
© Go Nagai, Ken Ishikawa / Dynamic Planning, True Saotome Research Institute
Original work faction! What is that black Getter!?
>>1
Alright! Let me hear it! Hayato!!
>>50
Ah… now that I think about it, I was a fool too…!
How’s the drawing?
>>3
There are some rough spots, but it shows what I want to see, and overall I’m satisfied.
Budget R
Final Episode UR
I was really moved by how the staff’s passion came through.
This is the first time I’ve seen an anime that gets praised for arbitrarily killing off characters from the original work.
Original work fans! How many pages left!?
>>8
2 frames!
I am the daughter of Ken Ishikawa.
I will talk about the will of the Getter Rays…
It was quite clear that the budget was tight, but it was also clear that they were covering for it with enthusiasm.
When adding the human brain, the super robot brings forth the future, and when the three hearts unite, it becomes Getter, which is a million power, right? It’s nice to revert back to that…
The SE I heard more than my parents’ voice was the toughest.
>>14
The close combat feels lackluster and sad, like a clinking sound.
>>14
While everyone was talking about Yu-Gi-Oh, my mind was filled with the story of Knight Gundam.
The budget is so tight that OP is totally stalled.
The CG is really bad, but I was able to enjoy it even without reading the original work.
As a fan of the original work, I’m really happy, but it’s scary that for someone who knows nothing about it, it just looks like an unfinished piece.
(It’s the sound of Yu-Gi-Oh…)
Satisfied with the last addition only.
Killing the original characters and fabricating events after the original story to great acclaim.
Any corrections in the BD?
The rest is up to you, Terada.
The feeling of leaving things unresolved isn’t much different from the original, but maybe it was good to have hope.
>>24
I was relatively seriously down because Getter turned out that way in the future in the original work.
I’m glad you showed me that there might be a different future too.
The low-budget anime style of the 2000s was incredible.
About half of the length was made into an original story, and I let the original characters die without permission from the author.
Wow, that’s really funny!
I think it’s remarkable that the permission for the anime adaptation was granted.
>>26
After proposing various ideas multiple times, this is the one that finally got approved.
>>29
By the way, this is the result of Sky Perfect’s actions.
It’s not that Director Kawagoe’s project was approved, but rather that Sky Perfect requested it dynamically, leading to its animation.
>>40
(Destroyed Sky Perfect TV headquarters)
>>43
But if you invested in a robot anime or a kaiju, you might end up crushing our building in the chaos.
This is Getter Robo (One).
The sense of energy conservation conveyed through the OP.
“Then!”
Honestly, the manga version of Getter Robo being the final work is quite obscure and niche, so it’s impressive that it was adapted into an anime.
I was hoping they would continue beyond the end of the original work.
Smooth resistance
I’ll continue it around the time when the era changes, maybe in a couple of years.
The battle had little to offer, but it showcased the III’s performance and introduced us to unknown Getters.
I felt that you were doing your best to provide good service.
What is that black Getter?
I heard that the Getter dialogue is not in the original work.
…Isn’t it the case that without that, it only leads to Kamui’s ideology, which is really bad for Getter?
>>38
How Takuma and the others returned to the present.
What Kamui did after creating the bug.
Ark vs Bug
What happened to Hayato and the Getter Sauruses?
The appearance of Getter Dragon.
The Ark team reuniting on Mars.
It’s all original content.
>>38
As a result of skillfully handling the unfinished.
I guess what I sensed vaguely was that the future Getter Emperor doesn’t accept the current situation.
Kancolle was unsure whether to laugh or not.
The only one who knew all the answers has gone beyond the void…
>>42
Ken-chan, like Gou-chan, tends to think while drawing, so I wonder how it will be…
Perhaps in that future, there was a final war between humans and lizards, and humans, along with Getter, emerged victorious, proclaiming that humans alone are the supreme primates! The world and the universe belong to humans!!
If you think about it, it’s strange that there’s a goal inside Getter if Getter doesn’t acknowledge anything other than humans…
Could it be that Sky PerfecTV is messed up too?
The supplementation of the parts not depicted in the original work could have been anticipated.
It’s a professional skill to add toppings like tarak and uzara there.
Both Go and Sho, as well as Schwarzkopf, are all original anime characters because they don’t exist in the original work.
>>51
We also brought in voice actors from Shin and Neo Gecko!
Are you really going that far!?
>>51
I was curious about how Sho’s Schwarzkopf was doing, so I was glad to see him come out regardless of the number.
(Kahn exceeds the original’s screen time instantly)
Uzara was really a good arrangement.
>>53
True Dragon, that’s the true dragon!
The person Shinichi Tachibana, who appears in a close-up in this ED, doesn’t appear in the anime for even a second…
>>56
Tachibana Tachibana
Shinsho
One’s
! Brother
I think Storm wanted to do it, but it’s funny that the budget hasn’t caught up with the OP.
I can’t help but wonder if there are any other anime that have complemented the original work, which was rather rough and rushed, to that extent with such incredible energy.
I felt a level of power that more than made up for the poor animation.
Kirara jumps into the OP…
>>59
Just when there was no Kirara slot, the answer came…
I quietly like that Machine Land is operating on Mars in the epilogue.
The character was pretty much dead in the original work, which is probably why they could do reckless things.
Since it’s participating in Super Robot Wars, more robot toys should be released.
When I think that there are four new songs from JAM, it feels incredibly luxurious.
>>65
The bloodline was solo, not JAM.
>>72
It seems like HEATS is solo while the others are all in a JAM.
Well, since Kageyama is also with JAM, it might actually be fine to consider it JAM…
I like that the ending features the theme songs from previous generations.
>>66
Since it’s a song from the OVA, it doesn’t really relate to the original work when you think about it, but for some reason, it feels moving.
The OP’s butt was oddly full of vitality, and that was nice.
People who have read the original work will be pleased, and those seeing it for the first time will want to read the original. It was a wonderful anime.
>>69
What a waste of an opportunity, the new edition isn’t coming out! I mean, something was released recently, but…
The budget is supplemented by getter rays style.
I was happy to see Asakawa Yu say during the Getter Free Festival that he is also a Getter pilot.
As the story progresses, the readers who have already read the original work keep saying, “What is that… I don’t know…”
I hadn’t really thought about Yuma Uchida much, but he shouted so amazingly that I fell in love with him.
>>75
Usually, I feel the blood of Ryoma Ishikawa, but the shout is just too wonderful and reminiscent of Ryoma Kamiya…
>>91
Shine Bomber!! It’s great, isn’t it…
>>97
Good…
Tomahawk!! That’s also good…
Upon closer consideration, the guardian deity of defense that left was Uzala.
It has a disgustingly terrible ending, saying that those who can be called enemies were captured and modified…
Is Getter Mandala also in the original work?
>>78
If it were there, I wouldn’t be confused in the upper left!!!
>>78
Was it there… maybe it was…
The future getter has finally run out of power, huh…
With the appearance of Uzarara from that point, it makes sense that the budget allocation would end up like this!
An early character who didn’t die in the original work has died…
I’m glad you could finally die.
>>80
Dr. Shikishima: “That’s right!”
>>90
I saw a comment from the director on Nico Live saying something like “You’re probably still alive” and thought, “Well, that makes sense…”
>>101
It’s not built-in; the parts are scattered around.
You can see how the director gradually changes by watching them in order from the OVA.
It’s rare for a plot that confuses those familiar with the original work to be highly rated.
>>84
Because even if expectations are betrayed, hopes are not…
In other words, I realize that there was that method for adding things later, and it makes complete sense.
Kenichi Ogata is talking about how he wanted to do Bat General since it was his debut work, which makes him a bit too much of a veteran…
Oh… what a nice opening…
♪The world has lost all means to resist♪
Huh…!?
>>86
It won’t move… It won’t move at all…
>>86
I can’t stand the people who are retreating little by little.
>>117
I really thought it was a broadcast accident when I first saw it.
>>86
A strangely striking, thin mob character that resembles Gian.
It has an energy-saving feel, but the rust getter and the protruding emperor make up for it in the opening.
It’s such a nice story seeing everyone hold hands for Kamui’s mom…
>>89
It’s nice that Kamui kills that mother in the original anime, right…
>>89
It’s good that Mom didn’t get killed, but rather died protecting Kamui.
No, it’s really not good. It’s tough…
The fact that Kamui-kun was tricked by a hamburger shop and as a result ended up in a terrible situation, living on Earth as Getter humanity.
No matter how much it was supplemented, Tyrl was still a mystery in the end…
Now is the time to wrap it up!
The sound effects are called Yu-Gi-Oh, but they were originally sound effects made for robot anime that were just repurposed for Yu-Gi-Oh.
I often heard about SD Gundam, Zeorymer, Rayearth, and Odyan.
>>99
I assumed they didn’t use that sound effect in games like Super Robot Wars because of rights issues or other complications.
Will it not become vulnerable once we leave the base?
That’s where Tarak makes his appearance.
The feeling of running out of budget at the part where we call their names is intense.
Is this a scene that can be replaced later…??
The planning team needed a fraudster.
If you can trick the important people into giving you a budget equivalent to an OVA for each episode, then…
It was a monumental success.
>>106
Well, I was quite surprised back then that Getter was actually broadcast on TV instead of being an OVA.
But even though this is a low-budget anime, it’s amazing that they don’t use footage from the main content in the opening.
>>107
I think Chenge was in a bit of a rush because of last-minute appointments, but I have the impression that the coach is very particular about that kind of thing.
This ED animation…
Is this it?
>>110
Ah! It’s coming strong!
The Earth in the final stage is much more messed up than I expected…
Ark-kun is a really good boy, just with a scary face.
Smoothness-loving rebel
The anime I liked the most watching on Death Man.
The director’s ability to read between the lines is too high.
>>122
However, when the director tried to make them struggle against the future guided by Getter Rays, Professor Ken left behind a cryptic remark, saying, “Hmm… so that’s your interpretation.”
The getter pattern on Getter’s chest looks familiar, like I’ve seen it somewhere before.
Speaking of x, I heard that Director Kawagoe always includes Getter Robo G-style launch scenes in each work, but I realized that the tower launch scene in Chenge was that, and it didn’t work for me.
The mass-produced model of the Sterber is nice, isn’t it?
>>126
I also like that Getter Robo was produced in large quantities towards the end.
It might be time to prepare a successor for the director for the future of Getter.
What surprised me surprisingly was Sho’s get machine.
>>128
Well, it was pretty battered, but most of the main body was still intact…
Manga version number and Shin Getter in animation…
Isn’t it thought-provoking that if we push forward the evolution of Dr. Ishikawa and venture into space, what awaits us is not communication with aliens, but rather a quagmire of war?
It’s coming in strong! (Remaining broadcast) There’s no time left!
I’m looking forward to finally being able to transform in Super Robot Wars.
It would be nice if Surprise Getter Robo shows up in Super Robot Wars!
I wish they could somehow create a story set after that final episode…
>>136
If it’s like the true Mazinger, it would feel like the characters Takuma and others would fight to protect the heavens against a third force in Super Robot Wars.
It’s been almost 4 years since the broadcast, but I still don’t understand this guy…
>>138
It seems to be an illustration of the prototype of the God Getter…
>>140
Was it depicted in Professor Ishikawa’s art collection?
So when asked what it was all about
>>138
The original idea is from the illustration collection featuring Ken-chan.
A new form inspired by that has emerged in the OVA Neo Geo.
>>138
This one is fine because those who know it already know it.
Compared to the lawlessness in the upper left that no one knew about.
It seems that Tarak is participating in Super Robot Wars DD, so I wonder if he will join my army in Y…
It seems that Getter Robo was also being repaired even though it didn’t make it in time for the final battle.
The Getter Mandala has slightly different characters or colors between the main broadcast and others, which I don’t get…
>>144
The true Getter 3 also frequently changes colors, so it’s a common occurrence…
Holy Dragoon is one of the design proposals for True Dragoon.
Getter Robo is the original concept for the VS game God.
I heard that.
The fact that it was adapted into anime is like a miracle.
A rare anime that truly blew away the subtle imperfections of the art with sheer momentum.
The Twitter interactions during the broadcast were quite entertaining.
How about a getter with your rice balls?
I like the arrangement of the battle, but I also like the part where Kamui and Mom meet; that has a nice arrangement.
Tachibana Sho’s older brother
Tachibana Shinichi!!
Even if you show a panel in the ED, you wouldn’t understand unless you’ve read the previous chapters.
There were a lot of sound effects that sounded like free audio sources or something similar that I feel like I heard a long time ago… like the explosion sound of “DOGGAAAN” that I heard in Magic Knight Rayearth.
Getter Izumi is, to put it mildly, a bit insane.
>>155
I wonder if the large figure rented out to the inn is still there…
I’m looking forward to Super Robot Wars.
It seems that the broadcast version of the mandala was simply designed incorrectly by the staff compared to the Chengge version.
What’s terrible is that the manga version of the TV anime is the first of this.
>>158
I remember there was an anonymous person who was confused when told that the anime streaming of Chenge, Neo, and Shin before the Getter Arc broadcast doesn’t connect to the Arc at all.
(A crazy mini-game presented with a suit)
>>160
What do Getter Rays and the staff think Musashi is?
(A certain hot spring facility that begins to promote itself with getter rays from its hot springs)
By the way, have everyone been to the original art exhibition?
>>163
The age range of the customers was wider than I imagined.
>>184
There were quite a few women, weren’t there?
I drew True 2 in my notebook, but I keep thinking it could have been a little cooler.
It’s the first time the manga is being adapted into an anime, yet they’re suddenly adapting the final installment into a visual format.
Is it true that the black Getter is an anime original?
>>166
It seems likely that the original author was also surprised on the other side.
I like how the three of them dash in a surreal way with a cool OP intro, feeling like “dababadabada.”
Also Getter Kirara Jump
I never thought I would hear Takahiro Sakurai’s voice again, but I probably don’t remember his performance from that time, or rather, it seems he wouldn’t be able to do that delinquent acting anymore.
>>168
It’s different from Neo Geo’s version, so I think it’s safe to recognize it as a completely separate character.
I wonder what happened to Getter D2.
I wonder if it broke when it was overrun by insects.
>>169
Even after Tarak left, it remained for a while.
It seems like they might have relocated it somewhere so that it wouldn’t be destroyed when Kamui and the others arrive.
Well, the development itself, which pays homage to a scene from the manga, has been used quite a bit in OVAs.
I understand that adapting the manga into anime again is quite difficult.
Q: What is that enemy?
A: I don’t understand…
Q: What is that Getter?
A: I don’t understand…
Q: What is the will of the Getter?
A: I don’t understand…
Q: What do you understand?
A: If we don’t fight, humanity will be destroyed!
It’s amazing how a conversation with Mikken can turn out like this.
I’ve never seen an anime that arbitrarily kills off a main character from the original work and is praised for it.
Following Chenge Hayato, the second Hayato has entered the other side.
First of all, the insane decision to adapt what should have never been animated, the manga version of the Getter series, starting from the final chapter (unfinished).
Criteria for the original elements and degree of complementarity expected in works adapted from original sources into anime.
In the first place, that interpretation of Hayato dying in that flow is not possible.
Ryoma and Benkei aren’t dead, right?
Fans of Ken Ishikawa can’t complain about doing whatever they want with changes to the original work.
Well, I don’t particularly have any complaints about the anime arc.
>>181
Creating such an original anime without the permission of the deceased original creator…!
This is bad; this original creator is the type who destroys the original work!
>>181
Samurai Spirits! Fatal Fury! Ultraman Taro!
>>197
I think Taro has a subtly good interpretation.
What the hell is this…?!
Riding Tarak is nice… I understand Getter, so I can see that I’m out of place with the fleet, and it hurts.
On the contrary, I wondered if they had never actually released the original work despite it being adapted into anime so much…
>>183
Wasn’t it more like a media mix rather than just an original work from the first generation?
It was incredible that someone who didn’t like this created their own short anime based on the original work.
I haven’t been watching much recent anime, so this has become the standard for anime adaptations in recent years.
It’s often called the SE of Yu-Gi-Oh.
After rewatching 5D’s, it feels like Yu-Gi-Oh is just using sound effects from robot anime.
The parts of the number and the real part that get slightly stuck don’t move at all, and I felt a sense of labor-saving.
Well, it’s not something to put a lot of effort into, so that’s fine.
That’s exactly what Battle Spirits is, it’s full of those SEs, a card anime.
Here it comes! Getter Dragon!
…Isn’t it sacred!!
It’s already the end for this planet.
>>193
Are they really recovering from there… Are they terraforming Mars or what?!
That world’s Earth is undoubtedly a true nightmare Earth, isn’t it…
So far, TV anime have been like media mix projects that are interconnected.
The first generation feels like it originated from entirely different works through media mix in manga and anime.
That’s why it was thought that adapting the manga into an anime now would be difficult.
I like Takuma, who is nicely portrayed as the protagonist in the anime, too.
I also like Takuma, who is just being tossed around by the big flow of the original story’s final stages.
A detailed and elaborate drawing, a tremendous shortcut ending.
[Congratulations] Kamihayato has died [That’s great]
Getter Kahn is really active, isn’t it?
The last dragon has a slimy design and is scary.
>>203
You have a face like an Ultra monster…
I was happy to see a new future for Getter.
It’s amazing how they successfully complemented the dream-eater and Hayato, who had no presence or form in the original work.
I think Mr. Ishikawa probably just forgot about the Dream Eater.
“What are we supposed to do when the original work has a canceled ending?”
“Furthermore, to develop a new storyline and end it abruptly.”
Any answer other than Getter is incorrect; if it’s Getter, then it’s completely correct.