Is it because your attitude towards the band was serious?

It felt like we got along well with our straightforward personalities.

It seemed like they were genuinely expressing their true feelings, creating a comfortable sense of distance.

We must speak about it, don’t we?

I misunderstood and thought you felt the same way.

He was my older sister’s casual partner.

Is it the face and breasts?

I wonder if they will do it in a movie or a second season.

I think it will definitely be included in the movie compilation.

If we’re going to add anything to the compilation film, it shouldn’t be something so trivial…

>>11

If you’re going to take up space, you need an element that rivals the owner’s grandchild.

What do you want to say…?

I think it’s more about the level of commitment to the music rather than having proper episodes, so it feels like we just kind of vibe together.

I’m quite curious about which one of us started the conversation first.

U-chan is, well… I think there’s not much depth to explore because it’s all superficial or flimsy.

It’s not a problem if it doesn’t exist, but I would be really happy if it were explored in a sequel or movie.

I’m hoping for a deeper exploration of relationships in something like Garupa.

Why don’t you tell me why you cut that? There are too many of those types of questions from Shoko and Hatsune.

It’s common for monologues to be added in manga adaptations.

>>20

I was surprised that became a special edition published in the annual Bushiroad.

It’s okay to have that position even though it’s basically the original story…

On my way back from the audition I was stood up at… there was someone who gave me a juice when I was crying.

Ms. Tachiki, it’s your older sister.

Other than that, the descriptions are lacking for the relationship between Mutsumi and Shoko, and between Mahoka and Mana-chan, right?

Isn’t it possible to do something like exploring deep sea digging in movies or something?

>>23

There are quite a few…

Because you are the person who found me.

It seems that I must have encountered it during a pretty down time when I was going to the flower girls after the classic was gone and completing my sister’s collection.

I liked them because there was a solitary person who seemed to resonate with my wavelength.

There are actually many things I haven’t said enough about, right?

I wonder if we became friends in the classroom or if we became friends through RiNG.

In the classroom, Raki probably can’t tell that I’m playing an instrument.

Not only is it insufficient, but they are clearly saying they’ve cut back on it…

Namu-chi didn’t have many appearances, but in a way, it’s amazing that the depth has mostly been explored…

It’s fine to just say that we got along or that it was a relationship of mutual attraction…

In other words, since other relationships are high in calories, I hope this one can be a relaxed one.

>>32

I don’t need a dramatic story, but I’m quite curious about how we met and how we started talking afterward.

Neither of them are characters that actively want to engage with others.

>>35

Well, it feels like I happened to see a classic live performance at a ring.

Because I gave my first to Riki-nee.

There seems to be someone posing as a lone wolf.

Shall I tease you a bit?

It seems there was some kind of exchange like that.

It was undoubtedly Urisuzu who set it up.

I want to see Mana-chan and Shinshoka, but if they’re going to allocate screen time for that, I also think they should focus on the other main characters, so I understand.

>>36

I want to see the bandori where Mana-chan is the protagonist.

I have a desire to see a depiction of something that starts from a trivial trigger… in visual form.

Riki is not good at expressing himself with words, and Kurumi is even worse, so it’s round that they connected through their souls.

I think Umiri is the easiest to understand, and if I were to add another, it would be Mutsumi.

>>39

I’ve spent so much time on it, so that’s enough already…

I want to see too many of Muzika’s daily life, not just this one.

Almost zero daily life in the story.

>>42

The two former classics aside, I want the remaining three to interact more with other characters.

Especially, Yutenji is complete within Musica, whether the relationship is good or bad.

>>48

I was confused because I got tangled up with something pink.

>>53

Pink is too much of a convenient character.

>>48

Since we go to the same school as Leia, and with the band’s concept, it seems like we’ll be seen together in tutus, so our interactions are likely to increase.

Moreover, since I also have an interest in acting, there might be opportunities to interact with people like Kaoru-san and Chise-san.

In some fan fiction, it seemed fitting that those who were left out in gym class paired up and gradually started talking from there.

That’s why I’m even more interested in Rikky’s wild dog days from that time period.

Rikky himself doesn’t seem interested in the band that Umine was a part of, so it doesn’t seem like there was any action taken to talk to them just because there was an amazing bassist.

As expected, I’ll tease Umirin a bit.

From Umine, I think Rikki’s reaction, which seems to push back, was probably to their liking.

I want to see U-chan’s past episodes, including choosing a room.

I guess that’s why I like Ricky, because he says what he really thinks.

I may be lacking in words, but…

Are you Mr./Ms. Tachiki?

Nice to meet you.

I am Kairi Yahata, and I am dating your sister.

If Rikkie can do it, maybe I can form a close-knit band too…? It might be a sort of kinship awareness.

>>54

Somehow, there are horses hanging out together.

I think a casual relationship like that is the best.

I don’t need a dramatic encounter.

Watch Umizuru Mama

“Will Umine be like this in the future?”

I want to see the beginning of Umitaki, but I want to know the reason why U-chan was particular about Abemusica among so many bands.

A girl who doesn’t seem to be interested in me, a somewhat famous and good-looking guy… it might be something like that.

>>57

Is that a character from a dating sim?

>>62

There are quite a lot of characters that fit that framework.

>>57

Chise-san and Kanon-san were in a similar situation.

Well, that wasn’t the deciding factor, but…

I’ve been thinking about this guy ever since the face PV was released.

“I want to see when Shoko scouted me.”

If you watch it while imagining the emotions, it will definitely be interesting.

>>60

I have a feeling that it’s probably through Hatsuhana.

>>60

I’m providing a lot of support, so it doesn’t need to be dramatic at all.

I’d probably just do it if someone asked me.

But it seems interesting to hear what kind of great stories Shoko had and what she was thinking.

Normally, I’d want to see the meeting with Raki because I’m curious about it, but since there are so many important depictions missing in the anime, my overall desire to see it is low.

>>66

I hate to say it, but after it’s all over, I can’t help but feel like this person really wasn’t a main character… it’s just seriously lacking in many ways.

There are many mysteries surrounding Rikkie.

>>70

Now it’s more of a mystery than Rana-chan…

>>70

Hey Ricky… Does Maki-san really exist…?

>>76

Even the parents who go out of their way to prepare a room will end up being crazy.

>>79

Parents: “Maki has been dead for several years…”

>>70

Is there such a mystery?

Just having an excellent older sister doesn’t really feel like there’s a need to delve into that in the main story.

>>77

I think most of the time, they don’t write about the specific mysteries they have.

>>77

Since the emotional movements of the CRYCHIC era weren’t written like those of light or breezes.

I want to know what you were thinking starting a band because of an invitation from your awkward sister.

Musica only has the turning point in all episodes, and I want to see the rest.

There are people trying to take it to a music anime bashing but sliding on it, which is funny.

I’m trying to create an image of the face, but there aren’t even any descriptions that connect to that explanation at all…

In the first place, Ricky’s house has Maki Tachiki’s room right at the top of the stairs… it’s kind of weird…

I’m looking forward to the implementation of Umizuri in Bang Dream, as she seems capable of doing various things.

I can probably handle a serious development intertwined with the 30 bands I quit, and I can also play the role of inviting the Musica members to the sea.

There are also stories about having past contact with Maya and Masuki from the time when I was doing support.

>>80

It seems that Reiya has no normal acquaintance with Musica.

There will be mentions from multiple people, right, Maki-san!

Rikky’s three sizes are the most mysterious thing I want to know, right?

>>86

If you say that, everyone would want to know.

They are sisters.

>>87

It seems that the value of credibility is different.

>>87

The right side, which can be nostalgically illuminated in an instant, is amazing.

Ricky’s older sister is an amazing person in the brass band club, but she is not a band member.

In terms of escaping from orchestras and wind ensembles that overlap with my older sister, being in a band is just right.

I wanted to do music, but with my personality, there’s no way I could gather members, so I understand why I went along with Shoko’s invitation.

Also, Shoko from Hikari seems like she would say something enticing that makes you want to ride.

A woman who is more interesting when she interacts with someone other than Ricky.

Now that you mention it, was the story of Umiko’s scouting depicted?

>>94

none

There is no monologue that makes thoughts understandable (it finally appeared in the manga version).

I think Umi Suzu is someone who wants trust, but it’s not that she really lacks it.

>>95

The measure of whether I am trusted or not is within Umirin, so it’s fine if I get an OK from the Umirin judgment.

>>95

The final evaluation from the supervisor is that aside from gaining trust, I ultimately haven’t gained anything, and it seems that I haven’t really earned trust either.

>>114

Even if I say that, if there really wasn’t any trust, I wouldn’t be allowed to join the revived Musica, right?

>>119

For Umi-rei, trust is something that exists within her own perception.

Looking at their performance on stage and their administrative work, I can only trust their specs.

>>119

Shoko decided to revive Musica because she felt responsible for the Musica created as an escape from reality and for the four people she got involved in it.

Whether there is trust or not does not matter.

If we’re going to prepare ties with existing characters in Garupa, it would be through the SPACE group via Disruption. In the end, it’s at the friend of a friend level, so it’s not very different from other characters.

An ordinary person cherished by the mysterious girl of Haneoka and the otherworldly space of Hanazakigawa.

I hope that a nameless person will emerge to creatively imagine Umi’s inner self through strange documents.

90% of the people were virgins.

Moreover, it didn’t change at all even after the inner self was revealed.

In a way, it’s amazing.

I noticed the drumstick dakos.

It’s nice that you noticed the bass fingerpicking octopus and started talking to it.

I think I’m trusted by Shoko within the same Mujika… maybe.

I don’t know about the covert activities, but they are capable and act according to instructions…

>>103

It’s a trust built on thin ice.

The one who understands Umirine the best is Rikki.

Since it’s Kairi performing at the RiNG store and as a RiNG staff member, there are many factors to notice.

Once you hear it, you’ll quickly realize that the bass is good too.

When combined with Uminyamu inside Musica, it usually ends up drinking at an izakaya after the live show.

I can’t trust Umiri from Riki, and it’s probably because, rather than her usual behavior, she was going out alone, leaving Mr. Sankaku alone.

In the first place, it seems like this person is involved so little that it’s hard to believe they can be trusted.

>>107

This is different.

There’s definitely interaction, right?

As long as you just describe why I was so drawn to Muzika, that’s enough for me, Umisuzu.

>>109

For Umirin, the fact that she was part of the initial members of a band that aimed for professional status right away, especially after the results of her first band were like that, is more than enough to be deeply invested.

>>109

That’s something that can be explained by jealousy.

>>109

I was drawn to Musica itself, and seeing that the bonds broken by the classic reunion can be restored made me feel like I should also work through my own trauma and become attached to Musica’s revival.

>>127

If I, who caused the band’s collapse in the past, could revive the band, I might have thought that I could dispel my past trauma.

>>109

I think it was Musica’s first (or maybe second) time participating since its formation.

>>111

So when Umiri said she was quitting support, Ricky was the only one who reacted that way.

Dig deeper into the topic of “priketsu.”

Whether or not I have a meeting with Umidaki is fine by me.

Given the incident, it’s quite natural to be attached to people who are not part of the crowd.

Honestly, it’s because Karin is particularly obsessed with special trust that she becomes a topic of conversation. For example, if other members of Muzika started talking about trust in the same way, I wouldn’t think they could be trusted as much.

In the director’s interview, it seems that he isn’t completely distancing himself, saying (I understand, but)…

>>118

Wasn’t that a voice actor, not a director?

>>118

That’s not a director; it’s an interview with Koko Hayashi.

Because I was burned by the classic disbandment live.

I’m a bit overly attached to Musica.

>>121

But since I’m going to do a fake-out, I can’t quite understand what exactly drew me to the classic.

>>133

You were jealous of someone who was satisfied even though they were bad at it, right?

>>133

Classical music is clearly weak, to put it bluntly.

I suppose they wanted a bond where they could cry together.

>>133

I don’t even really know if I like music or not…

>>143

Even with a past of being boycotted, they still didn’t let go of music; it seems they really love it.

>>133

If you compare with Umizuru’s past, you’ll understand. Classic is a band that disbanded once, yet they have reunited so beautifully up to this point.

Since their interaction is superficial, they probably don’t really understand that Riki is different from themselves.

The descriptions of the other three characters are so lacking that one might get the illusion that Umirin and Nyamu were relatively well-described, right?

>>124

It’s strange to say that the description is lacking after taking more time than Umineko.

>>128

Because the story of Umine and Nyamu is so minuscule, I think that level of description is enough.

I can’t trust someone who leaves hurriedly as soon as the members start to squabble.

>>126

Yeah… I can’t trust a leader who leaves immediately to go home when we try to celebrate.

>>152

Shoko doesn’t seek trust, so that irony is off the mark.

>>154

Well, that led to a rebellion against Nyamuchi…

>>165

It is an event that took place over the course of about a month.

>>165

Since I only think about myself to begin with, that doesn’t really matter to me.

>>126

If we’re talking about supporting my child, then I have no obligation to deal with the members’ disputes.

While I trust your playing skills, Musica doesn’t really take care of private matters, so whether U-chan has truly earned that trust is somewhat indifferent to me.

What they were secretly doing will be brought up again once Garupa arrives, right?

The more I learn about this guy, the more I get the impression that he’s foolish and childish.

It’s fitting to dance with a cute butt.

When I brought in an interim member on a whim during the crisis of getting lost, it might be perceived as picking fights on all fronts…

It was an interview with a mistaken dialogue… I’m sorry.

In the secondary creation of Umirin, I might get the wrong idea, but she’s not that much like Toki-san.

I want to make you say a lot of things like “What do you want to say?”

>>145

In the end, the only time my honorifics broke down was that one time, so it makes me wonder if I was actually under pressure, or if I had some leeway towards the end.

If we could just perform live, Musica would be the strongest, so if I had to choose just one, it would definitely be Musica.

Credit will be built from now on, so the current evaluation is irrelevant.

>>146

Because there is such an incredible achievement as the fastest Budokan.

What you want is not credit, but trust; this is something you must first understand.

I can’t even do 30 bands if I don’t like it.

Trust in work is extremely strong, so it might be okay to substitute the credit or trust that Umiri talks about with friendship or something like that.

>>155

I can only think that the reason I was jealous of the completely mismatched terrible classic was because of the bond.

>>160

In the commentary, they said that it was precisely because of the poor performance that they felt a connection to the heart, and that is exactly right.

>>168

It’s a tragedy not to realize that there is no connection in one’s heart during episode 10.

“At first glance, it seems to reflect a desire to go to such lengths to reunite.”

>>156

I want to reunite Musica → Nyamu will do it if Mutsu does it → Shoko will do it if Mutsu does it → Hatsuka will do it if Shoko is there.

So I understand that it’s natural to go after Mutsumi first, and even though I can’t play the guitar, I can’t afford to be leisurely about learning to play, so I also understand the logic behind ad-libbing.

The idea of having 30 side jobs as a risk hedge is also insane.

>>158

The talent level is so exceptional that scheduling activities outside of the members’ bands is bizarre, in addition to being actively involved with around 10 bands.

>>158

The idea is impressive, but what’s even crazier is that it’s actually been accomplished.

Starting from just gathering a group to push others down, trust is still far away.

Although Mutsu took more than half of the length by himself,

Due to the fact that there is almost zero depiction of the completed vessel at the very end,

The biggest bug in Abemuzika feels like there is not enough description at all.

>>163

Well, even if it ends with both Mutsumi and Mortis, who have influenced Musica’s movements so much, dying, it’s still Mutsumi and Mortis that the viewers have been most invested in… I felt that way.

Dissolution → Reformation, to be honest, I could have been jealous at the MyGO live, but it probably turned into Classic because that would overlap with Shoko.

For the reunion, just remember it even if you have to fake it! But it really feels like the way of output is off! Well, I guess it’s U-chan, so it can’t be helped…

>>171

When asked if there was anything else that could have been done in that situation, it’s hard to think of anything, right?

>>175

I think it’s also a good idea to take your time teaching guitar, since it’s a mystery why there’s such a rush to perform live.

>>180

I wonder how many years it will take.

>>185

It looks like I can go see Aine-chan in about a month…

They said that only about 10 are actually working…

I won’t deny that there are a few strange things about the moves, but skills that have been ignored since the boycott can’t suddenly grow.

>>176

I feel like I won’t be able to face it in the future because I obtained the result through the wrong means this time.

It seems that it would be difficult to start all of a sudden… Alright, let’s begin with air guitar then.

They say that everything begins with form.

…Did I manage to defeat Wakaba-san just by taking shape!? Isn’t that person too weak!?

>>177

This flow is really so incomprehensible that it’s terrible.

In the end, whether strong or weak, you can’t escape from being a troublemaker…

Even though there is a track record of the fastest Budokan, the person who collapses the fundamental concept of a concept band on a whim and then leaves it entirely up to others is honestly quite out of their mind, so that doesn’t really matter much.

Just because the live show was successful doesn’t mean you gain trust, but it seems like U-chan doesn’t understand that.

While I was nursing Mutsumi, we were able to reconvene, so there’s probably a strange equation forming in U-chan’s mind.

Shut up, anyway, Shoko isn’t at fault at all.

Even if it’s bad, I forgive you because I only have sympathy.

Before talking about miming, there’s the problem of how you originally intended to perform live with Musica.

For now, it feels pretty amazing that they want to make it a fait accompli with songwriting and composing…

>>186

I think I did decline to go to Nyamu’s launch party and left quickly, but wasn’t I basically not there during the time of the argument at Musica?

How about reuniting without worrying about the circumstances of the breakup? It’s like suggesting that to Shoko, which makes me think it’s just psycho regardless of past trauma.

>>199

As expected, it was presented in a way that made it immediately obvious why that happened.