>>4

It’s a person.

It is incredibly grateful that it can be reviewed regularly.

We’re going to record real ambient sounds for the perfect anime adaptation.

It’s too perfect, including the broadcast time slot.

>>9

I saw an anime where a robot stepping on a carpet makes the floor sink, it was in Tetsujin 28-go’s superhuman Kelly.

The anime has done a thorough job.

Because you completed it, I want to chase after you…

This year marks the 20th anniversary of the UR anime.

Do a 4K digital remaster.

Those things considered far away.

Still the best of lolibaba.

The new work by Teacher Urushihara has started in After.

>>16

Really!?

If it’s a relaxed vibe like a cat facing west, I would be so happy!!

It doesn’t have much of a sense of the era, so it can still be easily watched even now.

I’m out of options.

It seems that there are many animators whose brains have been burned out.

It’s nice that the anthology has a quietly impressive collection of works…

I especially like the story of the thread picture and the Aun no Mushi.

The end of a naive thought that believed good things would sell.

It seems that the staff interview for the bonuses was conducted during the production of the anime.

In one word, the staff unanimously said to the director, “Please submit the storyboard quickly,” which was a problem.

After seeing this, I thought I don’t need to read the original work.

I don’t often know anime that are superior to the original work.

>>27

What a waste.

It’s a shame that people don’t know the original work, which has its own unique charm.

I’m always waiting for the soundtrack that includes the theme songs for each chapter of the sequel.

Does this lolibaba have any more appearances afterwards?

>>29

None

Was there a cut in the OVA?

I don’t have it.

The OP is…

>>33

I love it so much that I want to travel.

2 makes me sleepy.

>>34

Is it really okay like that?!

I like the story about a bird being inside a shell because it’s cute.

>>35

It’s amazing how the insects take off while spinning around, isn’t it?

In the end, what you all value is probably the setting based on old Japan that allows for many slender women to appear, right?

Even now, I sometimes cover my ears and listen to a sound like a rumble from the earth.

It looks like it’s taking a lot of time…

>>41

This is the level of writing that could go into a serialized publication!

Just by adding perfect colors, movements, and voices to the original work, it can become a masterpiece, so it’s quite easy, isn’t it?

>>42

Isn’t it just because the original work is a masterpiece?

>>43

I think they wanted to hear that it wasn’t just that.

I don’t know any more anime than this.

Is Director Nagahama making a living?

The only work that made me so happy that I ran around joyfully after the second season was confirmed is this one.

It’s both a blessing and a curse to have eyes that can escape; it’s wonderfully creepy, isn’t it?

I bought the first season on Blu-ray box, so I’ve been waiting for the second season as well.

I panicked and bought all six volumes when I heard that the production company was gone.

I didn’t particularly dislike the language of insects; rather, I actually wanted more of it.

>>53

That’s nice, isn’t it?

The behind-the-scenes stories were fresh… The music was good, but I also wanted to hear from the sound engineers and others.

The original color illustrations are also really great…

I was surprised to see a huge number of credits for the production staff in the thread images, whereas other anime at the time usually had about 1 to 2 people per episode.

I have many favorite stories, but…

I can’t put into words what I like and how I like it…

It turns into a spiritual discussion.

Since the story is mostly bittersweet, it would be nice to have a proper happy ending once in a while.

The light of the eyelids and so on.

>>58

Sure! The group sucking dew in Makurakouji and the remaining crimson!

I liked it under the snow.

The frozen heart is melting away, skillfully orchestrated with entwined insects.

I like the flock that drinks the dew.

I’m not saved… I’m not seeking salvation… the aftertaste is very… troubling… I like it.

Do not respond to sleep talk; it is a word from the other side.

The original text and the anime narration are just too cool.

Is there a continuation to Uro’s story?

>>66

In the epilogue, the child emerges from the cocoon, and there is nothing more said beyond that.

There are many parts I only vaguely remember, but the episode where the children try to return to the river due to the influence of the water system insects was heartbreaking.

The thunder’s sleeve is just barely… just barely different from the others… right!

Since we had a really good story in the first season, it feels like the second season is just going to be like that, right?

If I can’t love you, then dying together is love, right…?

It might be different…

Is it the garment that embraces the mountains?

I like that story the most.

It’s nice to whisper about spring…

>>74

At first, I called you “Anta,” then “Ginko-san,” and finally just “Ginko” without any honorifics… Ah, this is the relationship between the two of us…

Season 2 has many dark stories, even though it’s understandable.

The pillow lane is, you see!

The scene where I reunite with my family in a dream is so beautiful that I cry every time I see it!

The ending is too painful, but…

The mountains sleep well, don’t they…

I really like the thread at the top.

It rains.

A rainbow stands.

The story of couples who repeatedly share the same grave in old age, or the tale of being swapped after having their shadows stepped on, is also tough.

But I like you.

The final episode that was done in the movie!

It’s really great…

I’m really glad…

The story of Eternal Darkness we did together is sleeping.

Maku Kōji is just too much of a kind of bug that shouldn’t be alive…

I think the animation didn’t matter much, as it received a reaction similar to that of a Heisei version of Japanese folktales.

But he… exploded.