
I don’t need it, right?
Just play classic…
Weak, ah 😊
Oh…
The performance of the classical piece was terrible and made me cry, but I couldn’t help but think that I could never play like that…
Ano-chan
I wonder which one Tomorin would try to save if both Shoko-chan and I were drowning at the same time.
Ano-chan is here! She’s here!! Without Ano-chan!!
The fact that Ai-ne from Shichou Kizuna was an amateur until just recently but is now handling improvisation is impressive, but it really makes me realize that greeting the audience after the performance is important for a band.
This band will be able to do it, a song about super bonds.
This band is really coming to an end, as spring shadows fall.
For Tomorin, the most important person will always be Shouko-chan…
Considering the incredible growth rate since getting serious, it’s clear that the earlier version of her, who was lost, was just slacking off.
Even though Rikki has grown in episode 6, it’s understandable that his attitude remains tough; that’s just the pace of growth.
It makes me feel like they could have done it but just didn’t.
The two of them are coming.
In the end, I’m kind of uncertain about what Tomorin’s stance is regarding the current classic, and it’s making me anxious.
Even the not-so-perceptive Tou-chan realized it was over, so I’m glad we could do it…
Aine-chan should understand it too, given her level of comprehension…
You’re the only one who doesn’t get it, Mutsumi-chan!
At this rate, Shoko-chan is going to take it.
I don’t want to be apart ~ I don’t want to let go ~
Sayo-chan and I have parted ways… but I’ll always be with Ano-chan…!
If Sayoko seems to be in trouble, I’ll worry about her a lot, and if Mutsumi seems to be in trouble, I’ll worry about him a lot too, Morin.
I feel like if I keep capturing Tomorin for a moment, we can be together for a lifetime.
As a nuclear warhead it’s interesting, but in terms of the band, they regularly get sick and don’t practice or engage with fans, so it’s becoming increasingly suspicious.
Tomorin immediately switches to indifferent mode when she decides there’s no need to worry, so it’s easy to understand.
It is troublesome that it is no exception even when it comes to Aine-chan.
Because everyone close to her is important to Tomorin, Ai-ne-chan, after going through MyGO episode 9, becomes anxious.
If I close my eyes and think of you from the past, I’ll end up spilling what I have in my hands now.
It’s a song about opening your eyes and moving forward now…
The weaker Tomorin gets, the more she goes wild~
I will do anything to get An-chan back…!
The way I sang about Shoko from Imprisoned XⅡ was quite something.
The blue sky accompanying the run and the autumn of the brush note… it’s about me… I’m quite a bit of it, but what does that girl think?
This song is… a song I created thinking of Ano-chan…
Agenon…!
You have a good position, don’t you…!
Aine-chan seems to be more affected when she hears it directly from Akari-chan.
I might be thinking something like, “I wonder if they’re singing something like what they told me back then!”
I ended up making her a mentally unstable person…
I dislike heavy women…
That lyric from “Anorana” is not that impactful, but the actions and words really hit hard, don’t they?
So even if Aoten is accompanying you, comments like “just do it with Soyosan” are likely to come up.
In the end, the song filled with mentions of Sho-chan makes it seem like A-chan has no chance.
Aine-chan doesn’t need to compete with Rakuna-chan in the same genre.
Make the most of your strengths.
The first woman I met is strong.
Does this mean that Shoko has no chance because of the clear melody?
Tomorin maintains a consistent stance that the classic is merely a story from the past (a trauma) from the first episode of being lost.
Especially after going to karaoke with that person, my focus has completely shifted towards forming a new band, so that person really doesn’t need to worry about anything.
Tomorin has switched to a rational mode, while Sho-chan is a child who stubbornly holds her ground.
Shou-chan and Tomorin are in a state of worrying whether they can first resume their normal interactions.
Even in the story, Aine-chan isn’t worried at all because the bond between Akari and Aine has become so strong…
If Aine-chan has good intuition, it seems like about half of Tomorin’s song would be about me…
Aine-chan has that kind of side to her, doesn’t she?
Mutsusaki is just a loser in the prelude to Uisaki.
Even if Tomorin herself had an intention or motif for the lyrics.
How one interprets it is up to the listener’s discretion.
(This is about me… Akari!) I can do it too.
(This is about me… Tō-sama!) It’s okay to do it 100 times.
Tomosaki Mouisaki and that opening act…
I watched the compilation yesterday, and it was great that some lines were added and the flow of the story became easier to understand.
The reason Shoko cried in the Kasuga shadow, and how the song Mygo Kasuga shadow became directed toward the new band members instead of herself, became clear to me.
Oh no… While I wasn’t paying attention, it turned into a CP battle…
If I had to choose between a monster childhood friend or an aunt, I guess the aunt is slightly better.
In that case, since we have common interests now, it would be easier for Hatsune to interact with Tomorin…
“The lyrics ‘Even if I fall, I will get back up like you’ clearly indicate that the ‘you’ in Takioto’s song refers to Aine-chan, so why is Aine-chan worrying any more than this…”
It seems that Aine-chan might not have noticed…
The blatant provocation is… easy to understand…
It seems like Aine-chan is analyzing Vocaloid lyrics in the YouTube comments section.
In the play, Aine-chan is not worried…
Is this really a human?
I just… want to see Omoi-chan…
I’m curious about what Soyorin thinks about Tomorin’s lyrics, even without considering Soyon.
The topic has been taken over…
Considering her middle school achievements and personality, there are definitely classmates who are mentally burned out.
It seems that Tomosaki might have a relatively good compatibility too.
Soyo isn’t that invested in the mygo members, right?
If I had to say, it would be something like a light.
Although my mental state and life were at their limit, the move towards Shouko and the others like Tou, Soyomi, and Hana was truly the worst…
Avenmujica’s Aine is a bit too much of a convenient woman.
I like Tomosaki because I like coupling with the girl I met first.
Tomosaki is a strongest character that seems to be based on being sealed away or exiting the stage…
The story of the end of the classic and the beginning of two bands.
Lost Episode 7 Live with Aoten Bansou → Mygo Kasukakage loves An-chan so much, so let’s get lost together and don’t let go of this hand.
From Shoko’s perspective, it’s understandable that she rushed to form Musica with such a good combo that feels like NTR.
Even that girl with a heart of steel seemed quite complicated during the classic tribute rehearsal.
Aine-chan doesn’t seem to understand the lyrics of the song very well.
I think they believe that the popular song is singing about them.
They start saying things like “make me forget everything,” and the NTR context is something they are consciously aware of, not just a joke.
Well, I guess they’re thinking “I don’t really understand Tomorin’s lyrics.”
If you fully understand the meaning of Tomorin’s lyrics, then I wouldn’t be needed, and that makes the conversation not work…
I’m not really sure about it, but I’m listening to the recording of Kasukabe.
It resonated somehow… I could feel Tou-chan’s happiness about being able to play in a band.
The main point is that Aine-chan is critical.
If you ask Aine-chan about her feelings on the lyrics, she will probably respond with her own heartfelt impression rather than just saying she was moved to tears.
It will probably just remain a sentiment.
It’s a character who, unlike most characters in the story, hasn’t been burned by either Akari or Shoko.
Because it doesn’t delve too deeply into the lyrics of the light, there are areas where I can stay composed while being part of the light’s entourage in a good way.
The lamp is probably fatal too.
Aine-chan, rather than my own impressions being strong, it seems like there are aspects where I can read the emotions of others that are conveyed.
I can feel the cries in Raku-chan’s guitar…
When I look back at being lost, there are scenes where Aki stops writing lyrics because the surroundings are noisy, and it’s interesting.
Aine-chan is a child who is saved not by the lyrics of Akari-chan, but by her actions and words.
What is it?
Well, isn’t classic like an automatic brain-baking machine by two top enchanting women?
Looking at the thread’s flow, it felt off that after a strange person caused a commotion, it settled down into talking about the pairing in a normal way instead of discussing character emulation.