
Mobile Battleship NADESICO You Get to Burning ERGA 1 324
The main male characters tend to die quite frequently…
It has been like that since ancient times.
It’s been said since the dial-up days, not just now…
Regarding real-time, it feels like a fairly accurate impression without mistakes.
The movie is interesting, but TV is trash with harem anime.
There was someone who made unreasonable evaluations like that.
It seems to be a hot development, while periodically dousing it with cold water.
It was just that the complicated things I was doing weren’t understood at all.
So I couldn’t understand, so I could only say it was a joke for now.
That’s exactly the part where people say they don’t understand what they’re doing when watching Eva now has significantly decreased, right?
I still think there was no need to kill Shiratori-san.
“Not behind the scenes, but because they hit the main building from the very beginning of the first episode, just take a look at where it crashed.”
It’s just as I saw it, nothing more or less.
The depiction of the substitute pilot’s aircraft getting caught in the jump and emerging in a scrap state from the cockpit is gross.
Isn’t there quite a difference in clarity between Eva and Nadesico?
That movie was like a prelude to a sequel, wasn’t it?
There is no sequel, but…
A work that is a regular in Super Robot Wars but generally has its plot altered.
They were goofing around while still doing SF seriously.
Yurika is treated like a silly character, but she’s actually incredibly talented.
Akito is constantly making direct attacks on the battleship with the boson jump in the final stage.
I wonder how many hundreds of people that has killed.
When all episodes became available for free on Nico Nico, there were quite a few bewildered comments like, “Isn’t this work kind of dark?”
Rather, the story was solidly interesting, and every time it developed into a romantic comedy, I wondered if it was really necessary… every single time.
Looking at it again, it’s harsh that Yurika has to make the decision to crush those who came to help.
The story about the misunderstanding of distance by Uripi is the most realistically grotesque, but it feels like it’s Hikaru’s fault for leading him on…
I thought Ms. Houmei was a beautiful girl, but she turned out to be an old woman.
The Omoi Kame runaway incident seems calm but is actually quite serious…
The opponent I’m fighting is a drone, so it’s being treated lightly.
That said, I did run around the ship’s funeral from the beginning…
I thought about it again now that I’m watching Gakusei Bar.
I wonder if the original plan had that kind of content.
That being said, that’s the last… but…
It seems like Yamada dying makes sense as it’s like, “Oh, even the gag character doesn’t get any plot armor?” but I feel like there’s no need for Shiratori-san to die!
It’s meaningless to treat Guy specially when the funeral was done as an assembly line process for the mob.
Whether or not you know that Aum Shinrikyo used anime for brainwashing affects the perception of Gekiganger.
The wood circuit’s costume isn’t from the old Japanese Navy, but rather a parrot… or something like that.
The behind-the-scenes story is that Guy was originally scheduled to die, and they gave meaning to his death while adhering to the script they inherited.
They are openly saying that they can’t create it because of Otsuki P.
Super robot shows were mocked by people who have never experienced them, or rather, there were almost no means to watch them back then.
There was even a time when it was uncertain if the first Gundam would be available in theaters.
I wonder if Gekiganger was received in the way the creators intended.
There was a proposal for the movie to address the unresolved parts from the TV show, but Otsuki decided on the option not to address them.
The content is dark, but reading it in anime style reveals the production side is too gruesome.
Especially the part about character design selection.
The difference between whether or not it’s the second installment of Saturn is that this anime doesn’t explain anything at all…
It’s interesting that it wasn’t just Akito, but there were many other crew members as well.
Isn’t the feeling of being crammed in one episode amazing?
People who say Nadesico has silly content probably haven’t even seen the first episode.
These days, all the anime is dark.
The content is completely different from what people who haven’t seen Saber Marionette J imagine…
On the contrary, is there an anime from that time that is about being super popular and thinking I’m the best?
A work that the parties involved unanimously said has too much content to be fully covered in episode 26.
When Akahori Satoru gets motivated, it’s great, but the things he does are terrible.
I don’t think the company name Crimson comes up on TV except for this time…
The final episode seems like a grand conclusion, but nothing has been resolved…
Help me, explanation lady!
Why Nadeshiko is important
The ancient Martian civilization is Sega Saturn.
I guess you won’t know about the aftermath of the movie version unless you play it on Dreamcast.
It is said that if you don’t read parts a to b of the novel, you won’t understand various conclusions in the anime.
I remember there was a lot of criticism after the broadcast that the mysteries of Martian civilization were not really unraveled at all!
Personally, I thought that was just a stage set and it wouldn’t hurt if it remained undisclosed, right?
However, reality doesn’t divide everything into two extremes like in anime, and things don’t always go smoothly, but even so, if you want to laugh at my convenient beliefs, go ahead and laugh! That story is deeply engraved in my heart…
Ai River… Let’s create a weird anime with Bones again…
I don’t like seeing personal grievances in things like the X Estebalis episodes.
The next episode preview with super trendy subtitles and meta references is great!
I can understand what Megumi-chan is saying, but…
It tends to be criticized because it dampens the spirits of Akito, who has finally decided to fight, and the excited viewers…!
Yamada’s fate
Super Robot Wars A
Survival branching under conditions
◾️Super Robot Wars IMPACT
Survival
◾️Super Robot Wars R
Survival
▪️Super Robot Wars J
Survival branching based on conditions
◾️Super Robot Wars W
Appears in the theatrical version setting to survive.
Super Robot Wars BX
Dead.
– Super Robot Wars MX, Super Robot Wars V, Super Robot Wars T
Since it’s a movie version, they are dead.
Is it okay to talk about the drama CD today?
Everyone likes the reunion episode, right?
Is the Saturn version going to delve deeper into Houmei Girls… or something?
“Is there still a Gekiganger scenario starting!?”
I’ve watched it about three times, but for some reason, my memory of the final episode is oddly thin.
The main screenwriter and the guests are all troublesome otakus, so there’s nothing we can do about it.
There are various things that don’t go as conveniently as in anime, and if you throw that discussion into a Super Robot Wars filled with anime-like characters, it will become a chaotic mess, for better or worse.
I unnecessarily remember what the person who played Ines in the drama CD said about Dream Hunter Rei-mu.
I suppose the abbreviation “esthe” is intentional.
I thought it was annoying if I had noticed it back then.
I can’t believe that the setting where Ines and Ai-chan came up with the live feeling since the broadcast started is true…
But when I think about it, if the character was the same person from the blonde hair setting stage, it feels like they would have adjusted the shade of blonde to match more.
Gekiganger is too much of a Showa-era robot anime in terms of public image…
I really like how the admirals of Earth and Jupiter are totally buddy-buddy and laid-back in the movie.
I’ve been seeing some comments like, “My understanding of Akatsuki has deepened too much,” or “I don’t think they really think about Akatsuki that much…” here and there.
I didn’t notice it when I was watching as a child.
Relatively dark and maliciousness from the production side.
I borrowed it from a friend who has a Dreamcast, but I didn’t finish it.
Please transplant it somewhere now.
The era when Kadokawa and Ace were moving forward with Eva and Nadesico was an exciting time.
I don’t really care, but why is the Soei Kaku Pop font popular at the end of the 22nd century?
Is it called creating a visual on the screen?
It’s amazing how they are working hard to design the interface and everything.
You get drawn into the world view around there.
The rental video zero volume Nadesico introduction video, etc…
Yurika is being an amazing heroine…
I was taken aback by the difference in tone when I transitioned from the theatrical version to the TV version of the rental video.
I prefer the TV version.
The Animejū character popularity poll has been messed up since Geki Nade.
In the end, what was the plate that Ai-chan brought when she made the boson jump?
The story conveys that there is a solid justification that isn’t a lie, but there are also underlying circumstances that aren’t just pretty.
The artwork of Aunt Ai-chan in the final episode is really beautiful, isn’t it?
Ryoko-chan, who had all the personal impact taken away by Ruriruri, is now sadly…
No talk about the manga version up to this point.
From a meta perspective, both Akito and Hokushin are strange guys who look ridiculous.
It’s not much different from dressing up as Gekiganger.
Voice actress, nurse, and Megumi.
Looking at her now, Megumi isn’t a good woman at all…
Looking back now, Hikaru-chan’s moves are way too misleading!!!
Minato, you’re too naughty, so I want someone to draw a spicy picture.
The role of the pole is troubled, but it’s impossible for Goat…
Isn’t Uribatake crazier than an A-class jumper?
In terms of danger, it would be better to kidnap that guy quickly.
The goal is to spread the awareness of how crazy boson jumping is, so it doesn’t really matter.
I still love the top-class mechanics, Uripi.
I wanted to become an old man like Uripi or Prospector.
It might be rare to have a protagonist in a robot story whose piloting skills grow but who is not at the top level until the very end.
It’s painful that a sequel can no longer be made, along with Stelvia…
What did Otsuki P do?
The television had a balance of brightness and seriousness.
There are too many serious movies that are irreparable, and it’s tough.
It’s cruel that a regular pilot is normally stronger than a cook.
Whoa… the six people who were such a struggle to defeat are being taken down so easily…
Guy’s way of dying was unexpectedly shocking.
It’s unfair that the capable people gathered without caring about their character are truly capable.
Prospector is cool, isn’t he?
I also wanted to become an adult like this.
At that time, I felt a sense of rawness in the fact that the playboy and Ryoko-chan, whether they knew each other or not, seemed to be getting along surprisingly well.
I love the movie version too.
I was a little shocked by Uribadake-san’s raw sexual desire, or rather the impression that he might cheat, even as a child.
It has a level of enthusiasm comparable to anime.
I understand… It’s nice, isn’t it…
Even in the theatrical version setting, they appear to survive.
Super Robot Wars BX
Isn’t this reality treated too much like an anime?
Rather, the story is solidly interesting and develops into a romantic comedy.
I feel like movies lack the rawness that serves as a prologue to sequels.
There was hardly any means to see Mr. Uribatake’s raw sexual desire.
It’s painful that a sequel to Stelveia has become impossible…
I used to be obsessed with Ruriruri, but after rewatching it recently, I found the explanation lady to be super attractive.
Super robot shows are being mocked by people who haven’t experienced them, partly because there were almost no ways to watch them back then.
There was a time when even the original Gundam movies were in question whether they would be in theaters.
I never would have thought, but could it be that the creators intended for Gekiganger to be received in that way?
There is already a solid justification, and it’s not a lie, but the story also has underlying circumstances that are not just pretty.
I can’t believe that Ines-san = Ai-chan’s setting was something she came up with in the moment after the broadcast started…
But when I think about it, if they were the same person from the stage of having blonde hair, it feels like they would have matched the shade of blonde more closely.
The opponent we’re fighting is a drone, so it’s being made a mockery of.
That said, I’ve been running around the ship for a funeral from the beginning…
Where can I see the story of the passionate coup and the ceasefire?
Actually, it was interesting that not just Akito, but a lot of other crew members were involved as well.
It’s hard to understand whether this anime is about the era of the Nadeshiko.
The darkness and malice of the production side.
After it was revealed, I was like “wow…” at the places doing anime that made Mars the enemy.
It has become like that…
The way of dying in “Guy” had a balance of brightness and seriousness, but
Why are you bringing it down?
Will the Saturn version delve into Houmei Girls… or something like that?
It’s not much different from cosplaying as Gekiganger.
Too much anime…
In the past, I was obsessed with Lullaby, but when I recently revisited it, I found that the explaining aunt was really annoying.
On the contrary, at that time, I was very popular and it felt like I was really awesome, right?
Although there is no sequel,
I can only say that the ID will come out.
By the way, there was an idea for the movie to either address the unresolved parts on TV or not, but Otsuki decided on the option not to address them.
Ruri-chan is still as cute as ever.
Yurika probably would have a bust size about double if she were in modern times…
Since the opponent is an unmanned aircraft, it’s easy to mess with.
That being said, I only ran around the ship during the funeral from the early stages…
I feel like movies nowadays lack the rawness of a setup for a sequel.
There were almost no means to see Mr. Uribatake’s raw sexual desire.
Even in the theatrical version setting, they appear to survive.
Robotech BX