
I say this after having enjoyed it thoroughly, but is it really that great of an SSR!?
>>1
If we assume there is a UR above, then SSR is… well, about half of the somewhat questionable parts are also questionable in the original.
There are times when the original is even more interesting…
About a safe level of completion, around R.
I understand if it’s a manga adaptation.
What kind of anime is SSR, for example?
Recently, is it something like a losing streak?
The good feel of the font is a plus point.
For some reason, there are a lot of anime that miss out on this…
I think it’s because the comic adaptation is almost exactly the same that Fujii the Great Mage is the illustrator for the UR.
Action anime seems to have a high hurdle because they look awkward as soon as they stop during a fight.
Isn’t it a little extravagant?
Dokkoi-da was also an SSR in the comic adaptation, so it’s troubling.
I think the Blood War arc of BLEACH is also SSR.
I think they have more than made up for it with just Aniki’s blacksmith song and the pun robot Hayamin.
It’s more of a comic adaptation.
I think anime is enough.
There are manga adaptations that go beyond SSR to LR.
In the first place, it’s valuable to have manga artists who can draw monsters…
I feel like works from Narou are usually more interesting in their comic adaptations than in the anime.
There are some works like Jobless Reincarnation, Re:Zero, and KonoSuba that are more interesting than anime, so it might just be my impression.
I think it’s fine for the anime to be SSR if it covers the entire original story.
I really want the comic adaptation to reach the very end of the original story.
In the narou genre, the anime adaptation of SSR might be this one, I suppose.
I feel like the sword saint’s manga adaptation is so SSR that the anime is being looked down upon as unnecessarily low quality.
In the past, manga adaptations were much sloppier, but lately there have been many well-made manga adaptations, and I’m happy about that.
The only thing that makes up for the length of a single season is R.
The uncle’s song episode is C.
I only have the impression that old light novel adaptations always leave off at a halfway point.
The ability to draw mechs in a comic adaptation is too strong.
The anime adaptation has quite a long monologue from Sanraku.
The theme song was mediocre except for the Setsuna ending.
The comic adaptations of Narou VR have a lot of misses… Dendro is about an SR level.
However, the tension has actually made that relaxed animation somewhat of a habit for me.
I was surprised that the original work hasn’t been published as a book.
Skipping book publication and going straight to manga adaptation and then anime adaptation is too much of a warp evolution.
Is UR related to Mushishi or something?
SSR is probably Little Red Riding Hood Chacha…
It’s said to be a god game, but I think it’s just a high degree of freedom and more than half of it is stepping into the realm of a terrible game.
It’s amazing that it can perform high-performance VR behavior.
It’s a god.
The OPED gacha is C.
I can’t say much about others, but I have the impression that people who get their brains fried by the original Shanfuro tend to have a sticky and creepy intensity.
It’s interesting, but the narration has always been mediocre.
I feel like something’s not quite right, but it’s hard to put into words.
This series keeps the animation costs down while using the saved resources to make it move really dynamically, which is crazy…
It’s a luxury, but…
It’s because it’s a long-running series.
The drawing never breaks down at all.
The loose pacing that feels like an old school jump anime is really tough to endure.
I want to see in the anime the part where I fight with hundred sisters in grilled salmon mode.
The animation is good, but the pacing is too bad.
I don’t have too many complaints, but please release season 3 soon.
I wonder if the result of setting the scope up to the second season was that the first season ended up feeling prolonged and tedious.
If we want to complete the Kutaanid, we need to pack it in instead, or we won’t have enough time.
It’s not as bad as Tanjiro, but since it’s a game, there are a lot of monologues.
I think it’s fine to keep it as is because the scene with the constant monologue is an interesting part of the game’s trial and error process.
I feel like the recap from last time is a bit long.
I think it’s a miss SR.
The character design, animation, and voice acting are good, but the pacing is poor and the direction is lame.
Anime always has issues with timing.
The second season of “Re:Zero” was unusually high quality.
It’s fun to do quests with friends, but the times when I’m alone, filled with monologues, testing and experimenting in various ways, give me the strongest sense of Shanfuro.
It may be childish to say this about anime, but I often think that it’s unnecessary for them to talk to themselves like that.
What is it?
Do you have a problem with me being the boss?
When Sanraku starts to analyze, it gives the impression that he suddenly begins to mumble.
Is anime different from that kind of thing?
The original work is interesting, but the part where Sanraku gets into a really annoying interaction with a pick-up artist was a bit tough to handle.
In manga, does it become milder, or does the addition of illustrations make it more intense?
It’s quite a bit ahead, but…
The comic adaptation is finally at the stage where Sanraku’s transformation into a non-human is progressing.
What the battle depiction would be like when the excessive conveyance is mastered.
It’s satisfying to see a super amazing eccentric gradually becoming known as a celebrity.
Is Mr. Sanraku strong in real life too?
The anime is slow-paced, or rather, sluggish.
When I look at the criteria for comic adaptations, I wish they would do it more smoothly.
The anime has a bad pace.
It would be nice if it were based on the original work or manga.
The comic adaptation is too strong.
Anyway, they are extremely good at drawing and manga.
The mini Shanfro theater is so boring that it’s a minus.
It’s quite a top layer, isn’t it?
I was surprised that they put in so much effort for the Weatheremon battle.
The Champhro Theater is basically watching with a “Duh…” expression.
This chair is still warm… there’s an unbelievable terrible gamer… and that part just made me chuckle.
I think voice actors have amazing skills, but it feels like they don’t quite match with Pencilgon.
I like the episodes that are newly drawn for the comic adaptation in the theater.
It’s quite shocking to realize that there are others besides Gurekichi who can draw with such density on a weekly basis…
It’s not just about high density and fine details; it also has proper highlights and glamour.
I was called by a friend, so I’ll take my leave now^^
Rather, it felt like, why are they putting so much effort into this original work?
As expected, it fell over.
The third season is confirmed, so I don’t think it will fail.
I’ve had experience getting tangled up with a diplosaurus…
Koked (Season 3 production decision)
You probably just came to cause trouble, but using this as a reason to fail is unreasonable.
I fell (became a stain on the arena wall).
The Demon King of the Hungry Ghost Realm has arrived…
It seems like the anime started in 2022 and the manga was at 2.5 million copies, but now it’s at 12 million, so I feel like it’s really growing thanks to the anime.
It’s not that I have no complaints, but I’m enjoying it.
I can’t say it failed, even though I wouldn’t call it a success…
Hyakkano was an anime adaptation SSR.
Certainly, the Sanrakusan that used the Thunderbolt firing pin fell dramatically…
The anime hasn’t gone to the point of becoming a stain on the wall yet!
An SSR with one more rank above it.
I transitioned from the comic adaptation to the original work, but I don’t know where to start reading.
Even though it’s one of the top-ranked popular works on Narou, how come it fell through for publication…?
The person on the cover of volume 22 looks like a really strong character, doesn’t he?
I thought the protagonist, who constantly has a bird brain, wouldn’t be that popular, but unexpectedly it took off.
I write as my mood dictates, which sometimes leads to changes in the setting that can cause inconsistencies…
I think it’s well done, and I became a fan through Weathering with You before the original work.
To be honest, opinions from anonymous people tend to be quite biased, and those who are rude are often the loudest, so I don’t think it’s necessary to take them too seriously or be swayed by them.
The special treatment of the Crimson Scar, which ended up not fitting the setting after all, came about because an unprecedented monster appeared to tie up the loose ends related to drop items, and I realized I actually like it…
Personally, I think the original work is quite selective in terms of its audience…
I thought that manga and anime are quite accessible.
It seems that the manga version has sold 12 million copies, but how popular is it?
There are expressions that are understandable in writing but not suitable for manga.
It’s easier to do in manga, but there are also different aspects when it comes to visuals.
There are people who just want to complain for no reason.
Whichever way you look at it, starting the first episode with the princess being beaten up is likely to be polarizing.
I’m not trying to provoke you or anything, though.
I think it’s better to recognize what “nameless” is saying as less than half the truth, to be honest.
With this level of animation quality, having three seasons confirmed every two cours is a bit too much to ask for, especially if it’s not an SSR.
The second season doesn’t feel too drawn out.
In this season, the overall quality of the original source material’s comic adaptation is good, but it’s sad that the corrupt lord, who was poorly portrayed from the first episode, is an original anime character.
In the first place, this was somewhat not suited for anime or manga.
Rather, if you feel it’s interesting, then that’s all that matters.
I’m happy about the third season; it’s fine to just think that Anonymous is saying something clever again.
I was told it was similar to Gisugisu Online, so I started reading the original work…
It’s a comic adaptation, so it was just animated as is, resulting in SSR.
It doesn’t feel unique to anime.
Maintaining this quality for 50 episodes can only be described as something other than SSR.
It’s great that both the manga and anime were successful, but I would like to ask for a bit more updates on the original work.
I can clearly see that you’re busy!
I hope December 24 will be over by the end of this year.
I have to say, the person who kept criticizing the OP and ED during the commentary of the second season was really annoying.
It clearly seems like a work that is fortunate to be animated.
Reading the original work again, I realize that Finbul was a significant serialization of that era… or I wanted that character… it’s also enjoyable like a Granblue Fantasy yearbook.
I want to dress Sanraku-san from the second season’s ending in a tuxedo, what do you think… I like the story of the original creator confronting the supervising animator with a NO.
I was surprised that we were just talking about playing games normally, rather than anything interesting.
These days, just having a consecutive two-cour season feels like it raises the rarity by one level.
The comic adaptation around the Kuta Niido part is like, whoa… that’s definitely too long… but I wonder what will happen around the big gathering of dragons…
I really liked the song itself, especially the late OP of season 2.
I don’t really understand the good and bad of rap.
I don’t hate the ending theme of season 2, but it doesn’t really build up in a clear way, and it doesn’t match well with the visuals, so it’s hard to comment on.