…You don’t need it, right?

>>1

Shoot!! I’m going to cast it!!

Aine-chan is here too!!

But it’s no longer someone I can talk to easily…

Shou-chan…! 😊

They’re also behind the stone!!

The director softened their expression a bit because they were pressed by the supervisor during the commentary…

You don’t need it, right…?

By the way, we’re doing a live together the day after tomorrow!!

Even if I don’t talk casually, I can talk once in a while.

It’s okay, Akari.

I will do my best from now on as well.

Whenever I peek out from my room at the pedestrian bridge, they are always there!

Even if Garupa firmly prevents Tomosaki from having a conversation, that would still be funny!

Since we go to the same school, we’ll definitely run into each other somewhere!

Where did you say that you’re not someone I can talk to easily?

In the first place, I’m presenting myself as a character who absolutely won’t give up through my mime, so it’s pointless!!

Even so, it’s… more awkward for me… since Aine-san is always by my side…

Upon closer inspection, they haven’t even done a card for the joint event memorial, so this is quite a firm resolution!

…!…Sho-chan!

Garupa’s area conversation…! Let’s do it…!

Stop it, it’s so straightforward that it makes me want to stop…!

That Tomosaki quickly intertwined.

I’ll get stuck between you two~!

Sakito mo

Saki-chan is… staring from behind a shadow even though I’ve noticed her… with a strangely gentle smile…

In the first place, I was really worried about doing the classic together, so it’s not a ritual of separation or anything…!

It’s not that I want to sever ties just because I won’t do classical anymore…

Well, in reality, I don’t think there will be many scene with conversations in the planned sequel either.

Specifically speaking, I think it’s about saying a word when the lamp side is in a difficult situation.

I am expressing my determination to do my best in my band without causing trouble, rather than having an unhealthy separation like before, so I believe that will be respected and an appropriate distance will be maintained.

They sometimes talk, but it seems like they don’t usually hang out.

Put us in the same class as second-year students!

Oh… there’s no doubt that it’s Shou-chan’s band that’s in a difficult situation…

For now, I’ll do my best without relying on others, but if it gets really bad, I’ll pretend to struggle while holding my arm, so if that happens, please ask me what’s wrong… okay?

I guess I can only see Tomo in fan fiction from now on…

I think it’s just an excuse for why you sent such a grand letter in the mention in the audio commentary, so it wouldn’t be strange if the sequel starts right from the beginning of the first episode with that conversation.

It may not be in everyday life, but there might be a chance at an event.

Since they went out of their way to create a sequel, I think there will be appropriate trials for the lost (characters).

Since the main topic was about how difficult it was to make this after watching the first episode of the lost episode, I skipped it, but it seems like there are quite a few discussions that delve into the setting now that we’ve entered Musica?

There are indeed plenty of potential issues, like how leader Riki is overly focused on the lights and how Aine’s attachment to music itself can’t be said to be very strong, right? MyGO

Aine-chan is such a mental support!

If you fold Aine-chan, a new story will begin!

The dialogue from Hatsune in the sequel announcement PV already hints at a situation that seems to threaten the existence of Musica, and it’s terrible.

Mujika hasn’t solved anything, so it’s only natural to say so.

The commentary is mostly about how the staff did a good job in this area.

Sometimes, when a pass that makes you wonder why the director chose this comes through, an explanation will follow.

Mygo collapses all at once when I think about what Soy did, or how strong Taki is, or how Ai-nen is just too much to handle.

They said the reason for the position of the face of the sea bell was to emphasize the length of the legs, and I laughed when I heard that.

I’ve been saying for a long time that Mortis is still in the role.

I think that because Soyotaki’s thorns are too strong, just by causing an event that weakens Ainon-chan’s mental state, and then having her engage in ordinary daily conversation, it could break the atmosphere.

I mean, when are you going to stop sitting alone, Aine-chan?

Even in death, a powder magazine of harmony.

The revival of Musica relies too much on Toyokawa’s power, and it can easily burst with just a little intervention.

It’s funny to hear the story about how the band name wasn’t decided until the live performance, so they couldn’t put it on the inlay until the very end.

If I can no longer trust what the director says, I won’t know what to believe, so honestly, I hope they have a strong will even if many things are said.

If both Tō and Aine break, it’s bad, but they’ll heal each other with band-aids.

I feel like I’ve always wondered if I really belong here…

Soyo Den was making good faces during the live show, right?

Both mygo and Musica have already been folded too much, and if they get folded again in the sequel, I might just laugh.

If the three of us collapse together, the theory that the mime will end.

Guess I’ll release it after all.

Aina-chan, a succubus from Britain, comes to seduce.

It looks like Hatsune might save Shoko from a pinch in the preview.