It has a child-friendly vibe, including the ending corners, so I wonder if there were toys for this back then? Is it just that I don’t remember, or were there actually children’s toys?

When did Revoltech come out?

Later on, there were releases for older fans, but nothing in three-dimensional form aimed at children has come out.

Ribo came out a considerable time after the broadcast ended.

I feel like there was a page where the screenwriter wrote about the chaotic drama of that time.

There’s a story that after Ryukendo was fully completed, it sat for half a year, so it might be a fairly common occurrence.

Could it be that the Moderoid is the first toy that can combine with Gaiking the Great?

I heard it became popular in Taiwan.

No matter how you look at it, the later OP doesn’t fit into 1 minute and 30 seconds.

Bring out the Crab King too.

It was so seriously made, yet there were few broadcasting stations at the time, no merchandise was released, and there was no distribution, so it made me wonder what they were thinking.

In the mid-2000s, it felt like robot anime remakes were solidifying.

It’s a robot that clearly wants to be played with by mixing and combining, like a toy you would expect from something like “Liking-Bulking”…

To begin with, it had been a very long time since Toei made a robot anime.

I think it’s been since Getter Robo G on TV.

It’s really sad that the rival great didn’t come out in the draw.

I didn’t know that Gaiking was such a monumental work that made that animator a thumbnail black hole…

I might have thought about it back when we were making the pilot version.

It seems there wasn’t much time to spare since a sudden go-ahead was given to fill the gap left by the cancellation of Bobobo.

The original Gaiking was so popular that it became the main character when it was personified as a beautiful girl.

Until Mazinger Z and the others arrive

I think it was this work that prompted Sanjo-san to become seriously involved with Toei.

Because Gaiking is the first original robot anime by Toei Animation.

Mazinger and others are based on the original work by Dynamic Planning.

The story, regardless of the artwork, feels interesting from the very beginning.

This sudden push is amazing, Sanjo.

It’s because it’s the follow-up program to Bobobo.

The blog by Otsuka and Sanjo posted above is great to read as a supplementary material; in the first half, you’ll think, “I can’t believe this is happening…” and in the second half, you’ll feel, “These people look like they’re having an amazing time!”

Now there are proper Zaurugaizers.

It seems like it’s been quite a while since Sanjou Riku worked on an anime script.

Making a story in three months is quite unreasonable…

Is the preparation period including design and casting?

I’ll say it straight here: this is my first time writing a television program script.

I have occasionally worked on OVAs and have written manga originals in script format, but this is my first challenge with a TV anime, where I am the main writer.

Were there any other programs like that?

Scary…

Not having time must really be serious.

Before that, there was the Gaiking NEO project, right?

Just the PV one.

https://www.toei-anim.co.jp/tv/gaiking/tairiku/0602.html

There are countless absurd stories, and they’re incredibly interesting.

I was thinking of quoting it, but it’s better to read it directly!

You’re streaming because you’re appearing with voice on Y, right…? That’s how it is, right…?

I wonder if I was targeted because I was nearby for supervision since the Bito anime was just airing…

It would be nice to have participated, wouldn’t it?

Today’s Gaiking was interesting, wasn’t it?

The story about how I put too much effort into the animation and got scolded by a big shot for making it look like I was creating a theatrical film was funny.

Battleship-themed robot anime is great, isn’t it?

I was half-asleep in the morning when the Northern battle’s face-off suddenly started, and it literally woke me up.

The circumstances leading up to the start of Bobobo are also ridiculous.

It’s awful that NEO suddenly added the letters “NEO” during editing just two days before the release.

The first original robot anime I created was Gaiking.

Gaiking is quite loved, you know.

I really liked the battle against the ranking in the middle part.

Did you make the theme song in about a month?

That magnificent intro and the cool lyrics…

The current Super Robot Wars doesn’t sell that well domestically, so I don’t feel there’s much in terms of advertising.

It might be a chance to bring out three-dimensional objects.

I feel like they think we can make an anime in just a week, which is completely unreasonable.

Is it episode 13 that bursts out…?

I remember that the episode I first saw when it aired was the one that praised the capital.

I thought the insert song “Gaigai Gagagai” was, as expected, done half-heartedly.

At that time, Toei’s schedule was apparently so chaotic that animators would say things like, “After all the drawing work for the Doraemon movie was finished, the drawing meetings for the spring Precure movie that was released at the same time began.”

Who would have thought that it would now lead to perfect package broadcasting?

Though the successor character to Tomoko Kawakami is varied, when I hear Lulu’s voice, I think someone like Yukari Tamura might fit well.

The design is aimed at children, but due to the relaxed child-friendly considerations of the sponsors, there are some tricks that allow for slightly more intense depictions…!

I thought it was a composition I had seen in Gridman, and then I saw the names Hiroki Mutaguchi and Tetsu Amemiya.

The broadcast came out in 2005, Super Robot Wars was released in 2009, and Reboute came out in 2007.

I have a memory of quite a few people wondering, “Were they doing something like this every time there was an expansion?”

I think they have released some, but there isn’t a definitive toy that can be called the ultimate version, like Gaiking or Gaiking the Great.

I already love Lee quite a bit, and I’ve heard that his stock will go up about 3 or 4 more times from here, which scares me.

Wait, did they really do three whole seasons without any toy line?

It got increasingly interesting, and I looked forward to watching it every week.

It was awesome and I got really excited!

Each enemy executive commands the Iron Beast Corps! Beast Demon Legion! Giant Division! Infinite Fleet! It was a complete mess and not good at all.

I love The Great, but I also love Sky Buster Kani King.

I like to cool down with a kaikin after getting too hyped up in The Great.

Bikkuriman was also interesting.

Also, there will probably be some developments that resonate with certain unnamed individuals.

There are quite a few works I want to see participate besides K.

It was still before being sent off early in the morning, so there was a bit of presence even during real-time.

I think the evaluation in the latter half will change significantly based on whether one can endure how much of a proist it is.

He’s a cool boy with a strong core.

Because of this, it causes concern for those around me and serves as a motivation to become competent, making it quite significant.

Asatarou was interesting too.

I was doing a solid period drama.

Saspage and Noza already have character designs that make you go “I like it…” in the first meeting, right?

How are you going to arrange the face open like that?! From there.

The Final Boss’s Thing

The amazing power of being quadrupled and then multiplied by ten is great, isn’t it?

Initially, 10:50 on Saturday is a strange time.

From the second quarter, at 6:30 AM.

Since it was a follow-up to Bobobo, it started without any sponsors at first because of that.

Steel God Jig and others are from a similar era, and this was a time when expectations for remakes were high.

Although there are 47 companions in the song, how many are there in the end?

I quite like Killjagger.

I want a toy.

The leader firmly carries on the tradition of Darius, which is the most important thing.

Katuyuki Sumi was really helpful in bringing in various veterans as scriptwriters.

I knew that Bobobo was crazy in its production, but Gaiking LoD is also pretty crazy…

At that time, Kaneda was participating under a pseudonym because he was receiving a penis from Square Enix.

It was clearly Kaneda style that anyone could recognize at first glance.

I can hear Dad’s voice (he’s Dad, but not really Dad).

Before going to the special effects show later, Sanjo, the Gegege no Kitaro we were watching was also great, wasn’t it?

Bobo is really causing trouble all over the place…

Since it was only airing on TV Asahi and one or two local stations, it didn’t have that much nationwide recognition, so I was pretty surprised when it participated in Super Robot Wars.

I’m happy about the release, but maybe a pace of about two episodes a week would have been better…?

There is a possibility that there is meaning in doing it at this pace.

Is it true that I have the same catchphrase as mom…? Does that mean the captain is actually dad!!????

The early-game trump card becomes useless as something more convenient appears… or so I thought! Weak as I am to developments like that, my brain was completely fried during the final battle.

I don’t mean to say this lightly, but I really think Tohru Okawa from this time is incredibly cool.

Is Dad just committing fraud and then dying?

From Dia’s perspective, it’s not clear, but on the day of the accident, Galis was already the captain, so it’s not Father.

Was Dad a prisoner of war?

I have a memory that my father’s colleague was a super veteran voice actor.

It’s a drinking party! Now’s the time to voice our demands! The voice actors crashing in are too entertaining.

I can hear Dad’s voice (it definitely sounds like Dad, but it’s not him).

He’s not Diamond’s father, but he is still a father…

Since I will become your stepfather, I am essentially your father.