko.

It feels like it’s only because it’s Aine that we are holding hands and moving forward together.

I like the theory that for Akari, who has a complex about not being able to be a normal person, it was a good match for Aine, who treat her like just an unusual kid and doesn’t give her special treatment.

Including the fact that most characters view Akari as special.

Aine-chan has a lighthearted feeling about everything, doesn’t she?

That’s fine too.

Aine-chan really isn’t burned by Akari-chan’s song, huh?

Yet, I intend to be with Akari-chan for a lifetime.

Since Aine-chan was already human, she doesn’t seem to resonate with the song about wanting to become human.

I like the type of person who enjoys trendy songs…

Each moment being a lifetime must have been a nice balance, right?

I feel like there’s a possibility of parting ways somewhere along the journey.

It seems that there are parts where I intentionally keep my distance because I can do just about anything.

In the theater compilation, there were a few additional cuts of the scene where Aine-chan hears Kasukage for the first time.

Please let there be an announcement for movie streaming or software release at the weekend live show…

When you think about it, singing and music are originally like that…

There are serious fans who deeply analyze the meaning and message of the lyrics and say, “Wonderful! I’ve gained the motivation to live!”

Some kids are listening to it with a festive spirit, thinking, “It’s so cool! This song is stylish!”

And there is no distinction between the two in terms of status.

The song about wanting to become human doesn’t resonate with me.

I wonder if Tomorin feels this way~ It feels like Ai-chan can sense that.

No matter how many times I see it, Aine-chan’s “Yes, let’s discuss” is just too quick…

I think that An-chan and Soyorin, who are basically not pierced by anything, have a strong sense of obligation as their driving force, and they seem like good people.

Soyo has a bit of a feeling of being trapped in a shared destiny.

By the way, Shoko-chan stopped playing classical music.

Did you really need to make big money aiming to become a top pro?

“I’m not saying I’ll earn enough to pay back my father’s debts or anything like that!”

Isn’t it just the living expenses that are needed?

If possible, the conversation wouldn’t make sense, but I wonder if it couldn’t be balanced well somehow.

Soyorin understands, but then further feels, “But I’m not this pure… I’m dirty… I don’t want to see it…” with a murky image.

I’ve overcome that quite a bit, but…

Aine isn’t being burned by Tou’s song, but still, saying things like “even Soyon was human, huh?” is just…

It seems that Soyorin was depicted as someone who doesn’t understand.

Aine-chan hasn’t mentioned that area, but I guess she probably doesn’t understand it…

The reaction of the classic members when they saw the light note says it all, doesn’t it?

Everyone except Sho-chan has a subtle expression on their faces.

I aimed to be the fastest pro because the Kasukabe incident was too shocking.

I feel frantic just because I want to believe that I am okay.

Ricky still treats Abemu Zika like it’s not a band, huh…

The fastest pro is fine if it’s for a living.

What’s interesting is that they seem to have already done the Budokan at the fastest pace.

Shoko started Musica after being inspired by seeing Kasukabe sing right in front of her, and it seems her pretense of doing it for money stems from her pride that doesn’t want to admit that.

The piano part has disappeared from Shunshin Hikage…

It feels like the interpretation that Shoko needed a miniature garden resonates the most.

In the song of Light, Taki received strength, thinking “It’s okay for me to be alive, even as I am.”

The lyrics are so piercing that I start to dislike them, and she said, “It’s quite bad, you know,” referring to Soyorin.

What is the difference between these two?

Why does Riki become medicine?

I think that Tomo and Aine have similar sensibilities in important areas, which allows them to move forward together.

It’s nice that only the two of us notice Runa-chan’s guitar’s cry.

Shoko is the one who, with her high pride and mysterious toughness, charges in alone and ends up on the brink of death.

When Lamp-chan gets going, she continues to run, but she needs a starter, so Ai-ne-chan is next to her.

When you rewatch it knowing the character of Akari, you really notice how suddenly high your favorability towards Aine-chan is, and it’s surprising.

I see, this is what it means for a character’s resolution to increase.

I can’t stand the absence of classics, but if I’m called out by a former classic for really doing a mutual camaraderie band, I’ll have no choice but to die, so I’m the fastest pro at compromise and deception (for some reason, reaching Budokan is considered noise).

They talk about face and numbers as if they’re going to rise to the top, but in reality, they were just stuck in the classics, so it’s no wonder the members get angry.

Perhaps if they had formed the Warm Water Band with Aine-chan in the first episode, it would have been Shoko’s happy ending.

Wearing a mask and inserting a little skit in between performances, saying something like “Tonight’s mascarpone is～”.

Regardless of the truth, it seems like Ms. Shoko could give it a psychological justification that sounds plausible.

After going to karaoke, Tō-chan is completely conscious of Aine-chan.

Aine-chan seems really approachable, doesn’t she?

It’s no wonder that Tomorin becomes attached.

Because Aine-chan came in, Akari and Shoko were able to move forward, but if Aine-chan is around, these two will never get together.

It’s strange to say growth, but…

I would be sad if Lamp-chan, who doesn’t like the ground, doesn’t put drinks on the floor and doesn’t pick up stones.

I want to be human, but I also want Morin to stay as they are…

In the Garupa event, Rikki expressed that the song “Tou” captures the words within me.

Turning emotions and words that cannot be expressed into form may be a salvation for Rikkie.

There are guys who like manga and borrow them, and they are like popular delinquents who are also close with otaku.

I think it’s not exactly that, but it feels close.

Even if I’m picking up stones, Aine-chan is watching over me, so there’s nothing to worry about.

The troubled child is already a troubled child, and in a way, Umiko’s understanding of people’s feelings is just too intense.

There is a tendency for Mori to have become a child who is relatively too laid-back.

Ricky might not be talked about, but I think he probably did various things in the brass band he took over from his older sister and ended up feeling lonely.

For example, let’s say there is a motif of wanting to become human.

Taki-chan, I thought so too!

Soyorin, how do you know I’m pretending to be human… it’s scary.

I wonder if it’s something like that feeling.

While I think I’m different from others, I still can’t stop my obsession with picking up stones and collecting things, which shows how strong-willed I am, doesn’t it, Akari…

Everyone is under the premise that it has become a deep wound, and it seems that Soyo Den is the most classic one being trapped…

No, it wasn’t just that…

And it looks like Tou-chan is pretty forward-looking…

I can’t help but be fond of Tsuki-chan during the time when she lined up band-aids, wanting to talk to Aine-chan.

It felt like the light wasn’t fully on, and at that moment, the stray cat was judging it as boring.

That one is pretty much an esper too.

Picking up stones is fun, you know…

I do have a strange awareness that giving a stone as a present is unusual.

But it looked like Aine-chan, so I want to give it to her…

I could never understand the true meaning behind Mutsumi-chan’s statement, “I’ve never thought classical music was fun…”

Soyo isn’t really in a position to get that deeply involved among the former members.

I was scouted normally.

It was simply because the person’s motivation was too high.

Umirine was able to act proactively when faced with a crisis; she learned from past failures, took a step back, and was able to handle things properly.

No matter what happens, the way they treat Akari, who is always seen as a mysterious girl, is different from how others are treated.

Aine-chan’s distance, who neither denies picking up stones nor shows any particular intention to help, just asks, “Did you find any good stones?”, is probably optimal and comfortable for Akari.

It makes me think that Tou-chan really likes humans.

Come to think of it, I should be grateful to Hatsuka (the real one) as well…

Shoko is also influenced by Hatsuka’s love for bug catching.

That’s why Shoko pulled out the pill bug that was hiding and curled up among the stones into the sunlight…

I love the lyrics that ask, “Why do you dismiss these painful days as boring?”

The lyrics of “Meisei Kyou” are quite sharp, probably because the direction wasn’t fully set in the first song, but it feels like that’s the true feeling deep down, which is good.

I think the interesting judgment of a stray cat depends on whether it asserts itself or not, so those that are indecisive will definitely be deemed uninteresting.

Recently, I realized that the MyGO opening song “Ameagari” is about the rain because the CLASSIC breakup was also during the rain.

Even the little lamp-chan, who was trying to fight with branches and leaves, has grown up splendidly.

They have an exceptionally strong mentality and also possess the ability to accurately corner others with sticky notes.

Originally, Soryin is very caring…

I was lost and only acting for myself, but I wonder if the contrast is that in Muji, I’m acting for others.

MyGO!!!!! At that time, I think the person is acting for the sake of everyone in the classic.

“It’s a kind of flattery, isn’t it?” I realize it’s for my own sake after being cut down.

In the karaoke scene, when someone says “Isn’t it good to just try harder again?”, it makes the room a bit moody, which is kind of funny.

“Because it’s super cute!”

“At the part where it says ‘The light is cute.'”

I love the first time Aine and Rikki’s opinions align.

Ricky and Soyohito are two people who don’t get along.

There was a consensus regarding that girl! I remember that…

It’s something trivial, but in that karaoke scene…

At first, when I tried to include Sumimi’s song, I instructed, “I’ll sing the main part, so Tō-chan, you sing with Mana♪”.

Thinking about the actual relationship between Hatsuka and Mana makes me chuckle a bit.

I’ll explain quickly, and with enthusiasm, I’ll invite you to the astronomy club, and I’ll propose to you for life at karaoke; in the first episode, Tomorin is unusually cheerful.

Aine-chan is the type of Mana-chan…