
Buddy Complex
It seems like the mech design is one that isn’t popular in the Super Robot Wars original series.
>>1
The special move is the Twin Bird Strike.
It’s not that great until Bison really gets going, so it’s not all that commendable.
It ended perfectly, and it was a good work.
The boring template developments at the beginning and the overreaching terms for male pairings were a bit off-putting.
>>4
It’s definitely Mav!
>>4
The boys who mess up the coupling are too much of a model in the community; it’s just too targeted.
The elements other than the coupling, the collaboration with Bison-kun, and Gachapin and Mukku were rather dull.
It’s cohesive, but it hasn’t really managed to break free from being just an ordinary robot anime.
Resolving the loop development in one episode was brilliant.
I love the cool BGM when coupling.
Under the penalty point system, it’s 90 points, but under the merit point system, it’s around 50 points.
Aside from the outdated design reminiscent of the early 2000s and the silliness of the word “coupling,” everything else is good.
There was never a time when there were plenty of robot animes with CG and hand-drawn animation.
It gets overly praised in threads about robot anime from the 2010s, but…
Aside from the finale, it wasn’t that exciting.
I don’t think it’s at the level of VVVV, but I think the power of the song is extremely strong.
It’s interesting to understand why I time-slipped to that place when I watch it for the second week.
I personally like the idea of considering what happens if the enemy takes proper countermeasures and those fail.
I heard they were planning to decide the developments for the second cour based on the reception of the first cour.
I didn’t expect Hina-chan to be the first protagonist… that kind of reaction.
I’m glad I understood why I had such a strong attachment to Hina, even if it was unconscious.
Bison-kun, give up from the start.
The latter part definitely feels a bit rushed, but it’s nicely put together, isn’t it?
Ultimately, having your partner come back as a high school freshman is really erotic, isn’t it?
The second episode of the second cour is too rushed.
It’s a robot design that doesn’t really stand out.
I like it. In Super Robot Wars, the combination attacks are strong too.
Overall, it’s well done, but…
It was either that the hook was weak or that the location of the hook was strange.
The character depiction, including the supporting roles, is generally good, isn’t it?
The old man Kuramitsu, who is a brilliant captain despite being a daylight lantern, was really great.
At that time, I didn’t watch it thinking it was a homo anime, under the name of the title and the coupling system.
The cast is so extravagant that it’s like we’re only inviting leading roles…
It seems like the side characters have a well-developed background setting, doesn’t it?
The nice coupling and the coupler were a bit too strong on the laughs.
Even if I try to recall, I have no memory of the story…
I want a Modelroid soon.
If possible, I want it to reach Nex as well.
The battle BGM is super cool, but I always feel like this is the only one that plays.
>>32
All I can remember is the coupling BGM with the chorus coming in; I can’t recall the battle BGM at all…
It’s the type of anime that is interesting if you watch it until the end, but many drop out before reaching the conclusion.
I want to watch it on the stream without any expectations and get excited.
Up until we go to Sunrise Island, it’s so much of a template that it’s practically a joke…
By treating guys like the ambassador and the special investigator as jokes, I held onto it.
The main mech was really lame.
When coupled, the shape of the face changes, but that’s also a bit plain, and the wings that grow are cheesy.
An anime that I like but find difficult to recommend to others.
I thought it would look cool with the late-stage model after the transfer.
It didn’t happen.
I remember the enemy robots looking cooler.
It seems like a design that would be easy to draw since it’s animator-driven, though…
I love the final episode of TV shows.
The part where the loop is broken is particularly good.
The content is interesting.
It’s not that the character design or mechanical design is bad, but it feels like it won’t deeply resonate with any particular demographic…
The mechanical design is so outdated that it could even date back to the 90s…
One bad thing is that the supporting characters are so one-dimensional that I can’t even remember their names.
It’s nice that Aoba, Hina, Dio, and Bison have well-developed characters.
Connective Hin-aa-ah-ah-ah-ah-ah-ah.
The feeling of wanting to properly see everything and the fact that it was decided to be canceled.
I feel that there is a good tempo in picking out only the important parts.
Despite all the enemy machines and knees having the same impression, they strangely change only the colors, so in the end, they all look the same.
>>49
I thought it was such a waste since the animation wasn’t bad at all.
The impression since Bison went on a rampage is too strong.
It’s not bad at all, but somehow it lacks glamour.
I thought it was a good work, but I definitely think the coupling aspect was awkward.
I thought it might be an anime targeted at that kind of demographic.
I thought it was a combination robot until I saw it…
It’s an obvious statement, but…
The design of robots in robot anime is important…
>>55
In a way, you probably don’t want to watch a romantic comedy filled with girls who don’t look good.
Doesn’t it feel like the situation has changed too much, almost like it’s too close to the near future?
>>57
Bison, who built Zogiria in just one generation, is incredible.
What a tenacity!
If it ends beautifully, there will be nothing left to talk about, as it will just be over.
I want at least some amazing weapons for the main characters other than the coupling system, it feels plain.
When it’s all over, it’s actually a really good work and it was quite popular on Nico Nico during its airing.
The protagonist, partner, and heroine are all too cohesive, lacking flavor and impact.
I want about two more people like Bison-kun in the class.
Creating the next Super Robot Wars anime, which hasn’t moved for 30 minutes compared to what could be referenced from a full season, was unreasonable.
The ships and mechs are just too beautiful.
The theme song is good.
The conversation isn’t bad either.
So is it a problem with the production…?
I like it, but when I’m told it’s plain, I can’t deny it.
Who designed Luxion and such?
After all, not releasing mechanical products at the time of the broadcast was a mistake.
To be honest, it’s a work that becomes enjoyable from the second time around after realizing it’s looping once you’ve seen the finale.
The first appearance of Super Robot Wars in a fantasy world, with Wataru and others as the central figures, had a strong feeling of incongruity in Super Robot Wars X.
>>70
I hope they can somehow rejoin the fight…
If you try to incorporate it properly, there’s the question of what to do about Aoba’s time slip scenario.
Although the main theme is being thought out beautifully, the effort to land it safely is making the discussion about the process weaker.
I think they were very cautious right after Valvrave became a big topic of discussion.
I couldn’t really get on board with the part where the heroine turns against her own people after learning about her origins.
>>74
Since I was originally fighting against Zogilia, I don’t need to feel indebted to the country, regardless of personal relationships…
>>74
Even if the foster parents and companions are not bad people, I think there are still enough reasons to betray them.
At first glance, it seems to follow the usual sunrise robot anime tropes…
Robot anime from this period is
VvV, Gargantia, Majepuri, and then a little later, thread images.
It was one of those works that stays in your memory.
Bison Bullying Anime
It’s not that this story is good, but rather that it’s simple and organized, making it easy to understand.
But because of that, we can’t expand the conversation, so it just ends with “it’s good, right?”…
>>78
Isn’t being easy to understand one of the good things?
A thin story becomes another factor, but…
I remember that the mass-produced mech, which looks like a gym custom ridden by someone like Moo, sometimes becomes CG, and that was the coolest one.
I will not forget the achievement of creating the idol of the transfer board…
It’s good that the enemy isn’t foolish.
I’ll come up with a proper plan.
I was really curious about Hina’s first round story, so it’s a shame that part was skipped.
It was neatly put together, but…
This is the strange commercial that goes “Salt for fried eggs! Soy sauce!” right?
When I think about a story that follows the common tropes of robot anime, it feels like something like Bravern.
>>84
Well, that’s also a story about interfering from the future to the past and creating a loop, after all.
I wouldn’t say the quality of the robot anime part is low, but it does feel too much like a looped sci-fi theme…
Those who say it’s simple are just clueless.
It’s a genuinely elaborate story as a science fiction.
The aircraft is a bit unfashionable, or rather feels somewhat outdated.
There are indeed transfers, but that doesn’t mean it’s good.
The story and the characters themselves aren’t bad, but… is it really the mechas?
But I have no particular complaints about this work.
I don’t understand the reason for the negative campaign against this anime right now, but if you want to criticize it, at least say something more accurate.
From-kun, who made a grand entrance, is just so out of place…
>>95
It’s not that I want to hit it, but it says in the thread that it didn’t become very popular…
Well, it leads to the question of why it didn’t become popular, doesn’t it?
Bison is one thing, but Yevgeny is too dangerous, so it was definitely the right choice to betray him.
It’s an anime where nothing really stands out and the flavor feels bland, including the design.
An example of how much less stressful it is to watch when the enemy isn’t an idiot.